Furniture Design Commons^™

Recombobulation- Taking The Bad With The Good, Gregory T. Kmieciak

Masters Theses

Recombobulation, a play on the word discombobulated (completely disoriented and utterly confused), is intended as a joke.  In the lore of the Milwaukee airport, the Recombobulation Area is located between the TSA check point and the boarding area, or likewise right after you land and before you are heading out of the airport. It's an area to regroup, get your bearings, or if you're anything like me, have a beer.

I've chosen this made-up word as a thesis title, both for its informal tone and to pay homage to my home town. It offers an air of lightness to otherwise …

Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

Masters Theses

Digitization is not a modern invention. Derived from the concept of fingers, this mindset of packing information into quantifiable, interchangeable units sounds mechanical, yet eerily physical. Try to imagine: a ghostly hand with millions of fingers with the same length, likeness, and function. Under the worldview of Digital Narrative, we live in a digital simulation: everything is representable with quantifiable units, fluid across media. Yet under this spectacle of convenient abundance, something is missing. The Unknowables are replaced with arbitrary symbols, while the Uncategorizables are omitted. This is a framework that cannot accommodate human subtleties and complexities. One needs to …

Without Traditional Craftsmanship, Modern Design Is Nothing, Muhammad Asif

Masters Theses

This project explores the fusion of traditional wood carving techniques with modern design principles, resulting in a unique Ocean of Design that showcases the beauty of cultural heritage. Inspired by the intricate carvings of my ancestors, who contributed to iconic landmarks like the Omer Hayat palace, I have created a pieces that not only highlights the craftsmanship of my artisans but also reflects my own journey as a designer. The Ocean of Design is influenced by the shapes of leaves and the clean lines of modern aesthetics, blending functionality with artistic expression. Through this project, I aim to promote my …

For Now, Eriq Wities

Masters Theses

…For Now follows a body of furniture made as the culmination of four years of intense transition. Through personal narratives, I reflect back on my work, investigating and recognizing the value of impermanence in relation to hand handcrafted heirloom furniture, using beautiful, functional, livable pieces as tools able to register time rather than resist it.

This thesis considers what it means to make heirloom objects for lives that are never fixed. The pieces are meant to be touched, used, altered, and continued. They are finished only for now.

Foveate, Dahlia Aggarwal

Masters Theses

This thesis investigates how textiles can unsettle visual assumptions, encouraging a perceptual shift. Through weaving, upholstery, and spatial installation, the work stages a tension between what a surface appears to be and how it is encountered by the body. Through woven pattern, tactile texture, and trompe l’oeil textile surfaces, perception is something negotiated rather than fixed: the eye anticipates one reality while the hand discovers another.

Drawing on a range of sensations gathered from observing landscape formations and textures, it translates enduring scale and material qualities into an interior landscape of woven surfaces and textile-based furniture. Rather than serving as …

Circling, Eun Yong Lee

Masters Theses

This thesis explores Korean aesthetic sensibilities from the perspective of material logic, placing at its core the process of reinterpreting and materializing them. Here, ※material logic§ refers to the relationships among materials that emerge from a particular group＊s accumulated understanding of materials, as well as from the ways in which they combine and use them.

Ambient Furniture, Andrew T. Goulet

Masters Theses

The designed object communicates an idea. Might that idea be an insight? This thesis seeks an ambient furniture of durable insight: objects that reward attention without demanding it, cultivating the conditions for a contemplative practice of everyday life.

Design is the materialization of mind. Through the conception and creation of things, thoughts are given form. Of all forms of thought, insight is the most precious. Insight contains within it the seed of transformation: to see into what was previously opaque.

Insight is empirical. It cannot be directly transmitted. It must be observed first-hand, rediscovered by each successive generation and translated …

Useful Useless Object, Jisu Han Jung

Masters Theses

If spicy ramyun is spicy for others but not for me, is it still spicy

ramyun? This question begins Useful Useless Object, my investigation

into furniture as a site where function, perception, and value are

constantly negotiated rather than fixed. From this question, I

explore how meaning is shaped by the unstable relationship between

object and user. In furniture, usefulness is often treated as an

objective standard, measured by comfort, efficiency, or practicality.

However, this project argues that usefulness is never universal;

it is subjective, relational, and dependent on individual experience,

expectation, and desire.

