Fiber, Textile, and Weaving Arts Commons^™

Reintroducing Hemp (Rongony) In The Material Palette Of Madagascar: A Study On The Potential Of Hemp Clay Components And Its Impact On Social And Ecological Communities., Henintsoa Thierry Andrianambinina

Masters Theses

When mentioning the word hemp, especially in the local language of Madagascar, the literal translation does not set it apart from marijuana, as they are both called “rongony” - creating the stigma around hemp as the negative stereotype of marijuana. However, the material has been used by the ancestors of Madagascar, as well as across cultures, in its fibrous form to produce fabrication like textile goods and packaging. During colonization, the prohibition of hemp intensified, and since then, any activity related to either of these plants is prohibited and will end in severe punitive measures. This thesis explores the strengths …

Moving At The Speed Of Trust, Sun Ho Lee

Masters Theses

Moving at the Speed of Trust is a workbook of strategies — practices, definitions, and techniques — to nurture community-building in support of inbetweeners who live between power structures and cultures and are often left out. Inbetweeners are those individuals whose lives are in transition through recent immigration or forced translocation from Asia to America.

These strategies revolve around threads of trust: kin, giggles, vulnerability, and shared experience. With these threads, we can question power. We can preserve stories, expand the ways we connect, shift perspectives on what is “standard,” and cultivate a community rooted in understanding. To understand each …

Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao

Theses and Dissertations

Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.

Tejiendo Imágenes. Homenaje A Victòria Solanilla Demestre, Catalina Simmonds Caldas , Editora, Marina Valls I García , Editora

Zea E-Books Collection

A collection of 35 essays in honor of the retirement of Prof. Victòria Solanilla Demestre, a renowned and respected scholar of the pre-Columbian culture and iconography of the Americas.

SUMARIO — Miquel-Àngel Sànchez i Fèrriz: El porqué de este homenaje a la Dra. Victòria Solanilla Demestre • Catalina Simmonds Caldas: Un pensamiento sin fronteras • Luz Adriana Alzate Gallego: «A lomo de piedra»: rescatando una gran colección lítica • Denise Y. Arnold: Los textiles andinos teñidos por amarras, el motivo del punto en el rombo y su patrón de difusión: Felinos, serpientes y el cultivo del maíz en un mundo …

Póster De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Victòria Solanilla, organizadora

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Proyectar El Diseño Precolombino: Experiencias Didácticas, Luz Helena Ballestas Rincón

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Se presenta el resultado de un Modelo Pedagógico basado en el Diseño Precolombino, el cual ha sido aplicado en diversos escenarios y ambientes de aprendizaje. Mediante la sistematización de la teoría con la práctica del diseño se muestran ejemplos de los métodos de diseño que han resultado eficaces, ya sea en el ámbito universitario o en grupos interesados en el conocimiento de estos bienes patrimoniales, entre los que se encuentran estudiantes y profesores del área artística así como personas convocadas por algunos museos que poseen colecciones precolombinas.

Al experimentar y proponer activando los mecanismos que liberan la creatividad y, a …

Los Bordados Mayas Que Protegen De Enfermedades En El Estado De Yucatán, México, Roberto Campos-Navarro, Leydi Dorantes, Danielle Dupiech Cavaleri

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Conocemos el rol de los textiles en los rituales y el significado de numerosos símbolos que bordan las artesanas mayas de la Península de Yucatán, no obstante, existen varios motivos de plantas medicinales bordados en los textiles que no fueron analizados. En el mes de septiembre de 2022 dio comienzo una investigación en cooperación con la joven curandera x-meno’ob de Yaxcabá, Leydi Dorantes, que cultiva más de doscientas plantas medicinales mayas en el jardín botánico que creó su abuelo, mismas que usa en rituales y también para curar. Ella nos da a conocer la relación existente entre los elementos de …

Identificación De La División Del Trabajo Entre Los Géneros A Través Del Análisis Iconográfico, Sarah Kauffmann

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

El presente trabajo se enfoca en la metodología para identificar los roles y actividades realizadas por determinado género en la sociedad maya prehispánica. Códigos especiales en la iconografía son utilizados para representar y diferenciar los dos géneros. Varios medios se explorarán como las estelas, dinteles, cerámicas y figurillas. A través de la iconografía se identificará las actividades, vestimenta y postura para interpretar la división del trabajo.

