Art and Design Commons^™

Untitled, Lauren Arena

The Red Letter

No abstract provided.

Untitled, Lauren Arena

The Red Letter

No abstract provided.

Untitled, Lauren Arena

The Red Letter

No abstract provided.

Untitled, Lauren Arena

The Red Letter

No abstract provided.

Untitled, Lauren Arena

The Red Letter

No abstract provided.

Ten Library Perks For Students, Judy Schmitt

Library Faculty Works

No abstract provided.

Ten Library Perks For Umsl Staff, Judy Schmitt

Library Faculty Works

No abstract provided.

Level Closed, Judy Schmitt

Library Faculty Works

No abstract provided.

Floor Plans Stairs, Judy Schmitt

Library Faculty Works

No abstract provided.

Floor Plan Posters, Judy Schmitt

Library Faculty Works

No abstract provided.

Closed Level Requests, Judy Schmitt

Library Faculty Works

No abstract provided.

Using The University Libraries During The Renovation, Judy Schmitt

Library Faculty Works

No abstract provided.

Behind The Lens, Jolie M. Adams Miss

[Archive] Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Blanket Statements, Issue 167, Winter 2024–2025

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 167, Winter 2024–2025

What Do We Mean By Territoire?, Ceri Almrott

Other resources

This diagram explores the concept of territoire, illustrating its multidimensional nature as a dynamic socio-spatial system. It captures the interplay of human interaction, social structures, environmental factors, and cultural connections. The framework demonstrates how communities adapt to and shape their environments, integrating local knowledge, sustainable practices, and resource management. It highlights governance systems, traditions, and collective identity as essential for resilience and sustainability. The diagram also reflects on intangible elements like sense of place, identity, and heritage, which deepen emotional and cultural connections to the territoire. Together, these layers form a holistic approach to understanding sustainable community development.

Squashing Fear Of Failure: Brooke Rudisill, Office Of Marketing And Communication

LYNKD Magazine

Some professionals go through life never defining their passion and purpose. Why? Self-doubt. But Brooke Rudisill (Class of ’16, ’17), studio coordinator for Young Hollywood, is ready to debunk the fear of failure with one simple statement: Stop over complicating things.

Brandstar Donates Led Volume Wall, Office Of Marketing And Communication

LYNKD Magazine

A Partnership of Passion and Career Development Opportunities

Back To The Future, Timea Varga, Office Of Marketing And Communication

LYNKD Magazine

Pioneering Programs of User Experience and Career Preparation

Ivy Leaves, Volume 99, Ivy Leaves Editorial Staff

Ivy Leaves

The 2024 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Carson Cawthon, Allison Jones, Lily McNamara, Brea Bingham, Briana Martin, Emma Brightman, Grace Hartsell, Jaylee Koon, Maeve Foote, Marielys Diaz, Meg Hindman, Milena Ulrich, Zoe Dubiski-Pitts, Lindsay Blumenfield, Knoxie Le Roux, Lily Gregory, Ethan Wright, Jocelin Flora, Ellie Gramm, Iley Graham, Emily Miller, Julia Hewitt, Miriam Cabrera, Ashlee Keller, Isabelle Rigsbee, Abby McDonald, Derek Updegraff, and Tim Speaker.

ประวัติและนโยบายด้านศิลปะของกลุ่มอีเลิ้งในบริบทของศิลปะชุมชน, ธารินี รัตนเสถียร

Chulalongkorn University Theses and Dissertations (Chula ETD)

