Ceramic Arts Commons^™

Haunted By A Cheap Ghost: Objects As Identity, Caitlin Zachow

Masters Theses

I am haunted by a cheap ghost, surrounded by inherited memories that are not my own, preserved in heirlooms that leave little room for me to create souvenirs of my own experience. In response, my practice centers on the personal significance of collections as outward expressions of identity, personality, and lived experience. Rooted in themes of Midwestern Americana, this exhibition presents narrative tableaus and curated collections that examine how personal identity is constructed through objects of memory, and display.

Informed by research into the history of kitsch, Sigmund Freud’s concept of the uncanny, and the “outmoded,” my work considers how …

Grit, Nikita Nenashev

All Graduate Reports and Creative Projects, Fall 2023 to Present

Grit is the pursuit of intuition and sustained attention in the search for expression. My work aims to create a sense of both familiarity and mystery by operating between the framework of utility and abstraction. I investigate the liminal space between what is known and unknown, creating surfaces and forms that challenge our perceptions of beauty.

Working gesturally and swiftly invites the clay to reveal indicators of its character, leaving evidence of the forces involved in the creation of each form. Textured and scorched surfaces, produced through the firing process, reflect the transformation of malleable material into a state of …

Science, Fiction, James Nick Peelor

Theses and Dissertations

Science, Fiction is about death, mental health, UFOs, and having a mutifaceted art practice rooted in a DIY ethos.

Echoes Of Becoming - K. Morrell, Kole K. Morrell

Electronic Theses, Projects, and Dissertations

I work sculpturally, exploring presence, transformation, and emotional weight that is not inherently visible. My forms are recognizable yet unsettled, existing between familiarity and distortion. Meaning is not fixed or declared, it reveals itself slowly through texture, material, and time spent in observation.

I approach making as a form of therapeutic ritual. Through touch, I shape and alter the material, imbuing it with the story of emotions I want to convey to the viewer. I am most connected to the work in its “in-between” states, when the form is still shifting and unresolved. In these moments, it mirrors my own …

Animalistic Emotion: Rylie Hazelton, Rylie Anne Hazelton

Master's Theses or Doctor of Nursing Practice

Having sprouted alongside the plants and animals of the Great Plains region, my work is

driven by my passion and appreciation for the natural world around me. I have had a lifelong interest in the intricacies of the cycle of life, the reliability of the food chain, and the

symbolic meaning that each living thing has. I define my work as expressive naturalism, meaning that while I recreate the animals in my work to a realistic and recognizable quality, I am using their symbolism to create a space to tell a story of my own life experience. The figures in …

Among The Remnants, Jade-Lynn B. Lewis Vance

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis serves as supporting documentation and research for my Master of Fine Arts thesis exhibition, Among the Remnants, at West Virginia University. This dissertation will explain how my artistic vision, influences, research, and thesis exhibition fits into larger art and cultural contexts. Drawing from art history and theory, my work explores memory, touch, and fragmentation. My fascination with artifacts and the stories they hold inspires my research and drives me to create personal connections within my own art. The figurative sculptures serve as a vessel for recalling impactful experiences and embodying personal perception and these interactions. The …

A Cautionary Tale, Holly C. Hendrick

Master's Theses or Doctor of Nursing Practice

A Cautionary Tale presents a series of narrative ceramic sculptures, each functioning as a short story rooted in the realities of contemporary American life. While fictional, these works draw directly from real social and political conditions, including disinformation, systemic corruption, the abuse of power, and the exploitation of the vulnerable. Through symbolic narrative and visual metaphor, each sculpture operates as both story and social critique.

