Open Access. Powered by Scholars. Published by Universities.®
Art and Materials Conservation Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art Practice (81)
- Fiber, Textile, and Weaving Arts (79)
- Fine Arts (73)
- Fashion Design (71)
- Museum Studies (69)
-
- History of Art, Architecture, and Archaeology (6)
- Interdisciplinary Arts and Media (6)
- Sculpture (6)
- Painting (5)
- Contemporary Art (4)
- Illustration (4)
- Race, Ethnicity and Post-Colonial Studies (4)
- History (3)
- Indigenous Studies (3)
- Industrial and Product Design (3)
- Metal and Jewelry Arts (3)
- Printmaking (3)
- Creative Writing (2)
- Feminist, Gender, and Sexuality Studies (2)
- Film and Media Studies (2)
- Glass Arts (2)
- Other History of Art, Architecture, and Archaeology (2)
- Performance Studies (2)
- Social and Behavioral Sciences (2)
- Theatre and Performance Studies (2)
- Visual Studies (2)
- Women's Studies (2)
- Institution
-
- University of Nebraska - Lincoln (76)
- SUNY Buffalo State University (10)
- Virginia Commonwealth University (3)
- Washington University in St. Louis (2)
- City University of New York (CUNY) (1)
-
- Collin College (1)
- Kennesaw State University (1)
- Louisiana State University (1)
- Portland State University (1)
- Sotheby's Institute of Art (1)
- Southern Methodist University (1)
- University of Arkansas, Fayetteville (1)
- University of Dayton (1)
- University of Louisville (1)
- Walden University (1)
- Western Kentucky University (1)
- Keyword
-
- Craft (2)
- Sculpture (2)
- 1930s (1)
- Absence (1)
- Antropología de los Andes (1)
-
- Antropología del textil (1)
- Architecture (1)
- Arqueología del textil (1)
- Art (1)
- Art conservation (1)
- Astrocaryum Standleyanum (1)
- Atlanta (1)
- Atlanta Architecture (1)
- Atlanta Architecture Museum (1)
- Atlanta History (1)
- Awareness (1)
- Ayllus (1)
- Backing removal (1)
- Basketry (1)
- Black mirror (1)
- Blue-green (1)
- Bolivia (1)
- Book Conservation (1)
- Brass (1)
- Buffalo Museum of Science (1)
- Charcoal (1)
- Children’s furniture conservation (1)
- Chile (1)
- Civil rights postage stamps (1)
- Coiled Basket (1)
- Publication
-
- Textile Society of America: Symposium Proceedings (68)
- Art Conservation Master's Projects (9)
- Blanket Statements: News Publication of the American Quilt Study Group (5)
- Theses and Dissertations (4)
- Textile Society of America: Newsletters (2)
-
- Apparel Merchandising and Product Development Undergraduate Honors Theses (1)
- Bachelor of Architecture Theses - 5th Year (1)
- Bachelor of Fine Arts Senior Papers (1)
- Electronic Theses and Dissertations (1)
- Forces (1)
- Graduate School of Art Theses (1)
- Kerver Book of Hours: 2018 Senior Capstone (1)
- LSU Master's Theses (1)
- MA Theses (1)
- Mahurin Honors College Capstone Experience/Thesis Projects (1)
- Marian Library Art Exhibit Guides (1)
- Museum Studies Theses (1)
- Perkins Faculty Research and Special Events (1)
- Textile Research Works (1)
- Walden Dissertations and Doctoral Studies (1)
- Publication Type
Articles 91 - 103 of 103
Full-Text Articles in Art and Materials Conservation
04, Condition Report, Nalani Meinken
04, Condition Report, Nalani Meinken
Kerver Book of Hours: 2018 Senior Capstone
This document is a detailed report on the physical condition of the 1507 Book of Hours, including the structure, materials, wear, alterations, and anomalies of its text block, contents and cover.
