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Art

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Articles 1621 - 1650 of 1984

Full-Text Articles in Art and Design

Type Image And The Art Of Protest., Wendy R. Blair Dec 2004

Type Image And The Art Of Protest., Wendy R. Blair

Electronic Theses and Dissertations

This thesis is the culmination of my work as a graphic artist thus far. I chose to investigate the use of type and image in the production of social protest art, as it relates to historical and contemporary art as well as my own. Methods used in gathering the data include references from books, periodicals, websites, and hands-on application of the artistic process. Conclusions found within this paper suggest that using type and image within a multimedia process, serves to communicate important messages and attempts to educate the viewer on important political and social matters. Protest art has and will …


Cunt: A Revolutionary Act Of Feminist Art, Shannon Murray Aug 2004

Cunt: A Revolutionary Act Of Feminist Art, Shannon Murray

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.


Doodles To Drawings: The Creative Process Of Drawing & Thinking For Cartooning, Kyle Lindholm May 2004

Doodles To Drawings: The Creative Process Of Drawing & Thinking For Cartooning, Kyle Lindholm

Critical and Creative Thinking Capstones Collection

Doodles to Drawings: The Creative Process of Drawing & Thinking for Cartooning invites the reader into the cartoonist’s mind at work. The author guides the audience through his cartooning process by presenting work from his sketchbook which includes illustrations, sketches, various notes, and final drawings. Diagrams graphically organize the key thinking strategies of the drawings as they progresses. From these illustrations the author extrapolates seven recurring patterns which characterize his own process include: Mental Work, Take-in Information, Free Flowing, Sudden, & Rapid Appearance of Ideas, Sketching as Many Ideas as Possible, Creating Multiple Versions, A Messy Process, and the Need …


The View Finder: Discovering My Artist Path Through Photography, Ivy Frances May 2004

The View Finder: Discovering My Artist Path Through Photography, Ivy Frances

Critical and Creative Thinking Capstones Collection

This is a personal narrative of how I applied Critical and Creative Thinking skills to photography and, in the process, found my artistic self. As a young girl, I was an emerging artist under the tutelage of creative parents. I took photographs of my family and of the beautiful landscape where we lived. Tragedy struck my child’s world twice; first, when my father died, and a second time when developers destroyed the natural areas where I played. These events shut down my inner awareness, stunted my growth as a risk taker and the artist in me went dormant. The Critical …


Creating A Life Of Art: A Personal Journey Towards Creative Freedom, Kristen Hanks May 2004

Creating A Life Of Art: A Personal Journey Towards Creative Freedom, Kristen Hanks

Critical and Creative Thinking Capstones Collection

This paper is a journey through my life as a Creator, from early childhood to the present. As I have moved through the process of writing my creative history, I have been able, for the first time, to take an introspective, reflective look at who I am as a person and an artist/creator. Using skills introduced to me in the Critical And Creative Thinking Program, it has been possible for me to undertake the task of confronting my past, my present and my future. My journey towards creative freedom begins in early childhood as I struggle with being a creative …


Calliope : War, Love, & Wisdom (2004), Calliope May 2004

Calliope : War, Love, & Wisdom (2004), Calliope

Calliope

No abstract provided.


2004 Forces, Scott Yarbrough May 2004

2004 Forces, Scott Yarbrough

Forces

No abstract provided.


Art Theory & Design Process, Bryce W. Bushman May 2004

Art Theory & Design Process, Bryce W. Bushman

Undergraduate Honors Capstone Projects

Art is not an object; it is a process that has three components; the individual, the experience, and the expression. The individual is the person creating art and includes all of their unique complexities, recognizing that people are dynamic. The experience includes everything that goes on within and around the individual that results in, and links them to, the expression. The expression is the result of the individual's experience, a manifestation or product, which may be tactile and physical or abstract and psychological, usually both. Only one of the three components need be unique for art to occur. Design process …


Taking In: Aib Photography 2004, Aib Students Apr 2004

Taking In: Aib Photography 2004, Aib Students

Taking In

This book is the second edition in the Taking In: series. As was the case in Taking In: I, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir personal artistic expression.


