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Art and Materials Conservation Commons™
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Articles 31 - 40 of 40
Full-Text Articles in Art and Materials Conservation
Blanket Statements, Issue 141, Seminar 2019
Blanket Statements, Issue 141, Seminar 2019
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 141, Seminar 2019
Blanket Statements, Issue 142, Winter 2019–2020
Blanket Statements, Issue 142, Winter 2019–2020
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 142, Winter 2019–2020
Artist Frames: A Lost History Tracking The Innovations Of Discarded Visions, Isabella Leokadia Kapczynski
Artist Frames: A Lost History Tracking The Innovations Of Discarded Visions, Isabella Leokadia Kapczynski
MA Theses
By considering the multiple aspects of a picture frame, this thesis paper explores the relationship between the frame and the painting it surrounds. Functioning to both preserve and present a painting, the frame is often a concern of curators, dealers, restorers and institutions. Though neglected, the painters themselves had opinions about the framing of their work. This research centers on the classification of a picture frame as either fine or decorative art. First, the metaphysical and marketing ramifications of the frame will be considered, followed by a concise history of the frame that will focus on the nineteenth century Impressionist …
Contemporary Methods Of Preserving Land Art: A Case Study Of Robert Smithson's Spiral Jetty, Samara Johnson
Contemporary Methods Of Preserving Land Art: A Case Study Of Robert Smithson's Spiral Jetty, Samara Johnson
MA Theses
The preservation and conservation of Land art has become an increasingly complex and urgent issue as important Earthworks created in the late 1960s and early 1970s continue to age. They present a variety of challenges—both physical and philosophical—to those tasked with maintaining them. Using Robert Smithson’s Spiral Jetty (1970) as a case study, I have outlined four key guidelines for maintaining and preserving works of Land art. In order to survive, the artist’s intention intact, these works require collective stewardship, an interdisciplinary approach, the promotion of responsible visitorship, and an extension of the museum model. Today, social media has presented …
Public Health Implications Of Retailer Resale Of Returned Textile Clothing Merchandise, Antonette M. A. Francis-Shearer
Public Health Implications Of Retailer Resale Of Returned Textile Clothing Merchandise, Antonette M. A. Francis-Shearer
Walden Dissertations and Doctoral Studies
Historically, 18th century anecdotal accounts of the decimation of several tribes of U.S. of the Native American population by trading of infected textile blankets alludes to the role of retail in the transmission of infectious disease. This study explores implications of the modern day retail organization practice of reselling returned clothing textiles from a public health infectious disease perspective. A qualitative multi-case study, utilized responses from 20 open-ended, unstructured interviews of retail employees assigned to the returns process. Additionally, several informal observations of select U.S.based, top-ranked clothing retail organizations, identified by the National Retail Federation were completed. Select federal, state, …
The Aleppo Minbar: Symmetry And Islamic Aesthetics, Carol Bier
The Aleppo Minbar: Symmetry And Islamic Aesthetics, Carol Bier
Textile Research Works
The Aleppo minbar (pulpit for Friday sermons) is a monumental architectural sculpture commissioned in the middle of the 12th century in Aleppo, Syria, by Nur al-Din al-Zangi, who was ruling from Damascus. Envisioning the end of the Crusades, Nur al-Din sought to place the minbar in the Aqsa Mosque after Muslims reclaimed Jerusalem, where it was installed in 1187 by the Ayyubid ruler, Saladin. Richly ornamented with many geometric forms and designs, the wooden minbar expresses an algorithmic Islamic aesthetic based on symmetry, with patterns that imply an infinite expanse contained within borders. Manifesting an aesthetic that persisted for …
Sufism, Beauty, Love: Ecstasy And Rapture Of Islam In Asia. Study Guide, Carol Bier
Sufism, Beauty, Love: Ecstasy And Rapture Of Islam In Asia. Study Guide, Carol Bier
Textile Research Works
Key Vocabulary: Concepts, Practices, Buildings, Masters/Leaders/Disciples
Major Sufi Figures
Suggested Readings
Islamic Ceramics, Indelible Creations: Assessing And Preserving The Scripps Collection, Josephine Ren
Islamic Ceramics, Indelible Creations: Assessing And Preserving The Scripps Collection, Josephine Ren
Scripps Senior Theses
This research project examines and documents the collection of Islamic ceramics at Scripps College from an art conservation standpoint. The main objectives were to establish provenance for these objects, assess their current conditions, propose recommendations for future preservation, and discuss the importance of preventive conservation and general collections care methods. Based on my survey and research, I demonstrated which objects in particular should be prioritized due to their states of conservation and significant educational value. Such objects raise further points of departure regarding authenticity and conservation ethics.
Lifetime, Emily E. Kuchenbecker
Lifetime, Emily E. Kuchenbecker
Theses and Dissertations
Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities.
I do not fear death.
The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am.
But what am I? Am I my body- or is it much deeper?
Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through …
A Spectacle And Nothing Strange, Taylor Z. King
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …