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Articles 1411 - 1440 of 1984
Full-Text Articles in Art and Design
Art Meets Science! Get Over It . . ., Stephen Nowlin
Art Meets Science! Get Over It . . ., Stephen Nowlin
The Transdisciplinary STEAM+ Journal
The news headline, when such projects garner attention, usually goes like this – Art Meets Science! Or perhaps Art Merges with Science! or maybe they combine, or art collides with science, or they fuse, join, bond, or unite. And ‘art’ in the phrase usually precedes ‘science’, perhaps because their integration is more typically initiated from the art side of the equation. But whatever the order of the two terms, and whatever verb is used to link them, the tenor of the declaration is typically the same – this is a story worth reporting on, it announces, because …
A Reflection: Art And Science In A Museum Gallery, Kaileena Flores-Emnace
A Reflection: Art And Science In A Museum Gallery, Kaileena Flores-Emnace
The Transdisciplinary STEAM+ Journal
Art education in a public space can be a venue for the blending of art and science. As a Contemporary Art Start educator for the Museum of Contemporary Art (MOCA), Los Angeles, I have experienced the many ways in which transdisciplinary education creates deeper student understanding and engagement. At MOCA we use Visual Thinking Strategies for student tours, a research-based teaching method that invites students to direct gallery discussions. We visit a few artworks for ten to fifteen minutes each to foster critical thinking and encourage students to bring personal knowledge and experience to the conversation.
The Unstable Ground Of Low Hierarchies, Joshua Dinsmore
The Unstable Ground Of Low Hierarchies, Joshua Dinsmore
The Transdisciplinary STEAM+ Journal
Broad Vision is a collaborative project between the Sciences and Arts. It involves students and lecturers from six different departments, across three schools at the University of Westminster, London, UK. In the first year of the project we worked with the microscope as the locus for our interconnections.
Connecting The Contradictory With Science Art And The Aid Of A Caption, Carel P. Brest Van Kempen, Darryl Wheye
Connecting The Contradictory With Science Art And The Aid Of A Caption, Carel P. Brest Van Kempen, Darryl Wheye
The Transdisciplinary STEAM+ Journal
When the disciplines of science and art intertwine to reveal a truth then words and images are suited to telling different parts, and reveal the whole story most effectively when working in tandem. Decoding the underlying science within a work of art through a caption does not diminish its value as art, but when we fail to decode the science we miss entry into a narrative.
Steam With A Capital A: Learning Frenzy, David Rufo
Steam With A Capital A: Learning Frenzy, David Rufo
The Transdisciplinary STEAM+ Journal
A student dipped a brush into a bowl of viscous tempera paint and in a few quick strokes formed thick magenta letters on a large display board. Nearby a handful of students were working together to attach string to paper cups and balloons. Across the room a small group of girls were lying on the floor carefully adding multi-colored text to a poster. Two others created characters out of Popsicle sticks for a puppet show...This is how the integration of Science, Technology, Engineering, Arts, & Math (S.T.E.A.M.) happened with the fourth and fifth graders during the first few weeks of …
Bottled Sky, Ioannis Michalou(Di)S
Bottled Sky, Ioannis Michalou(Di)S
The Transdisciplinary STEAM+ Journal
Cloud-hunter Ioannis ΜICHALOU(di)S, lies in wait of air streams, grapping pieces of sky, shaping them, molding them, and baptizing them as ‘aerosculptures’. MICHALOU(di)S is the first visual artist worldwide to use art and science in a unique way. His latest Art-Science achievement is ‘Bottled Sky’. He states:
“In October 2001, while I was trying to create a cubic nephele, in the Visual Arts Research Centre of Massachusetts Institute of Technology (MIT), I came upon the silica aerogel for the first time... It is a space technology material, intangible -consisting of 99.9% air and 0.1% glass - which has been recently …
A Distributed Intelligence Approach To Multidisciplinarity: Encouraging Divergent Thinking In Complex Science Issues In Society., Jarod Kawasaki, Dai Toyofuku
A Distributed Intelligence Approach To Multidisciplinarity: Encouraging Divergent Thinking In Complex Science Issues In Society., Jarod Kawasaki, Dai Toyofuku
The Transdisciplinary STEAM+ Journal
The scientific issues that face society today are increasingly complex, open-ended and tentative (Sadler, 2004). Finding solutions to these issues, not only requires an understanding of the science, but also, concurrently dealing with political, social, and economic dimensions that exist (Hodson, 2003). For example, 40 years after the first congressional hearing on climate change held by Al Gore in 1976, the 2012 Intergovernmental Panel on Climate Change (IPCC) report states that climate change is still getting worse, despite efforts by governments, businesses, social actors such as Non-Government Organizations, and scientists. With the top minds in the world, across all disciplines, …
Equations Of Light - The Steam Journal Inaugural Issue, The Cover Art, Chris Brownell
Equations Of Light - The Steam Journal Inaugural Issue, The Cover Art, Chris Brownell
The Transdisciplinary STEAM+ Journal
This is the background to some of the work, art and thinking that went into the cover art for the inaugural issue.
