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Blanket Statements, Issue 30, Fall 1992
Blanket Statements, Issue 30, Fall 1992
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 30, Fall 1992
Textile Society Of America Newsletter 4:11 – Fall 1992, Textile Society Of America
Textile Society Of America Newsletter 4:11 – Fall 1992, Textile Society Of America
Textile Society of America: Newsletters
Letter from the President
“Research in Progress”
Area Activities
TSA Board of Directors
Letter from the Past President
Symposium Luncheon Meetings
The Practicing Artist
European Textiles
Aspects of Social Change
Announcements
Calls for Papers & Proposals
Lectures, Classes, and Workshops
Conferences, Meetings, Symposia
Textiles at Biltmore House
Fellowships & Prizes
Peggy Stoltz Gilfoy Memorial
Publications
Exhibitions
TSA Calendar
Blanket Statements, Issue 29, Summer 1992
Blanket Statements, Issue 29, Summer 1992
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 29, Summer 1992
Blanket Statements, Issue 28, Spring 1992
Blanket Statements, Issue 28, Spring 1992
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 28, Spring 1992
Textile Society Of America Newsletter 4:2 – Spring/Summer 1992, Textile Society Of America
Textile Society Of America Newsletter 4:2 – Spring/Summer 1992, Textile Society Of America
Textile Society of America: Newsletters
From the President
Symposium Registration
TSA Board
1992 TSA Nominations
Update on the Gobelins
Classes, Conferences, Lectures, Symposia
Events
Publications
Exhibitions
TSA Calendar
Textile Society Of America Newsletter 4:9 – April 1992, Textile Society Of America
Textile Society Of America Newsletter 4:9 – April 1992, Textile Society Of America
Textile Society of America: Newsletters
Fall ’92 Symposium: A Diverse and Promising Program
Notices
Publications
Exhibits
Blanket Statements, Issue 31, Winter 1992
Blanket Statements, Issue 31, Winter 1992
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 31, Winter 1992
Bukhara: Traditional Weavings From Pre-Soviet Central Asia, Carol Bier
Bukhara: Traditional Weavings From Pre-Soviet Central Asia, Carol Bier
Textile Research Works
In southern regions of what was the Soviet Union lie five independent republics, the populations of which are predominantly Turkic: Kazakhstan, Kirghizia, Azerbaijan, Turkmenistan, and Uzbekistan. During the course of the past fifty years, each of these areas has seen increasing industrialization as part of the centralized planning of the Soviet economy. Today, throughout the region. privatization of industry is rapidly occuring. Accompanying these new developments, and as part of the political and economic changes of the last few years, there has been an increasing awareness of ethnic identity and cultural inheritance. This may be expressed through literary and intellectual …
A Kurdish Reed Screen, Carol Bier
A Kurdish Reed Screen, Carol Bier
Textile Research Works
A unique ethnographic monument recently donated to The Textile Museum merits special attention not only for its size (twenty-five feet long and four feet high), but for its important place in the history, use, construction, and decoration of functional textiles.
Designed to enclose space in a nomadic environment. the reed screen may be considered an architectural textile destined for use within the community in which it was made. This distinguishes it from commercial products manufactured for the market, and, indeed, from most other utilitarian textiles, although it shares with carpets and kilims an obvious intent to beautify the environment for …
Elements Of Plane Symmetry In Oriental Carpets, Carol Bier
Elements Of Plane Symmetry In Oriental Carpets, Carol Bier
Textile Research Works
Historically, in the Islamic world from Spain to Indonesia, two-dimensional repeat patterns have served as primary means for organizing color and space. The ornamentation of architecture may involve the modifications of a two-dimensional pattern in its application to a three-dimensional surface. All of the uses of pattern, appearing as well on ceramics and metalwork, in book illumination, and textiles, rely upon the repetition of complex or simple designs to form overall repeat patterns of apparent complexity and intricacy. Yet within all the visual diversity and within the variability of regional traditions throughout the Islamic world, there is a common visual …