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Art and Materials Conservation Commons

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Articles 1 - 3 of 3

Full-Text Articles in Art and Materials Conservation

Preservation First? Re-Viewing Film Digitization, Lauren Tilton Oct 2016

Preservation First? Re-Viewing Film Digitization, Lauren Tilton

Rhetoric and Communication Studies Faculty Publications

This article addresses the politics of film digitization by arguing that we should reconsider archival and preservation "best practices" that require film restoration. Instead, it advocates for digitizing films "as is," which, in turn, captures the film's current materiality (i.e., fading, scratches, and other facets that reveal age, wear, and use). Using the work of Luis Vale, one of the youth filmmakers from New York City's Lower East Side's Young Filmmaker Foundation's Film Club, as a case study, the article points to the importance of archiving and saving these youth films as part of a growing movement to look beyond …


Scouted: An Inadvertent Archive From The Search For A Cinematic Vegas, Catherine Borg Feb 2015

Scouted: An Inadvertent Archive From The Search For A Cinematic Vegas, Catherine Borg

Occasional Papers

This paper highlights the transformation of materials within the Mancuso Collection from utilitarian location scouting materials in the service of a film to historical record of the Vegas valley in 1994-95. Destined for disposal, these displaced artifacts are also an important record and reminder of the hidden labor and creative output of the many people who contribute to cultural products.


Narrative Convergence, Cross-Sited Productions And The Archival Dilemma, Marc Ruppel Jan 2009

Narrative Convergence, Cross-Sited Productions And The Archival Dilemma, Marc Ruppel

David Phung

This article addresses the speculative role of digital preservation from the standpoint of convergent literatures. `Cross-sited narratives', multimodal stories told across media channels, are introduced here as a specific mode of narrative instrumentality. It is argued that contemporary models of the archive structured on organizational models such as genetic criticism and on preservational models such as emulation and migration are not equipped to handle cross-sited works, as they are premised on mono-media sensibilities. Primarily exploring Mark Danielewski's House of Leaves (2000) and Neil Young's Greendale (2003), two works that resist digitization both materially and thematically, the claim is made that …