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Articles 1921 - 1950 of 1984

Full-Text Articles in Art and Design

Architecture As Responsibility, William G. Reckmeyer Jun 1971

Architecture As Responsibility, William G. Reckmeyer

School of Architecture - All Scholarship

Reckmeyer discusses the essence of Architecture as a unique form of art.


"Functionalism" - A Source Of Misunderstanding, Carl Steere Myrus Jun 1971

"Functionalism" - A Source Of Misunderstanding, Carl Steere Myrus

School of Architecture - All Scholarship

Myrus sheds light on the much more nuanced definition of the term "functionalism" than is typically understood, noting its abuse, redefinition, and misuse in contemporary contexts.


Images And Content, Robert C. Ellis Jr. Jun 1971

Images And Content, Robert C. Ellis Jr.

All Master's Theses

My primary purpose in this study was to explore the relationship of symbolism, imagery, and concept as they relate to printmaking and drawing. The techniques used in my work were collagraph printmaking, drawing, "painting-drawing", and three-dimensional construction. These works represent my development over a period of five quarters. As a result of this study, I expect that my perception and use of imagery, concepts and technique will continue to develop.


Bruegel: His Influences And Consequences, Regina Cheng Jafree May 1971

Bruegel: His Influences And Consequences, Regina Cheng Jafree

All Master's Theses

Pieter Bruegel the elder, whose work is as modern today as centuries ago, and whose reputation as a major genius in the realm of visual, spiritual and sociological reality is lately emerging in a fashion which seems to do greater justice at a scale eminently deserved. I feel that in times to come, men like Bruegel and Caravaggio will possibly emerge as the most significant philosophers of visual arts. The fact that Bruegel is now being increasingly appreciated on a wider scale testifies to his greatness as a prophet and as a man who looked into the future, deeply and …


Ceramic Feelings, Beverly Maki May 1971

Ceramic Feelings, Beverly Maki

All Master's Theses

Earth, air, water, and fire--four basic elements--have given me the opportunity to express my eclectic experiences into forms of clay. I have raised questions about my work pertaining to my conscious and subconscious to find how I see and feel about my work, in order to see myself in terms of my past, present and future. I have thought about the reality and nonreality of my feelings and wondered about the images and experiences that lie hidden in my subconscious, that could create new meanings and ideas. I have also wondered how I might relate certain ideas to my work. …


Calliope, Calliope May 1971

Calliope, Calliope

Calliope

No abstract provided.


Parnassus 1971 Jan 1971

Parnassus 1971

Parnassus

The 1971 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles Jan 1971

A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles

All Master's Theses

A discussion and documentation of Midles' student art and sculpture studio exhibition.


Collograph Platemaking Techniques, Clifton A. Barrette Jan 1971

Collograph Platemaking Techniques, Clifton A. Barrette

All Master's Theses

It was the purpose of this study to investigate the techniques in the construction and production of a series of original collagraph plates and prints. These were used to portray in visual, graphic form the diverse range of collagraph printmaking techniques.


Sources For Neo-Satirical Drawings: Surrealist And Conceptual Processes, Douglas C. Brittain Jan 1971

Sources For Neo-Satirical Drawings: Surrealist And Conceptual Processes, Douglas C. Brittain

All Master's Theses

This study was concerned with social conunent and the intensity of emotional expression. The work was not intended to be a sociological study with illustrations, nor as an over-literate approach to art, but rather as a study of fine art problems. The problems and questions raised were as follows: (1) How are contradictions resolved when strict definitions of fine art and caricature are combined in drawing? (2) How are surrealist and conceptual processes integrated with biomorphic and mechanical forms? (2) What are the possible symbols and techniques for expressing ideas and emotions about the "mechano-organic" theme? This study was intended …


Kitsch In The Visual Arts And Advertisement Of The Church Of Jesus Christ Of Latter-Day Saints, Lori Schlinker Jan 1971

Kitsch In The Visual Arts And Advertisement Of The Church Of Jesus Christ Of Latter-Day Saints, Lori Schlinker

Theses and Dissertations

The writer's reason for making this study is a felt lack of taste and a general misunderstanding and misuse of the visual arts in the Church of Jesus Christ of Latter-Day Saints. She is convinced that art, generally considered as a matter of personal taste, is actually a matter of professional judgement. A characteristic of our time is the "do-it-yourself" trend and to make up ones own mind about everything without any consultation of authorities and also a loss of feeling for integrity in productions of the human mind and hand which broke down the fences against kitsch and opened …


A Survey Of Art In Edmonton In The 1960'S: Trends And Attitudes, Carin Thyra Thomas Aug 1970

A Survey Of Art In Edmonton In The 1960'S: Trends And Attitudes, Carin Thyra Thomas

All Master's Theses

The purpose of this study was to determine attitudes and trends in the various segments of the art world in the Edmonton area during the 1960's.


