Art and Design Commons^™

A New View, Meaghan Mulligan

Art & Art History

No abstract provided.

2011 Forces, Scott Yarbrough

Forces

No abstract provided.

Measured Chance, Brian R. Kluge

School of Art, Art History, and Design: Theses and Student Creative Work

In my practice I use clay to make enigmatic, non-representational sculptures that employ reductive geometry and archetypal forms. By pressing clay into a variety of molds, it is my intention to contrast a primal crudeness with a skilled precision in my handling of the material. I fabricate objects that range in scale from handheld to human- size. In this work, I combine references to the forms of manmade things with surfaces that allude to age and wear resulting from natural patinas that occur on stone, wood, or metal. This body of work shares qualities with the Minimalist and Earth Art …

Ua68/5/1 Senior Art Show Catalog, Wku Art

WKU Administration Documents

Exhibition catalog showcasing the work of senior art students in a variety of mediums.

Line Relationships: More To Lines Than Meets The Eye, Robert N. Oddy

School of Information Studies - Faculty Scholarship

Lines in stained glass artwork are important design features. With copper foil and lead came techniques, they are often prominent and black with the light source behind them. Carefully designed and implemented lines can enhance the sense of depth in a picture and have a rather paradoxical nature in our work. I find that I have a rather complicated relationship with my lines.

The Lead Line Effect: Shape Without The Came, Robert N. Oddy

School of Information Studies - Faculty Scholarship

In a previous article, I have mentioned my view that stained glass work is akin to impressionism. We use the features of the glass to suggest detail in our subject matter. However, I often find that for some details, this approach is not adequate. For an example, see the scales in Koi, figure 1. It is also not always practical to implement this fine detail by joining large numbers of very small pieces of glass. In this article, I will talk about methods that produce effects compatible with the ‘lead’ lines of traditional stained glass, namely the use of copper …

Satori 2011, Winona State University

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

Taking In: The Best Of Aib Photography 2011, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication. and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography in 2011. The book in your hands is the end result of a collective effort by those in the class.

Since 1980, Sookyung Bae

CGU MFA Theses

Please see Download button in top right corner for the full statement.

Parnassus 2011

Parnassus

The 2011 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

A Lexicon Of Drawing Problems And Solutions, Johannes H. Von Gumppenberg

Johannes von Gumppenberg Books

Not so much a "how-to" on drawing, this book of unique art plates adds new insights to modern concepts of composition and design. Its beautiful presentation seeks to please the art collector as well as the student.

A single theme, whose nuggets are scattered throughout, unifies these varied and original drawings done over a period of ten years: Understanding fundamentals enables the modern artist to present "all things in all ways," making the most of both observation and inventiveness.

This volume consists only of images. While including "teaching text" handwritten into the illustrations, at the same time the artist crafted …

Plating In Stained Glass: Experience The Beauty, Robert N. Oddy

School of Information Studies - Faculty Scholarship

“Plating” is a piece of stained glass jargon. It refers to the practice of using more than one layer of glass in the construction of a panel. The layers are not fused together. They are simply stacked up, one on top of another and joined by soldering foil or came. I would like to spend a little time on the reasons for using this plating technique. In a future article I may say more about the techniques themselves, but the why’s are more important than the how’s.

Blazing The Real: Writing By Indiana Children, Susan C. Adamson, Julie Patterson

Anthologies

I got my first camera when I was in third grade—a Brownie Hawkeye flash model with a snazzy little camera case. The instruction manual provided six simple steps for taking successful pictures.

Hold the camera steady, supporting it underneath. Then, with the sun behind your back or over your shoulder, locate the subject in the finder. At the instant of exposure, hold your breath and press the shutter release with a gentle squeezing action (Brownie Hawkeye Instruction Manual).

The camera came with two rolls of film, each with16 frames. I eagerly used them up and sent the exposed film off …

Jim Starrett: Drawings, Brian Mains, Patrick E. White

Exhibit Catalogues

This exhibition and catalog have had the close cooperation of the artist, Jim Starrett, to whom must go the first thanks. His professional experience and dedication as an artist and teacher has helped shape this exhibition. Brian Mains' design of the catalog and his essay contribute valuable perspectives for our audience. Starting with "Impersonations: Scott Greiger" in 2007, then "Bobby Ross: Drawings" in 2010, the Nora Eccles Harrison Museum of Art began a tradition of presenting ideas and objects that stimulate discussion, challenge the audience, encourage open-mindedness and expand perspectives.

Mfa11 (Mfa 2011), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Patricia Olynyk, Marshall N. Klimasewiski, John Talbott Allen, Meghan Bean, Shira Berkowitz, Darrick Byers, Jisun Choi, Zlatko Ćosić, James R. Daniels, Kara Daving, Andrea Degener, Kristin Fleischmann, William Frank, Nicholas Mccullough, Jordan Mcgirk, Zachary Miller, Esther Murphy, Kathryn Neale, Christopher Ottinger, Maia Palmer, Nicole Petrescu, Lauren Pressler, Bryce Olen Robinson, Whitney Sage, Donna Smith

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum, May 6-Aug. 1, 2011. Content includes Introduction / Buzz Spector -- Patricia Olynyk -- Marshall N. Klimasewiski -- John Talbott Allen -- Meghan Bean -- Shira Berkowitz / Maggie Stanley Majors -- Darrick Byers, Bryce Olen Robinson -- Jisun Choi -- Zlatko Ćosić -- James R. Daniels -- Kara Daving -- Andrea Degener -- Kristin Fleischmann / Randi Shapiro -- William Frank / Lawrence Ypil -- Nicholas Kania -- Katherine McCullough -- Jordan McGirk / Aditi Machado -- Zachary Miller -- Esther Murphy / Maggie Stanley …

