Art and Design Commons^™

Indecent Bodies In Early Modern Visual Culture: An Introduction, Fabian Jonietz, Mandy Richter, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Indecency ‒ the polar opposite of propriety, appropriateness, respectability, decorum ‒ has played a central role in our understanding of Early Modern cultural norms since the beginning of art history as an academic field in the nineteenth century. Accordingly, the concept of indecency was fundamental to historical and contemporary discourses that attempted to balance social limits on indecorous behaviour and images. At the same time, the appeal of such visual imagery, the attraction of graphic depictions of bodies and their actions, resulted in conflicting responses on the part of viewers. Historically, decency and indecency played defining roles in both the …

The Language Of Color, Hong Hong, Bridget Donlon, Mina Takahashi, Special Collections, Fleet Library

Printmaking

42 pages; 16 portfolios. Hand Papermaking portfolio series. Title from title page of text booklet. Housed in a cloth-covered drop-spine portfolio box (31 x 24 x 5 cm) with paper label on spine. Portfolio contains a text booklet (43 pages) plus 16 specimens of handmade paper in individual white paper folders with letterpress identifying each artist. Text booklet contains artists' statements and biographical information. Contents: Rebeca Alm & Amanda Degener --Tom Balbo -- Viviane Colautti Ivanova -- Kerri Cushman -- Katharine L. DeLamater & Colleen Lawrence -- Sue Carrie Drummond -- Gina Louise Fowler -- Leah Frankel -- Susan Gosin …

Black Feminist Poiesis: Locating “The Uses Of The Erotic” Within Black Domesticity, Kiandra S. Jimenez

CGU Theses & Dissertations

What does being human mean for women who were artists denied the ability to live life on their own standards? What did it mean to live a creative life when your body was captured and held within a system that surveilled and penalized you for things like writing, reading, or the idea of creating was impossible? In Alice Walker’s “In Search of Our Mother’s Gardens,” she asks us to consider what it meant to be a Black woman artist when you are considered “the mule of the world,” and are stuck toiling away—as a launderer, a maid, a cook, a …

Emily Gonnering Senior Art Exhibition Portfolio, Emily Gonnering

Senior Art Portfolios

This is the Senior Art Portfolio of Emily Gonnering created in Spring 2023. The portfolio showcases a project that includes 5 large scale acrylic paintings.

Teacher Collaboration And Elementary Arts Integration: Policy And Possibility, Tara L. Carpenter, Mark A. Graham, Corinna Peterken, Mikaela Cannon, Anna Harris

Faculty Publications

Arts education can be an important part of the elementary child’s experience. However, keeping the arts in schools is often a challenge because of funding concerns and competing academic priorities. An important strategy in arts education advocacy and policy is arts integration. Arts integration creates a rationale for the arts based on the enhancement of the educational experience for all students and the potential to engage underserved or less engaged students with academic disciplines through the arts. This article examines teacher experiences within a statewide program that funds arts specialists in elementary schools with the requirement that they integrate the …

Celebrating Mundane Moments, Meidi Karampourdashti

Graduate Theses/Dissertations

I feel appreciation for life and recognize the beauty of being present in the moment, not only living for a future goal. I paint moments that highlight shared slices of life that are common throughout many contemporary cultures. The theme of my paintings is to celebrate mundane moments with images living them, regardless of their geographical location. I am pausing the moments representing what appears over and over through life, reminding myself I can enjoy all of them. This body of work slows down to focus on the beauty of a moment’s essence spent with family members or friends and …

In Between Lines: An Investigation Of The Ghanaian Migration Experience, Teddy Osei

Graduate Theses/Dissertations

As my socio-cultural experiences continue to evolve, so does my interest in contemporary border discourses. The question of ''who qualifies to be where and how,'' lingers in my mind daily as I reflect on my migration experience as a Ghanaian living in the United States of America. Another area of interest is the social and physical challenges endured by individuals transitioning from one geographic location to another.In replicating these experiences, I make ceramic sculptural vessels associated with sojourning. In my ceramic sculptures, I use specific elements, such as ropes and Ghana must-go bags, which honor Africa's past and its people …

A Part From You, Kenneth Rick Briggenhorst Jr.