A Study Of The Influence Of The Lyrical Prose Novels Of Virginia Woolf And Hermann Hesse On The Creative Process In Intaglio Printmaking, Kathleen Heather Embree Jul 1970

A Study Of The Influence Of The Lyrical Prose Novels Of Virginia Woolf And Hermann Hesse On The Creative Process In Intaglio Printmaking, Kathleen Heather Embree

All Master's Theses

It is the purpose of this study (1) to emphasize the complementary union between literature and the visual arts; (2) to limit the exploration to those specific lyrical prose writers: Hermann Hesse and Virginia Woolf; (3) to create prints utilizing the novel as a source of image-gathering but which do not retain this identity in the finished work; (4) I to experiment with the division of the plates, as well as cutouts for the effect of creating spatial illusion or imaginary space.


Sculptural Furniture, Gary Galbraith Jul 1970

Sculptural Furniture, Gary Galbraith

All Master's Theses

The artist should employ his sense of playful experimentation that requires the re-investigation of old manners and styles. I have attempted to apply the imagination of my senses to the furniture object in order to satisfy other human needs aside from comfort. These artistic requirements remove the piece of furniture from the realm of neutrality and tastefulness and expect the viewer - user to experience visual communication.


Calliope, Calliope May 1970

Calliope, Calliope

Calliope

A Magazine of the Creative Arts


Parody As The Ironic Mode Of Existential Art, Delma Ward Tayer Jan 1970

Parody As The Ironic Mode Of Existential Art, Delma Ward Tayer

All Master's Theses

This study was commenced as an investigation into the aesthetics of existentialism as applied to contemporary art in America, particularly painting. This student believes that to the artist who recognizes the absurdity of his existence, irony is the natural mode of expression. It is also the belief of this student that the form of irony in recent American art, expressed primarily in parody and black humor, indicates America’s own particular brand of cheerful nihilism. The purpose was to better understand the aesthetics of existentialism, to apply these to contemporary art, and finally to apply these influences to the student’s own …


Investigations In Mixed-Media Printmaking, Jarold H. Powell Jan 1970

Investigations In Mixed-Media Printmaking, Jarold H. Powell

All Master's Theses

The device man uses to transport himself is one of his dearest possessions and one of his biggest problems. The relationship between man and his machine is the basis for the content of this thesis. Since walking became impractical, men have grown dependent physically, emotionally, psychologically, economically, and socially on a personal means of transportation. My own ideas and experiences are the source for the content of this series of works.


The Figure And Environmental Forms In Jewelry, Sophie Sheppard Jul 1969

The Figure And Environmental Forms In Jewelry, Sophie Sheppard

All Master's Theses

The purpose of this study was to make a series of jewelry, conceived as small sculpture, using the human figure in relation to environmental form. The review of literature pertinent to the study consisted of a presentation of the visual and philosophical content in the work of Rico Lebrun and Ernest Trova, and an analysis of the work of the candidate as influenced by these artists.


A Ritualized Approach To A Series Of Mixed Media Watercolor Paintings, Richard K. Miller Jul 1969

A Ritualized Approach To A Series Of Mixed Media Watercolor Paintings, Richard K. Miller

All Master's Theses

The thesis problem involved the development of a series of watercolor paintings within a ritualistic format; the standardization of approach resulted in the development of a personal iconography. This iconography was secondary to the total work however. The thesis involved the development of a series of paintings with identical preparations and preliminary developmental stages, all of which, at a certain point in development, became totally dependent regarding further work on an intuitive development and a reliance upon epiphanic insights for completion.


The Use Of Automatism In Mixed Media Watercolor Painting, Russell A. Hepler Jul 1969

The Use Of Automatism In Mixed Media Watercolor Painting, Russell A. Hepler

All Master's Theses

The purpose of this study is (1) to investigate the principles of automatism, (2) to apply these principles and means in developing a series of original mixed-media watercolor paintings, and (3) to draw conclusions relevant to the process.