Parnassus 2004 Jan 2004

Parnassus 2004

Parnassus

The 2004 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


Art, Sport And The Sweet Spot, John Strassburger Jan 2004

Art, Sport And The Sweet Spot, John Strassburger

Publications

This is the seventh in a series of occasional papers about the challenges confronting students and what Ursinus is doing to help them enter adult life.


Lights And Shadows - 2004, University Of North Alabama Jan 2004

Lights And Shadows - 2004, University Of North Alabama

Lights and Shadows

Art and Literature Magazine


The Transformation Of Electricity In My Brain, Claire Watkins Jan 2004

The Transformation Of Electricity In My Brain, Claire Watkins

Theses and Dissertations

This thesis is an exciting and enthralling story about the history of the world as seen through the eyes of Claire Watkins. The story takes place in the dusty corners of her art studio in the old confederate capital, Richmond, Virginia. Ms. Watkins leads her audience through such unsuspecting places as her brain, the life of an African Dung Beetle, the center of an atom and the dark reaches of outer space. The story is inspirational and thought provoking. It will force you to see the world as an interconnected web that weaves your life together with the cosmos. A …


Perpetual Novelty, Brian Caverly Jan 2004

Perpetual Novelty, Brian Caverly

Theses and Dissertations

Within this thesis is a mapping out of the processes, concepts, and influences, behind the sculptural practice of Brian Caverly. From Complex Adaptive Systems to the world of order of Michel Foucault to the reexamination of the Modernist movement by Yve Alain Bois and Rosalind Krauss, a rhizomatic path of connections and lines form and cross over, weaving together into a swarming mayhem of over population. Out of this chaos and order grow complex installations and constructions that are inherently bound by the system of their making, yet attempt at every turn to escape conformity.


John B. Fairbanks: The Man Behind The Canvas, Rachel Cope Aug 2003

John B. Fairbanks: The Man Behind The Canvas, Rachel Cope

Theses and Dissertations

A biographical sketch of artist John B. Fairbanks, this thesis primarily probes Fairbanks' evolution as an artist. From amateur, to art missionary, to professional artist, Fairbanks influenced his cultural surroundings in Utah and in The Church of Jesus Christ of Latter-day Saints. His commitment to his career and his impact on others significantly affected Utah and Mormon art. Thus it is important to understand and recognize the full portrait of John B. Fairbanks.

John B. Fairbanks, born on 27 December 1855, developed an interest in art while still young. Until reaching the age of thirty-four, he often worked as an …


Calliope : Across The Disciplines (Spring 2003), Calliope May 2003

Calliope : Across The Disciplines (Spring 2003), Calliope

Calliope

No abstract provided.


2003 Forces, Scott Yarbrough May 2003

2003 Forces, Scott Yarbrough

Forces

No abstract provided.


Pottery Of The Ecuadorian Amazon, Joe Molinaro Apr 2003

Pottery Of The Ecuadorian Amazon, Joe Molinaro

Art and Design Faculty and Staff Scholarship

No abstract provided.


Taking In: The Best Of Aib Photography 2003, Aib Students Apr 2003

Taking In: The Best Of Aib Photography 2003, Aib Students

Taking In

Welcome to the first edition of Taking In: the best of aib photography. During this first year Taking In has gone through many twists and turns in order to publish a professional portfolio representing the quality work produced by students at the Art Institute of Boston at Lesley University. Along with the portfolio there will be a gallery opening this Fall presenting all of the published pieces in a professional setting. Our intention is to bridge the gap between student creations and the greater art community through publication. The number of entries for our first publication were more than …


Parnassus 2003 Jan 2003

Parnassus 2003

Parnassus

The 2003 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


Signs Toward Change: Responding To How Print Advertisements Portray Women And Invent Reality, Kristin Hare Jan 2003

Signs Toward Change: Responding To How Print Advertisements Portray Women And Invent Reality, Kristin Hare

Whittier Scholars Program

This senior project is an art creation of 30 signs that address how the print media portrays women and imbues unrealistic and potentially harmful messages into their advertisements. This study discusses how advertisements contain information that is not obvious from a quick glance, but due to the numerous ads that people digest every day, this information becomes subconsciously absorbed and affects all aspects of one’s life. This study highlights how every aspect of what advertisements convey, intentional or not, matters a great deal and has a huge impact on people’s lives. This project also includes Senior Symposium notes, the aforementioned …


Identity And Self-Expression Through The Visual Arts, Cynthia Nalbach Jan 2003

Identity And Self-Expression Through The Visual Arts, Cynthia Nalbach

Whittier Scholars Program

My senior project explored how the visual arts can be used to express one’s identity and emotions. I designed an art curriculum, based on identity research, with projects focusing on the theme of identity and self-expression. I tried to be specific enough when designing project assignments to give students clear guidance, while also making them open-ended, allowing for many interpretations to incorporate the student’ differing interests and levels of identity development. I want these projects to challenge students to think about who they are, without pushing them beyond their current limitations of comfort level, as far as self-expression was concerned. …


William Morris At The Huntington. Exhibition Review, Wendy Salmond Jan 2003

William Morris At The Huntington. Exhibition Review, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews an exhibition at the Huntington to honor the life and design career of William Morris.


Lights And Shadows - 2003, University Of North Alabama Jan 2003

Lights And Shadows - 2003, University Of North Alabama

Lights and Shadows

Art and Literature Magazine


Calliope : Across The Disciplines (Fall 2002), Calliope Dec 2002

Calliope : Across The Disciplines (Fall 2002), Calliope

Calliope

Poetry, Short Fiction, Essays, Visual Arts


The Power Of The Urban Canvas: Paint, Politics, And Mural Art Policy, Maura E. Greaney Sep 2002

The Power Of The Urban Canvas: Paint, Politics, And Mural Art Policy, Maura E. Greaney

New England Journal of Public Policy

In cities across America, outdoor mural paintings have brought public art to the urban landscape. Paint and politics have been splashed upon city walls for decades, replacing bleak, often graffitied, exteriors with vibrant color. But this transformation runs deeper than the artistry of the murals; the real works of art are the changes these collaborative projects inspire within communities. Mural projects mobilize communities to articulate dreams, express frustrations, and most importantly, consider strategies for change. Thus, they are a worthy consideration for public policymakers. This case study traces the contemporary mural movement in three cities: Boston, Philadelphia, and Los Angeles. …


2002 Forces, Scott Yarbrough May 2002

2002 Forces, Scott Yarbrough

Forces

No abstract provided.


Quiet Catastrophe: Robert Smithson’S Spiral Jetty, Vanished, Clark Lunberry Apr 2002

Quiet Catastrophe: Robert Smithson’S Spiral Jetty, Vanished, Clark Lunberry

English Faculty Research and Scholarship

Maps to Nowhere: Seen from above, Robert Smithson's Spiral Jetty emerges dramatically from the rocky shores of Utah's Great Salt Lake. Like a swirling vortex steadied and then stilled, the earthwork begins as a straight line of stone extending far into the water, the form then curving, arching and coiling in upon itself until abruptly coming to an end. Rocks and boulders are seen in various shapes and sizes, with brown soil packed and flattened within the spiral, making a broad path that one might walk upon. The water washes upon the earthwork's shaped shores, surrounding and filling it, a …


Parnassus 2002 Jan 2002

Parnassus 2002

Parnassus

The 2002 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


She Wears The Mask, Victoria Graciaa Jan 2002

She Wears The Mask, Victoria Graciaa

The Corinthian

The emergence of the so-called "primitive" masking its way into the art world of the twentieth century brought with it an alluring mystique which intrigued numerous artists and consequently provoked its appropriation. Specifically, the tribal can be seen in the works of Pablo Picasso as he imbues the geometric facades of Afro- Iberian masks, with shamanistic powers. Upon comparison, the primal found in Picasso's work adds an interesting twist to the work of the female Dadaist Hannah Hoch, who puzzles her audience both aesthetically and intellectually through her use of dense iconography.