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Articles 1 - 24 of 24
Full-Text Articles in Glass Arts
Looking In All Directions, Abby Sunde
Looking In All Directions, Abby Sunde
Masters Theses
“Looking in All Directions” mobilizes attention towards the concepts of ‘desettling’ through art and ‘desettling’ as a way of being. Desettling constitutes resistance, resilience, survivance, and refusal of current Western modalities within our society. This body of work is a material exploration of these worldviews to find potential ways to embody a practice that aligns ourselves outside of a colonial settler mindset while living within its societal condition. Using glass, sound, and installation work, the artist un-centers expected encounters with an inherited dominant worldview and instead offers an actualized shift in awareness. Concepts of interconnectedness, interwoven time, and embodied memories …
Adaptive Compulsion, Amanda A. Santos
Adaptive Compulsion, Amanda A. Santos
Electronic Theses, Projects, and Dissertations
Adaptive
Adjective
Adap.tive ( ə-ˈdap-tiv)
of, relating to, or being a heritable trait that serves a specific function and improves an organism's fitness or survival
Compulsion
Noun
Com.pul.sion (kəm-ˈpəl-shən)
a repetitive behavior or mental act that a person feels driven to perform to alleviate the anxiety and distress caused by an unwanted thought or urge, known as an obsession.
For years we have lived in unprecedented times. From the worldwide quarantine in 2020 resulting from the pandemic, to our current US political crisis. The constant barrage of events is overwhelming and demoralizing.
The work in this gallery is a display …
Chasing The Sacred: A Personal Archive, Yiko Yang
Chasing The Sacred: A Personal Archive, Yiko Yang
Masters Theses
The relationship between humans and nature is like that of a child to a mother, or consciousness to the unconscious. The former arises from the latter, which always holds and shapes it. As human consciousness evolves, the desire to return to the unconscious remains—we are always looking back, searching for that first glimpse of the world.
Thinking back to my childhood, certain fundamental images—archetypes—come to mind. Rooted in the research of Carl Jung and Erich Neumann, this concept also stems from my family’s cultural heritage and my deep, lasting connection with nature as a child. These archetypes reflect the natural …
Migdal, Ashqelon: The Glass Finds, Natalya Katsnelson
Migdal, Ashqelon: The Glass Finds, Natalya Katsnelson
Qadum: Journal of Excavation Reports from Israel
The salvage excavation at Migdal, Ashqelon, unearthed some 85 glass fragments, including jars, bottles, a bowl, a bowl-shaped oil lamp, bracelets, beads and a windowpane. Most of the glass fragments were found in Ottoman- and British Mandate-period strata (III–I). Several fragments were found in Mamluk-period installations (Stratum IV), and only one fragment could be associated with the Roman–Byzantine period (Stratum V). Given the well-stratified context of the glass fragments, some of the uncovered types allow for more precise dating within the Ottoman period. As our knowledge of Late Islamic and early twentieth-century CE glass from settlements in southern Israel is …
Unfurling Blue Carpet Memories, Sara Ahli
Unfurling Blue Carpet Memories, Sara Ahli
Masters Theses
Glass is an amorphous solid, existing in a liminal space, embodying indeterminacy. Its states of transformation from viscous flow to structural solidity carry the imprints of bodily influence. With the direct intention of using glass as a conduit to explore materiality, memory, and self-awareness, I construct a language of embodiment that arises through a series of performative encounters between my physicality and glass in the hot shop.
The mediating process I employ to create and arrive at the glass artwork I make is as necessary as its final form. Motivated by the desire to claim agency over my personal narrative, …
Modern Times, Will Beattie
Modern Times, Will Beattie
Masters Theses
At the intersection of glass, photography and sound lies issues of perspective, framing, and information. These factors as well as the conceptual space between object and image offer an opportunity to explore the way we register narrative through contradicting signifiers. Glass historically has been used as an instrument to reveal spaces, moments, and phenomena previously imperceptible to the human eye. This rendering of previously unseen spaces through language, technology or vision, may work to reorient the viewers’ perspective and allow for a new understanding of the world. The power of disruption as a potential catalyst is central to my studio …
The Space Between, Alexander Dixon
The Space Between, Alexander Dixon
Electronic Theses, Projects, and Dissertations
The Space Between investigates the intricate relationship between perception and reality. By integrating graphic design principles with the optical qualities of glass, the exhibition creates visual distortions that challenge and redefine our understanding of the world. The pervasive use of black throughout the exhibition signifies the vectorized image, a vital element of graphic design and the technological abyss prevalent within our society. The fundamental geometric shapes, coupled with minimalist sculptural forms, employ a graphic approach to highlight visual communication's influence on perception.
