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Articles 361 - 390 of 428
Full-Text Articles in Fashion Design
Textile Society Of America Newsletter 9:3 – Fall 1997, Textile Society Of America
Textile Society Of America Newsletter 9:3 – Fall 1997, Textile Society Of America
Textile Society of America: Newsletters
A Brief History of the Textile Collections at the Brooklyn Museum of Art
Letter from the President
Letter from the Editor
Textile Museum Introduces a Learning Center
Lineups Change at Several Museums
Conference Reviews
Kalamazoo Medieval Congress has Four Textile Sessions
Announcements
Symposia/Seminars/Workshops
Exhibitions
Textile Society Of America Newsletter 9:2 – Summer 1997, Textile Society Of America
Textile Society Of America Newsletter 9:2 – Summer 1997, Textile Society Of America
Textile Society of America: Newsletters
Bibliography: 1996
Letter from the President
Letter from the Editor
Announcements
Symposia/Seminars/Workshops
Board of Directors
Textile Society Of America Newsletter 9:1 – Spring 1997, Textile Society Of America
Textile Society Of America Newsletter 9:1 – Spring 1997, Textile Society Of America
Textile Society of America: Newsletters
Symposium 1998: Exploring New York
Symposium 1996: A Report on Chicago
Cooper-Hewitt, National Design Museum
National Museum of the American Indian
Letter from the President
Letter from the Editor
Visual Data Archive Established by Charlotte Jirousek
Report on Computer Use Questionnaire by Ann Liivandi
Hearst Museum Acquires Southeast Asian Textiles
Textile Museum Symposium Explores Avant Garde Roots
The Fifth Biennial (1996) Symposium in Retrospect by Rita J. Adrosko
Announcements
Symposia/Seminars/Workshops
Exhibitions
Board of Directors
Textile Society Of America Newsletter 8:3 – Fall 1996, Textile Society Of America
Textile Society Of America Newsletter 8:3 – Fall 1996, Textile Society Of America
Textile Society of America: Newsletters
Introducing…TSA President Louise Mackie
Officers Installed at Symposium
Letter from the President
Letter from the Editor
The Indiana Museum of Art
Doran Ross is Named Director of Fowler Museum
In Memoriam
Announcements
Early Knitting History Group
Classes/Lectures/Workshops
Anawalt is Norton Lecturer
Symposia/Seminars/Workshops
Exhibitions
Board of Directors
Textile Society Of America Newsletter 8:2 – Summer 1996, Textile Society Of America
Textile Society Of America Newsletter 8:2 – Summer 1996, Textile Society Of America
Textile Society of America: Newsletters
Bibliography: 1995
Letter from the President
Letter from the Editor
Announcements
By-Laws of Textile Society of America, Inc. (as amended February 1996)
Symposia
Exhibitions
Board of Directors
The Meaning Of Yoruba Aso Olona Is Far From Water Tight, Lisa Aronson
The Meaning Of Yoruba Aso Olona Is Far From Water Tight, Lisa Aronson
Textile Society of America: Symposium Proceedings
While researching the ritual meaning of cloth among the Eastern Ijo of the Niger Delta, I examined the contents of a number of family owned trunks in which were stored old and much valued cloths traded from elsewhere in Africa, Europe, and India. One type of cloth which I frequently found in these collections was one made up of three, or sometimes four, woven strips that are sewn along the salvage and decorated with supplemental weft-float design. The Eastern Ijo regard this cloth as a valuable heirloom for its trade value and for the fact that its designs evoke spiritual …
Textile Society Of America Newsletter 8:1 – Winter 1996, Textile Society Of America
Textile Society Of America Newsletter 8:1 – Winter 1996, Textile Society Of America
Textile Society of America: Newsletters
1996 Symposium Taking Shape
Introducing…Textiles at the Art Institute of Chicago
On the Agenda: Papers, Panels, Workshops, Meetings
Letter from the President
Letter from the Editor
In Memoriam: Otto Charles Thieme, Cecily Bloomfield, Shannon Rodgers
Member Info-Xchange
Textile Collections at the Field Museum, Chicago
Rinderman CAD Lab Opens at Philadelphia College of Textiles
Saint-Hyacinthe Plans Month-Long Fiber Event
Announcements
Symposia/Seminars/Workshops
Exhibitions
Board of Directors
Textiles Of Sacrifice: Aztec Ritual Capes, Patricia Rieff Anawalt
Textiles Of Sacrifice: Aztec Ritual Capes, Patricia Rieff Anawalt
Textile Society of America: Symposium Proceedings
This presentation analyzes three long-gone prehispanic textiles, a feat made possible due to the peculiarities of the Aztec language, Nahuatl, and the sixteenth-century Spaniards' dedication to detailed recordkeeping. From Columbus' first voyage in 1492 to Spain's final expulsion from the Americas in the nineteenth century, the Spaniards were exemplary recorders. Fortunately, this trait was particularly evident in the decades following the 1519–1521 conquest of Mexico, a period that yielded invaluable conquistador eye-witness accounts, administrative records and missionary chronicles. It is to the latter genre that we owe the data presented in this paper.
