Fiber, Textile, and Weaving Arts Commons^™

Cycles Of Growth And Decay, And Changing The Beautiful To The Grotesque: Installation Through The Lens Of Printmaking, Madeline R. Cochran

All College Thesis Program, 2016-2019

The intention of this project is to create an installation informed by printmaking processes and to explore the tension between what is fragile and delicate and what is decaying and visceral. Specifically, I am working with materials I find delicate and beautiful including: fine Japanese paper, lace, yarn and embroidery floss. I am coating and manipulating these materials with wax, epoxy-resin and baby oil to give the work a fleshy and unsettling feel. Through the process of working with these materials, I have created paper sculptures made from a mold cast from my own torso, miniature books made from monoprints …

Eco-Cosplay: Upcycling As A Sustainable Method Of Costume Construction, Sarah West

Apparel Merchandising and Product Development Undergraduate Honors Theses

Abstract

This research addresses sustainability in the apparel industry from the specific perspective of repurposing materials for use in costume development. Repurposing discarded materials, also referred to as upcycling, is examined as a viable approach to waste management and evaluated for its impact on sustainability in apparel and textile production, especially in relation to costume development. Current issues in sustainability in the apparel industry that are a focus for this research include waste from production as well as post-consumer waste. The project includes the design and construction of two costume pieces based on a style of costume known as cosplay. …

A Fly Has Died A Splendid Death In A Pool Of Strawberry Ice Cream., Miranda L. Becht

Electronic Theses and Dissertations

Humans have evolved an overwhelming awareness of self, other, life, and death. We have learned to selectively process information and to replace dissociated memories with less disturbing ones. We have evolved this ability to deceive ourselves, thus producing a personal reality that is innately false. As a society we tend to idealize our vision of the past, particularly our vision of home. Our idealized notion of home presents itself as a supposedly traditional form of domestic life, but bears little relation to the way people actually lived. This concept of a cozy home full of family love is an invented …

Biochar Derived From Cotton Fiber Feedstock: Characterization Of Material And Potential For Adsorptive Capacity, Lucas Marshall, William Wei, Megan Fuller

CSHLA Scholar Day

Introduction

Anthropogenic contaminants in surface waters have increased in complexity as the use of chemicals in all sectors of society has grown [1]. Water scarcity and quality issues will require robust, low-cost, and sustainable solutions.

Biochars are particularly compelling as adsorptive solids because they repurpose wastes [2, 3] from other industries and are often carbon neutral, if not carbon negative. Cotton is the most common cellulosic fiber on the global fiber market, and as such, a significant contributor to municipal waste streams [4]. This research investigates the use of undyed, unbleached, 100% cotton muslin fabric as the fuel for making …

Wilson, Daniel J. (Fa 1014), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1014. Student folk studies project titled: “Weaving.” Project includes survey sheets with a description of the weaving process in Warren County, Kentucky. Sheets may include a brief description of belief, traditional practice, or tool, informant’s name, woven swatch, and photo.

Textile Society Of America Newsletter 29:1 — Spring 2017, Textile Society Of America

Textile Society of America: Newsletters

Letter from the Editor

The Milton Sonday Archives

Letter from the President

Call for Submissions: 2018 Biennial Symposium: The Social Fabric: Deep Local to Pan Global, Vancouver, Canada, September 19–23, 2018

TSA News:
Textiles Close Up: Save the Date: Announcing Textiles Close Up 2017; Creative Reuse: Textile Waste and Contemporary Design
Fellows of the Textile Society of America
R. L. Shep Ethnic Textile Book Award 2016 Nominees
Symposium Workshop Reviews: Kalamkari: Contemporary Natural Dye Painting; Greeting the Ancestors of Blue: Some Reflections on Working with Ossabaw Island Indigo

Steps Towards Decolonizing Craft

Book Reviews:
Texts and Textiles: Affect, Synaesthesia and …

Blanket Statements, Issue 128, Spring 2017

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 128, Spring 2017

Sarah Nishiura Interview, Larry Villanueva

Asian American Art Oral History Project

Bio: Sarah Nishiura grew up in Detroit and now lives in Chicago, where she makes paintings, drawings, prints and quilts. She learned to sew from her mother and learned to love geometry from her father. From her grandparents, who were great builders, painters, stitchers, weavers and gardeners, she learned that making things is one of the greatest imperatives, privileges and pleasures in life.

