Open Access. Powered by Scholars. Published by Universities.®
Fiber, Textile, and Weaving Arts Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Keyword
-
- Collage (2)
- Grief (2)
- Identity (2)
- Memory (2)
- Adire batik (1)
-
- Afro comb (1)
- Artists’ books (1)
- Belief (1)
- Burden (1)
- Ceramics (1)
- Continuation (1)
- Coping (1)
- Craft (1)
- Cultural significance (1)
- Domesticity (1)
- Expression (1)
- Face (1)
- Fragmentation (1)
- Globalization (1)
- Hair sculpture (1)
- Healing (1)
- Illness (1)
- Illustration (1)
- Intimacy (1)
- Journey (1)
- Kazakhstan (1)
- Light (1)
- Masks (1)
- Materiality (1)
- Meditation (1)
Articles 1 - 6 of 6
Full-Text Articles in Fiber, Textile, and Weaving Arts
Braiding Culture Through Ceramics & Mixed Media Sculpture, Joy M. Okokon
Braiding Culture Through Ceramics & Mixed Media Sculpture, Joy M. Okokon
Graduate Theses/Dissertations
Stories are embedded in each strand of Nigerian hair, serving as a bridge across generations and embodying the legacy of cultural expression. Hair-making, a skill passed down through generations in my family, began as a personal practice and has evolved into a powerful means of exploring and showcasing the cultural significance of hair braiding through creative works. The sculptures included in this thesis, Braiding Culture Through Ceramics & Mixed Media Sculpture, feature hair sculpture, afro combs, stools, adire batik made from materials such as clay, wood, glaze and cotton fabric. These materials are carefully selected for their cultural relevance and …
Recollection, Shelby Ann Theis-Lukenbill
Recollection, Shelby Ann Theis-Lukenbill
Graduate Theses/Dissertations
My work is inspired by life's transient nature and objects' enduring capacity to house memories. The delicate sculptures I create combine second-hand objects with paper to capture the essence of moments and possessions that define personal histories. The objects I use represent more than their form or chemistry; they are imbued with fragments of history and memory that I am driven to preserve. In this work, the sentimental nature and purpose of my belongings hold an equal or greater value than the physical nature and purpose of those belongings. I illuminate an object’s sentimentality by combining its form with painted …
Continuing, Shauna Le Ann Smith
Continuing, Shauna Le Ann Smith
Graduate Theses/Dissertations
Taking something whole, breaking it apart, and making it into another form of wholeness is the essence of both papermaking and grief. The papermaking process involves separation, maceration, and forming of new life; the grieving process involves a similar evolution. Creating this body of work has been a pursuit of continuation—a part of me forming new life. Using papermaking processes, I create work that is visually quiet. The details are only noticeable through sustained attention and close proximity. The quiet visual qualities are intended to create a viewing experience that is meditative and slow. The lack of details of the …
Coping With Burdens, Jennifer Rose Wolken
Coping With Burdens, Jennifer Rose Wolken
Graduate Theses/Dissertations
How to carry and cope with burdensome circumstances beyond my control is the main theme I am currently exploring in my artistic practice. I create art objects and experiences that can elicit an empathetic connection to the realities of living with burdens like grief and chronic illness, or help you to process your own relationship to a wide variety of burdens. Individual pieces explore aspects of how I or close family members cope. My practice is multi-disciplinary and the forms focus on reinterpretation of the book as a sculptural art object or artists’ book. The processes I use are overwhelmingly …
A Journey Into My Mind, Shen Chen Hsieh
A Journey Into My Mind, Shen Chen Hsieh
Graduate Theses/Dissertations
During my time as a student in the MFA in Visual Study Program, I have been interested in creating imagery that expresses my inner world that is based on my emotional experience. I believe my identity is influenced by my multi-cultural background, relationships, daily moments and my own introverted personality. I continue to experiment with various mediums and visual styles to communicate these feelings. Drawing, silk-screen printing, mixed media, and three-dimensional sculpture are the main mediums in my artwork. Exploring diverse mediums provides me opportunities to develop my self exploration in my images. I seek to express and understand the …
Journey To My Roots, Ainura Ashirova Barron
Journey To My Roots, Ainura Ashirova Barron
Graduate Theses/Dissertations
This autobiographical body of work is a visual journey that involved the investigation of my personal identity and roots as well as the exploration of my cultural history through a process that relied on photographs, stories and family traditions, such as crafting. I consider this process and practice to be my passage into a globalized society while simultaneously finding my niche in my newly adopted country of America.