Ceramic Arts Commons^™

Haunted By A Cheap Ghost: Objects As Identity, Caitlin Zachow

Masters Theses

I am haunted by a cheap ghost, surrounded by inherited memories that are not my own, preserved in heirlooms that leave little room for me to create souvenirs of my own experience. In response, my practice centers on the personal significance of collections as outward expressions of identity, personality, and lived experience. Rooted in themes of Midwestern Americana, this exhibition presents narrative tableaus and curated collections that examine how personal identity is constructed through objects of memory, and display.

Informed by research into the history of kitsch, Sigmund Freud’s concept of the uncanny, and the “outmoded,” my work considers how …

Echoes Of Becoming - K. Morrell, Kole K. Morrell

Electronic Theses, Projects, and Dissertations

I work sculpturally, exploring presence, transformation, and emotional weight that is not inherently visible. My forms are recognizable yet unsettled, existing between familiarity and distortion. Meaning is not fixed or declared, it reveals itself slowly through texture, material, and time spent in observation.

I approach making as a form of therapeutic ritual. Through touch, I shape and alter the material, imbuing it with the story of emotions I want to convey to the viewer. I am most connected to the work in its “in-between” states, when the form is still shifting and unresolved. In these moments, it mirrors my own …

Animalistic Emotion: Rylie Hazelton, Rylie Anne Hazelton

Master's Theses or Doctor of Nursing Practice

Having sprouted alongside the plants and animals of the Great Plains region, my work is

driven by my passion and appreciation for the natural world around me. I have had a lifelong interest in the intricacies of the cycle of life, the reliability of the food chain, and the

symbolic meaning that each living thing has. I define my work as expressive naturalism, meaning that while I recreate the animals in my work to a realistic and recognizable quality, I am using their symbolism to create a space to tell a story of my own life experience. The figures in …

So There I Was, Jesse Marie Baggett

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis provides a description and analysis of my thesis exhibition, So There I Was, which presents a body of ceramic sculptures and paintings that explore themes of adventure, travel, and shared experiences. The work reimagines personal experiences through a cast of animal characters, with a rabbit acting as a stand-in for myself. These narratives are inspired by events from my own life and are transformed into imaginative scenes that emphasize playfulness, wonder, and storytelling.

The sculptures combine toy-like animal figures, pull carts, and miniature architectural structures to create playful environments that resemble playsets or staged scenes where …

Blue Bottle, Prathna Nirav Patel

PANDION: The Osprey Journal of Research and Ideas

This piece consists of a series of individually shaped bottle forms, connected by a shared base and continuous surface. It is influenced by repetition, using similar forms differing in shape, height, and proportion to create unity and visual balance. The repetition of related shapes creates visual rhythm, while the differences between them add interest. This contrast between balance and variation reflects my interest in exploring how uniformity and difference can exist in a single object. I threw seven individual bottle forms on the wheel and arranged them in a straight line to highlight the contrast between the linear arrangement and …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Strange Stranger: A Visceral Skin Glaze Exploration Into The Neurodivergent Sensory Experience, Sam J. Lucas

Ought: The Journal of Autistic Culture

Sam Lucas

Sam creates ambiguous figurative objects predominantly in clay. Her creative practice draws on her experience of being a neurodivergent woman today, by exploring aspects of her own unique neurotype.

The visceral glaze exploration pieces were the precursor to the final forms for her body of work called ‘Strange stranger’ where she is exploring the weight and awkwardness of being in the body, the pain this alienation can cause, and ironically the beauty and humour that results from this diversity.

The surfaces of the pieces were attempting to describe the interoceptive, exteroceptive and alexithymic confusion that can occur at …

Alabaster Glory., Chloe Cheng

Electronic Theses and Dissertations

Alabaster Glory includes three installations in the gallery space: 望(wàng), 盛(chéng), and 余(yú). These components represent three stages of human life: the beginning, living on this earth, and the end. The core concept behind the three stages is the relationship between the creator (God) and creations, referring to humans that live in this broken world containing suffering, chaos, crime, conflict, or the personal experience of an inner void.

