Art and Design Commons^™

Trump: Small Hands, Big Lies

Women's & Gender Studies Student Scholarship

A zine outlining PC’s response to Trump’s reelection, the necessity of accountability, a call for action, ways to get involved in activism, and an archival offering for those who have been affected by Trump.

Satori 2025, Jack Guimont, Elida Roskamp, Lucy Severson, Ashley Shorba, Emily Sowers, Jack Mulvaney, Madeline Avila, Osvin Baltazar Gonzalez, Celia Stern, Kiera Norman, Ashleigh Campbell, Allen Wedekind, Dorothy Moore, Caitlin Larsen, Jackie Velishek, Jaydon Wilson, Elysia Beynon, Grace Emiliusen, Sunehra Subah, Elena Kulschar, Zoey Cavanaugh, Alivia Tima, Jed Nelson, Draconian Onyz, Ava Diekmann, Elly Herrick, Helena Dowler, Kristin Victor, Elizabeth Schneider, Isabel Teitelbaum, Greta Kirsch, Sarah Huderle, Caleb Kottke, Maria Windley-Daoust, Tim Galvin, Kaylee Nickisch

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2025 editors and creators are:

Design and Technical Editors: Elida Roskamp, Lucy Severson, Ashley Shorba, Emily Sowers

Fiction Editors: Jack Guimont, Jack Mulvaney, Elida Roskamp

Poetry Editors: Madeline Avila, Ashley Shorba

Art Editors: Lucy Severson, Emily Sowers

Vibe Coordinator: Jack Guimont

The Satori 2025 faculty advisor is Dr. Liberty Kohn, Professor of English

Includes the annual WSU English Department prize winners:

2025 Winona Prize …

Van Gogh: The Immersive Experience, Megan Gonzales

Tenor of Our Times

Van Gogh: The Immersive Experience was open in Little Rock from August 1^st to October 31^st, 2024. Harding’s History and Political Science Department traveled to the exhibition for free on October 18^th.

“Gli Scheletri Della Dittatura”: Fascist Art, Architecture, And Monuments In Modern Italy, John "Jack" Moore

History & Classics Undergraduate Theses

When Italy reconstituted itself as a republic in 1948, it inherited the art, architecture, and monuments that were constructed under Fascism. Many of these artifacts contained inherent Fascist imagery and were made to exalt the regime, but Italy’s postwar government – known as the First Republic – neglected to systematically confront them. This mirrored the First Republic’s approach to shaping Italy’s memory of Fascism, as the government established an anti-fascist narrative without addressing the country’s support for the regime. During the 1980s, notions of anti-fascism began to fall alongside the political power structure upholding them. This coincided with the rise …

Volume 29 Issue 2

NEBO: A Literary Journal

This issue of Nebo: A Literary Journal, published in Fall 2015, presents a rich tapestry of poetry and fiction, reflecting on themes of identity, human experience, and artistic expression. The issue, archived as Volume 29, Issue 2, corresponds to the print edition labeled Volume 34, Issue 1. Due to necessary metadata adjustments in the digital archiving process, some volume and issue numbers in the online collection may not match those printed in the original journals.

Editor Ryan Smith, in his editorial preface, describes his experience as a fledgling academic and writer, …

Volume 5, Issue 2

NEBO: A Literary Journal

This issue of Nebo: A Literary Journal represents a dynamic collection of poetry, fiction, nonfiction, translations, and visual art, showcasing a diverse range of voices from emerging and established writers. Originally archived as Volume 5, Issue 2, this issue is actually Volume 9, covering Fall and Spring of the 1990-1991 academic year. As part of the ongoing archival process, some volume and issue numbers in the digital collection may not correspond with those printed in the original journals. Despite these variations, the commitment of Nebo to fostering literary excellence and supporting the creative arts remains unwavering. This …

Graphic Design | Kelcy Williams, Kelcy Williams

JSU Student Symposium 2025

Graphic design entry for 2025 Student Symposium

Graphic Design | Abdul Bashiru Yussif, Abdul Bashiru Yussif

JSU Student Symposium 2025

Graphic design entry for 2025 Student Symposium

Graphic Design | Tara Holbrooks, Tara Holbrooks

JSU Student Symposium 2025

Graphic design entry for 2025 Student Symposium

Graphic Design | Laney O'Neal, Laney O'Neal

JSU Student Symposium 2025

Graphic design entry for 2025 Student Symposium

Graphic Design | Brittani Myers, Brittani Myers

JSU Student Symposium 2025

Graphic design entry for 2025 Student Symposium

Graphic Design | Khaled Mahmud, Khaled Mahmud

JSU Student Symposium 2025

Graphic design entry for 2025 Student Symposium

Graphic Design | Brandon Smith, Brandon Smith

JSU Student Symposium 2025

Graphic design entry for 2025 Student Symposium

Ultraviolent, Jin Mateo Kim

Theses and Dissertations

How do you reconceive yourself in a society that has failed you? Jin Mateo Kim's works examine the reckoning of self-conception in postwar youth subculture of the 1960s.