Federally Funded Art In The United States: Government Actions In Response To Controversy, Abby Lauren Kalbfleisch
Federally Funded Art In The United States: Government Actions In Response To Controversy, Abby Lauren Kalbfleisch
Master's Theses and Doctoral Dissertations
This study documents controversies that have arisen from federally funded art programs and organizations and explores the actions taken by the government and changes made to public policy in the wake of said controversies. These actions include (1) requiring matching funding from other entities, (2) reorganization of programs, changing names of programs, and/or the elimination of programs, (3) oaths/pledges from artists/arts organizations, (4) the denial of funding, (5) the delegation of responsibility/requiring advising panels, and (6) the change or destruction of art. This paper focuses on two federal agencies: the Federal One Program of the Works Progress Administration (1935- 1943) …
30, Ivan Monbrison
29, Ivan Monbrison
28, Ivan Monbrison
Screw, Anderson Cook
Transient Motel, Bryce Hammond
Transient Motel, Bryce Hammond
Electronic Theses and Dissertations
"Transient Motel" is an exhibition that investigates the interactions of people and physical environments in low-income areas of Daytona Beach, Florida. The purpose of the exhibition is to raise social awareness of low-income communities among the public through visual art. Interactions between motel guests were documented as first-hand sound recordings of conversations, interviews and other activities. These recordings are projected through speakers within a constructed life-sized replica of the motel rooms in which they were recorded. Found and appropriated furniture and fixtures from the actual rooms are arranged within the replica as objects of art to familiarize the public with …
Parnassus 2013
Parnassus
The 2013 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.
The Artist Avengers: The Power Of Art, Marina Santana, Ashley Dee Abarca
The Artist Avengers: The Power Of Art, Marina Santana, Ashley Dee Abarca
Curricula
No abstract provided.
Passages Through The Ordinary: Human Pyramid, Daniel Dean
Passages Through The Ordinary: Human Pyramid, Daniel Dean
Art & Design Faculty Research
A man picks his way across a wooded hillside, a curious reluctance in his step. In a small, two-door hatchback, pale mushrooms sprout from car seats. Drawings of edibles spread across the walls of a windowless room, where wooden furniture beckons to sit, linger, and enjoy the view. A dumpster doubles as a hot tub next to an arrangement of plywood benches and white ceramic tubs, inviting the weary to bathe their feet in salubrious salts. Close by, a set of coal-black bowls nestles into itself, while dust motes dance in a glow of orange light. Ladders and levels, carefully …
Living Between Two Worlds: Conflict, Investigation And The Change, Noura Abdulhameed Shuqair
Living Between Two Worlds: Conflict, Investigation And The Change, Noura Abdulhameed Shuqair
Electronic Theses and Dissertations
Beginning with my exploration of art as an aesthetic object, this paper shows the growth of my work and concept. Through my practice, I have been able to understand the contradictions in my traditional society and western modernity. It has helped me grapple with my own beliefs, and begin to confront those I don't agree with.