Graphic design has a history of shaping public perception. The basis of graphic design is the act of …
Garden Etiquette, Kai Wasikowski
Garden Etiquette, Kai Wasikowski
Masters Theses
Garden Etiquette is an ongoing project concerned with landscape photography, environmental conservation, and the way they have both served the settler colonialist agenda. I focus specifically on the conservation ideologies shaped in New South Wales (NSW) Australia and New England, United States of America (USA) in the late nineteenth century and the settler visualities that underwrote them. Both countries’ histories were marked by photography and conservation’s common function of mythologising land as empty space—to be invaded, extracted and occupied, and wilderness—to be territorialized and protected, albeit, in distinct ways.
With British, German and Polish settler ancestry, born and raised on …
I Buried The Fireworks Under The Tree, Sihan Zhu
I Buried The Fireworks Under The Tree, Sihan Zhu
Masters Theses
Unreachable memories always surround me. I've been trying to extract logical parts from my chaotic memories, hoping to find a connection with the world within the soundless, intangible black fireworks stored in my retina under the grand fireworks display. When I first encountered intaglio printmaking, I impulsively drew subconscious memories on the plate, arranging them along some chaotic storylines. Gradually, I realized that I needed to create my own logical structure. So I started using specific visual symbols and repeating them, using the repetition of the printmaking process to search for logical clues. Printmaking with its special rhythm allowed me …
Extended Substance, Danielle Brensinger
Extended Substance, Danielle Brensinger
Electronic Theses, Projects, and Dissertations
Artist Statement:
“One of the most successful devices for easily creating uncanny effects is to leave the [viewer] in uncertainty.”
-Sigmeund Freud, “The ‘Uncanny’”
I’m interested in making people uncomfortable. Through the exploration of the uncanny, I exploit the unexpected and the psychological to embrace personal reactions. Like conversations we have with ourselves in the mirror, there’s an uncomfortable nature in looking beyond surface value. Utilizing beauty as a strategy and the laws of attraction, my work intends to entice a visual response only to be met with ambivalence. I try to establish a state of uncertain worlds, partial …
Glass: The Material That Defines Us, Madisyn Rex
Glass: The Material That Defines Us, Madisyn Rex
Honors Projects
This Honors Project is an exploration of the intersections between glass science, geology, glass art, and my own personal experience with glass.
Retelling A Landscape Through The Alchemy Of Recasting, Amanda Lee
Retelling A Landscape Through The Alchemy Of Recasting, Amanda Lee
Masters Theses
This project is an acknowledgment of reshaped landscapes while also understanding that this moment of time is only relevant to my own human lifespan and perspective. The work embodies unmet expectations when one confronts a memory landscape of their, or my, childhood. Specifically, I am discussing the chasm between reality and memory through a recent return to my childhood home in Colorado, and was met by two of the largest wildfires in the state’s history. This project takes a moment to digest that loss, of what was known, what was not, and can no longer be known: forests, trees, and …
Meat The Future., Xin Chen
Meat The Future., Xin Chen
Electronic Theses and Dissertations
This research focuses on the subtle relationship between human life, the environment, and other animals that we live among every day. Under the mainstream social background of capitalism and a commodity economy, animals are the victims of constant consumption and exploitation. However, meat is a basic substance for human nourishment, especially in certain cultures. As a result, meat becomes an important part of the commodity economy in capitalist societies, wherein the supply must be filled to accommodate society’s demand. This research formed an exhibition using glass and ceramic artwork using a playfully satirical tone to offer a crucial alternative: how …
The Effects Copper Has On Casting Glass, K. Malika Haver
The Effects Copper Has On Casting Glass, K. Malika Haver
Honors Projects
The aim of this honors project was to discern the difference between how various types of copper reacted with glass. The two disciplines that were connected were chemistry and glassblowing. The basic components learned in chemistry were applied to glass with an end goal of a project installation that visualized the discoveries with copper. The glassblowing technique used was lost wax casting, and the two types of copper used were copper foil and fine copper metal powder. The copper was found to turn the glass into various blues with the intensity and darkness of the blues being dependent on the …
Unfold The Body, Fan Su
Unfold The Body, Fan Su
Masters Theses
I was born into a physical body of flesh and bone, so I thought that I was one with it. As a carrier of my mind and soul, I believed that it was singular to me; that I had full ownership of it. So, why was I refusing womanhood? Was this devaluation of women a legacy? Was this a legacy unique to Chinese women?