This present study focuses on the methodology for identifying the roles and activities realized by both genders in the pre-Hispanic Mayan society. Special iconographical codes are used to represent and differentiate men and women. …

El Refugio De La Imagen Chamánica En El Mundo Malagana, Sonia Blanco, Catalina Simmonds Caldas

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

La voluntad de elaborar una pieza antropomorfa, es incidir sobre el objeto, haciéndolo actuante. Tratándose del mundo Malagana – sociedad prehispánica colombiana –, que consideró el papel primordial de la mujer, esta imagen femenina y robusta, en cerámica, de pie, portadora de una máscara, como pieza – soporte simbólica contendría en su epidermis y gesto, una narrativa ritual. Desarrollada en un espacio funerario, como ajuar, personificaría los atributos del mono aullador y convocante de los “espíritus (auxiliares) alter-ego”, de los monos ardilla, intervendría de forma ritualista sobre los humedales del pueblo Malagana, aportándoles el equilibrio para la inflorescencia de la …

Black Feminist Poiesis: Locating “The Uses Of The Erotic” Within Black Domesticity, Kiandra S. Jimenez

CGU Theses & Dissertations

What does being human mean for women who were artists denied the ability to live life on their own standards? What did it mean to live a creative life when your body was captured and held within a system that surveilled and penalized you for things like writing, reading, or the idea of creating was impossible? In Alice Walker’s “In Search of Our Mother’s Gardens,” she asks us to consider what it meant to be a Black woman artist when you are considered “the mule of the world,” and are stuck toiling away—as a launderer, a maid, a cook, a …

El Sobredimensionamiento Y Otros Recursos Plásticos Como Representación De La Capacidad Extática–Visionaria En El Arte Chamánico Americano, Ana María Llamazares

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Este artículo explora uno de los principales rasgos del arte chamánico visionario: el sobredimensionamiento de las figuras o de algunas de sus partes significativas. A través de diversos registros arqueológicos y contemporáneos, se brindan elementos valiosos para interpretar como representaciones explícitas de la capacidad extática o visionaria, ciertas imágenes de arte prehispánico o etnográfico ligadas a tradiciones de prácticas chamánicas americanas, en las que se ha expresado la percepción de la magnificación energética a través de rayos, aureolas o apéndices diversos que expanden el tamaño de las cabezas, manos, pies u otras partes del cuerpo en forma desproporcionada respecto del …

Uncoverings: The Research Papers Of The American Quilt Study Group - Volume 44 (2023), Joanna E. Evans, Lenna Demarco, Kathy Metelica Cray, Susan Price Miller, Katy Williams-O'Donnell, Marsha Macdowell, Berkley Sorrells, Marsha Music, Terry Tickhill Terrell

Uncoverings Journal

Preface by Joanna E. Evans

Cherry Tree and Birds Quilt Tracing the Roots of a Pattern by Lenna DeMarco

"Playthings by the Yard" Cut and Sew Doll and Toy Panels of the Late Nineteenth and Early Twentieth Centuries by Kathleen Metelica Cray

Amana Calico and Amana Quilts by Susan Price Miller

The 1697 Coverlet Tracing the Origin of an Early Patchwork Coverlet by Katy Williams-O'Donnell

The History and Meaning of an Inscribed Quilt from an African American Community in Detroit, Michigan by Marsha MacDowell, Berkley Sorrells, and Marsha Music

Peacock among the Ruins: The Evolution of a Textile Design by …

La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

Seeing Slavery, Lulu Hamissou

Theses

This paper examines the resilience of Laura Clark, Carrie Davis, and Delia Garlic, three formerly enslaved women from Alabama whose memories and experiences during enslavement were part of a large slave narrative project called Born in Slavery: Slave Narratives from the Federal Writers’ Project, 1936 to 1938. The design exhibition, Seeing Slavery, visually communicates and portrays the accounts and portraits of the three women. Printed and embroidered fabrics visually communicate the narrative stories of these women, while their portraits are made from screen printed acrylic glass.

Following an introduction, a literature review details the history of the three slave …

2022 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2022 IGGAD Conference: Who Owns This? Communities, Heritage, and Preservation.