Of all the newly-discovered peoples in the …
Textile Society Of America Newsletter 7:21 – Fall 1995, Textile Society Of America
Textile Society Of America Newsletter 7:21 – Fall 1995, Textile Society Of America
Textile Society of America: Newsletters
Introducing…The Antonio Ratti Textile Center of the Metropolitan Museum of Art
Letter from the President
Letter from the Editor
Neutrogena Collections Find a New Home in Santa Fe
1996 Bibliography Issue: Call for Entries
Nominations/Elections Committee
The Collections
Storage Facilities
Textile Conservation Laboratory
Ratti Center Staff
The Study Center
Public Access to the Center
Call for Papers
Announcements
Symposia/Conferences/Seminars/Workshops
Exhibitions
Textile Society Of America Newsletter 8:19 – Summer 1995, Textile Society Of America
Textile Society Of America Newsletter 8:19 – Summer 1995, Textile Society Of America
Textile Society of America: Newsletters
Introducing…The Textile and Costume Collections at the Museum of Fine Arts, Boston
Board of Directors
Letter from the President
Info-Xchange
Regional Activities East
Acknowledgment
Letter from the Editor
New Newsletter Editor
Announcements
Symposia/Conferences/Seminars/Workshops
Classes/Lectures/Workshops
Exhibitions – Past, Present, and Future
Textile Society Of America Newsletter 7:18 – Winter 1995, Textile Society Of America
Textile Society Of America Newsletter 7:18 – Winter 1995, Textile Society Of America
Textile Society of America: Newsletters
Introducing…The Smithsonian Institution’s Division of Textiles Collection
Profile: Rita J. Adrosko
Board of Directors
Letter from the Editor
Info-Xchange
Boston Textile Department Restructured
Recent Acquisitions at Cleveland and Indianapolis
Announcements
Symposia/Conferences/Seminars/Workshops
Classes/Lectures/Workshops
Exhibitions – Past, Present, and Future
Textile Society Of America Newsletter 6:17 – Fall 1994, Textile Society Of America
Textile Society Of America Newsletter 6:17 – Fall 1994, Textile Society Of America
Textile Society of America: Newsletters
Our New President: Mattiebelle Gittinger
Expanding TSA Membership Goals
Board of Directors
Letter from the President
Symposium Highlights
Special Interest Group Meetings in Los Angeles
Letter from the Editor
Announcements
Calls for Papers
Electronic Communication
National Museum of the American Indian
Pacific Textile Arts
The Medieval Dress and Textile Society
Complex Weavers
Philadelphia College of Textiles and Science
Positions Available
Study Tour to Morocco
Travel
Study Tour to Japan
Weaving Tour of Bolivia
Lectures/Symposia/Conferences/Seminars
Exhibitions- Past, Present, and Future
An Investigation Of Small Apparel Retailers’ Definition Of Customer Satisfaction Using A Naturalistic Approach, Sandra L. Cardillo
An Investigation Of Small Apparel Retailers’ Definition Of Customer Satisfaction Using A Naturalistic Approach, Sandra L. Cardillo
Open Access Master's Theses (through 2010)
This study uses an inductive research design to approach customer satisfaction from the perspective of the small apparel retailer. Social exchange theory served as a theoretical framework. The small apparel retailers interviewed in this study had businesses in non-metropolitan communities located in counties with an agricultural, trade, or diversified economic base. Using a qualitative methodology, hypotheses were generated for future study of small apparel retailers’ definition of customer satisfaction. The work done in this study proposes that customer satisfaction, from small apparel retailers’ perspective is a dynamic, multidimensional process requiring the constant evaluation of exchanges that take place between the …