As a woman born and raised in a metropolitan center in China, I proceeded through childhood and adolescence questioning my power as a woman. Feminine maturity and the societal pressure to follow the expectation of being …
Balancing The Tangible And Intangible, Shiqi Wu
Balancing The Tangible And Intangible, Shiqi Wu
Masters Theses
I love reading stories, but until now, I had never written my own. Balancing the Tangible & Intangible is organized around my experiences and stories, which are inseparable from my work. Together they constellate a narrative of remembrance. Memories surface, and so do connections, allowing for assurance and conviction during a time of personal flux and global unsettledness. As a choreographer and composer of relationships between the tangible and intangible, I rebuild networks of connections linking memories of my relationship to China, my home country, to my experience of living in the West.
In today's global society, population migration is …
An Invitation, Ashley Harris
An Invitation, Ashley Harris
Masters Theses
I am currently navigating between the concepts of body, material, space, and surface. I’m exploring ways to document and understand the full extent of my physical body in relation to the boundary and extent of my personal space. Each of my works displays strategies to understand my body and personal space. My intention is to confidently advocate for myself, particularly when my presence is questioned. At a time in which my body and presence are inherently political, I’m finding an urgency in how I articulate what my body is, the spaces my body navigates, and the surfaces to which my …
See As One, Min Haeng Kang
See As One, Min Haeng Kang
Theses and Dissertations
Everything that exists in the world is made from “nature.” Humans who initially coexisted with nature began to distinguish themselves from what is human and what is not. Unlike past systems that used to reuse all materials, Society so far has focused on maximizing economic profits along with advancing technology. As a result, the nature of the earth is being irrevocably destroyed, and I think the basis for this lies in the distinctions made between the human and the non-human.
I am always seeking to be in a state where I do not have an atman, like the Buddhist concept …
Greetings From..., Casey Mae Schachner
Greetings From..., Casey Mae Schachner
Graduate Student Theses, Dissertations, & Professional Papers
Greetings from... is a reflection of my roots in the tropical vacationland of Florida, a place for which I feel both nostalgic and conflicted. Growing up in southern tourist destinations, I was confronted daily with the extreme contrasts of living in paradise. In my artwork, I am translating the cacophony of Florida through the lens of materiality. By re-configuring commodified objects of the tourism industry, the sculptural works in this show exhibit my consideration for the paradoxical relationships that exist between materials and place. Much like the avant-garde Surrealist object, or the assemblage of found materials in provocative combinations that …
Lifetime, Emily E. Kuchenbecker
Lifetime, Emily E. Kuchenbecker
Theses and Dissertations
Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities.
I do not fear death.
The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am.
But what am I? Am I my body- or is it much deeper?
Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through …
Journey Through The Wasteland, Songlin Li
Journey Through The Wasteland, Songlin Li
Masters Theses
I started planning this book at the end of last year, because I had to write it for my thesis, and also because I saw this as an opportunity to create, like making artwork. But the difference is that this does not look like my usual art, being only a book comprised of words and images.
From the end of last year to the beginning of this year, I experienced a terrible spiritual disillusionment and was caught in a cycle of depression and anxiety. Even though I was prepared to write this book last fall, I only really started in …
After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee
After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee
Theses and Dissertations
This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined …
Multiple And Moving, Maia Chao
Multiple And Moving, Maia Chao
Masters Theses
This document maps my negotiation of the art practice as experienced in school. It is a record of development, evaluation, narration, articulation, reflection, argumentation, and continual redefinition. I consider the physical and social realities of the studio practice as they relate to my needs, values, and desires on a personal and global scale. Flitting between the mundane and the fundamental, the center and the margins, this thesis reflects my mental topography as a series of parts whose relations to each other are multiple and moving.
How Long Can You Hold Your Breath?, Felicia Leroy
How Long Can You Hold Your Breath?, Felicia Leroy
Masters Theses
I began freediving, a sport in which one dives as deep as possible on single breath hold, as a way to approach the inaccessible space of the deep, to expand my understanding of the unobtainable.
This space (the deep) seemed to me to be representative of something that is totally unknown, its power existing in its inaccessibility, in its un-know-ability.
Through training/experiential data collection and using human physiology at depth as a framework, this thesis work book explores a single breath hold to the other side.
Work made in support of this exploration touches on darkness, depth, the edge, the …