Methods In Visual Mathematics: Reductionism In Researching Mathematical Principles In Art, Lauren N. Colie
Methods In Visual Mathematics: Reductionism In Researching Mathematical Principles In Art, Lauren N. Colie
AUCTUS: The Journal of Undergraduate Research and Creative Scholarship
People traditionally rely on visual arts as an effective communication tool and medium of self-expression for when words fail to convey abstract concepts. Thera Mjaaland, anthropologist and professional photographer, writes, “Art is capable of negotiating conceptual gaps caused by a dichotomized epistemology” (393). In essence, Mjaaland asserts that art helps relate different modes of thinking by illustrating the abstract and difficult to grasp—privileging the communicative value of an image over that of text. Within this method of communication is a collection of works acknowledged by public consensus to be of an elevated status or value. The art world is deeply …
Mfa13 (Mfa 2013), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Patricia Olynyk, David Schuman, Lyndon Barrois Jr, Sarah Bernhardt, Hsuan Ying Chen, Serhii Chrucky, Janae Contag, Carrie Debacker, Erin M. Duhigg, José Garza, Eric Gray, Meghan Allynn Johnson, Hoa Le, Christine Eunji Lee, Lavar Munroe, Jon A. Orosco, Michael Powell, Bridget A. Purcell, Malahat Qureshi, Natalie Rodgers, Carla Fisher Schwartz, Zak Smoker, Laurencia Strauss, Lili Yang, Vivian Zapata
Mfa13 (Mfa 2013), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Patricia Olynyk, David Schuman, Lyndon Barrois Jr, Sarah Bernhardt, Hsuan Ying Chen, Serhii Chrucky, Janae Contag, Carrie Debacker, Erin M. Duhigg, José Garza, Eric Gray, Meghan Allynn Johnson, Hoa Le, Christine Eunji Lee, Lavar Munroe, Jon A. Orosco, Michael Powell, Bridget A. Purcell, Malahat Qureshi, Natalie Rodgers, Carla Fisher Schwartz, Zak Smoker, Laurencia Strauss, Lili Yang, Vivian Zapata
Books and Monographs
Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum, May 3-July 29, 2013. Contents include Introduction / Buzz Spector -- The collaborative turn : new models of thinking, making, and learning / Patricia Olynyk -- [Introduction] / David Schuman -- Lyndon Barrois, Jr. / Rickey Laurentiis -- Sarah Bernhardt -- Shifting Shanghais / Hsuan Ying Chen -- Serhii Chrucky / JaNae Contag -- JaNae Contag / Emily Hanson -- Carrie DeBacker / Gabriel Feldman -- Erin M. Duhigg -- José Garza / Serhii Chrucky -- Eric Gray / Ariel Lewis -- Meghan Allynn Johnson : …
Lights And Shadows - 2013, University Of North Alabama
Lights And Shadows - 2013, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Miscellany, Alexander Arnold, Sara Adams, Ashley Alabo, Kendal Arakawa, Courtney Bath, Haley Coker, Tekeya Carter, Chase Chalker, Mathew Dean, Nadia Dreid, Lindsay Deblasio, Abbie Hooks, Kaylee Johnson, Kiera Johnson, Erika Jordan, Shatonna Leverette, Kayleh-Marie Law, Tasha Lund, Alysia Marion, Mallory Morgan, Jessie Reese, Kimeko Mccoy, Samantha Reid, Aleyna Rentz, Jeff Schmuki, Melita Smith, Will Price, Ileana Silivasi, Toni Todd, Brandon Warnock, Carlie Ayn Williams, Kalee Woodard, Elsie Hill, Jessica Hines, Santanu Majumdar, Jason Mccoy, Ashley Newsome, Danny Bauer, Zach Bush, Jared Sexton
Miscellany, Alexander Arnold, Sara Adams, Ashley Alabo, Kendal Arakawa, Courtney Bath, Haley Coker, Tekeya Carter, Chase Chalker, Mathew Dean, Nadia Dreid, Lindsay Deblasio, Abbie Hooks, Kaylee Johnson, Kiera Johnson, Erika Jordan, Shatonna Leverette, Kayleh-Marie Law, Tasha Lund, Alysia Marion, Mallory Morgan, Jessie Reese, Kimeko Mccoy, Samantha Reid, Aleyna Rentz, Jeff Schmuki, Melita Smith, Will Price, Ileana Silivasi, Toni Todd, Brandon Warnock, Carlie Ayn Williams, Kalee Woodard, Elsie Hill, Jessica Hines, Santanu Majumdar, Jason Mccoy, Ashley Newsome, Danny Bauer, Zach Bush, Jared Sexton