Parnassus 1969 Jan 1969

Parnassus 1969

Parnassus

The 1969 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


Charles Forrester's Sculpture Studio Plans For Ivan Wilson Fine Arts Center, Charles Forrester Jan 1969

Charles Forrester's Sculpture Studio Plans For Ivan Wilson Fine Arts Center, Charles Forrester

Research Collections

Charles H. Forrester’s 1969-1970 plans for the sculpture studio in the Ivan Wilson Fine Arts Center. Plans include hand-drawn drawings, typed and written plans, lists of tools for the sculpture studio, and receipts.


A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller Jan 1969

A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller

All Master's Theses

It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.


Lights And Shadows - 1969, University Of North Alabama Jan 1969

Lights And Shadows - 1969, University Of North Alabama

Lights and Shadows

Art and Literature Magazine


A Study Of Majolica Pottery Decoration, Robert Sutton Rae Aug 1968

A Study Of Majolica Pottery Decoration, Robert Sutton Rae

All Master's Theses

It was the purpose of this study to investigate the origin and development of majolica decoration and to execute original variations of these techniques on pottery made by the candidate.


A Series Of Original Paintings In Water Soluble Paint Employing Mixed Media And Experimental Techniques, E. Wayne Swanson Aug 1968

A Series Of Original Paintings In Water Soluble Paint Employing Mixed Media And Experimental Techniques, E. Wayne Swanson

All Master's Theses

This thesis was a creative investigation of mixed media using water soluble paints in order to further develop experimental techniques. Painting was limited to watercolor pigments, tempera, polymer tempera, acrylics, Elmer's glue, water, ink stick, or other materials that relate to water soluble media. The development of the problem helped the candidate to draw conclusions about the technique, development, application, and experimentation of this mixed media. This study was written so that one can understand the terminology and investigation procedures and use this as a departure point for further study using water soluble mixed media.


The Investigation Of Figure-Ground Relationships In Painting, Barbara H. Jones Jul 1968

The Investigation Of Figure-Ground Relationships In Painting, Barbara H. Jones

All Master's Theses

The thesis problem involved the investigation of figure-ground relationships in painting. This study dealt with varying experiments in space, color relationships, the juxtaposition of form, and value relationships. The media used were those common to oil, watercolor and drawing. The investigation entailed the development of form and space relationships in a series of paintings. The study included a critical evaluation regarding achievement of the expressive aims, and the conclusions drawn from individual paintings, as well as from the series. The fundamental locus lay within the figure-ground relationship and that has been the emphasis.


A Series Of Original Prints With The Human Image As An Important Compositional Element, John Paul Morgan Jul 1968

A Series Of Original Prints With The Human Image As An Important Compositional Element, John Paul Morgan

All Master's Theses

It was the purpose of this study to investigate and explore the use of the human image as a compositional element in a series of original prints. All of the available printmaking techniques within the knowledge of this artist were called upon to best express concepts and forms which he desired to portray. Three avenues of approach were used in the development of the print: (1) Transferring sketches made directly from the nude model onto the plate and developing the plate for the appropriate form of printmaking, (2) Developing the printmaking plate intuitively without sketches or preplanning, and (3) Planning …


A Series Of Original Oil Paintings, Donald John Campbell Jul 1968

A Series Of Original Oil Paintings, Donald John Campbell

All Master's Theses

It was the purpose of this study: (1) to examine, through visual and written form, the process of externalization-- the painting process, and (2) to, as objectively as possible, analyze the paintings, as objects, that are separate from the self of the artist.


An Investigation Of The Structural Qualities Of Certain Technical Elements In A Series Of Oil Paintings Related To The Figure, Gretchen Hartsock Teague Sep 1967

An Investigation Of The Structural Qualities Of Certain Technical Elements In A Series Of Oil Paintings Related To The Figure, Gretchen Hartsock Teague

All Master's Theses

The purpose of this study is (1) to investigate structural qualities of certain technical elements of oil painting, (2) to apply these qualities and means to a series of oil paintings related to the figure, (3) to evaluate the quality of structure achieved by these means, and (4) to arrive at conclusions and suggestions for future modifications of the candidate's paintings techniques.