Art and Design Commons^™

Sapphic Belles, Maddox Carus

Diamond Line Undergraduate Literary Magazine

No abstract provided.

The Swamp, Emma Ming

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Still Alive, Nayra Torres

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Made New, Eve Martini

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Where Light Rests, Evan Meyers

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Tea Time, Erika Fredricks

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Roadside Oranges, Jane Tucker

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Donut Shop, Joseph Rousseau

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Always Pay Your Exorcist, Ryan Baker

Diamond Line Undergraduate Literary Magazine

No abstract provided.

The Bright And Dim Of Childhood, Kannah Price

Diamond Line Undergraduate Literary Magazine

No abstract provided.

The Poetry I Love, Emma Shiltz

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Starburn, Emma Bracken

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Dried & Saved, Luci Green

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Across The Harbor, Susan Elliott

Diamond Line Undergraduate Literary Magazine

No abstract provided.

A Billowing Wind, Dark Drawing Its Breath, Noah Truelove

Diamond Line Undergraduate Literary Magazine

No abstract provided.

An Inevitability, Elizabeth Burger

Diamond Line Undergraduate Literary Magazine

No abstract provided.

The Harbinger, Emma Bracken

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Contributors, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Acknowledgements, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Letter From The Editors, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Table Of Contents, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Echoes Of Neon, Evan Meyers

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Diamond Line - Spring 2025, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

Weep No More, My Lady (Oh! Weep No More Today): Love, Violence, Printmaking, And Kentuckian Futurity, Madison Brown, Marshall Brown

Bachelor of Fine Arts Senior Papers

Situated within a regressive political climate, this essay considers the writer’s thesis artwork Weep No More, My Lady as a simultaneous account of Southern gendered violence and a desire for healing. Through personal and historical connections to Kentucky’s material culture, the work navigates binaries of class, race, and gender that have dictated the dominant contemporary conception of the region. Placing the competing forces of care and brutality in dialogue, Weep No More, My Lady translates these theoretical challenges into formal attributes. The work suggests modes of making — stitching, unraveling, tearing — can act against the construction and naturalization of …

Counter-Environments And The Myth Of Progress: A Practice Of Participatory Disruption, Elliott J. Andrew

Bachelor of Fine Arts Senior Papers

This thesis explores the potential of archival and participatory practices to illuminate and disrupt societal barriers to genuine human connection, particularly those arising from productivity, routine, and capitalist notions of progress. Rooted in an extensive personal archive—over 70,000 photographs, hundreds of journal entries, and fragmented sensory experiences—my artistic process involves meticulously collecting, rearranging, and interpreting patterns within everyday consumption. Through iterative methods akin to artists such as Wolfgang Tillmans, I juxtapose images, texts, and found materials, embedding personal narratives and subjective insights to uncover deeper connections and overlooked truths.

Central to my practice is the critique of contemporary societal norms, …

Embodied Stories: Painting The Figure, Diana Hoffman

Bachelor of Fine Arts Senior Papers

This thesis explores the enduring significance of figure painting as a means to record both a personal and cultural narrative. Figure painting reflects not only artistic evolution but also shifting societal values, technological advancements, and emotional expression. Through historical analysis and my own artistic practice, this paper traces the development of figurative painting - from ancient cave art to contemporary work - and examines how artists have used the human body to convey themes of identity, memory and connection. With reference images from my personal photo archive, my work reimagines everyday moments among family and friends, transforming them into open-ended …

Trans-Dimensional Coexistence: I No Longer Hold You But I See You, Keren Guo

Bachelor of Fine Arts Senior Papers

We live in a world where impermanence is the only lasting truth. Fleeting moments and fading relationships reoccur in our lives, but the journey continues, nonetheless. My practice projects my individuality onto universal connections between humans through depicting worlds full of colorful imaginations, experiences, creatures, and figures. I draw inspiration from work by Inka Essenhigh, Yoko Ono, and Pipilotti Rist, studying contemporary artists’ use of colors, materials, and audience participation to make an array of works from paintings to an interactive installation as my final work. Additionally, I look into historical sources about mythical creatures and religious beliefs to enhance …

Shell Quilt: Piecing Memory Through Quilting, Collage, And Printmaking, Grace M. Woodruff

Bachelor of Fine Arts Senior Papers

Shell Quilt is a mixed media quilt and accompanying book which collect an amalgamation of found, hand dyed, and printed fabric pieces. This project serves as a visual tether and inquiry into my late grandmother Sylvia’s life and a way of piecing together memories of my time with her. As a conceptual frame for my thesis project, Shell Quilt, I have looked to the process of femmage, a term initially coined by Miriam Schapiro and Melissa Meyer, which I interpret as a portmanteau of feminism and collage. Through the lens of femmage, I explore the processes of collage, quilting, …

Containers Of Becoming, Embodied Thresholds: Wearable Art As Performance, Bei Qi Ms.

Bachelor of Fine Arts Senior Papers

My interdisciplinary art practice investigates wearable sculpture as a tool for emotional processing, identity negotiation, and embodied performance. Beginning with early works like a cape made from thrifted scarves—exploring how different wearers transform the same garment—I have expanded their role into vehicles for personal and collective meaning. Drawing from the work of artists including Nick Cave, Stan Brahkage, Lucy McRae, Lucy Orta, and Rebecca Horn, I examine how bodily concealment, distortion, and constraint can foster new modes of self-discovery.

Over time, my practice has evolved to incorporate performance, time-based media, and psychological frameworks. For example, my choreographed dance Enneagram: Beings …