Art and Design Commons^™

Formulating 3-Chloropropyltriethoxysilane Modified Silica Nanoparticle Sprays As Hydrophobic Transparent Coatings Onto Cotton Textiles, Mikaela C. S. Mendoza, Gilbert U. Yu

Chemistry Faculty Publications

Cotton textiles were transformed into hydrophobic fabrics via the application of 3-chloropropylthriethoxysilane-functionalized silica nanoparticle spray coatings. Silica particles were measured to be < 50 nm, as determined by dynamic light scattering (DLS). The incorporation of hexadecyltrimethylammonium bromide (HTAB), a surfactant, into the nanosilica alcohol-based sprays resulted in a suspension that was stable for at least a week. Stability and turbidity tests of samples point to smaller particle size (silica nanoparticles = 24.3 ± 8.5 nm) as the main contributor to possibly providing transparency, as evidenced when sprayed in colored (black) textiles, while still contributing to hydrophobicity/ superhydrophobicity of the cloth.

How To Navigate Womanhood Within The Patriarchy, Hannah Scott

Student Scholar Symposium Abstracts and Posters

In medical journals and articles, a woman is not considered a woman until she has started menstruating, and she is no longer a woman when she reaches menopause (Hill, 2020). In this work, the ideas of life development as a woman from the perspective of the patriarchy are analyzed. "How to Navigate Womanhood Within the Patriarchy" is a quilt made from women's underwear. Each section of underwear represents a different aspect of a woman's life as stated by medical journalist, Yuko Takeda. Each stage is marked by something damaging or useful, such as mental health issues, sexual assault, child-rearing, etc., …

Printed Repeat Pattern Development For Textiles: Design Theory And Process, Erin Kelly

Honors Program: Senior Projects (Public)

I created a collection of fifteen printed repeat patterns accompanied by a written description of the research and development process as a creative project to fulfill the requirements of a Senior Honors Project. Looking at this project from a traditional research standpoint, I sought out to answer several questions that would help me to develop as a textile artist. How do you find current, up-to-date, relevant trends, both ideological (macro) and material (micro)? How do you take these trends and communicate them visually, in an original fashion? How do you produce a collection of designs that is both diverse and …

Study Of Native Colombian Tribes: Art As A Means Of Inspiration, Sofia Fernandez

Honors Program: Senior Projects (Public)

Study of Native Colombian Tribes: Art as a Means of Inspiration, examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project considers two Colombian tribes: Wayuu and Okaina. It emphasizes these tribes’ ancestry, history, purpose, and traditions, with the objective of giving them a voice in a community where they are underrepresented and unknown. This thesis provides a critical look into the tribe’s traditions and artistic techniques through the creation of a variety paintings, drawings, and prints. This body of work concentrates on textiles and patterns from …

Contemporary Textiles: Unraveling White Feminist Discourse, Meredith Friedman

MA Theses

In recent decades, attention to textile art has flourished. The growth of contemporary studies committed to revising fiber’s hierarchical categorization represents a discursive turn heavily weighted within feminist inquiry. The interrelation between textile techniques and constructs of femininity and domesticity was at the base of a robust interdisciplinary field of feminist theory developing around the 1970s in the US. Often referred to as the second wave of feminism, this era experienced scholars and artists proposing the medium’s capacity to counter the elusive genre’s marginalization and, by extension, presenting textile’s ability to subvert notions of gender difference. This analysis aims to …

Innovator - Spring 2020

Innovator

05 - Message from the President

08 - The Past is a Prologue

15 - Shrinking World/Expanding Horizons

16 - The Nexus: News at Jefferson

20 - Jefferson Hits the Runway at NYFW

22 - A Game Changer

26 - Binge Swatching

30 - Breaking Down the Walls

38 - Coming Full Circle

44 - Question and Innovate

46 - Designer Health

50 - The Site is the Star

54 - Transcend and Include

60 - Reimagine

64 - Ram Roundup

68 - Class Notes

74 - In Memory

78 - Triva

Innovator - Winter 2020

Innovator

8 - A MESSAGE FROM THE PRESIDENT

10 - WHAT’S HAPPENING AT JEFFERSON

16 - DEFINING THE FUTURE OF LEARNING AND WORK
How well are institutions of higher education preparing their graduates for the realities of work in the 21st century?

26 - IT’S IN OUR DNA
Innovative partnership leads to Jefferson Institute for Bioprocessing.

32 - JEFFERSON IS GLOBAL
Jefferson’s study away program provides life-changing experiences for students.

