Fiber, Textile, and Weaving Arts Commons^™

Shadow Garments: Costume Creation For Integrating Alienated Parts Of The Self, Mega M. Galvin

Art Therapy | Master's Theses

This study explores costume creation as a narrative-based intervention for integrating "shadow" parts, or aspects of the self that are repressed or alienated due to shame, trauma, or social pressure. Grounded in Jungian analytic psychology, narrative therapy, and expressive arts theory, the research addresses the limitations of traditional talk therapy in accessing somatic memory and proposes costume making as a pathway for externalization and re-authorship. Using a qualitative, participatory study inspired by Pat B. Allen’s Open Studio Process, four adult participants engaged in a three-session workshop to design, construct, and wear costumes representing their identified shadow aspects. Data was collected …

Ethos: A Computational Framework For Material Culture Research, Chelsea L. Grafe

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

Museum catalog records make large collections searchable, but they do not always preserve the reasoning behind the claims they contain. A record may present a quilt's identity as settled while leaving the reasoning behind that claim invisible, making it difficult for later researchers to check, question, or reuse. This project asks whether museum catalog data can be analyzed in a way that keeps each analytical claim connected to the evidence that supports it. To test this question, the project applies a material-first computational framework named Ethos. Ethos formalizes an object-centered inquiry sequence in which material dependencies establish where analysis begins …

Custom Animatronic Puppet, Jake Schuman, Fredy Herrarte, Madison Reedy, Jackson Reynolds

Mechanical Engineering

This project involved the design, fabrication, and implementation of a custom audio-animatronic puppet modeled after Dr. Brian Davis for the California Polytechnic State University Mechanical Engineering Department. The objective was to create an expressive, lifelike character capable of synchronized speech, head movement, arm gestures, and seated-to-standing motion while demonstrating the integration of mechanical design, controls, manufacturing, and artistic fabrication.

The final system consists of an 18-degree-of-freedom animatronic platform utilizing servo-driven facial and upper-body actuation combined with a pneumatic standing mechanism. A modular aluminum and 3D-printed structural framework was developed using SolidWorks and validated through engineering analysis. Character shells were digitally …

Jadughar: The House Of Magic, Dhruvi A. Shah

Masters Theses

Jadughar or the House of Magic is what people call a 'museum' in parts of South Asia. The practice of museum making, at its origin, is the act of collecting, preserving, interpreting and representing a culture’s tangible and intangible heritage to make it accessible to diverse audiences. Since the early 19th century such practices have been performed at various kala bhandars (art centers) in India, without the need of a formal or institutional organisation. The British introduced the model of a ‘museum’ in South Asia, with the aim of not only preserving ethnographic collections, but also showcasing their power and …

Numb., Anna Rapson

Masters Theses

Social media platforms, from their conception, posed a break in the lived experience of the average human being’s day to day routines. Although access to information has always been shaped by portals into other lived realities—through photojournalism, print legacy media, news broadcasts both on radio and television—social media has posited a novel phenomenological architecture where borders between embodied reality and perception of lived experience are simultaneously blurred and reinforced. This morphed duality of consciousness positions the body and mind in tension, deconstructing pre-social media conceptions of the ontology of lived experience. In a digital world shaped by limitless input by …

Foveate, Dahlia Aggarwal

Masters Theses

This thesis investigates how textiles can unsettle visual assumptions, encouraging a perceptual shift. Through weaving, upholstery, and spatial installation, the work stages a tension between what a surface appears to be and how it is encountered by the body. Through woven pattern, tactile texture, and trompe l’oeil textile surfaces, perception is something negotiated rather than fixed: the eye anticipates one reality while the hand discovers another.