My work merges artistic practice with engagement in contemporary issues, examining how wealth, technology, and ideology shape human behavior and societal structures. I am interested in how harm becomes normalized and how individuals are both …

Corpus Meum, Mea Electio, Kara L. Coonrod

Graduate Theses/Dissertations

The right to bodily autonomy and reproductive freedom is something I hold very close to my heart. Women who did not wish to embrace motherhood, or who grew beyond the walls of the hearth and home, have been far more often persecuted than praised. Over the past two years, I have created artwork borrowing the visual and material language of the Catholic church (along with personally relevant folklore) to elevate my freedom of choice and bodily autonomy in the face of religiously driven political oppression. Using a less frequently referenced organ from my reproductive system to represent my struggle against …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Xxx, Samuel Tucker Claxton

Theses and Dissertations

In XXX Tucker correlates the rise in online hookup apps and the fall of queer nightlife spaces to show how the internet has affected gay cruising spaces. They relate their installation-based work to the ideas of liminal spaces and Jean Baudrillard's

hyperreal. Further, they contextualize their practice within the scope of Robert Grober's work.

Love Letter, Amy S. Duval Ms

Theses and Dissertations

I applied to graduate school to reconnect with and better understand my studio practice, acquire language, and to disrupt my known ways of making. Generally speaking, I see my practice as being about being seen, and unseen, and the pain and pleasure of being perceived. I’ve learned about my ways of being in the studio. I’ve come closer to speaking honestly about my relationship with my materials, processes, tools, how I value my own labor, and how this informs my work. I am grateful for the cascade of small epiphanies that came and left me while I worked in my …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Tenaciously Curious, Joe Mark Taylor

Graduate Student Theses, Dissertations, & Professional Papers

In this thesis paper, I will outline the journey I’ve taken throughout my graduate studies at the University of Montana and how it has culminated in my thesis exhibition, Tenaciously Curious. I’ll begin with an Introduction that speaks to the importance of finding ways to connect to nature, and the benefits we gain by recognizing our bodies as extensions of the organic world.

In the following section, Influences, Theory and Lineage, I’ll explore the themes that drive my research, highlight artists who have influenced my work, and discuss why this inquiry feels vital within our contemporary moment.

In the section …

Raisin Fingers, Sophia Hatzikos

Graduate School of Art Theses

I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.

Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …

Suffering Juicebox, Janelle O'Malley

Graduate Artistry Projects and Performances

Suffering Juicebox investigates the confluences of nostalgia, trauma and identity making by means of sculpture and performance. Creating pieces with built layers of material and found objects Suffering Juicebox takes shape through collecting, forming, layering, petrifying, erasing and reimagining. Pieces are assembled into scenes attempting to rebuild what cannot be obtained. The objects collected and used are metaphors for the memories we accumulate.

Suffering Juicebox explores how gender and identity are created through layers of memory, nostalgia and trauma. Nostalgia’s etymology comes from the greek words nostos meaning “return home” and algos meaning “pain”, and together the word means homesickness. …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

Terra Et Intus, Mark Freeman

Master's Theses or Doctor of Nursing Practice

I use nature as my escape from the daily grind. I seek out wilderness to recharge my creative batteries. Just as the forest has unseen and unappreciated levels of life, so does the entire planet. When I am trapped in the daily business of life and long for an escape to nature, I have found that I can locate that beauty almost anywhere. When evaluating the structure and design of an organism on a microscopic level, especially through electron microscopy, there exist amazing and untold levels of beauty that humanity takes for granted every day. All life forms provide some …

Bloody Show, Leonie Weber

Theses and Dissertations

Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.

Warmth Of The Sun, Drake M. Gerber

Graduate Student Theses, Dissertations, & Professional Papers

Warmth of the Sun, is a reflection on personal experiences I’ve had in the landscape while living in the Northwest. This curated experience is an attempt to capture my sincerity towards a place and hold onto that feeling. I intend to share faded memories of personal experiences through enigmatic sculptures to make the viewer look a bit closer at these objects and see the landscape in a new way. This paper explores thoughts on the idea of place, material, process, contemporary influences, and the experiences that inspired this body of work.