36 - PURSUING KNOWLEDGE AND IMPACT
Provost Mark L. Tykocinski, MD, explores the different research initiatives happening across Jefferson.

38 - LIVING THE DREAM
Jefferson grad orbits among the stars like …

Innovator - Fall 2016

Innovator

4 - What’s Now: Impact Edition

6 - Building the Futures Center

9 - Snapshots of Impact

12 - The Six Steps to Success

16 - On Common Ground

18 - Opening the Door of Opportunity

20 - A Team Effort

24 - The Clash of Tradition and Technology

26 - Enriching the Student Experience

27 - Who Named the Rams?

27 - Financial Information

Innovator - Winter 2015

Innovator

4 - What’s Now: Impact Edition

6 - Athletics

8 - W. W. Smith Scholarship

12 - A Full Embrace

18 - Donor Honor Roll

23 - Financial Information

Innovator - Fall 2014

Innovator

4 - What’s Now: Impact Edition

6 - Scholarships

8 - Term Chairs

10 - Power to Innovate Campaign

20 - Donor Profile: Handsel Minyard

23 - Financial Information

Innovator - Fall/Winter 2013

Innovator

1 - THE BIG PICTURE

8 - WHAT’S NOW

16 - PINBOARD

17 - MIKE MADE THAT
Mike Leonard, academic dean of the School of Design and Engineering, gives us the inside story about his role in the invention of just about everything.

20 - MEET THE NEW BOARD CHAIR
Entrepreneur and education advocate, Eileen Martinson ’86, brings her passion and expertise for smart technology and education to her new role as Board Chair.

24 - THE DEC CENTER
Built to evolve as curricula changes, the DEC Center has quickly become the campus’ new academic hub.

26 - CHARTING THE …

Innovator - Fall 2012

Innovator

02 - A TRANSFORMATIVE GIFT
With his donation of $15 million, the largest single gift in University history, in support of the Kanbar College of Design, Engineering and Commerce, Maurice Kanbar ’52, H’03 continues his unwavering support of his alma mater.

06 - PRESIDENT SPINEELI COMMENTARY
President Spinelli, a leading authority in entrepreneurship, describes the experience of teaching innovation to freshmen.

08 - WHAT'S THE PROBLEM?
Freshmen in the Kanbar College of Design, Engineering and Commerce become professionals and learn how to turn problems into opportunities by working in real-world settings right from the start of their college careers.

12 …

Innovator - Summer 2011

Innovator

02 - LIVING IN YOUR GENES
Through its nationally ranked physician assistant studies program — led by insightful faculty and an award-winning champion of genetic literacy education — PhilaU is transforming a generation to “think genetically.”

06 - PRESIDENT SPINELLI COMMENTARY
New College structure maximizes students’ experiences

08 - QUIET ON THE SET
Emmy-nominated alumna Kim Wannop ’99 dresses six or more sets each week for Fox’s hit TV show Bones.

12 - MEET RON KANDER, PH.D.
The executive dean of the College of Design, Engineering and Commerce leads a revolutionary, transdisciplinary curriculum.

18 - NEWS

22 - PROFILES

24 …

Innovator - Fall 2010

Innovator

2 - TEXTILE LEGACY LEADING TO BIOMEDICAL BREAKTHROUGHS
PhilaU researchers developing a cardiac patch

6 - PRESIDENT SPINELLI COMMENTARY
A Great Return on Investment

8 - THE BUSINESS OF FASHION
Fashion thinking zeros in on bottom line

14 - MEN IN FLIGHT
Guggenheim Fellow chronicles history of male flight attendants

18 - PHILAU NEWS

22 - Q&A WITH NATHAN VANHOOK ’03
Alumnus designs new Nike shoe “Aina Chukka”

24 - PROFILES

28 - PHILAU AROUND THE WORLD
Alumni, faculty and students’ global impact

33 - AWARDS AND HONORS

34 - A THIRD DIMENSION TO THE INTERNATIONAL BUSINESS EXPERIENCE
Faculty commentary …

Innovator - Winter 2010

Innovator

2 - STEPPING FORWARD AS A NATIONAL MODEL
PhilaU takes a leadership role in green education

6 - 125 THINGS THAT MAKE PHILAU GREAT
Celebrating our 125th Anniversary

12 - PRESIDENT SPINELLI COMMENTARY
A Solid Foundation for the 21st Century

14 - NEW VISION FOR THE ACADEMY
A day in the life of Provost Randy Swearer

18 - STRATEGIC INITIATIVES
Developing the model for professional education in the 21st century