Italian Bedfellows: Tristan, Solomon & “Bestes”, Kathryn Berenson
Italian Bedfellows: Tristan, Solomon & “Bestes”, Kathryn Berenson
Textile Society of America: Symposium Proceedings
Two surviving late fourteenth-century quilted furnishings, the Coperta Guicciardini in the Museo Nazinale del Bargello, Florence, and the Tristan Quilt in the Victoria and Albert Museum, London, depict scenes from the legend of Tristan, one of King Arthur’s knights. Both museums attribute the furnishings to a southern Italian atelier. Research to-date essentially treats these works as if, like Athena from the head of Zeus, they burst complete. Yet by the twelfth century Greek, Roman, Byzantine, and Norman occupation and active trade with the Levant, all had contributed to the culture of southern Italy. Prime evidence is the mosaic floor, dated …
Whitework: The Cloth And Call To Action, Sonja Dahl
Whitework: The Cloth And Call To Action, Sonja Dahl
Textile Society of America: Symposium Proceedings
In the newly independent colonies of the American Northeast, styles of white-on-white quilting and embroidery became popular among women coming of age. Considered the epitome of their needleworking skills, whitework required patience, time, focus, precision, and a steady hand. Such detailed stitchwork on pure white cotton-then a booming industry in the American South-prepared these young women to make homes that were meaningful, full of symbolism and care. Drawing analogy between these historic textiles and current movements for decolonization and anti-racism, this talk expands the term Whitework to function as a call to action, for both myself and other white-identified scholars …
The Techniques Of Samitum. Based On A Reconstruction Of A Silk From The Oseberg Burial, Åse Eriksen
The Techniques Of Samitum. Based On A Reconstruction Of A Silk From The Oseberg Burial, Åse Eriksen
Textile Society of America: Symposium Proceedings
A collection of samitum was found in the Norwegian Viking burial Osebert (834 CE) in 2014. I got the opportunity to study some of the fragments and could reconstruct a nearly full pattern unit from six narrow bands, once cut from the same fabric. I wove a small piece of this fabric in my ordinary flatloom, using both modern dyestuff and fabric spun silk material. Fragments found in Egypt from 400 AD show that both tapestry and taquete were woven in the same fabric. When searching for the loom used for the original samitum fabric, I made a vertical warp …
Indian Basketry In Yosemite Valley, 19th-20th Century: Gertrude “Cosie” Hutchings Mills, Tourists And The National Park Service, Catherine K. Hunter
Indian Basketry In Yosemite Valley, 19th-20th Century: Gertrude “Cosie” Hutchings Mills, Tourists And The National Park Service, Catherine K. Hunter
Textile Society of America: Symposium Proceedings
Basketry is the highest art form of Native Americans in California. I will focus on Yosemite Valley starting in the 1850s when Native Americans adapted progressively to contact with miners, settlers, and tourists. As a Research Associate at the Peabody Museum, Andover, Massachusetts, I inventoried the Native American Basket Collection. The unpublished Hutchings Mills Collection, acquired by Gertrude ‘Cosie’ Hutchings in Yosemite prior to 1900, caught my attention. In 1986, the Department of the Interior requested the collection be loaned, exchanged, or purchased as “the single most important assemblage from that period.” The collection did not leave Andover; however, one …
Shepherds And Shawls: Making Place In The Western Himalayas, Jennifer Hoover
Shepherds And Shawls: Making Place In The Western Himalayas, Jennifer Hoover
Textile Society of America: Symposium Proceedings
Cars weave through the flocks of the Gaddi shepherds as they travel from the plains to high altitude deserts, winding along roads lined with shops selling Kullu shawls. In these ways and more, textiles are the face of the northern Indian state of Himachal Pradesh. Yet dominant discourses position both the shepherds and weavers of the region as the last hold-outs of endangered traditions. These discourses continue colonial-era assumptions of rural artisans as “primitives” in need of either protection from encroaching industrialization or motivation to modernize. Academic writings, popular visual representations, and government policies also reinforce monolithic identities of herders …
Threads, Twist And Fibre: Looking At Coast Salish Textiles, Liz Hammond-Kaarremaa
Threads, Twist And Fibre: Looking At Coast Salish Textiles, Liz Hammond-Kaarremaa
Textile Society of America: Symposium Proceedings