Drawing on a range of sensations gathered from observing landscape formations and textures, it translates enduring scale and material qualities into an interior landscape of woven surfaces and textile-based furniture. Rather than serving as …

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …

Lace Memory Lab, Xinyu Han

Masters Theses

Lace, originally developed from European religious garments, has long been treated as a decorative and secondary textile craft. With its delicate hand-weaving, intricate patterns, and lightweight quality, lace has been widely used in clothing and furniture, it has always remained at the edge of spatial design. This thesis focuses on lace as a material memory, exploring how its characteristics can be translated into architectural language and integrated into the spatial practice of adaptive reuse of old buildings. When I think of lace, I notice the similar nature of its craftsmanship and spatial concepts.

What happens when lace is no longer …

Fallen Leaves:The Unseen, Forgotten, Presences That Live In Us, Juhee Cho

Masters Theses

The fallen leaf is a material figure of the unseen, forgotten moments that have made us and holds us still while remaining outside our sight. In urban environments, fallen leaves are managed as seasonal waste, collected and quickly separated from everyday encounter. Yet within ecological systems, they continue to participate in cycles of regeneration, becoming the soil that sustains new life. This quiet continuation is unavailable to the eye, yet known by the body. As a proof of this, the leaf’s transformation reveals itself not to the mind, but to the hand. The curling fiber wears out, the deepening brown, …

Within The Archive: Jewelry And The Poetics Of Historical Trace, Fusheng Zhong

Masters Theses

Jewelry is a poetic translator, through which my intense and complex engagement with history is materialized. By reinterpreting the classical Chinese poem Bring the Wine(Li Bai,752) through paper-based materials, I translate poetry infused with personal traces and a distinct stance into wearable objects that embody the weight of history.

Through jewelry, an art form carried in close proximity to the body, I engage with history by staging acts of document visualization, transforming poems and archival fragments into visual and tactile records.  I suggest that in conditions of informational overload, individuals may gravitate toward reductive positions in order to avoid being …

Watershed Amendments: Assembling New Pervious Ground From Landscape Waste, Sophie Kaplan-Bucciarelli

Masters Theses

In Providence, Rhode Island, much of the downtown area is built over a vast historic tidal estuary. Though we no longer see the salt marshes, wooded bluffs, or meadows that once characterized this landscape, we recognize their absence in contemporary crises of urban heat, flooding, polluted soils and stormwater runoff, and habitat loss. These conditions are particularly acute along the city’s industrialized river corridors, where vacant lots and parking areas sit idle, their history paved over and potential constrained by limited imagination and resources.

These lots - already experiments in fill and land building after centuries of disturbance - can …

Textile Tectonics: Weaving Memory, Body, And Belonging, Jennifer Stageberg

Masters Theses

This work delves into the idea of home as a sensory experience. Separating the feeling of home from the physical space of the house I aim to create new spaces that give the occupant autonomy and foster intimate connections with the material of the architecture. This is done with the hope of creating homes more attuned to the human body that provide a sense of belonging.

I propose repositioning the home as an intermediary space between our bodies and our surroundings. Approaching it through the lens of textiles to explore the sensory experience a home could provide. A series of …

Menstrual Muses: Art, Storytelling, And The Care-Based Communication Of Menstrual Justice, Burcu Koleli

Masters Theses

Menstrual Muses is an artistic research project comprising a written thesis and a body of work developed across soft sculpture, ceramics, illustration, graphic memoir, digital media, and participatory workshops. The written component operates alongside the studio practice, outlining the project’s theoretical framework, methodology, and context while engaging questions of communication, accessibility, embodiment, and stigma. It situates menstruation within feminist discourse, examining how it has been culturally silenced, regulated, and shaped through systems of power.

The artistic work functions as research materialized through practice, responding to the central question of how my art can facilitate conversations around menstrual justice. It explores …

Archives Of The Future, Ka Oskar Ly

Masters Theses

Archives Of The Future is a practice-based thesis that invokes the archive and the future as simultaneous.

This research insists on the recentering of HMong Indigeneity and its own rooted traditions of HMong Queerness and HMong Feminism as ancestral knowledge systems.

They are the medicine. To recover their cosmological capacity is to traverse centuries of systematic eradication by empires and patriarchy.

I treat artistic making, community encounter, memory, and materials as equally valid ways of knowing and as collaborators. Field research from 2020 to 2026 moves through kinship and artisan teachings. It spans Southeast Asia, France, the United States, and …

Gray Sheep, Jennifer Richie

Masters Theses

When material comforts are not available or accessible, how can we care for one another with what is available? Can these methods be scaled up? How can we emulate the tight cultural bonds of people who relied on each other due to their isolation from cultural centers (like towns and cities)? Is it possible to be self-sufficient and not wealthy in the 21st century or has this ability died with past generations?

Using only scraps, found and discarded materials, and items from RISD’s Loop Lab and Second Life, I explore the skills and engineering that would have been a necessary …

Perceptual Heterotopia: A Spatial Experience Through Light, Media, And Textiles, Anne Yeoji Kim

Masters Theses

This study originates from sensory experience of observing sunrises and sunsets. Although the space in which these phenomena occur remains constant, it is perceived in different ways due to changes in the light that enters the space at these times. From these sensory experiences, the study began to inquire into the relationship between reality and the ideal. From this inquiry, it evolved into an exploration of how the ideal, or utopian, could be experienced through the senses within the realm of reality.

The concept of a heterotopia, as proposed by Michel Foucault, was used to expand upon these issues. A …

In The Wake Of Sound: On Field Recording, Materiality, And Reparative Listening, Ivy Fu

Dartmouth College Master’s Theses

This thesis develops a practice of field recording, spatial audio composition, and soft-circuit installation grounded in what I call reparative listening: a slow, materially attentive form of attention oriented toward what dominant recording apparatuses suppress, discard, or fail to register. Across five major projects—Fable Upon Ununified Grounds (2023), Cocoon (2024), Tether (2025), Hide & Seek (2026), and Frequency Commons (2026)—I treat sound not as an extractable output but as a relational event shaped by site, body, material, and signal loss. The work draws together Jane Bennett's vibrant materialism, Eve Kosofsky Sedgwick's theory of definitional crisis and the open secret, Zhuangzi's …

Read The Fine Print, Kayla Lockwood

UNLV Theses, Dissertations, Professional Papers, and Capstones

read the fine print is a two-floor art installation that investigates how midcentury domestic ideology structured bodies, behavior, and perception through visual, spatial, and material systems. Rather than recreating a home interior, it examines how domestic order was engineered across the United States through color coding, planning diagrams, model environments, controlled decoration, and institutional messaging. The two-floor arrangement mirrors the operation of these systems across registers, moving from overt structures of order to quieter, often obscured consequences. By rendering policy, hierarchy, and expectation materially, the installation invites viewers to consider domesticity as a designed system: a set of practices, forms, …

Ile Idasile Aso: Creating Spaces That Promote The Creative Economy In Lagos., Ifeoluwa S. Gandonu

Bachelor of Architecture Theses - 5th Year

Ilé Ìdásílẹ̀ Aṣọ directly translates to “House of Cloth Creation”. Yoruba fashion is more than attire; it is a cultural system that encodes identity, resilience, and social belonging through fabric. Every textile from the indigo-dyed adire of Osogbo to the ceremonial aso-oke woven in Abeokuta carries a story of community, heritage, and continuity. These materials serve not merely as garments but as living archives that express the Yoruba worldview through color, pattern, and form. Just as fashion weaves meaning into cloth, architecture can weave culture into space. Both disciplines involve composition, layering, and adaptation, reflecting how societies construct and express …

Weathered, Haylee A. Dyess

Electronic Theses and Dissertations

Weathered focuses on themes of change, accumulation, time, and acceptance. Each artwork holds layers of information and experiences that form a unique narrative for all its viewers. The construction of each piece is a symbol of the physical ability it takes to create each painting. After my mobility was hindered due to my medical conditions, a new appreciation for physical health and the world I live in was gained. Striving to pack this sense of appreciation into my work, my method became a way for me to cope with my illness and to enjoy being creative, freely.