22 - PROFILES

24 - TRUSTEE UPDATE

26 - PHILAU NEWS

31 - AWARDS AND HONORS

32 - EMBRACING THE NEW WORLD OF PERSONALIZED MEDICINE
Faculty commentary by Michael A. …

The Fabric Of Gifts: Culture And Politics Of Giving And Exchange In Archaic Greece, Beate Wagner-Hasel

Zea E-Books Collection

When the Greek leader Agamemnon took for himself the woman awarded to Achilles as his spoils of battle, the warrior’s resulting anger and outrage nearly cost his side the war. Beyond the woman herself was what she symbolised — a matter of esteem rather than material value. In Archaic Greece the practices of gift giving existed alongside an economy of market relations. The value of gifts and the meanings of exchange in ancient societies are fundamental to the debates of 19th-century economists, to Marcel Mauss’s famous Essai sur le don (1923-4), and to the definition of experiential value by modern …

Precolumbian Textile Conference Viii / Jornadas De Textiles Precolombinos Viii, Lena Bjerregaard, Ann H. Peters

Zea E-Books Collection

Contents: Preface — Lena Bjerregaard & Ann Hudson Peters

Archaeological textiles – Textiles arqueológicos – Textiles archéologiques: • 1, Recontextualizando el patrimonio arqueológico: los textiles paracas descubiertos por Engel en Cabezas Largas — Jessica Lévy Contreras • 2, Two-headed serpents and rayed heads: Precedents and reinterpretations in Paracas Necropolis imagery — Ann H. Peters • 3, Representaciones textiles en los iconos de la litoescultura Tiwanaku: significado y distribución — Carolina Agüero & Arturo Martínez • 4, Middle Horizon textiles from Chimu Capac, Supe Valley, Peru — Amy Oakland • 5, Una prenda triangular con plumas en la colección del museo …

Un Fundamento De La Textualidad Textil: Los Colores Tarabuco, Ricardo Cavalcanti-Schiel

PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)

El presente artículo tiene por objetivo presentar la lógica de funcionamiento de una gramática del color en los textiles tarabuco de los Andes Meridionales (centro-sur de Bolivia). Poniendo foco en el sistema de k’uychi, un dispositivo prescriptivo de gradación cromática (degradé), se pretende demostrar como él funciona como mecanismo de construcción de un lenguaje expresivo, coherente con los fundamentos cosmológicos andinos.

The purpose of this article is to present the logic of operation of a color grammar in Tarabuco textiles of the Southern Andes (south-central Bolivia). Focusing on the system of k’uychi, a prescriptive device of chromatic gradation (dégradé), it …

Colecciones Textiles Etnográficas Del Gran Chaco Sudamericano Del Museo Etnográfico “J. B. Ambrosetti” Y El Estudio De Su Materialidad: Un Desafío A La Mirada Occidental Sobre Los Otros No-Occidentales, Mariana Alfonsina Elías

PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)

El Museo Etnográfico “J. B. Ambrosetti” (Facultad de Filosofía y Letras, Universidad de Buenos Aires) guarda en su acervo un conjunto amplio, diverso y poco conocido de producciones textiles de distintos pueblos originarios del Gran Chaco Sudamericano. Las mismas han ingresado a la institución entre fines del siglo XIX y las primeras cuatro décadas del siglo XX. El estudio que vengo desarrollando de varios aspectos de la materialidad de los objetos textiles que conforman dichas colecciones- materia prima, técnicas/ estructuras textiles, diseños, colores, evidencias de uso, etc.- ha implicado la necesaria problematización de nuestra mirada occidental y de nuestras representaciones …

Signos Comunes En Los Textiles Andinos Y Los Mesoamericanos, Victòria Solanilla

PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)

Entre los recientes estudios sobre textiles Andinos, comienza a ser frecuente encontrar quienes se dedican a describir además de las técnicas, sus iconografías. Como eran sociedades ágrafas, nos hace pensar que con aquellas imágenes nos quisieron dejar su historia y pensamiento. En el caso de Mesoamérica, se podría decir lo mismo de las técnicas e imágenes, pero en este caso, las sociedades que los tejieron sí tenían manera de comunicarse a través de sus lenguajes escritos. No se han conservado tantos tejidos a causa del clima por las condiciones no favorables para la conservación de materiales orgánicos, pero tenemos muchos …

A Little More Like Water, Jacqueline Scott

Masters Theses

“The waves broke on the shore.” These are the final words of Virginia Woolf’s 1931 novel, The Waves, which follows the passage of a day at the ocean’s shore. The book serves as a backdrop for the life of six characters: Bernard, Susan, Neville, Rhoda, Louis and Jinny. Interludes are interjected between the chorus of these characters, depicting the arc of life from early childhood to old age and death. The relentlessness of the rhythm of the tide, at first pulsing and hard to ignore, becomes ceaseless white noise that eventually falls to the background. The day’s initial drama—a spectacular …

Here And There: A Continuous Narrative, Hye Young Kim

Masters Theses

How can we transcend our literal place by connecting with natural space?