วิทยานิพนธ์ฉบับนี้มีวัตถุประสงค์เพื่อสำรวจประวัติและนโยบายด้านศิลปะในบริบทของศิลปะชุมชนของกลุ่ม "อีเลิ้ง" (E-Lerng Artists Collective) ซึ่งเป็นกลุ่มศิลปินที่ทำงานอยู่ในย่านนางเลิ้ง เขตป้อมปราบศัตรูพ่าย กรุงเทพฯ ตั้งแต่ปี พ.ศ. 2551 - 2567 ก่อตั้งขึ้นเพื่อตอบสนองต่อความท้าทายทางสังคมและวัฒนธรรมที่ชุมชนต้องเผชิญ และได้พัฒนาแนวทางจากการทำโครงการศิลปะชุมชนแบบดั้งเดิมไปสู่การเป็นตัวอย่างสำคัญของศิลปะชุมชนในประเทศไทยที่ริเริ่มโดยคนในชุมชนเพื่อตอบสนองต่อปัญหาของชุมชน โดยใช้วิธีการเก็บข้อมูลแบบพรรณนา การทบทวนเอกสาร งานภาคสนาม และการวิเคราะห์บริบททางสังคมและการเมืองที่กลุ่มศิลปินดำเนินงานอยู่ และนำข้อมูลที่ได้มาวิเคราะห์และสรุปผลการศึกษา รวมถึงสำรวจวิธีการที่เป็นเอกลักษณ์และยั่งยืนในการแก้ไขปัญหาต่าง ๆ ในชุมชน กระบวนการคิดและการดำเนินงานของกลุ่มอีเลิ้งได้สร้างองค์ความรู้ที่มีคุณค่าในสาขาศิลปะชุมชน (Community Art) ที่มีประเด็นร่วมกับศาสตร์สาขาอื่น ไม่ว่าจะเป็นประเด็นด้านสังคม การเมือง คุณภาพชีวิต ไปจนถึงประเด็นทางประวัติศาสตร์ มรดกภูมิปัญญาทางวัฒนธรรม สังคมวิทยาและมานุษยวิทยา ซึ่งสามารถใช้เป็นข้อมูลสำคัญในการพัฒนานโยบายศิลปะในประเทศไทยที่เกี่ยวข้องกับรูปแบบของศิลปะชุมชน (Community Art) ศิลปะที่มีส่วนร่วมทางสังคม (Socially Engaged Art) ศิลปะแห่งการมีส่วนร่วม (Participatory Art) และศิลปะแบบกิจกรรม (Activity-based art)

Preserving Wonder And Welcoming Boredom: The Importance Of Quietly Incredible Adventures In Today’S Rushed Childhood, Amalia Hillmann

Children's Book Writing and Illustrating (MFA) Theses

Once upon childhoods past, children’s early years were filled with exploration of and delight in the world around them. They learned through independent play and chasing curiosity without the micromanagement of intervening adults. Inter-generational relationships grew character and knowledge via shared stories and skills and encouraged collaborative experiences and tasks. Today’s culture is losing this inquisitive, play-filled heart of childhood. Children are increasingly pulled through their earliest years and pushed into adolescence prematurely by impatient communities, unrealistic academic expectations, and distracted parenting. The loss of slightly-wild, unstructured adventures and rooted parent-child relationships in pre-teen years should be of interest to …

Túnicas Masculinas A Fines Del Horizonte Medio En La Costa Sur Central Del Perú, No Uno Sino Varios Estilos, Rommel Angeles Falcón

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Las excavaciones arqueológicas en Huaca Malena (valle bajo de Asia), en la costa sur central del Perú, han permitido recuperar una importante cantidad de textiles procedentes de tumbas y de contextos secundarios de fines del período Horizonte Medio (Siglos VIII-XI d.C.). Destaca la variedad de túnicas o uncus que permiten visualizar la vestimenta masculina de la época y conocer aspectos de su tecnología, iconografía y de las relaciones inter-regionales que se dieron durante el estado wari.

Archaeological excavations at Huaca Malena (lower Asia valley), on the south central coast of Peru, have allowed the recovery of a significant amount of …

Moche-Wari Textiles From Huaca Del Sol, Moche Influence In The Middle Horizon, Amy Oakland

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This paper analyzes a selection of textiles excavated in 2013 in the destroyed late Middle Horizon (AD 800-1000) cemetery on Huaca del Sol, Huacas de Moche in the Moche Valley of northern Peru. The Huaca Sol textile group was woven with local, Moche style S-spun cotton yarns between AD 888-1050, calibrated radiocarbon dates along with a small number of Wari textiles, late Moche and Wari ceramics and ceramics in Casma and Cajamarca styles. Textile structure and design provide the basis for reconstruction into complete garment types known to other Middle Horizon collections on the central and southern coast where Moche …

An Examination Of An Inka(?) Aksu In The Collections Of The Textile Museum, Shelley Burian

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This paper presents the preliminary results and conclusions from an examination of an exceedingly rare example of a weft-face and tapestry-woven aksu in the collections of The Textile Museum. Patterned with figurative butterflies, the garment closely resembles those depicted by Felipe Guaman Poma de Ayala in several of his illustrations of ceremonies and elite women. Its features present challenges for determining its dates and the level of social status it represents or confers. The similarity between the aksu’s butterflies and those in a checkerboard unku in the Field Museum provides suggestive evidence for its use in an official state setting. …