Graduate Theses/Dissertations

I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …

Revitalization Through Reuse: A Proposed Repositioning Of A 1960s Shopping Mall In Balcones Heights, Texas - Site History And Literature Review, Sophie Gershtenson

Gaines Fellow Senior Theses

No abstract provided.

Introduction: Attitudes Toward The Other, Matthew Isaac Cohen

Representing Alterity through Puppetry and Performing Objects

The use of puppets, objects, masks and cantastorias in various societies around the globe, to represent and stage the Other.

This Is How I Heal: Reclaiming Pleasure And Safety In The Body After Trauma, Rosalie Weber

Scripps Senior Theses

I’ve used this project as an opportunity to continue my personal healing journey in the wake of a sexual assault a number of years ago, using the guiding question: how do I reclaim pleasure and safety in my body after trauma? My work explores the process of healing through experiences of joy, playfulness, and connection, asserting that pleasurable experiences are possible in the same body that has experienced trauma. My work involves and celebrates the relationships that have supported me in my healing journey.

These tapestries were created in intimate events between myself and one other person, chosen for the …

La Floresta; An Appreciation And Reimagination Of My Barrio, Ana Rodríguez

Scripps Senior Theses

This thesis is a love letter to my barrio, La Floresta in Quito, Ecuador. I have divided it into three different sections: a creative writing piece where I walk readers through my barrio and my life in it, a historical section where I analyze its history and the reasons for its uniqueness and current identity, and finally a project proposal for a community center called "Casa La Floresta".

Conversations With Art Faculty: Visualizing A Polytechnic “Aesthetic Toolbox” For Hands-On, Community- Based Education, Alannah Guevara, Brandice Guerra, Berit Potter, James Woglom, Julie Alderson, Nicole Jean Hill

Humboldt Journal of Social Relations

An interview with art faculty at Cal Poly Humboldt.

Interface: Technology & Portraiture, Mullins Sydney

Graduate Thesis Exhibition Catalogue Gallery, 2023

In Interface, five Kentucky-area artists explore a new language of representation with the aid of digital tools like Artificial Intelligence (AI) and Automatic Facial Recognition Software (AFR). Some artists use algorithms to alter celebrity faces beyond recognition, others feed data sets of existing art to AI models in an attempt to generate portraits of no one in particular. Others still create tools for understanding the very act of facial recognition or obfuscation. All have one thing in common: they wish to stretch the limits of and critique the genre of portraiture, as well as to cause viewers to question …

Bibliography, Sandra Staebell

Faculty/Staff Personal Papers

Bibliography of publications by Sandra Staebell.

Bibliography, Miwon Choe

Faculty/Staff Personal Papers

Bibliography of publications by Miwon Choe.

Field Guide To A Hybrid Landscape, Dana Fritz, Katie Anania, Rebecca Buller, Rose-Marie Muzika, Salvador Lindquist

School of Art, Art History, and Design: Faculty Publications and Creative Activity

In Field Guide to a Hybrid Landscape Dana Fritz traces the evolution of the Bessey Ranger District and Nursery of the Nebraska National Forest and Grasslands. Fritz’s contemporary photographs of this unique ecosystem, with provocative environmental essays, maps, and historical photographs from the United States Forest Service archives, illuminate the complex environmental and natural history of the site, especially as it relates to built environments, land use, and climate change.

The Nebraska National Forest at Halsey, as it is known colloquially, is the largest hand-planted forest in the Western Hemisphere, and formerly in the world. This hybrid landscape of a …

Taste, Lust, And The Male Body: Sexual Representations In Early Sixteenth-Century Northern Europe, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

During the second quarter of the sixteenth century, Sebald Beham (1500‒1550) engraved a number of small prints with biblically related titles, Joseph and Potiphar’s Wife and Death and the Lascivious Couple. These prints, tiny enough to be held in the palm of one’s hand, show the male sexually aroused. First printed in Nuremberg and later in his new home of Frankfurt am Main, these sexual or erotic prints were popular enough to be copied by contemporaries and by Beham himself. This essay argues that Beham’s prints and their copies are part of a broader interest and taste for erotic imagery …