Coast Salish textiles are: remarkable for their quality; unusual in the fibres used; notable in their designs; singular in the innovative processes used to manufacture them. Salish textiles were determined by geography, shaped by trade, and influenced by colonization. That the textile tradition has survived is a reflection of the prestige they hold and the importance of the textiles in the Coast Salish culture. Relatively unknown and underappreciated, the older textiles deserve to be looked at with fresh eyes and modern methods that bring to light the outstanding abilities of the Coast Salish women in the creation of these important …
Ancient, Indigenous And Iconic Textile Motifs In Contemporary Fashion Case Study: Defining Concepts Through Textile Designs: Appropriation, Collaboration, Provenance And Identity, Kristin Scheel Lunde
Ancient, Indigenous And Iconic Textile Motifs In Contemporary Fashion Case Study: Defining Concepts Through Textile Designs: Appropriation, Collaboration, Provenance And Identity, Kristin Scheel Lunde
Textile Society of America: Symposium Proceedings
This paper investigates the material and visual characteristics of certain ancient and historical textile motifs with roots in Chinese and African culture, and their sudden appearance in new geographical and cultural context. Appropriated into western contemporary textile and fashion trends, this paper examines the new roles of these designs in context of foreigness, identity, and hybridity. Their consumption and reception both within and beyond their original cultures is a central theme, and it is evident that their reception in both locations, although different, exhibits some similarities. Exploring the transcultural consumption and reception that occurs in various cultural locations this paper …
Nd’Awakananawal Babijigwezijik Wd’Elasawawôganôl: “We Wear The Clothing Of Our Ancestors”, Vera Longtoe Sheehan
Nd’Awakananawal Babijigwezijik Wd’Elasawawôganôl: “We Wear The Clothing Of Our Ancestors”, Vera Longtoe Sheehan
Textile Society of America: Symposium Proceedings
When thinking of Native American people, a typical image is of tanned people with long dark hair wearing leather and furs in the distant past, but that is not an accurate depiction of the Abenaki people or their textiles. As an Abenaki scholar, artist, and educator, my research into the textile traditions of the Abenaki people includes archaeological evidence, primary resources, and oral history interviews. Abenakis themselves have different ideas of what it traditional because textile and fiber arts evolved over many millennia throughout N’dakinna, the Abenaki homeland which once encompassed Vermont, New Hampshire, northern Massachusetts, and parts of New …
Manipulating The Threads Of Culture: Contemporary Shibori Artist Yvonne Wakabayashi, Eileen Wheeler
Manipulating The Threads Of Culture: Contemporary Shibori Artist Yvonne Wakabayashi, Eileen Wheeler
Textile Society of America: Symposium Proceedings
Deeply anchored in her practice of shaping and manipulating fibre are both the aesthetic integral to Yvonne Wakabayashi’s Japanese heritage and the inspiration of the natural environment she finds along the shores of her own birth place, Canada’s west coast. Wakabayashi’s journey to find her authentic voice in her varied textile works, engaged both historical craft practices of Japan and printmaking processes of the West. Most importantly, it led to the discovery of shibori with its ancestral links and innovative contemporary possibilities. This paper explores how an individual artist embraces her artistic cultural identity that also negotiates the upheaval wrought …
After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee
After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee
Theses and Dissertations
This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined …
Women's Perceptions Of Flourishing Through Quilting As A Leisure Activity, Cathy Lynn Ferrarese
Women's Perceptions Of Flourishing Through Quilting As A Leisure Activity, Cathy Lynn Ferrarese
Walden Dissertations and Doctoral Studies
Quilting is a self-chosen leisure activity for millions of women in the United States. Previous research on quilting suggested that quilting is influenced by the emotional state of the quilter. However, the emotional experiences generated during quilting have not been fully explored. The purpose of this qualitative narrative study was to explore quilters' perceptions of what quilting as a leisure activity does to enhance their well-being and increase flourishing. Positive psychology well-being theory was the theoretical foundation for the study. Semistructured interviews with 12 adult women who quilt as a leisure activity were the basis of the narrative inquiry. Data …
Enact In Disappearance, Stephanie Demer
Enact In Disappearance, Stephanie Demer
Theses and Dissertations
Enact in Disappearance excavates the unseen through the medium of photography in order to chart a new strategy for knowing and communing with a complicated world.