Inka Khipus, Thread Wrappings And Subject Markers, Lucrezia Milillo

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This work aims to contribute to our current understanding of how information was organized in khipus, Andean colourful knotted cords used as writing. If the idea that khipu signs could work as a flow chart was common in the last two decades, it is not until the notion of kayte as subject marker was elaborated by Sabine Hyland on the basis of Julio C. Tello's notes that the theory could be discussed on more empirical grounds. So far, the term “kayte” applied to needlework bundles, pompons or tufts attached to the beginning of the primary cord. In this work, the …

Evidencias De Tecnología Textil En Un Basural Del Santuario De Pachacamac, Rommel Angeles Falcón, Susana Abad, Janet Oshiro

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Recientes excavaciones arqueológicas en el santuario arqueológico de Pachacamac, valle de Lurín, Costa Central del Perú, permitieron identificar un denso basural del período Inca (Siglos XV-XVI) que contenía una importante cantidad de elementos relacionados a la actividad textil: husos, piruros, ovillos, espadas, estacas y peines, entre otros que permiten visualizar la cadena operativa que se realizaba en el santuario de Pachacamac.

Recent archaeological investigations in the archeological site of Pachacamac (Lurin Valley, Central Coast of Peru) allowed us to identify a dense Inca garbage dump (XV-XVI centuries) that contained an important amount of textile artifacts: spindles, piruros, balls, swords, stakes …

Equivalencias Entre La Indumentaria De Mesoamérica Y De La Zona Andina, Victòria Solanilla Demestre

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Al igual que en Jornadas anteriores presenté signos comunes en los textiles, mi interés sigue siendo buscar paralelismos y/o significados parecidos o iguales entre las dos principales zonas culturales de América precolombina: Mesoamérica y la Zona Andina, ya que creo firmemente que hubo contactos entre ellas. En esta ocasión trataré el tema de las equivalencias en las indumentarias, que creo necesitará igualmente diferenciarlas fuentes de información, como hice en anteriores ocasiones. En Mesoamérica, es preceptiva la consulta de las fuentes escritas; y en este caso las dibujadas, pues serán las principales. Además, recurriremos al estudio de las figurillas de arcilla …

Entre Lo Simbólico Y Lo Material. Textiles Moche Para La Eternidad, Arabel Fernández López

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Una revisión de distintas evidencias materiales provenientes principalmente de contextos funerarios de personajes de la élite gobernante mochica, así como de las imágenes plasmadas en la cerámica, metales y arte mural policromo, dejan entrever aspectos poco conocidos sobre el rol que cumplió la textilería en esta sociedad (100 – 850 d. C.), revelando una serie de temas simbólicos vinculados a los mitos y ritos que formaron parte de la cosmovisión andina mochica que, además, se fundieron con la propuesta ideológica impuesta por la clase gobernante. Las evidencias y contextos registrados durante las excavaciones arqueológicas permiten sostener que, en los distintos …

Behind The Scenes In Museum Collecting: The Destinies Of Henry Wellcome’S Pre-Hispanic Textiles, Penelope Dransart

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

In this article, I explore the sale of pre-Hispanic textiles from Andean countries, especially Peru, demonstrating networks between collectors, auction houses and researchers. Sir Henry S. Wellcome (1856-1936) was a North American pharmaceutical entrepreneur. After transferring his commercial interests to London in 1880, he bought textiles and other antiquities at auctions. I outline the activities of Wellcome staff in registering the textiles in Wellcome’s store at Willesden, London. Textiles which preserve Wellcome labels now in the Museum of Archaeology and Anthropology, University of Cambridge, and the National Museums of Liverpool are described. I examine the case of a distinctive Wari …

Las Warakas (Hondas) De Arena Blanca, Cerro Colorado Y Wari Kayan En La Península De Paracas: Nuevos Datos E Interpretaciones, Jessica Lévy Contreras, Ann H. Peters

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Las hondas o warakas halladas en la Península de Paracas, contextos mortuorios que datan del final del Formativo Tardío a inicios del Periodo Intermedio Temprano, 400 a.C. – 250 d.C., ofrecen datos inéditos para entender mejor su confección, uso y función simbólica. A partir del estudio de los registros gráficos y fotográficos de las excavaciones de la tumba T.27 en Arena Blanca, realizadas por Engel y Bischof en 1959, hemos desarrollado un nuevo estudio de sus materiales, tanto para la recuperación de los datos como para su puesta en valor, teniendo en cuenta las problemáticas arqueológicas actuales. Hemos comparado los …