Art and Design Commons^™

Bag End, Claire Munzer

The Tuxedo Archives

No abstract provided.

Warningthisprogramcontainsgraphiccontent.Pdf, Gayle Schaub, Vinicius Lima

Conference Proceedings

Building on recently published research, an academic librarian and art professor facilitate the design and creation of visual and text pieces that illustrate information literacy terms’ meanings. This informational campaign uses data from a large-scale assessment of student comprehension of terms used in library instruction and syllabi. It offers an innovative way to teach students the language they need to be effective researchers, while detailing a library-art department collaboration that gives students a real-world learning experience.

Untitled, Anonymous Author

The Tuxedo Archives

No abstract provided.

Unititled, Anonymous Author

The Tuxedo Archives

No abstract provided.

Untitled, Anonymous Author

The Tuxedo Archives

No abstract provided.

Untitled, Anonymous Author

The Tuxedo Archives

No abstract provided.

Mer-Me, Jennifer Jensen

The Tuxedo Archives

Illustration

Leopard Print, Jennifer Jensen

The Tuxedo Archives

Illustration.

Housewife's Heart, Jennifer Jensen

The Tuxedo Archives

Illustration - social commentary

Sonya Clark: Hair As Collective Identity, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

Filtering 1 And 2, Yun Shin

Northwestern Review

These two abstract art pieces are titled Filtering 1 and 2. Emphasizing simplicity of materials and relationship to family, they are layered tracings of the artist’s parents’ signatures in the packing slips of things sent her from her parents in South Korea. The pieces took eleven months of painstaking tracing work onto carbon paper until all the carbon was gone. The pieces were selected for exhibit in the A.I.R. Gallery in Brooklyn, New York.

Loiza Pa', Milan Bird-Riacoko

The Hilltop Review

No abstract provided.

The Reciprocal Relationship Between Art And Occupational Therapy Practice, Jennifer Fortuna

The Open Journal of Occupational Therapy

Susan Burwash, Ph.D., OTR/L, an occupational therapy professor and artist based in Washington State, provided the cover art for the Winter 2017 issue of the Open Journal of Occupational Therapy (OJOT). The featured piece contains Professor Burwash’s signature fauxpals, lampwork glass beads made from molten glass and pure silver foil. Art creates balance between traditional medicine and personal medicine, those meaningful activities that give life purpose. Professor Burwash’s personal medicine is making beautiful things that can be given away.

Parnassus 2017

Parnassus

The 2017 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Official Rebrand And The Importance Of Queer Adornment, Mi Leggett

Honors Papers

In altering and regenerating, I strip clothes from gendered confines. This reuse explores the value of originality and reinterpretation. This action is also one of empowerment in its disregard for the typical sanctity of consumer products. Furthermore, renewing old clothing references the psychological, political, and environmental consequences of excessive accumulation and consumption.

The parallel practices of art and fashion in my work inform each other in both their material and the contemplation of fashion's function. My fascination with the meaning behind personal style derives from how what we wear signifies, particularly within the queer communities of which I am a …

Maria Deau Senior Art Portfolio, Maria Deau

Senior Art Portfolios

No abstract provided.

Kerry Galvin Senior Art Portfolio, Kerry Galvin

Senior Art Portfolios

No abstract provided.

Rose Gilderson-Duwe Senior Art Portfolio, Elizabeth Gilderson-Duwe

Senior Art Portfolios

No abstract provided.

Sink Hollow 2017 Creative Writing Contest Edition

Sink Hollow

This special edition of Sink Hollow presents the winning entries of the Utah State University Creative Writing Contest, which is open to all USU undergraduate and graduate students from all departments and disciplines. We want to thank all our contestants this year for yet again raising the bar with their excellent work, and for helping to create such a vibrant and inclusive writing community here at USU and in Cache Valley.

Many thanks for the generosity and discriminating taste of our contest judges: Alex Baldwin, Matt DiOrio, Mary Ellen Greenwood, Brian McCuskey, Bonnie Moore, Paige Smitten, and Isaac Timm. Thanks …

Sink Hollow Volume 4

Sink Hollow

Sink Hollow is growing up.

Our fledgling magazine is not so fledgling anymore. Bounding into a maturity that even the most passionate founding members could not have envisioned, Sink Hollow is here to stay. It is my pleasure, as this magazine’s third Managing Editor, to present to you my inaugural publication: Sink Hollow Volume IV.

