Art and Materials Conservation Commons^™

Ideation And Iteration For Creatives, Sandee M. Chamberlain

KSU Distinguished Course Repository

This course addresses the development of visual literacy including concepting, initial approaches of creating an encompassing aesthetic, creating timelines for production, and exploring the refining aspects of creative production. Students will devise an advanced creative problem and provide a documented account of their creative journey to present as a process journal at the end of the course.

The Conservation Treatment Of A 19th-Century Scottish Pastel On Paper, Perrine Le Saux

Art Conservation Master's Projects

A framed 19th century Scottish pastel portrait on paper, severely damaged after a fall, was admitted to the Garman Art Conservation Department at Buffalo State College for examination, research, and treatment. Conservation photography helped in documenting and understanding the extent of the damage. Research helped to reinforce the attribution of the drawing to Sir Daniel MacNee and to learn more about the man in the portrait: Robert Maxwell Jr. The drawing was torn significantly in its wood strainer as a result of the original glazing breaking and has suffered loss of media due in part to abrasion. The support …

Subsurface, Elizabeth J. Huhtala

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay

Other resources

This paper will consider the temporal implications for drawing in the light of conservation and restoration treatments to paintings by the Seventeenth Century Dutch painter Johannes Vermeer.

Using three critical frameworks: Norman Bryson’s becoming model for drawing and the relationship of liminality to a painting during conservation/restoration, George Didi Huberman’s anti-chronological reading of the detail and the pan in painting, and Walter Benjamin’s definitions of drawing the paper will seek to address some implications for a drawing practice that responds to a pre-existing museum artworks.

The paper will present some findings from my own drawing practice that responds to Vermeer’s …

Finding Time: How It Is Made Visual Artists Newsletter, Brian Fay

Articles

FINDING TIME

Brian Fay outlines the processes and concepts underpinning his practice