Textile Society Of America Newsletter 6 – Spring 1994, Textile Society Of America
Textile Society Of America Newsletter 6 – Spring 1994, Textile Society Of America
Textile Society of America: Newsletters
TSA’s Fall Symposium
Letter from the President
1994 Nominees Approved by the Board
In Memoriam
Letter from the Editor
Lillian Elliott: A Profile
Joanne Segal Brandford: A Profile
Announcements
Calls for Papers
Memorial Fund Established
Symposia/Conferences/Seminars – Past/Present/Future
The Eastern Region’s Late Spring Tour of the Renwick Gallery’s Exhibition of Contemporary Navajo Weaving
TSA Bibliography Announced
Preface - Contact, Crossover, Continuity - 1994, Louise W. Mackie, Patricia R. Anawalt
Preface - Contact, Crossover, Continuity - 1994, Louise W. Mackie, Patricia R. Anawalt
Textile Society of America: Symposium Proceedings
The Fourth Biennial Symposium of the Textile Society of America, Inc., was hosted by the Fowler Museum of Cultural History, University of California, Los Angeles, California, September 22–24, 1994. The papers addressed a broad theme which was chosen in order to accommodate the diverse interests of members. The proceedings contains the thirty papers and two abstracts of papers presented at the symposium, plus a video script, and a list of the two hundred and forty participants.
Contact, Crossover, Continuity highlights the causes and effects of change on textiles around the world. The proceedings provides an opportunity to identify and evaluate …
Table Of Contents - Contact, Crossover, Continuity - 1994
Table Of Contents - Contact, Crossover, Continuity - 1994
Textile Society of America: Symposium Proceedings
Table of contents from Contact, Crossover, Continuity: Proceedings of the Fourth Biennial Symposium of the Textile Society of America, September 22–24, 1994
What’S In A Name: The Domestication Of Factory Produced Wax Textiles In Cote D’Ivoire, Kathleen E. Bickford
What’S In A Name: The Domestication Of Factory Produced Wax Textiles In Cote D’Ivoire, Kathleen E. Bickford
Textile Society of America: Symposium Proceedings
In a frequently evoked passage from Romeo and Juliet, William Shakespeare asks "What's in a name? That which we call a rose by any other name would smell as sweet." Yet, as Romeo and Juliet tragically come to learn, human beings make much of names. Indeed, one's name is a significant part of one's social persona; it can describe who we are, it can join us and separate us from others, and it can link us to the past. In a sense, when we are named we are given an identity. Describing the complexities of naming for the Wamakua …
Continuity Of Culture: A Reenactor’S Goal, Elizabeth Mcclure
Continuity Of Culture: A Reenactor’S Goal, Elizabeth Mcclure
Textile Society of America: Symposium Proceedings
This paper examines the maintenance of cultural continuity through historical reenactment. It is the reenactor's goal, in this case, to portray and maintain the culture of Ireland and Scotland. They are holding on to this culture and presenting it to others by maintaining the dress, crafts, and lifestyles of sixteenth-century Scotland and Ireland.
