Furniture Design Commons^™

Rizer, Michael C. (Fa 1186), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1186. Student paper titled “Early Toy Making” in which Michael Rizer interviews two sets of couples, the Barnes and the McKees, regarding their crafting ability as it relatesto miniature, hand-carved furniture. Rizer offers a brief description of each toy maker and details the various types of materials, models, and carving techniques used in the creation of the miniatures. Included in the paper are color photographs of the craftsmen and women along with pictures of their wooden furniture pieces and one reel-to-reel audio tape of interviews conducted by Rizer.

Rains, B. Mickey, B. 1952 (Fa 1178), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1178. Student folk studies project titled “The Crafting of Hickory Bottomed Chairs” which includes interviews and survey sheets about the process of making hickory bottomed chairs in Macon County, Tennessee. Sheets may include a brief description of a practice, a photograph, and text classification.

Kezar, Jovanna (Fa 1153), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1153. Student paper titled “Sabbathday Lake Shaker Village: The Shakers Today” in which Jovanna Kezar details her visit to the Shaker community located near Poland, Maine. Kezar gives a brief, albeit thorough, history of the Shaker experienceas it relates to spirituality, organization, and guiding principles such as mottos, beliefs and practices, forms of worship, and governmental structure. Kezar also describes her trip to the Shaker village and provides color photographs and slides of buildings and photographs along with newspaper clippings, postcards, and assorted stationery.

A Natural Circus, Cecilia Plasencia

Masters Theses

I’ve come to the conclusion that I have no interest in controlling and manipulating matter to my own heart’s content. I’m rather bored of rigidly perfect geometries and sentiments. Rather than controlling materials I allow them to do as they please. I capture their moment of revelation, and allow them to speak for themselves. I realize this process of making demotes me from creator to conduit, but I’ve noted that the materials have a far more unique and intelligent message than I could ever imagine.

So, I listen to matter. Matter has one very good friend, the center of the …

Hoyt, Roy (Fa 1145), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1145. Student paper titled “Upholstery – A Folk Occupation” in which Roy Hoyt speaks with Frank Black, a resident of Burgin, Kentucky and “the last of the true ‘tufters’ in his portion of Kentucky.” In the interviews conducted by Hoyt, Black, who had been a craftsman for more than three decades, details the tools, materials, and processes used to upholster furniture. The paper also includes occupational anecdotes and color photographs of Black’s workshop, machines, and finished products.

Lauretta Vinciarelli In Context: Transatlantic Dialogues In Architecture, Art, Pedagogy, And Theory, 1968-2007, Rebecca Siefert

Dissertations, Theses, and Capstone Projects

This dissertation centers on the interdisciplinary work of Italian-born artist, architect, teacher, and theorist Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who occupies a historic place in the 1970s revival of architectural drawings, Columbia University’s housing studio, Peter Eisenman’s influential Institute of Architecture and Urban Studies (IAUS) in New York, and architectonic trends in contemporary painting. She was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (MoMA, in 1974), she was among the first women to teach architecture studio courses at Columbia University (hired in 1978), …

A Synthesis Of Structures, Patrick Kingshill

School of Art, Art History, and Design: Theses and Student Creative Work

I create compositional structures based on a curated catalog of physical and visual relationships that I have cultivated from my daily life. These compositions are intuitive expressions related to my fascination with the many facets of the built and designed world. My arrangements are curious and intriguing and they unify the expansive diversity of my formal inquiries into a cohesive visual and contemplative experience.

Ceramic and wood are my primary mediums. My interest in woodworking is both aesthetically motivated and nostalgic. I was born in a region of northern California that is historically known for its native giant sequoia and …

Pyatt, Susanna (Fa 1380), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan (Click on "Additional Files" below) for Folklife Archives Project 1380. “Woven Evidence?: Western Shaker Connections with Native Americans,” a paper written by Susanna Pyatt in April 2018 for a WKU folk studies class.

Walter Gropius, Mies Van Der Rohe And Marcel Breuer: Designing For America, Shiri Chapman-Daniel

MA Projects

Walter Gropius, Mies van der Rohe and Marcel Breuer: Designing for America examines interior and furniture projects by the three European modern designer after emigrating to the U.S. in 1938. Many of these projects are not very well known, or are commonly discussed solely in terms of architecture, yet the interiors in fact reveal interesting and significant developments in Gropius, Mies and Breuer's work. The exhibition highlights the evolution of their designs, as well as the extent to which they were affected by American tendencies and innovations and their lasting impact.

Of The Crickets, Kathryn Lien

Theses and Dissertations

Of the Crickets imagines the overlapping worlds of ethical ecological solutions to climate changed sustenance and the potential for collective excellence in female exclusive environments. Using garments, furniture, site-specific installation and directed performance, the project harnesses social and material sensitivity to mine solutions for idealized living.

A Familiar House, William Lenard

Theses and Dissertations

The landscapes of my home in Connecticut are important to me. When I was young, I went to the woods for seclusion and comfort. While I wandered through the woods, I discovered a passion for storytelling. Now that I no longer live in New England, I miss the familiar landscapes of home. As a way to portray my sentiment, I write poetic narratives and create objects to illustrate natural landscapes.

I combine my interests of classic Americana art and literature with brutalist architecture and modern furniture to create immersive installations. I work with concrete and hardwood to materially bridge the …