Through making objects that sit between …

The Marathon Without Running: Experiencing A Runner's Sensorial Journey, Harin Kim

Masters Theses

The marathon is defined not by motion alone, but by the changing conditions a body moves through—and remains within—over time. Breath, cadence, heat, sound, crowd compression and attention fluctuate, producing phases that structure the race from within. These interior states are difficult to access by spectators from the sidelines, yet they are precisely what shape the runner’s experience.

This thesis begins with a simple but unconventional question: How can an exhibition translate the runner’s physical sensations and emotions into a multidimensional experience for spectators who do not run? Through a sequence of pop-up exhibitions placed along the New York City …

Huh? Wow!, Lieyah Dagan

Masters Theses

I view design as a series of gestures: actions through which ideas are processed, refined, and communicated. Barbara Tversky, an American psychologist, describes gesture as a way of thinking through action, where movement becomes part of how understanding is formed (Tversky). In this sense, gesture is not only a means of communication between people, but a way of understanding and responding to the world through action.

My process begins with noticing—observing things in the world and returning to moments that hold a particular quality or possibility. Many of the things that draw my attention carry traces of movement or manipulation: …

Sous-Bois, Spencer G. Peterson

Masters Theses

This thesis explores furniture as a dynamic site of belief production.  Compressed theatrical ecosystems where image, object, and body collapse into one another.  These objects will not offer clarity and they will not restore order.

But they also mask nothing.

Compress, layer, stage, repeat.

Oscillate between seen, felt, and believed.

Productive Armature, Gabriel Ofem Peter

Masters Theses

What if water was all you had, what if your only source of survival was a body of water? I shudder to think that some people get to be put in this situation in the world we live in. As I understand the importance of water to survival, it is obvious that water can be the only lifeline of survival for a community. This is the experience for residents of Makoko, Lagos. Their survival depends on the Lagos Lagoon, a large body of water flowing in from the Atlantic Ocean. This research looks beyond the surface of what this community …

Echoes Of Becoming - K. Morrell, Kole K. Morrell

Electronic Theses, Projects, and Dissertations

I work sculpturally, exploring presence, transformation, and emotional weight that is not inherently visible. My forms are recognizable yet unsettled, existing between familiarity and distortion. Meaning is not fixed or declared, it reveals itself slowly through texture, material, and time spent in observation.

I approach making as a form of therapeutic ritual. Through touch, I shape and alter the material, imbuing it with the story of emotions I want to convey to the viewer. I am most connected to the work in its “in-between” states, when the form is still shifting and unresolved. In these moments, it mirrors my own …

Nasty, Mya L. Correa

Electronic Theses, Projects, and Dissertations

I am exploring artwork about women’s power and sexuality, centering on hair. I’m interested in how hair carries history and how it has been used to control and frighten women. I’ve been reading feminist artists’ books and researching their findings alongside my own work. Drawing on my personal history, my mother’s story, and the experience of raising my daughters, I consider how my children’s lives differ from mine and my mother’s, and what those differences reveal.

Hair has long been wielded as a weapon to enforce expectations on women’s bodies by a society afraid of losing control. As creators of …

There Is A Puddle In Stonehenge, Nathaniel Newcomb

Theses and Dissertations

I began by making what I called "furniture": finding discarded logs and using a chainsaw, I milled out slabs of wood far larger than any normal board or beam, and gave them the function of chair, table, shelf. Sometimes it was a "shelf" in name only, and was commentary on furniture. In my practice, using discarded wood is necessary for the sake of the earth; making original pieces is necessary for the sake of my soul. I am reminded of megaliths when I erect these enormous forms in wood. I make intuitively, and like the meaning of megaliths, obscured by …

Untitled, Seung Ho Jeon

Masters Theses

We are, by our very own nature, confined within our own lived experiences. To transcend our inherent loneliness, we seek ways to fulfill a fundamental sense of belonging through symbolic interactions. The external world we navigate is a subjective framework constructed through repetitive, mundane interaction, and as actors, we participate in such monotonous performances as a means to create shared meaning.