To Swallow The Stars, Catie Dillon

Theses and Dissertations

Through abstract paintings of illuminated voids, Catie Dillon explores ideas of interconnectedness. In "To Swallow the Stars", she traces the layers of her process, examining the function of gesture, color, light, and space as a means to capture the ineffable.

List Of No's, Hwi Hahm

Theses and Dissertations

Through abstract paintings with an emphasis on the absence of the human form, Hwi Hahm creates an esoteric, veiled expression, prompting the question: when do swaths of paint become something? In this paper he discusses the dissociation of identity, and how it offers a balance between material properties and the illusionistic possibilities of painting.

Coeval 2025, Amy Holmberg Editor, Trina Warkentin Editor, Sadie Buteyn Fiction Editor, Emily Costa Fiction Editor, Katelyn Bierma Nonfiction Editor, Michael Harjo Poetry Editor, Lauren Groff Poetry Editor, Tiana Higgins Art Editor, Bright Holst Design Editor, Elizabeth Caneday Contributor, Abby Chalmers Contributor, Kaleb Cramer Contributor, Malachi Fox Contributor, Jayda Francis Contributor, Chloe A. Harvick Contributor, Amelia Keillor Contributor, Kade Nystrom Contributor, Elle Pehrson Contributor, Alyse Petersen Contributor, Eleanor Schuebel Contributor, Kailey Tan Contributor, Elizabeth Turner Contributor

Coeval

On behalf of the Coeval editing team, we proudly present the 2025 issue of Bethel University’s Coeval Literary magazine. As you read through this journal, you will find poetry, prose, fiction, and visual art about the beauties and hardships of life. Together, Bethel University students and faculty contributed to make this magazine happen. We loved reading each submission and viewing every art piece. More than anything, we look forward to what students will continue to create! Thank you for reading.

Sincerely, Trina Warkentin and Amy Holmberg

Cover Art: Places to Be by Natalie Enos

Blue Room 2025, Blue Room Magazine Rso

Blue Room

Editorial Team

• Alexandra Bradley
• Eli Elkins
• Gabby Hetzel
• James Schnitzler
• Jenna Peck
• Lynn Judy
• Natalie Hansen
• Rachael Perino
• Sam Pickett
• Sarah Brown
• Sofia King

Queerness Through The Lens Of Abjection, Games, And Ai, Ryan Nguyen

HMC Senior Theses

I have always understood queerness in relation to the heteronormative standards that our modern society imposes. That is, despite being queer, my own perception of my identity has been that it is abject. The abject is what disturbs identity, system, order, and what does not respect borders, positions, and rules. I have been indoctrinated to believe that queerness is a disturbance to the current system, that it is unnatural and repulsive. However, there is value in abjection. When faced with a primal repulsion, the boundaries between the Self and the Other are confronted and begin to break down. By breaking …

Transforming A Public Flexible Space Into An Artistic Place For Leisure – An Artistic Intervention For Downtown Arlington., Sowmya Kanaka

Landscape Architecture Masters & Design Theses - Archive

Open flexible spaces are often underutilized, undefined, or lacking identity, hold immense potential to become vibrant artistic places that support leisure, culture, and community life. transforming such flexible spaces into Community-led arts places serve as adaptable environments that can shift to meet evolving cultural and recreational needs. By integrating artistic intervention through public art, interactive installations, and creative spatial programming, formerly Underutilized open space becomes an anchor of activity drawing residents and visitors and influencing adjacent areas to align with its renewed identity. Arts-driven public spaces attract consistent foot traffic and recurring events, stimulating social and economic exchange. When artistic …

Dolce Vita Packaging Design, Milena S. La Via

Senior Art Portfolios

Dolce Vita Limoncello is a fictional hard Italian liqueur brand I created consisting of three different liqueur flavors—limecello, citruscello, and limoncello. Dolce Vita, which translates to “sweet life” in English, includes three unique bottle designs, merchandise, and promotional advertisements to establish the brand. The brand’s bright colors are inspired by colors found in Italian packaging and design. This project was influenced by my time spent abroad in Italy, where I photographed various Italian designs and landscapes that became a key source of inspiration.