Influence: Art, Activism, And Identity As Seen Through A Neurodivergent Lens, Anna Matejcek

Boise State University Theses and Dissertations

My world has no separation between art, activism, and identity. As a neurodivergent individual, I experience life through hyperactive senses. It is an intense reality; however, it is the force that drives me to create, explore, discover and learn. My mind works like a kaleidoscope, always awash in colorful abstract images, each twist or turn reveals a new perspective. For my MFA visual art thesis, I used my neurodivergent brain as the foundation of my study. The concept formed in my mind first as blurry shapes and colors, and then came into focus as I began the process of gathering …

Precolumbian Textiles In The Ethnological Museum In Berlin, Lena Bjerregaard, Torben Huss

Zea E-Books Collection

The Ethnological Museum in Berlin, Germany, houses Europe’s largest collection of PreColumbian textiles—around 9000 well-preserved examples. Lena Bjerregaard, editor and compiler of this volume, was the conservator for these materials from 2000 to 2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays about the museum’s holdings – by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. The book’s second part is a 177-page catalogue, arranged by periods and styles, of 273 selected items that represent the collection as fully as possible, …

Lissauer, Mildred Wallis (Potter), 1897-1998 (Mss 544), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 544. Materials related to the construction of the Godey Quilt by Mildred Lissauer, Louisville, Kentucky in 1934. Includes graphic items gleaned from newspaper, magazines, and other paper ephemera, correspondence with the seamstress responsible for much of the sewing on the quilt, research correspondence of Sandra Statebell related to the quilt and an article that she wrote about it. News clippings and magazine articles about Lissauer’s penchant for interior decorating.

Ethical Reform In Bangladesh’S Ready Made Garment Industry: Building On The Alliance And The Accord, Serena Newhall

Siegel Institute Ethics Research Scholars

The Bangladeshi garment production industry was examined in terms of current building structure and fire safety mechanisms in place, and the opportunity to build upon those standards in order to strategically address growing market demands for ethically produced garments within the ready-made garment (RMG) industry. In determining whether Bangladesh’s RMG industry could pay above the country’s low minimum wage, and still remain competitive, a linear regression model was used to better understand and quantify the price sensitivity of the country’s RMG export products.

Historical Analysis: Textile And Apparel Trade, Zachary Harris

Siegel Institute Ethics Research Scholars

This paper is an analysis of published articles that discuss the history of the Multi-Fiber Arrangement (MFA) to the Post-Agreement on Textile and Clothing (ATC) as well as evaluates the different dynamics and relationships formed by these agreements. The articles primarily focus on different aspects of the agreements and specific countries affected. Throughout all of the articles, industrialized countries and developed countries are interchangeable. A few articles, for example Growing Protectionism (1985), use the term Multi-Fibre Agreement (MFA), which ­­is the same as Multi-Fiber Arrangement. The term European Union (EU) and European Community (EC) are also interchangeable. This paper examines …

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.

Threadbare Unification, Judith Querciagrossa Danaher

The Hilltop Review

No abstract provided.

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Asanoha, Alyssa Chin

Pattern Research Project

2017 Pattern Research Project

Alyssa Chin - Asanoha

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Alyssa Chin, VCU Interior Design BFA 2020, selected the Asanoha pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“Asanoha is a traditional pattern of Japan and its …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Herringbone, Seylar Pring

Pattern Research Project

2017 Pattern Research Project

Seylar Pring - Herringbone

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Seylar Pring, VCU Interior Design BFA 2020, selected the Herringbone pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“The herringbone pattern dates back to Roman times, where …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Seigaiha, Boya Yu

Pattern Research Project

2017 Pattern Research Project

Boya Yu - Seigaiha Pattern

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Boya Yu, VCU Interior Design BFA 2020, selected the Seigaiha pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work

“The seigaia wave is a pattern of layered …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Zigzag, Matthew Toscano

Pattern Research Project

2017 Pattern Research Project

Matthew Toscano - ZigZag (pattern)

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Matthew Toscano, VCU BFA 2020, selected the “Chevron Black” pattern by Tina Raparanta for Spoonflower for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“My sample of ‘Chevron …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Shippo Tsunagi, Emilie Krysa

Pattern Research Project

2017 Pattern Research Project

Emilie Krysa - Shippo Tsunagi Pattern

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Emilie Krysa, VCU Interior Design BFA 2020, selected the Shippo Tsunagi pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“[The] Shippo pattern originates from Japan …

Listening For Licia: A Reconsideration Of Latin Licia As Heddle-Leashes, Magdalena Öhrman

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The semantic field of Latin licium and its plural form licia is undoubtedly wide, with the term applied to thread both generally and in specific legal, medical and magical usage as well as in relation to weaving, and this paper does not aim to survey Latin usage of this term comprehensively. Rather, it focuses on one of the uses of licia in Latin literary sources, namely those where licia appears to denote heddle-leashes. Two much-discussed passages occur in Augustan poetry where licia may be used in this sense: Vergil’s Georgics 1.285 and Tibullus elegy 1.6.79. Both passages have been subject …

Provenance Investigations Of Raw Materials In Pre-Columbian Textiles From Pachacamac; Strontium Isotope Analyses, Karin Margarita Frei, Lena Bjerregaard

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

Pachacamac was considered a sanctuary or oracle by several of the pre-Columbian Andean cultures. As a pilgrimage destination, the site was rich in archaeological artifacts and yielded also many well preserved textiles. Some of the objects found at Pachacamac are considered offerings by the pilgrims to their Gods, and the majority are assumed to be of nonlocal origin. Others are from the Ychsma people, who lived in Pachacamac and the nearby Rimac Valley during the last centuries before the conquest. We have investigated 10 pre-Columbian textile samples, which were supposedly excavated at the archaeological site of Pachacamac, Peru. The textiles …