Such performance manifests as a collective entity - an intangible force that is not bound by institutionalized systems, emerging organically from grassroots beliefs and practices. Throughout the performance, there are symbols - artifacts, space, and interactions. And these transformative …

Poetic Pragmatism, Nino N. Chambers

Masters Theses

Making space more useful, comfortable, and human through the design of furniture, is an inherently pragmatic discipline. Yet, even within the constraints of existing production processes, the daily use of furniture objects offers opportunities for long-lasting poetic expression. Poetic pragmatism celebrates the complexity that arises from simplicity and attention to shifts in atmosphere.

This body of work invites a closer consideration of both materiality and methods of production in the objects we choose to live with. By intentionally embracing negative space and connections, these designs exercise subtlety and restraint, serving not as declarations but as companions—quiet tools that foster deeper, …

Soft Potential, Jennifer Choi

Masters Theses

“Soft Potential” highlights the potential of furniture and objects to encourage idiosyncratic and open usage through flexible, modular systems. I utilize modularity as a major tool in prompting interaction and transferring agency. Modular systems embody flexibility in form and function and enable people to tailor designs according to their own ideals. This reflects my aim of designing non-prescriptive work, exercising a soft approach to furniture design.

In this work, softness is a rejection of rigidity in support of human tenderness and agency. Softness in furniture can be both literal and metaphorical — embracing the contours of the human body while …

The Story Of Stories, Yichu Wang

Masters Theses

I don’t recontextualize objects—I subvert them.

I’m not interested in paying homage to forms or giving them a

second life. I don’t see a fire hydrant and think, “what if it were

a lamp?” I’m not recycling visual cues to create metaphor. What

excites me is the slippage—when an object escapes its assigned

role and starts to unravel. My work imagines this moment: when

function collapses, and the familiar becomes estranged.

This is my version of “I think, therefore I am”—not through

language, but through distortion. By twisting the physical

world, I interrogate our reliance on order, logic, and legibility. …

From Industrial Building To Affordable Senior Housing: An Idea Book Beyond Code, Weiyi Ma

Masters Theses

This thesis envisions a proposal to adaptively re-purpose Rhode Island’s extant industrial building stock into affordable housing tailored to the needs of its older and more vulnerable citizens. Architectural dignity, in terms of older citizens amidst this housing crisis, is the creation of living environments that honor their autonomy, comfort, and identity through design interventions that provide accessible, luminous, breathable, and socially enriching spaces, reaffirming their rightful place within the community. With humanistic care and logical rigor, it establishes a mathematical framework for assessment and execution, anchored in five criteria: light, air, space, accessibility, and livability, and presents itself in …

Objects Into Things: The Ordinary Into Extraordinary, Michael K. Yirenkyi

Masters Theses

The most intimate experience of architecture starts at the scale of the object, from the slight grazing past the sofa to the painful bump of the toe against the legs of the sharply angled table. These objects have become a huge part of our everyday life and how we navigate the world around us, especially in the home where we spend the most time with them. Yet how many of us are truly aware when we engage with these objects. In a methodology deeply rooted in the design of objects into things, ideas investigated through this process are situated in …

Tree Story, Jia Hu

Masters Theses

What is Nature?

Nature is a system of intelligence. It means designing for efficiency—often by learning from strategies that have evolved over time. In my research, I use patterns to interpret and decode nature.

To explore nature, I began with the red cedar tree, aiming to simulate and predict its growth patterns—forms shaped by both internal biology and external forces. By analyzing its geometry, I sought to understand how trees embody the dynamic relationship between organism and environment. These patterns reveal the adaptive logic of life.

Patterns are central to understanding nature. While tree geometry may appear chaotic, it follows …

Immersive Stillness In Poetic Space: Textiles For An Uncertain World, Dora Hyunjung Kim

Masters Theses

In an era shaped by environmental crises, the erosion of seasonal rhythms, cultural uncertainty, and the accelerating pace of technological shifts, this thesis explores how textiles—through their tactility, atmosphere, and quiet presence—can serve as vessels for meditative and emotional spaces, which I refer to as "poetic spaces." In the midst of countless unpredictable variables and a rapidly evolving cultural landscape, there is a growing need for environments where silence and quiet reflection can unfold. Within this broader context, poetic space functions not merely as an aesthetic concept, but as a vital site for emotional grounding and inner restoration.