Lights And Shadows - 2011, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Risd Pod 2011 Evaluation & 2012 - 2015 Strategic Plan, Project Open Door

Publications + Documents + Videos

This evaluation report and strategic plan documents key findings of an external review of Project Open Door and agreement and the 2012-2017 Project Open Door Strategic Plan. The plan represents consensus among Project Open Door faculty, staff, and Dean of Graduate Studies, Research and Engagement, and Advisory Committee members to strengthen and institutionalize the program. Dean Phillips asked that the review “...evaluate the current condition of the program, confirm its scope, scale, and feasible and fruitful staffing scenarios, explore ways to successfully institutionalize it both within and outside of RISD, and identify pathways for the future, including greater visibility for …

Miscellany, Shelby Childs, Amanda Gibson, Alessandra Dzuba, Shanna Goodwin, Jimmy Guo, Lauren Howard, Brittany Kolar, Sheila Boarman, Jose Gil, Lindsey Rowland, Michael Hendley, Tavidee Hoskins, Christopher Kessler, Michael Hendley, Axel Wright, Spencer Lenaway, Christopher Hiers, Chad Sanderson, Jimmy Guo, Kaela Mcneil

Miscellany

• Art
• Writing

Renditions, Nathan Halverson

Theses and Dissertations

This thesis includes ideas and explorations behind my MFA thesis work and the work that that preceded it in late 2010 and early 2011. In it, I use a creative text by Gertrude Stein, in which she reveals ways that writing reveals and creates language and culture, to illustrate similar ideas regarding field recording and appropriation in my art practice. I use this thesis writing to investigate practices and relationships between media and how these practices can encourage an active, participatory, listening and looking. It also contains discussion of the use of popular music in torture, which inspired Rendition(s), and …

Ua37/26 Faculty Personal Papers Ivan Wilson, Wku Archives

WKU Archives Collection Inventories

Personal and university records created by Ivan Wilson.

Odd Man Out: Two Self-Portraits Of Henri De Toulouse-Lautrec, Ava Pandiani

Art & Art History Student Scholarship

No abstract provided.

Glorious Constructions: The Struggle To Preserve Salvation-Themed Visionary Art Environments, Molly Elaine Sheehan

Master's Theses

Salvation-themed art environments are a roadside rarity, built out of a strong visionary dedication to God, but the sites are disappearing simply because the work is misunderstood. The historiography on the subject is sparse, trending more toward coffee table books with big glossy pictures than real scholarly endeavors, but the consensus among all has been clear. The sites are a valuable part of the recent American cultural landscape, crossing several scholarly fields - art, architecture, and history - and uniting them into a cohesive preservation movement. On a series of trips to visit, see, and experience five of these sites, …

Henri Mattise's "The Red Studio": Art As Real/The World As Illusion, Alyssa Johnson

Art & Art History Student Scholarship

No abstract provided.

The Cypress Trees In "The Starry Night": A Symbolic Self-Portrait Of Vincent Van Gogh, Jessica Caldarone

Art & Art History Student Scholarship

No abstract provided.

“Where Do We Come From? What Are We? Where Are We Going?”: Freud And The Unconscious Of Paul Gauguin, Lauren Cavalli

Art & Art History Student Scholarship

No abstract provided.

With Lovers As Her Muse: How Men Influenced The Designs Of Coco Chanel, Sara Spirito

Art & Art History Student Scholarship

No abstract provided.

Paradigmatic Portraits From Weimar Germany: Martha Dix, Sylvia Von Harden, And Anita Berber According To Otto Dix, Althea Ruoppo

Art & Art History Student Scholarship

No abstract provided.

Tension And Critical Thinking In Art, Marnie A. Jain

Critical and Creative Thinking Capstones Collection

This paper is a discussion about the existence, purpose, and use of tension in works of art. It does not take the form of standard papers, but is written as an interview where I am both the interviewer and interviewee. As the interviewee I am an artist and researcher of this topic. As the interviewer, I challenge myself to support my assertions with examples, and I try and catch myself in contradictions, and ask for clarifications. Similar to conversations we have in the classrooms of the Critical and Creative Thinking Graduate Program, the discussion in this paper does not cease …

Lost Channels, Joshua P. Johnson

School of Art, Art History, and Design: Theses and Student Creative Work

LOST CHANNELS Josh Johnson, M.F.A University of Nebraska, 2010 Adviser: Mo Neal My current body of work derives from notions of an inward nature. Things that are difficult to put your finger on for very long are my focus. Sensations as obscure as the lump in the pit of your stomach or the itch in the back of your mind that turns sleep into a game, conditions that both stifle and propel an individual. These hazy passengers churn within, coating themselves with the residue of memories, concerns, desires and other intangible features of the body; waiting to be released from …

The Feminine Ideal, Rosalena L. Miller

Scripps Senior Theses

While footwear was originally meant to protect the feet and enable the wearer to span larger distances and rough materials, today shoes are often seen as a fashion statement and a sex symbol for women. In his book, Of Cigarettes, High Heels, and Other Interesting Things, Marcel Danesi examines how high heels have moved away from the original purpose of shoes and now “seem to contravene this function. They are uncomfortable and yet millions of women wear them." They have moved from practicality to a sign of femininity, sexuality, and power.