Miscellany
- Student & Faculty Work
- Judges
Humanities, Sciences Must Be United -- For Our Collective Success, Carla Poindexter
Humanities, Sciences Must Be United -- For Our Collective Success, Carla Poindexter
UCF Forum
When Pablo Picasso presented his first cubist paintings to the world, even most educated people thought them hideous and irrational, yet his peers saw them to be ingenious.
Blood Works: The Sanguineous Art Of Robert Sherer, Robert Sherer
Blood Works: The Sanguineous Art Of Robert Sherer, Robert Sherer
KSU Press Legacy Project
Robert Sherer is an internationally recognized gay American artist whose work explores race, gender, sexuality, and Southern identity, intertwined with beautiful and provocative botanical and anatomical illustration. His premier book concerns the complexities of romantic life and sexual attraction in the age of AIDS and conveys a profound and highly personal aesthetic statement in response to the continuing AIDS crisis in America and abroad. Images of his stunning illustrations are printed with non-toxic ink—the originals were executed in blood drawn from the artist, as well as donated by friends, both HIV-negative and HIV-positive.
Contents
Part 1
Blood Works: Love and …
Can We Own Art? Or Just Be Its Legal Guardian?, Carla Poindexter
Can We Own Art? Or Just Be Its Legal Guardian?, Carla Poindexter
UCF Forum
How can we effectively teach students to be professional artists at a time when some of society’s economic values are so unrealistic? It is true the high-end art market is thriving, but the contemporary art community is arguing whether such outrageous public auctions and private sales are good or bad for art.
Downing, Joseph Dudley, 1925-2007 (Sc 2598), Manuscripts & Folklife Archives
Downing, Joseph Dudley, 1925-2007 (Sc 2598), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid only for Manuscripts Small Collection 2598. Letters from artist Joseph Dudley Downing, France, to Elinor Green (later Hunter), who worked for the United States State Department in Bern, Switzerland. They discuss their shared interest in art and discuss upcoming visits. Also includes letters from Joseph’s brother, Dero Downing, to Green discussing the possibility of donating artwork to Western Kentucky University.
Self-Portrait, Hoang Nguyen
Self-Portrait, Hoang Nguyen
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Woman In Green, Connor Gordon
Woman In Green, Connor Gordon
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Art Is Always A Series Of Questions To Contemplate, Not Solve, Carla Poindexter
Art Is Always A Series Of Questions To Contemplate, Not Solve, Carla Poindexter
UCF Forum
Why do people value a painting or drawing? An elementary-school student I know recently answered: “Because when we look at art we can see how the artist felt about things.”
Canvassing Generations: Art Through Postmemory, Julianne Norton
Canvassing Generations: Art Through Postmemory, Julianne Norton
Holster Scholar Projects
Investigated the legitimacy if postmemory, its relationship with art, and completed a creative project addressing the four generations of artists leading to the Norton family. What is postmemory? How does artwork allow for the conceptualization of memory? The research supported the existence of postmemory and led to an increased understanding, analyzing, and recreation of artwork from each of the previous four generations. This artwork served as a tangible form of my own postmemory.