This research …

Designing Between Worlds, Levon Kostandyan

Masters Theses

This thesis reimagines design as a means of cultural continuity—an act of memory, resistance, and transformation. Rooted in the diasporic Armenian experience, it explores how identity is carried not only through storytelling, but through materials, rituals, and objects that evolve across time and place. Through the transformation of pomegranate skin from waste into a meaningful design material, the project navigates the space between symbolism and substance, honoring both the fruit’s ancestral weight and its potential as a living material language.


The work moves between personal narrative, historical research, and material experimentation, engaging with themes of displacement, hybridity, and embedded knowledge. …

Trans-Pacific Connections: Unveiling Cultural Exchange Through Baroque Folding Screens Of Japan And Mexico, Natalia Christine Ramirez

Departmental Honors & Graduate Capstone Projects

This study focuses into the often-overlooked world of 16th-17th-century globally-mobile folding screens, revealing them as vastly important cultural objects. While conventional scholarship tends to compartmentalize artistic traditions, focusing on isolated cultures, this research emphasizes the vibrant exchanges that connected Japan and Mexico during the ‘Baroque’ period. By contrasting the Conquest of Mexico screen with the Japanese Namban Folding Screen, the nuances and vastness of cultural interaction through creative objects becomes illuminated and revered as important pieces of global history.

Through applying global art historical theories, especially the concept of the ‘global Baroque,’ I explore how Mexican biombo screens adapted from …

The Changing Kitchen: Analyzing Sears Mail Order Home Kitchens And Gender Inequality In The United States Between 1908 And 1940, Ella G. Penney

Interior Design Undergraduate Honors Theses

The Sears Roebuck & Co mail order home was no exception to the idea that architecture and design are products of culture and society. Penny Sparke, a scholar of domestic interiors, writes that design is informed by “economics, politics, technology, culture, society, our psychological make-up, ethics, and the world’s ecological systems” (Sparke 8). In 1908, Sears responded to an increase in demand for single-family housing by releasing a home that could be delivered right to your door. This study investigates the ways in which gender inequality, particularly, the confinement of women to domestic space and housekeeping labor, manifests itself in …

Die Baukästen Des Bauhauses: Futurität Und Affekt In Entwürfen Von Alma Siedhoff-Buscher, Clara R. Louden

Scripps Senior Theses

In den frühen 1900er Jahren manifestierte sich die wachsende Besorgnis über Kinder und ihre Entwicklung in den Arten von Spielzeug, die entwickelt und vermarktet wurden. Die Entwürfe von Alma Siedhoff-Buscher, einer Bauhaus-Schülerin, verkörpern am besten die Zukunftsorientierung der Designschule und die latenten Ängste, die um die nächste Generation kreisen. Durch die Analyse ihres Schiffbauspiels und des Kinderspielschranks werden die Fragen nach Normalität, Kreativität und dem „richtigen“ Kind deutlich.

Wild Joy: An Exploration In Queer Spatial Dynamics, Kipper Thomas Reinsmith

Masters Theses

What does it mean to feel represented in a space?

What does a trans space look like?

How can we queer our interior spaces?

Our world is crafted by the many designers that have come before us. These systems, products, and spaces are built upon assumptions of the bodies that will use and occupy them—namely cisgender, able-bodied, straight folks.

Designing and creating objects as a trans person is an act of radical nature. To take up space, to design for trans luxury, for the sake of beauty, for joy itself, feels counterintuitive to the narratives we’ve been served: that of …

Making Room, Rachel Strompf

Masters Theses

Massachusetts is the only state in the United States with a right-to-shelter law which guarantees shelter for families with children and pregnant women.¹ As of February 2024, 3,500 homeless families with children are being sheltered in a motel or hotel with an average length of stay of 14 months, because traditional family shelters have reached capacity.^2,3 While these families are provided temporary shelter, these shelters do not allow for the development of a true sense of “home.” While a motel meets the needs of rudimentary shelter, motels were never designed as long-term accommodations and certainly not with a …

Function Follows Material, Pablo Ejarque González

Masters Theses

Dear Designer,

How often do we find ourselves lost in the design process, unsure of the next steps? It’s tempting to view every aspect of design as a problem needing a solution. However, function is not a problem. For a long time, I approached design from a problem-solving perspective, treating material as a secondary consideration after the idea had already formed. This approach needed to change.

This book is a journey—a map of material exploration. It is an embrace of experimentation and innate curiosity. Many of the experiments conducted did not culminate in finished furniture pieces, yet this does not …