Alabaster Glory invites viewers to walk through the space first to encounter a magnitude of infant heart forms placed by a window, which intends to evoke curiosity about their quantity and symbolism. …

The Development And Impact Of Jingdezhen’S Ceramic Live Streaming, Yiyi Wang

MA Theses

Jingdezhen is a renowned ceramic capital in China and abroad. Its porcelain
production dates back to the Tang Dynasty, reached its peak in the Song Dynasty, and continued to thrive during the Ming and Qing Dynasties, solidifying its status as one of the primary production areas for Chinese porcelain. Over time, Jingdezhen underwent social upheavals during the Republic of China period. After the founding of the People's Republic of China, the porcelain industry underwent nationalization and modernization reforms, ensuring its sustained maintenance and development. Since the reform and opening-up, the porcelain industry in Jingdezhen has progressively embraced market mechanisms, incorporating …

Gathered Vessels, Marguerite E. Mccoy

College of Graduate Studies: Theses & Dissertations

My journey with ceramics is a path paved with the memories of my mother's kitchen, travels across Europe, and a deep love for creating spaces where people can come together. From the warmth of a mug that fits just right in your hands, to the gentle sounds of water playing in a fountain I've crafted, my work is about making those little moments of connection feel extra special. I create ceramics that are meant to be picked up, used, and loved - pieces that carry a bit of my story to join in with yours. Whether it's joining in your …

Terra Et Intus, Mark Freeman

Master's Theses or Doctor of Nursing Practice

I use nature as my escape from the daily grind. I seek out wilderness to recharge my creative batteries. Just as the forest has unseen and unappreciated levels of life, so does the entire planet. When I am trapped in the daily business of life and long for an escape to nature, I have found that I can locate that beauty almost anywhere. When evaluating the structure and design of an organism on a microscopic level, especially through electron microscopy, there exist amazing and untold levels of beauty that humanity takes for granted every day. All life forms provide some …

Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao

Theses and Dissertations

Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.

Contact Sheet, Jiwoong Jang

Theses and Dissertations

Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.

Welcome To The Sitting Garden At The Busy Hands Museum, Stacie Sabady

Theses and Dissertations

I wanted to attend VCU to learn how to unravel my mind and find the words to describe it. While I did make progress in that area, my surprise discovery is that I need to unravel my body too. It has become unbalanced from years of neglect. When working, I find solace through escape. I find a positive outlet for my perfectionist tendencies. I find a way to visually illustrate my obsessive qualities. Throughout the years of these findings, I have ignored my body pleading with me to take it easy. I have always honored the materials and the tools, …

Vesptures, Nyasha T. Chigama Ms

Theses and Dissertations

Abstract

This is an invitation into the delicate space of living between two worlds, of having feelings of happiness and sadness at the same time. Delicate emotions and situations which are not easy to share but are paramount in my research of what it takes to want more out of being just a parent, come from a certain country than the one I am living in, and navigate between two cultures. This is a journey around some of the experiences I have faced when I found myself in a different space other than the one I grew up in. The …

Meat The Future., Xin Chen

Electronic Theses and Dissertations

This research focuses on the subtle relationship between human life, the environment, and other animals that we live among every day. Under the mainstream social background of capitalism and a commodity economy, animals are the victims of constant consumption and exploitation. However, meat is a basic substance for human nourishment, especially in certain cultures. As a result, meat becomes an important part of the commodity economy in capitalist societies, wherein the supply must be filled to accommodate society’s demand. This research formed an exhibition using glass and ceramic artwork using a playfully satirical tone to offer a crucial alternative: how …

Reliquary, Matthew Sloan

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

I am interested in ritual – the rituals we inherit, and those we choose for ourselves.

By situating the everyday mugs, cups, plates, and bowls next to objects more closely associated with ritual and ceremony, I am suggesting that all of these are significant objects. On one hand, the tableware essential to the rituals of daily living we share at home, on the other, communion vessels and reliquaries are used to deepen a spiritual ritual shared by a community. Both rituals are important experiences worthy of introspection, and consideration.

This is why I make pottery. I believe that handmade objects …

Common Objective, Josh Scott

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Pots are like people. Gestural qualities can make pots appear to move like people. They form groups in ways that people might. Repeated forms on a pedestal can appear to be in formation like a military unit. More importantly, pots perform specific jobs or tasks in ways similar to people.

Inherently, the job someone holds or the function of a pot will have an effect on perceived importance. A funerary urn may seem to be a more important form than a coffee mug, yet both are committed to specific tasks. This can be likened to a lineman and a doctor. …

The Aberration Of The Species, Kristin Ayla Murray

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The Aberration of the Species in an exhibition meant to encourage viewers to consider in impacts technology has had and continues to have on the relationships and interactions we experience in daily life.

Pink Fantasy, Andrea Clary

Electronic Theses, Projects, and Dissertations

“I do my hair toss check my nails, baby how you feeling? Feeling good as hell”– Lizzo, “Good as Hell”, Cuz I Love You, 2019.