The methods of data collection for this study were ethnographic in nature. Interviews with key informants were conducted. In addition, there was a questionnaire distributed to members of the group This method of data collection provided the insight to see how a member of this group achieved …
Green Labels With Golden Elephants: Western European Printed Cottons For Malaysia And Indonesia, Frieda Sorber
Green Labels With Golden Elephants: Western European Printed Cottons For Malaysia And Indonesia, Frieda Sorber
Textile Society of America: Symposium Proceedings
In the second half of the 19th century, several Belgian cotton printing firms were involved in the production of imitations of African and Southeast Asian textiles for markets in West-Africa, the Dutch East Indies, and Malaysia. Extensive records of one firm, the Societe Anonyme Texas, owned by the Voortman family in Ghent, have been preserved in the Ghent public records office and the Vrieselhof Textile Museum (Oelegem, near Antwerp). Frans de Vos and Abraham Voortman started a cotton printing establishment in Ghent in 1790. At that time cotton printing was a relatively new type of enterprise in Flanders. The first …
Bolong-Bolong And Tirtanadi: An Unknown Group Of Balinese Textiles, Marie-Louise Nabholz-Kartaschoff, Monika Palm-Nadolny
Bolong-Bolong And Tirtanadi: An Unknown Group Of Balinese Textiles, Marie-Louise Nabholz-Kartaschoff, Monika Palm-Nadolny
Textile Society of America: Symposium Proceedings
On late 19th- and early 20th-century photographs, South and East Balinese people clad in traditional adat wardrobe for rituals, temple ceremonies, and dances often wear transparent, netlike open-work textiles as breastcloth (anteng), shouldercloth (cerik) girdle (selendang), or headcloth (destar, lelunakan). Information given by elderly Balinese concerning the situation before World War II confirm their use as part of their ceremonial wardrobe but also as important items in offerings and rituals. Such textiles could be laid over several fabrics, covering the body of a toothfiling candidate, or serve as curtains (langse …
Micronesian Textiles In Transition: The Woven Tol Of Kosrae, Ann Deegan, Ross Cordy
Micronesian Textiles In Transition: The Woven Tol Of Kosrae, Ann Deegan, Ross Cordy
Textile Society of America: Symposium Proceedings
This paper presents findings on the major steps in the transition of the Kosraen tol from traditional clothing, to tourist souvenir, to the end of tol manufacture. An extensive study of the German, French, and English literature of the 19th and 20th centuries was done to piece together the history of the Kosraen tol.
The island of Kosrae, located in the Pacific (4–10°N latitude, 140–163°E longitude), is part of the Federated States of Micronesia. Since earliest European contact it has seen numerous changes in its traditional culture. One of its most beautiful and complex traditional crafts is the woven …
The "Severed Shroud": Local And Imported Textiles In The Mortuary Rites Of An Indonesian People, Penelope Graham
The "Severed Shroud": Local And Imported Textiles In The Mortuary Rites Of An Indonesian People, Penelope Graham
Textile Society of America: Symposium Proceedings
This paper explores the significance of local and imported textiles as these interact forming complex categories in the mortuary rites of the Lamaholot-speaking people of the traditional district Lewolema in eastern Flores, Indonesia. Within this regional framework, my account draws primarily on field work in the village of Lewotala. There a person's physical demise elicits diverse social and ritual practices, depending on the deceased's achievements during his or her lifetime and the circumstances surrounding the death. As regards the mortuary sequence that commonly occurs, I will argue that various uses of cloth for exchange purposes mark both the severence—consequent on …
Supplementary Weft On An "Ikat" Isle: The Weaving Communities Of Northwestern Flores, Roy W. Hamilton
Supplementary Weft On An "Ikat" Isle: The Weaving Communities Of Northwestern Flores, Roy W. Hamilton
Textile Society of America: Symposium Proceedings
Among textile enthusiasts, the island of Flores is known primarily for its beautiful warp-ikat cloths. Most of the island's numerous ethno-linguistic groups, including the Ngadha, Nage, Endenese, Lio, Palu'e, Sikkanese, and Lamaholot, produce related yet distinctive textiles within this tradition. It is therefore surprising to find a series of weaving districts, stretching along the northwest coast of the island, where the ikat technique is not used. Instead, weavers in this region produce indigo-dyed textiles decorated with colorful supplementary-weft motifs.
In the ikat districts, sarongs for men and women differ in their patterning and in the names applied to them. In …
The Influence Of Computer Technologies On Contemporary Woven Fiber Art, Cynthia Schira
The Influence Of Computer Technologies On Contemporary Woven Fiber Art, Cynthia Schira
Textile Society of America: Symposium Proceedings
It is generally agreed upon, by both the participants in the field and those few who have chronicled it, that the fiber art movement as we know it today began with Jean Lurcat in France in the late 1950s. He was among the first, if not the first, to make designs or cartoons specifically for the medium of tapestry. Previously, paintings were translated into the medium of tapestry. As well as creating the design or cartoon, he personally oversaw the actual weaving process. This direct connection between the process and the concept or image, the manual and the mind, laid …
Byzantine Influences Along The Silk Route: Central Asian Silks Transformed, Anna Maria Muthesius
Byzantine Influences Along The Silk Route: Central Asian Silks Transformed, Anna Maria Muthesius
Textile Society of America: Symposium Proceedings
Silks traded along the ancient Silk Route were precious, light, and easily transportable commodities that served as ideal vehicles for cross-cultural exchange. The survival of several hundred Central Asian silks, variously datable between the seventh and the eleventh centuries, presents an opportunity to trace patterns of trade, diplomacy and cross-cultural developments at the heart of the Silk Road. These silks perfectly mirror contact, cross over, and change fostered under the auspices of Mediterranean/Near Eastern economic and diplomatic exchange.