Observations On The Terminology Of Textile Tools In The Edictum Diocletiani On Maximum Prices, Peder Flemestad, Mary Harlow, Berit Hildebrandt, Marie-Louise Nosch

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Edictum Diocletiani et collegarum: The so-called Edict of Maximum Prices was issued in AD 301 as part of a comprehensive administrative and financial reform released in the reign of the Roman emperor Diocletian. Diocletian came to power in AD 284 after a period in Roman history traditionally understood as a time of ‘crisis’, produced by a series of inter-related factors: a frequent turnover of emperors; problems with the economy in terms of production and coinage; incursions by various tribes on the edges of the empire; internal unrest; the rise of Christianity and periodic persecutions. Diocletian’s actions were arguably pragmatic …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Acanthus, Hongyi Zhu

Pattern Research Project

2017 Pattern Research Project

Hongyi Zhu - Acanthus

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Hongyi Zhu, VCU Interior Design BFA 2020, selected the Acanthus pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“Acanthus is a type of plant that [is] widespread …

Textile Terminologies From The Orient To The Mediterranean And Europe, 1000 Bc To 1000 Ad -- Covers & Frontmatter, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Front and "back" covers

Title page

Copyright page

Preface

Acknowledgements

Table of contents

Jewish Terminologies For Fabrics And Garments In Late Antiquity: A Linguistic Survey Based On The Mishnah And The Talmuds, Christina Katsikadeli

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The main texts of the Rabbinic literature, the Mishnah and the Talmuds encompass a wide range of textile and clothing terms embedded in everyday situations as well as in ritual contexts. A great deal of intertextuality shared both by the Mishnah and the Talmuds as well as by other exegetic works like the Tosefta and the early Midrash – not to mention the Bible – makes these texts a valuable source for the investigation of cultural history and language change and contact, even in micro-contexts, in adherence to the traditions and heuristics of historical comparative linguistics, concerning etymology, language change …

Conceptualizing Greek Textile Terminologies: A Databased System, Kalliope Sarri

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

One of the major challenges in costume and textile research is dealing with the vast number of terms related to textiles and garments, especially because similar terms are found in different languages and dialects, in various regions and over long periods of time, where they have survived in a complicated network of linguistic and cultural interrelations. There have been many attempts to collect textile terms in glossaries as parts of costume studies or as parts of museum archival projects. These glossaries however are usually limited to specific topics, geographical areas, languages, and time periods.

Creating a diachronic and global costume …

Sasanian Exegesis Of Avestan Textile Terms, Miguel Ángel Andrés-Toledo

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Zoroastrian religion, taking its name from the prophet Zoroaster, Greek version of the Avestan name Zaraϑuštra, developed in South and Central Asia out of the Indo-Iranian religious practices going back to the 2nd millennium BC, and is one of the few ancient Indo-European religions that still survive, concretely in some communities in Iran, India and the diaspora. The most ancient Zoroastrian sacred texts, commonly designated as the Avesta, were orally composed and transmitted during the 2nd and 1st millennia BC in the most archaic Iranian language preserved, known as Avestan, until they were eventually put down to writing in …

Ordinary People’S Garments In Neo- And Late-Babylonian Sources, Luigi Malatacca

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The investigation of textiles and clothes in ancient Mesopotamia has been anything but neglected in Assyriological studies. For the Neo- and Late Babylonian periods, in particular, two fundamental monographs have shed light on the clothes worn by the deities worshiped in lower Mesopotamia. 2 Scholars, however, have focused almost exclusively on clothing in the cultic context. This is due to a prevalence of textual sources – mostly economic or administrative documents – recording clothing items worn by divine images during festivals and rituals. Sources on the clothes worn by common people, instead, are close to non-existent. Still, we cannot overlook …

Zur Textilterminologie Auf Römischen Bleitäfelchen: Probleme Der Lesung Und Interpretation, Herbert Graßl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Vorlage und das Studium römischer Bleitesserae, das in den letzten Jahren einen beachtlichen Aufschwung erlebt hat,1 lieferte gerade für die kaiserzeitliche römische Textilwirtschaft viele neue Einsichten. Dazu zählen neben dem in diesem Wirtschaftszweig tätigen Personenkreis vor allem die Herstellung, Verarbeitung und Vermarktung von Textilien, ihre Bezeichnungen und auch Preise in verschiedenen Provinzen des Imperiums. Trotz aller neuer Erkenntnisse bleibt auf diesem Feld aber noch viel zu tun: die Lesung der Texte ist häufig nicht gesichert, die inhaltliche Deutung auch wegen der häufigen Verwendung von Abkürzungen schwierig, dazu kommt noch die verstreute und oft nur schwer erreichbare Publikationsform. Dass sich …