My work is about self-acceptance and body positivity. I am learning to love and accept my own body and channel this personal growth into my ceramics.

Reacting to media images of celebrity culture and the movement of fabric in Couture runway fashion shows, I am deeply impacted by contemporary American beauty ideals. Utilizing Hip-hop’s cultural messages of defiance and historical platform for presenting underrepresented voices, song titles and slang become titles for my work, in …

The Weight Of It All, Amythest Warrington

School of Art, Art History, and Design: Theses and Student Creative Work

The impetus for this exhibition is to visualize the weight of loss and to focus attention on the need to recognize the inherent dichotomy between life’s beauty and loss. My mobile upbringing taught me that details may differ from group to group, but the core experiences of loss, empathy and belonging are a universal language that connects us. I utilize clay’s unique physical properties of malleability, recyclability and permanence once fired, to explore the dichotomy between strength and frailty associated with these universal connectors. The meticulously crafted beautiful objects draw one into serious and often taboo subjects. The work comforts …

Sacred Industry, Joshua Heimsoth

Master's Theses or Doctor of Nursing Practice

Thesis show revolving around the design concepts found in religious art and in the functional beauty of industrial design with observations on the beauty and hypocrisy in both power structures.

Maladaptive, Megan Thomas

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

This ceramics MFA thesis presents themes of environmental and emotional transition through metaphorical bird imagery. The artist juxtaposes humans and ravens, who are capable of adapting to changing environments, with songbirds, who are less capable of surviving change. The artist asks viewers to consider the loss of ways of existing in the world that goes hand in hand with loss of biodiversity. Works include sculpture, sculptural and functional vessels, and drawings.

In Hindsight: Non-Visible Patch Points, Erik Ordaz Lozano

Electronic Theses and Dissertations

Exhibition consisting of seven ceramic vessels. I constructed these objects on the potter’s wheel by throwing and joining sections together based on a set of loose measurements and visual guidelines I have developed using slips and underglazes for mark making and soda firing for final surface treatment. This work is the result of my reflections on the concepts of form, shape, balance, time, and connection.

Through The Fire, Carolyn Mimbs

Master's Theses or Doctor of Nursing Practice

Through exploration of roots and establishing a deep appreciation for family, heritage, and upbringing, Carolyn Mimbs is on a journey into realms of personal discovery and a reconnection to the earth. Distant memories are unearthed through a vintage aesthetic and sensual, vulnerable figures interacting and struggling within their surroundings. Artist and art have traveled along the same path and rhythm with increasing strides as desires are directed towards personal growth and transformation. Learning to retreat into the process of life and art is expressed through creation and disintegration, seeing the path that our corporeal bodies make as they one day …

Accumulation, Erin Mccarty

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written Thesis is the supporting documentation for Accumulation, a Master of Fine Arts Thesis Exhibition at West Virginia University. This exhibition creates an environment in which a viewer can enter. This installation environment is created based on formal elements combined with fantastical elements from the imagination of the artist. The formal choices in the work provoke a positive otherworldly and whimsical response in the viewer. The environment is designed to provide relief from problems in the everyday world through patterns, forms, colors and surfaces. These elements are harvested from the natural world and recombined in a fantastical way. …

Seeing Through Feeling, Christopher Mitchell Rodgers

Graduate Theses and Dissertations

The purpose of this paper is to describe both the inherent formal qualities and conceptual framework that are addressed within the exhibition, Seeing Through Feeling. The exhibition is centered around the methodology of making, collection, and display all through the one singular positioning, the object. The objects within the exhibition are either handmade or collected fragments that weave together around the singular position of craft and history under the pretense of how our understanding of time may not always be true. The thesis breaks down key components through specific themes into the categories of the hand, eye, symbol, object, value, …

The Alchemical Vessel, River Soma

MFA Statements

My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.

2018 Forces, Scott Yarbrough

Forces

No abstract provided.

From 3d To 3d, Erik O. Lozano, Lauren B. Selden, Robert Z. Selden Jr.

CRHR: Archaeology

From 3D to 3D is a research project that involves traditional ceramics and technology to re-create a clay vessel at different scales and in different materials while trying to understand aesthetic and perceptions of value. With a background in Industrial Design, I have always been interested in technology and fabrication methods, three-dimensional (3D) printing being one of them. However, this often implies repetition and standardization, and as an artist I strive to create one-of-a-kind objects that include evidence associated with the making process. Part of my work is based on traditional forms that incorporate small alterations. I use one or …