This issue presents a raw, magnifying view into the ever-changing human experience. It reminds us that, no matter where we come from or what has shaped us, we are all uniquely, gloriously human. In these tumultuous times, it is essential that we allow ourselves to …

Sink Hollow Volume 3

Sink Hollow

It's difficult to believe that my time with this journal has come to a close. It has been one of the greatest experiences of my undergraduate career to be an integral part of its publication.

At the time of this writing, our previous issues have been read over 5,500 times, with this volume set to increase that number substantially. We have worked with undergraduates across the United States and from many other countries as well. A great thanks goes out to all our submitters. Without you there is no journal.

Though I'm moving on to other things, I trust the …

Alison Cordry Senior Art Portfolio, Alison Renae Cordry

Senior Art Portfolios

No abstract provided.

Median, Amy Petit

Graduate Student Theses, Dissertations, & Professional Papers

Median reflects my observation of changing forms of communication in the digital age and how that affects personal interaction, expression, and the value that we assign to objects. The sculptural objects in this exhibit stem from my formative experiences of frequent relocation, as well as a professional background in the fast-paced technological world. These factors, combined with contemplative and repetitive sculptural practices, help illustrate the anxiety and discomfort that can accompany rapid advances in communication practices. My research situates my work within contemporary art by drawing on the relevance of indexical signs, reliquaries, current discussions of communication in the digital …

A Single Particle Among Billions: Yayoi Kusama And The Power Of The Minute, Isabelle Martin

Oswald Research and Creativity Competition

Japanese contemporary artist Yayoi Kusama has developed her career through the continued use of the infinitely repeated polka-dot motif, an element that has not only persisted throughout the entirety of her work, but has also become a fundamental aspect of her self-presentation. Kusama has long suffered from a mental affliction called cenesthopathy, which results in intense hallucinations and anxiety attacks. Her use of the polka dot is not only a way for her to visualize her hallucinations, but also an example of the physical commitment (identified by Kusama as self-obliteration) she has to her work—her repeated application of small motifs …

Elements, Stephen Anthony Geffre

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis consisted of a gallery exhibition titled “Elements” featuring sculpture created by Stephen Geffre for his Master of Arts in Sculpture from University of Minnesota-Mankato, located in Mankato Minnesota. The exhibition ran from October 16, 2017 to October 31, 2017. The artwork explored sacredness---sacredness rooted in the natural, sacredness rooted within the minds of human kind, sacredness in the form of the classical elements Earth, Air, Fire and Water.

All the work was created in part with material that was going to be thrown away or sold at a fraction of its cost because of its imperfection.

Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius

Theses and Dissertations

I am not quite sure how to be a woman. It’s complicated, contradictory and highly surveilled. I make videos, sculptures and wearable objects that attempt to rationalize my female identity. The body is a sustained fixture in my work: as an armature, as an absent actor for constructed environments, as fragment and as the literal inclusion of my image. It is through these various modes of dis/embodiment that I negotiate the complexities of gendered existence. Crumbling ceramic and paper objects, pieced fabric forms, videos, beauty products, and delicate flowers reference splintered narratives and unwieldy terrains. I consider the idea of …

Taking In: A Juried Selection Of Undergraduate Photography 2017, Lucad Students

Taking In

Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

Behind The Stitches: The Fabric Of Nebraska, Elizabeth Ingraham Dr.

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Works from my project, Mapping Nebraska, a drawn, stitched and digitally imaged cartography of the state (physical and psychological) where I live were exhibited in 2017 at the International Quilt Study Center & Museum in Lincoln, Nebraska in an exhibition, Regarding Nebraska, coinciding with the sesquicentennial of Nebraska statehood. As stated in the exhibition:

“I map the state where I live and document an internal and external landscape. I work with cloth and with piecing and quilting because of their references to human scale, human touch and human occupation. With image and stitch I communicate the beauty and diversity of …

Sound And Silence In The Forge: Work, Space, And Communication In Early Cistercian Monasticism, Jacob Bradley Roosa

Honors Papers

This research considers the place of artisans and manual labor, specifically blacksmiths and metalworking, within Cistercian monasticism in 12th and 13th century Europe. Stressing the dual importance of daily prayer and manual labor in strict silence, the Cistercian order of monks sought to reform traditional monastic practices they saw as excessive and far removed from their guiding set of regulations, the Rule of St. Benedict. Their growing numbers in the 12th century led them to establish a second class of monks, known as lay brothers, who provided the majority of each monasteries’ manual labor and who were largely prevented from …

Lights And Shadows - 2017, University Of North Alabama

Lights and Shadows

Art and Literature Magazine