As industrialization and globalization have increasingly shaped our society, we have become more and more disconnected from nature, ourselves, and our memories. Furthermore, living busy lives, we have lost the ability to appreciate and be grateful for our surroundings. Nonetheless, we can reconnect with what has been lost—nature, ourselves, and our memories— with a small shift in our mindset and a habitual practice of walking, which pulls our footsteps not toward a certain place but toward an understanding of the passage of time, the resonance of longing, and …

Unbound, Changrui He

Masters Theses

For many years, I have been repeatedly trying to understand what the term “trauma” means to me. While invisible, my trauma is ever-present, and I have not been able to understand how it has trapped me and my inner feelings. At the same time, more recently I don’t feel helpless or abandoned. I have been trying to tap the potential of connecting with the world outside, thereby piecing together the broken bits and pieces and reconciling with my family, past sorrows and myself.

In my thesis collection, I pay homage to a garden I often visited as a child. The …

Egyptian Textiles And Their Production: ‘Word’ And ‘Object’, Maria Mossakowska-Gaubert

Zea E-Books Collection

This volume presents the results of a workshop that took place on 24 November 2017 at the Centre for Textile Research (CTR), University of Copenhagen. The event was organised within the framework of the MONTEX project—a Marie Skłodowska-Curie individual fellowship conducted by Maria Mossakowska-Gaubert in collaboration with the Contextes et Mobiliers programme of the French Institute for Oriental Archaeology in Cairo (IFAO), and with support from the Institut français du Danemark and the Alexander von Humboldt Foundation. Twelve essays are arranged in 4 sections: I. Weaving looms: texts, images, remains; II. Technology of weaving: study cases; III. Dyeing: terminology and …

The Precolumbian Textiles In The Roemer- And Pelizaeus-Museum Hildesheim, Germany, Lena Bjerregaard

Zea E-Books Collection

Along the coast of Peru is one of the driest deserts in the world. Here, under the sand, the ancient Peruvians buried their dead wrapped in gorgeous textiles. As organic material keeps almost forever when stored without humidity, light and oxygen, many of the mummies excavated in the last hundred years are in excellent conditions. And so are the textiles wrapped around them. Their clear colors are still dazzling and the textile fibers in good condition. Textiles were highly valued objects in ancient Peru – used for expressing status and diverse messages in these non-literate but highly organized and very …

Sarah Bryant-Cole, Sarah Bryant-Cole

UNBOUND 2020 Archive (Virtual)

I am a textile designer who is also interested in illustration and storytelling. Magic, nature, family, and queerness influence my work often and each thing I make I try to infuse with an intention. www.sarahbryantcole.com

Skate Or Dye | Mikaela Kautzky, Mikaela Kautzky

UNBOUND 2020 Archive (Virtual)

SKATE OR DYE is a 120-page art publication on DIY skateboarding, natural dyeing and textiles in a northern island context. This iteration comprises drawings, textile works, colour photography, short pieces of writing, and how-to’s on natural dyeing as well as skate feature assembling. Through words and visuals SKATE OR DYE investigates islands as laboratories for DIY culture and inclusive design. www.mikaelakautzky.com, mik00k instagram

Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur

Scripps Senior Theses

In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …

Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. Charles Mason, author; Andie Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.

Kruizenga Art Museum Online Collection - Exhibition Gallery

Innovator - Spring 2019

Innovator

8 - A MESSAGE FROM THE PRESIDENT

10 - WHAT’S HAPPENING AT JEFFERSON?

16 - OUR STRATEGIC ACADEMIC FRAMEWORK Jefferson is dedicated to improving lives by redefining humanly possible.

18 - THE BOY FROM BROOKLYN Noted alumnus Harold Ronson leaves his mark on Jefferson.

24 - WE DESIGN THINKING The University has developed a world-class reputation for graduating designers with a demonstrated capacity for developing robust solutions for real-world problems.

30 - UNLEASHING CREATIVITY Provost Mark L. Tykocinski, MD, describes the exciting and productive intersections explored at Jefferson.

32 - AN EVOLUTION ROOTED IN EMPATHY Two industry experts and educators …