Textiled Narratives: Branding, Consumption, And Mexican American Identity At The Turn Of The Twentieth Century, Andrew Michael Gordus

World Languages and Cultures Faculty Publications

The NaCo apparel company out of Tijuana, Mexico, created a unique line of clothing and accessories in the late 1990s and early 2000s. With its success in Mexico, the brand chose to extend its reach into the lucrative US market. The company's focus on bicultural and binational images seemed a natural fit for a growing Latinx presence in the US. An analysis of the company's successes and failures in the new market highlights the continued importance of borders as separators of visual economies rooted in national histories and imaginations. Additionally, their experience reveals the complexities within Latinx communities that can …

Persian Velvets Of The 17th Century: Symmetry, Craft, And Technology, Carol Bier

Textile Research Works

Symmetry is the organizing principle that underlies patternmaking in compound woven textiles of 17th century Iran. Persian velvets are particularly noteworthy for their complicated weave structure. What defines compound weaves is the interlacing of more than one set of warps (longitudinal elements held under tension at the loom) with wefts (transverse elements). Velvets introduce an additional set of supplementary warps held under differential tension. The weaving of a compound textile requires both a pattern harness and a structure harness for the interaction of warps and wefts. A weaver on the bench manipulates the structure harness for each passage of the …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson

Scripps Senior Theses

When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

The Art Of Heritage And Mortality, Barbara Johanna Mileto

LSU New Orleans Theses and Dissertations

Through my art I explore the formation of cultural and personal identity addressing the importance of heritage, ancestors, and religion in Latin-American culture, while I develop my unique deities and spiritual space, creating my own iconography. The pieces are strongly autobiographical, using my family members, and frequently lived experience as a subject. Furthermore, I am drawn to the circle of life and productive failures - beginnings, deaths, and transitions. - My work integrates two-dimensional and three-dimensional mediums, ranging from photography and printmaking to assemblage and textiles, video and digital.

Architectural + Language: Breaking Barriers And Creating Cultural Dialogue, Maria De Los Angeles Delgado Bailon

Bachelor of Architecture Theses - 5th Year

When I was 11 years old, I moved back to the United States, after having spent my whole childhood in Ecuador, my parents native land. I was moving back to the land of opportunity in the search for the so called ‘American Dream’. It was difficult to leave and move to a new place where we did not know anyone or have anything, but just the idea of a going back to my hometown piqued my curiosity and excitement. I remember very vividly, the day I left Ecuador. I remember telling myself to be happy, because this was a moment …

Mathematics And The Divine In Islamic Art: Study Guide, Carol Bier

Textile Research Works

Key Concepts and Terminology

Key Philosophers/Theologians

Key Monuments

Suggested Readings

Marāgha; From Encyclopaedia Of Islam Three, Carol Bier

Textile Research Works

Hülegü Khān (r. 654–63/1256–65) established Marāgha as capital of the Īlkhānate (654–754/1256–1353) in 657/ 1259, a year after his siege and largescale destruction of Baghdad. Located 130 kilometres south of Tabriz, Iran, it became the site of an astronomical observatory directed by Nasīr al-Dīn Tusī (d. 672/1273–4), a Persian astronomer and mathematician who assembled a team of the best minds in what are today Spain, Morocco, Egypt, and Iran. The mathematical work on planetary orbits carried out there helped shape the subsequent development of sciences in Europe. Stone remains of the observatory and its equipment were identified in …

Yolkkh: The Story Of My People, Amna Zelimkha Yandarbin

Theses and Dissertations

The name of my project is: Yolkkh, The Story of My People. With this project I present a series of scarves each one bearing an illustrated scene in order to tell a story – my story and the story of the Noxci people. Noxci are the people who are referred to as “Chechens” by Russians and are generally known by that title. As a Muslim, I have witnessed the way Western media tend to dehumanize my community. In order to contrast this dehumanizing process, I thought that telling the story of my family would help reverse Islamophobic tendencies and raise …

Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green

Dissertations, Theses, and Capstone Projects

Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …

Precolumbian Textile Conference Viii / Jornadas De Textiles Precolombinos Viii, Lena Bjerregaard, Ann H. Peters

Zea E-Books Collection

Contents: Preface — Lena Bjerregaard & Ann Hudson Peters

Archaeological textiles – Textiles arqueológicos – Textiles archéologiques: • 1, Recontextualizando el patrimonio arqueológico: los textiles paracas descubiertos por Engel en Cabezas Largas — Jessica Lévy Contreras • 2, Two-headed serpents and rayed heads: Precedents and reinterpretations in Paracas Necropolis imagery — Ann H. Peters • 3, Representaciones textiles en los iconos de la litoescultura Tiwanaku: significado y distribución — Carolina Agüero & Arturo Martínez • 4, Middle Horizon textiles from Chimu Capac, Supe Valley, Peru — Amy Oakland • 5, Una prenda triangular con plumas en la colección del museo …

Frontmatter For Precolumbian Textile Conference Viii / Jornadas De Textiles Precolombinos Viii, Lena Bjerregaard, Ann H. Peters

PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)

Covers

Title page

Copyright page

Contents

Preface