El Sobredimensionamiento Y Otros Recursos Plásticos Como Representación De La Capacidad Extática–Visionaria En El Arte Chamánico Americano, Ana María Llamazares

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Este artículo explora uno de los principales rasgos del arte chamánico visionario: el sobredimensionamiento de las figuras o de algunas de sus partes significativas. A través de diversos registros arqueológicos y contemporáneos, se brindan elementos valiosos para interpretar como representaciones explícitas de la capacidad extática o visionaria, ciertas imágenes de arte prehispánico o etnográfico ligadas a tradiciones de prácticas chamánicas americanas, en las que se ha expresado la percepción de la magnificación energética a través de rayos, aureolas o apéndices diversos que expanden el tamaño de las cabezas, manos, pies u otras partes del cuerpo en forma desproporcionada respecto del …

Blanket Statements, Issue 162, Winter 2023–2024

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 162, Winter 2023–2024

Your Friend, Wildfire, Elizabeth Riddle, Aubrey Frissell, Mackenzie Weiland, Katherine Wendeln, Rory Mclaverty, Lillian Hollibaugh

Undergraduate Theses, Professional Papers, and Capstone Artifacts

The frequency and severity of wildfire has increased around the world within the past two decades, due to shifts in land management practices, climate change, and other factors. The effects of these fires have led to an inaccurate public perception of wildfire as a whole. This overly-simplified, vilified perception of all fire obscures the role that it has played in shaping landscapes for thousands of years, and how indigenous peoples have applied fire to take care of landscapes.

Positive public perception of using fire as a tool for land management creates a more supportive environment for healthy landscape management. Thus, …

Mascs: Masculinity Reimagined, Josh Porter

Graduate Thesis Exhibition Catalogue Gallery, 2023

MASCS: Masculinity Reimagined explores how performances of contemporary masculinities can counteract traditional binary understandings of gender. Justin Korver, John Paul Morabito, Betsy Odom, Moises Salazar, and Darryl DeAngelo Terrell expose, question, and subvert the ways that we culturally define masculinity by focusing on gender as performance. These artists not only critique cisgender, heteronormative binary understandings of masculinity, but also embrace the performative nature of gender and celebrate non-normative, alternative, and queer masculinities. By encompassing a range of gender and sexual identifications, these artists share their own personal experiences, interpretations, performances, rejections, and embodiments of masculinity. Breaking down the barrier created …

Soap Of Grass, Elton Tanaka

Landshark Literary Review

No abstract provided.

Selfish Dandelions, Elton Tanaka

Landshark Literary Review

No abstract provided.

John Green Doesn't Make Me Sick Anymore, Benjamin Tabor Jr.

Landshark Literary Review

No abstract provided.

Vomit On The Beach, Elton Tanaka

Landshark Literary Review

No abstract provided.

Transubstantiation, Benjamin Tabor Jr.

Landshark Literary Review

No abstract provided.

Contributors

Landshark Literary Review

No abstract provided.

Stoic Indulgence, Gratuitous Restraint: White Feelings And Campus Art, Bert Stabler

Faculty Publications – Art

The 2010s saw a revival of reactionary politics on college campuses, which now appear to have paved the way for contemporary right-wing culture-war talking points regarding K–12 education. Revanchist attitudes around race, as well as gender and sexuality, can be linked to White Americans’ affective attachments to ideas of historical entitlement, which can be seen both in campus responses to university art programming and in acts of student vandalism. I describe a campus gallery exhibition I organized in 2016 around the theme of White affect, and I make connections between expressions of rage, anguish, and reasonableness on the part of …

The Application And Impact Of Digital Technology In Jewelry Art, Lai Tai

MA Theses

Since the invention of the first electronic computer in 1946, digital technology
has gone through three stages: the computer, the Internet, and a new-generation of information technology. The form of digitalization has different background and
environment, and the meaning explained is also different. The digitalization of
specific affairs is actually in a narrow sense, while the digitalization of enterprises and organizations is mostly in a broad sense. Digital technology has a big feature, which is that it can let you leave the physical world and come to the digital world. The digital technology revolution promotes the digital transformation of mankind. …