My art is …

A Comparative Analysis Of Jean Sizing And Fit Across Popular Denim Brands, Brooke R. Sterbens

Apparel Merchandising and Product Development Undergraduate Honors Theses

Denim jeans have been a staple in closets for many decades. In more recent times, human bodies have changed and have a larger variety in shapes than in the past. Brands are looking to create the perfect denim jean for their customer but lack putting in the time and research to make sure their measurement are accurately fitting. Variability in jean sizing among brands creates challenges for consumers to have a consistent fit among different styles and brands. This study aims to examine jean fit through different garment measurement sizing charts across multiple brands at different clothing stores. A quantitative …

Adaptive Leggings For Crohn’S/Colitis/Isbs Patients With A Colostomy Bag, Sarah E. Liebbe

Apparel Merchandising and Product Development Undergraduate Honors Theses

As the prevalence of inflammatory bowel diseases (IBD), including Crohn’s disease and ulcerative colitis, continues to rise in the United States, an increasing number of individuals undergo colostomy or ileostomy procedures requiring the use of an ostomy bag (Crohn’s & Colitis Foundation, 2023). While these medical devices are essential for maintaining health and quality of life, they often introduce challenges related to clothing, including discomfort, lack of support, limited concealment, and restricted self-expression (Hubbard et al., 2019). Despite growing attention to inclusive design within the fashion industry, adaptive apparel for ostomy patients remains limited in availability, style, and affordability, leaving …

Tracings, Masie Sophia Love

Theses and Dissertations

In this paper, the artist wonders what it means to remember a time and place that she has not experienced- what would this look like visualized in a painting? Love studies the histories and similarities between cartography and quilting using the two as a kind of channel to understand, record, and remember land. She explores inherited memory and the clues left behind in the form of quilts made by ancestors to create abstracted landscapes and maps of Tennessee where they lived for generations.

Memory Organs, Coco Ma

Theses and Dissertations

Working across architectural sculpture, sonic works, and monoprints, this thesis explores the body as a site where memory, materiality, and cultural history converge. Drawing from muscle memory, Chinese architectural thresholds, and female narratives, it traces a body that is simultaneously physical and psychological, personal and collective, constant yet always shifting.

Embodied Archives: Cultural Memory And Material Rhetoric In Dindga Mccannon’S Fiber Arts Practice, Mary Lisette Morris

Theses and Dissertations

“Embodied Archives: Cultural Memory and Material Rhetoric in Dindga McCannon’s Fiber Arts Practice” examines mixed-media artist Dindga McCannon’s interdisciplinary career and practice. It argues that her research-driven homages to Black women’s lives and achievements challenge divisions of fine art and craft through cultural memory, material rhetoric, and textile-based archival strategies.

Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa

Theses and Dissertations

Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.

5010, Clare Hu

Theses and Dissertations

Working with the structure of a table top, Clare Hu churns through digital image and woven cloth, asking how much each medium can bear.

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

Nasty, Mya L. Correa

Electronic Theses, Projects, and Dissertations

I am exploring artwork about women’s power and sexuality, centering on hair. I’m interested in how hair carries history and how it has been used to control and frighten women. I’ve been reading feminist artists’ books and researching their findings alongside my own work. Drawing on my personal history, my mother’s story, and the experience of raising my daughters, I consider how my children’s lives differ from mine and my mother’s, and what those differences reveal.

Hair has long been wielded as a weapon to enforce expectations on women’s bodies by a society afraid of losing control. As creators of …

Desert Ghost, Jessica Downs

All Theses

This thesis explores the relationship between landscape, memory, and the body through handmade paper installations inspired by the deserts of southwestern Utah. Drawing from personal experience of place and the loss of a childhood home, the work considers how environments are internalized and persist as shifting, sensory impressions rather than fixed geographies. The desert becomes a generative site for examining presence, transformation, and the passage of time, both geologic and personal.

I use handmade paper and installation to translate my experience of place into physical form. Paper serves as both material and metaphor; its fibers, textures, and muted tones emulate …