This paper will ask three questions:
1. What lay behind Byzantine influence in Central Asia along the ancient Silk Route?
2. What …
Cloth As Marriage Gifts: Change In Exchange Among The Lio Of Flores, Willemijn De Jong
Cloth As Marriage Gifts: Change In Exchange Among The Lio Of Flores, Willemijn De Jong
Textile Society of America: Symposium Proceedings
The exchange of gifts at life cycle ceremonies is one of the most important institutions in Lio society, as in many other societies in Oceania. The life cycle event of marriage and its exchange of gifts is often significant, because important sociopolitical alliances between kin groups are initiated or renewed. In these exchanges, cloth wealth may play a crucial role, especially in ranked societies. Weiner contends that in Samoa "each distribution [of fine mats] is an example of the negotiation and validation of rank and power." Gittinger has pointed out the economic and symbolic value of cloth gifts at marriage …
From The Ancestors Or The Portuguese: Exotic Textiles In Flores And The Solor Archipelago, Robyn Maxwell
From The Ancestors Or The Portuguese: Exotic Textiles In Flores And The Solor Archipelago, Robyn Maxwell
Textile Society of America: Symposium Proceedings
Throughout the eastern Indonesian island of Flores and the neighbouring Solor archipelago, village treasuries usually contain considerable numbers of highly valued textiles and some items of costume. These consist predominantly of important local products clearly made within the particular village or district.
Other heirloom textiles have been acquired from outside the local regions in the distant or not-so-distant past. These exotic heirlooms are often awarded a special place in the hierarchy of textiles found throughout Flores, Solor, and Lembata and, where possible, examines local histories and myths associated with the origins of particular objects or types of cloth.
Further, an …
Market Effects On The Design And Construction Of Carpets In The Milas Region Of Southwestern Turkey, 1963–1993, Charlotte A. Jirousek
Market Effects On The Design And Construction Of Carpets In The Milas Region Of Southwestern Turkey, 1963–1993, Charlotte A. Jirousek
Textile Society of America: Symposium Proceedings
Beginning in 1964 my husband and I were involved in the development of a village carpet weaving cooperative in Southwestern Turkey. We lived with the weavers of Çömlekçi from 1964 to 1966, as part of the first Peace Corps rural community development program in Turkey. Between 1966 and 1969 we continued to work with the cooperative in its efforts to develop markets and quality control standards while working as Peace Corps staff. Since leaving Turkey in 1969, I have visited Çömlekçi periodically, most recently in 1992 and 1994.
The success of the Çömlekçi cooperative in tum generated carpet cooperatives throughout …
The Assimilation Of European Designs Into Twentieth Century Indian Saris, Linda Lynton
The Assimilation Of European Designs Into Twentieth Century Indian Saris, Linda Lynton
Textile Society of America: Symposium Proceedings
Although so-called "Indian" designs of seventeenth- and eighteenth-century chintzes influenced Western European [Western] textiles almost from their introduction, Western patterns did not impinge on indigenous Indian fabrics, such as saris, until the last half of the nineteenth century.
They were superimposed upon an already complex mix of textile ornamental styles, which can be briefly categorized as: (i) Mughal, (ii) Hindu, and (iii) adivasi (aboriginal). The Mughal style consists of the elaborately patterned prints and brocades typical of western India. It shows strong Persian influences, such as the kalga (Paisley motif); intertwining floral vines (bel); and life-like depictions of …
From Bohemian To Bourgeois: American Batik In The Early Twentieth Century, Nicola J. Shilliam
From Bohemian To Bourgeois: American Batik In The Early Twentieth Century, Nicola J. Shilliam
Textile Society of America: Symposium Proceedings
In 1919 Pieter Mijer wrote in his influential book Batiks and How to Make Them, "Batik is still a comparatively recent importation; brought here some ten years ago, it was met with absolute incomprehension and lack of interest, but its real merit as a means of decorating fabrics has earned it a place in the industrial art of the nation and year by year it is gaining wider recognition."
This paper briefly considers the rise and fall in popularity of batik in America in the period Mijer indicated: how it changed from being a foreign import chiefly seen in …