In Between Lines: An Investigation Of The Ghanaian Migration Experience, Teddy Osei

Graduate Theses/Dissertations

As my socio-cultural experiences continue to evolve, so does my interest in contemporary border discourses. The question of ''who qualifies to be where and how,'' lingers in my mind daily as I reflect on my migration experience as a Ghanaian living in the United States of America. Another area of interest is the social and physical challenges endured by individuals transitioning from one geographic location to another.In replicating these experiences, I make ceramic sculptural vessels associated with sojourning. In my ceramic sculptures, I use specific elements, such as ropes and Ghana must-go bags, which honor Africa's past and its people …

Vesptures, Nyasha T. Chigama Ms

Theses and Dissertations

Abstract

This is an invitation into the delicate space of living between two worlds, of having feelings of happiness and sadness at the same time. Delicate emotions and situations which are not easy to share but are paramount in my research of what it takes to want more out of being just a parent, come from a certain country than the one I am living in, and navigate between two cultures. This is a journey around some of the experiences I have faced when I found myself in a different space other than the one I grew up in. The …

Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …

Brick Collage, Dehmie Dehmlow

School of Art, Art History, and Design: Theses and Student Creative Work

bricolage: construction or creation from a diverse range of available things

I create abstracted modular sculptures, assemblages, and collages that playfully reference utility, using salvaged materials and carefully fabricated objects. My sculptures are considerately composed, elevating the materials with a determined focus on how each disparate part connects to the next to become a meaningful whole. I have a reverence for all of the objects and materials I use, no matter their origin, and thoroughly consider how each of their forms, textures, colors, weights and other formal and physical qualities integrate into a whole. With the use of recognizable utilitarian …

Crying At Nothing But Colors, Maryalice Carroll

Graduate Theses and Dissertations

crying at nothing but colors is an installation of ceramic works that explores the abstraction of feelings, both physical and emotional. The installation itself is a house made out of tension cables that stretch wall to wall in the gallery space. Inside the house are 7 ceramic objects placed on wooden pedestals paired with tufted rugs.

Throughout this essay, I will describe the abstract ceramic objects as Beings. They are colorful and have textured glaze on the surface with a gloopy opalescent glaze oozing out of holes that cover each piece. They are an extension of myself. They are the …

Artifiact, Max Saunders

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The main purpose of this body of work is to explore gestural mark making and wood kiln effects on functional and sculptural vessels. A limited number of forms, including teapots, cups and large sculptural vessels were made to explore different types of mark making and the different effects that can be achieved in the wood kiln. The end goal was a body of work that can be explored on many levels, from using the pots as functional vessels to exploring the larger work as dynamic gestural sculptures.

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

The Los Seis De Boulder Sculpture Project: A Case Study Of Socially Engaged Archivist/Artist Collaboration At The University Of Colorado Boulder, Megan K. Friedel, Jasmine Baetz

Journal of Western Archives

As academic institutions and archivists around the nation grapple with the question of how to address existing monuments to racist histories at their institutions, how can archivists support the creation of new monuments on college and university campuses that reflect suppressed or oppressed histories of people of color? This case study explores the Los Seis de Boulder Sculpture Project, a socially engaged art project at the University of Colorado Boulder (CU Boulder), in which archivists in the CU Boulder Libraries' Archives supported and collaborated with a student artist and community members to create a public monument commemorating the deaths of …

Human Nature, Mary Robb

Master's Theses or Doctor of Nursing Practice

Human Nature explores my personal observations and life experiences through the use of my narrative ceramic sculptures. Anthropomorphism is the attribution of human characteristics or behaviors to non-human entities, such as animals. Some animals are more desirable than others, but all have value and purpose. They exist for a reason. They all bleed. They just want to be. People are like that. I became untrusting of humans after a childhood trauma and began relating more to animals than humans. I observed many similarities in wild animals with my experience. They are continually on alert searching for food and watching for …

Stil-Life, Yi Xiong

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis is the supporting documentation for Still-Life, my Master of Fine Arts thesis exhibition. I use handmade ceramic still-life objects to depict my specific memories and experiences about my life before and after the pandemic. Death, hope, time, and emotion are the themes explored in this exhibition.

This installation of ceramic sculptures not only recreates a historical moment in the pandemic but also captures the current times that we live in. It records the artist's life and time during the COVID-19 pandemic. The selection of still-life objects for the exhibition often has special significance on a personal, cultural, …

Current(S), Austin Raye Navrkal

Graduate Student Theses, Dissertations, & Professional Papers

Current(s) addresses my perspective of the subtle changes that happen as the seasons slowly transition to act as a metaphor for the subtle changes that have happened to me over the course of my time in graduate school.