Senior Show - Merch Design, Nicole Tranel

Senior Art Portfolios

This Senior Capstone Project serves as the culmination of my undergraduate journey, highlighting the skills I have acquired and demonstrating my ability to apply them in real-world professional settings such as merch design. Through this project, I expanded my expertise beyond artistry, embracing design as a complementary skillset that enhances my creative and problem-solving abilities.

I Miss My Teeth; I Feel Your Teeth, Emma A. Brauser

Scripps Senior Theses

I miss my teeth and I feel your teeth are two projects that build on one another in an exploration of the mouth as a vessel for embodied experience and interpersonal translation. These pieces represent the mouth as an ever-changing landscape, one that requires multisensorial modes of understanding. I feel your teeth counters overreliance on the visual, introducing gum-chewing as a way to comprehend the translation from the visual to the tactile and back to the visual.

How To Remain A Stranger / Encountering, In A Basement, Hannah Rotwein

Theses and Dissertations

How to Remain a Stranger / Encountering, in a Basement consists of two parallel essays. On the lefthand side of the page, How to Remain a Stranger explores the ways that the legend of the Wandering Jew, the Tradescantia genus of plants, peddlers, and exile relate to my practice of collecting, sorting, and combining found objects. On the righthand side, Encountering, in a Basement describes my thesis exhibition at the Institute for Contemporary Art at Virginia Commonwealth University. Focusing on the idea of the encounter, I detail the materials, considerations, and processes behind four of the ten sculptures in the …

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

Review: The Shape Of Power: Stories Of Race And American Sculpture, Jiaying (Gloria) Dai

Art Inquiries

The Shape of Power: Stories of Race and American Sculpture, co-curated by Karen Lemmey,

Tobias Wofford, and Grace Yasumura, ambitiously asked: How does American sculpture

intersect with the history of race in the United States?1 Positioning itself as the first major survey

exhibition of American sculpture in decades, this exhibition featured 82 sculptures created by 70

artists spanning from 1792 to 2023.

Creatura, Carly Marie Odegard

Master's Theses or Doctor of Nursing Practice

My sculptural practice is rooted in the belief that humans and nature are not separate, but deeply interwoven. I create immersive installations that embody cycles of life, death, and transformation; spaces where spiritual and material realities coexist in tension and harmony. Through cast metal, organic materials, and fabricated forms, I channel archetypal symbols from mythology, ritual, and the collective unconscious to create environments that speak to both personal and universal experience.

During my time at Fort Hays State University, I developed a body of work grounded in installation and cast metal. I forged branches, flowers, and leaves from steel, and …

Heiniboxitittel, Harry Ritchie

All Graduate Theses, Dissertations, and Other Capstone Projects

This exhibit can be considered a sort of parody of an average gallery exhibition. Sacrilegious elements such as shoddy hand-written labels, tilted shelves, and lack of measurement call attention to the standard formula of a visual art exhibit. Artists are meant to think outside the box, but many adhere to strict guidelines when it comes to showcasing artwork. Everything must be just so.

But expecting perfection leads to disappointment. Having an exact plan means things will go wrong. This exhibition challenges conventional notions of beauty and shows that some of the most truly beautiful things in the world happen not …

Drawing 1 Course Syllabus, Fall 2025, Jennifer Sullivan

Open Educational Resources

This introductory drawing course offers an immersive, practice-based exploration of observational drawing from life. Emphasizing perceptual skills, students will engage with key visual principles—such as proportion, space, perspective, and composition—through projects focused on still life, the human figure, and portraiture. Working with graphite, charcoal, and ink, students will develop both technical fluency and expressive range, learning to convey presence, mood, and memory through mark and form. The course blends rigorous studio practice with critical looking and discussion, encouraging students to cultivate their own artistic voice through sustained attention, experimentation, and care.

Orb Weaver, Quinn Standley

Theses and Dissertations

Orb Weaver is a 24-minute experimental video/lm. This essay does not explain its meaning, as viewers should feel the power to trust their own interpretations. Instead, it reflects on the process of making the lm interwoven with autobiographical thoughts.