Art and Design Commons^™

For Art's Sake: An Exploration Of The Persistence Of Imposter Syndrome And Low-Self Confidence In Creative Fields, Mckinsey Carroll

University Honors Theses

Inspired by personal experiences as a graphic design student and those of my peers, this qualitative creative thesis discusses the prevalence of insecurity, imposter syndrome, and similar mental health struggles in creatives, and the ways in which these experiences or tendencies can inhibit us and stifle our creativity. Through my research, I learned that there are many ways in which graphic design as a field is uniquely affected by these issues, and that there exists a glaring need for conversation, particularly in academic spaces. This prompted the development of my personal interactive workbook titled "For Art's Sake" in which I …

Paths Of My Development In The Cct Program, Russell Suereth

Critical and Creative Thinking Capstones Collection

This paper shows the development of a view of personal transformation and social transformation, and the creation of art that depicts that view through courses in the Critical and Creative Thinking program at the University of Massachusetts, Boston. The paper is a focus on the courses and their impact on the view and the associated art, rather than an analysis of the view and art. Since the program is centered around critical and creative thinking, the paper also describes how thinking in critical and creative ways benefits a project of vision and art. Self-reflection is also an important component of …

In Training, Tim Fish

CLAMANTIS: The MALS Journal

No abstract provided.

Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis

LSU Master's Theses

With this body of work, I am looking for visual symbols that help communicate unuttered meanings through storytelling and stimulate an affectual response to the viewer. This exploration is presented in two different forms: a surreal sculptural installation and a board game. The installation consists of large-scale sculptures made from light and soft materials (polyurethane foam, plastic waste, paper) that are available to move inside the gallery, while the board game is presented as a set of 3D prints with instructions on how the participants can play it. The materials used in the installation suggest a way to transform waste …

Mrs. Florence Mante's Amazing Grace School, Daniel Keith Davis

LSU Master's Theses

Mrs. Florence Mante’s Amazing Grace School is the story of both Mama Florence and the children that she has dedicated her life to. Mrs. Florence Mante is the Ghanaian cofounder of the Amazing Grace Preparatory School. The West African school is committed to developing African leaders and ending the cycles of poverty in the village of Kodiekrom. My thesis focuses on using interview-driven artwork and collaborative storytelling to depict the unique challenges and triumphs of Mama Florence’s life in Ghana. Digital illustrations, a narration from Mama Florence, and music take the viewer on her deeply compelling journey, raising awareness for …

Project Metamorphosis: Designing A Dynamic Framework For Converting Musical Compositions Into Paintings, Rao Hamza Ali, Grace Fong, Erik Linstead

Engineering Faculty Articles and Research

The authors present an automated, rule-based system for converting piano compositions into paintings. Using a color-note association scale presented by Edward Maryon in 1919, which correlates 12-tone scale with 12 hues of the color circle, the authors present a simple approach for extracting colors associated with each note played in a piano composition. The authors also describe the color extraction and art generation process in detail, as well as the process for creating “moving art,” which imitates the progression of a musical piece in real time. They share and discuss artworks generated for four well-known piano compositions.

Buffaloed, Miles Kinney

LSU Master's Theses

The purpose of this paper is to explain the methodologies of painting that I have adapted over my time as an MFA candidate at LSU. Through this examination, I elaborate on the inspirations for those methodologies and how they inform my studio practice. This thesis is broken down into separate essays that investigate those methodologies, artistic influences, chosen content, and an analysis of paintings selected for the final thesis exhibition.

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

How Clay In Group Art Therapy Helps Female Veterans Maintain Well-Being: Development Of Methods, Sooho Park

Expressive Therapies Capstone Theses

Using clay in art therapy has emerged as an evidence-based therapeutic approach to enable treatment for people with anxiety. While clay in art therapy has been researched and proven to be highly effective with children, there is limited research on the benefit for the population of female veterans. Therefore, this study examines the possibility of how clay in art therapy helps female veterans to reduce anxiety and maintain their well-being at Veterans Affairs Hospital (VAH). Three female veterans were engaged in weekly intervention for six weeks through both in-person and online sessions. Results indicate participants experienced beneficial changes in anxiety …

Tiempo De Hibridos, Paul Acevedo Gomez

LSU Master's Theses

Tiempo De Hibridos is a body of work that celebrates the multiplicity of my shifting identity. It navigates back and forth between two different worlds, each packing different experiences that become a crossbreed or hybrid of information. Using historical references, pop culture, and personal experiences, I create a narrative story that maneuvers through familiar and foreign spaces.

The images suggest a celebration of cultural identity, vitality, but also psychological pain. I purposely combine objects that can be perceived as conflicting, altering their function to reference elements that are both playful and painful. The viewer should question the combination of objects …

Ceramics And Life In Tandem, Katharine Lee Robbins

LSU Master's Theses

From the ground up, my work emerges slowly. As each coil is added, I am conscious of how my body is interacting with the rich red clay body. Each time I press clay between my hands, the material reacts and changes. It gives me comfort to feel a tangible response as I push my body into the clay. The cyclical process of art making becomes my daily ritual. Each step is repeated over and over again until it becomes ingrained in my body’s existence.

As I add coils to my work, particularly the large sculptures, I continuously circle around each …

Growthlines, Alexandra Saunders

LSU Master's Theses

The work in Growthlines is a collection of ceramic objects that are characterized by floral pattern and their potential for use. I make ceramic work that is functional and designed to be in the home. I think that the way something looks is an integral part of function and I seek to make objects that function well. The surface of my pottery is rich with images of flowers and I hope that the surface both draws in the user and highlights flowers and how important they are for the preservation of the natural world. My work functions as a surrogate …

I'M Going Cycle Every Day, Lauren Nguyen

LSU Master's Theses

Many designers and scientists have been able to integrate design and science in their respective fields to create works that effectively inform their audiences of complicated subjects. Each of these individuals can express their creativity and viewpoint of the subject matter in a way that is interesting, visually appealing, and informative. Using the medium of graphic design, I created printed posters that represent the way I view the processes of the human body that are technical, yet also visually appealing.

My thesis exhibition walks my audience through the biological cycles that maintain the human body on an everyday basis from …

It's Not All Rainbows & Glitter, Jerry B. Lockaby

LSU Master's Theses

The goal of this exhibition is to contextualize the struggles of the LGBTQ+ community by anchoring personal stories with collage and poetry to demonstrate the ongoing difficulties of growing up queer. Mixed media digitized collages have been created and paired with companion typographic treatments of poems and narratives from diverse points of view.

The word queer as a term to describe gay men, lesbians, and other non-conforming sexual identities, has evolved over the past 100 years. This evolution of the word parallels the struggles of LGBTQ+ people to achieve equal rights, marriage equality, protection in housing and employment, and an …

Untethering The “Other”: Creating Spaces For Black Autonomy And Community, Kaylyn Webster

Bachelor of Fine Arts Senior Papers

By complicating viewers’ relationships to my painted figures through the application of the gaze, my work analyzes how America’s colonial past affects our current landscape to find ways to break the cycle, and to make space for Black autonomy. Blackness should be free to exist without being tethered in a position of inferiority to Whiteness. Radical defiance, resiliency, and expressions of agency have been used by Black people for centuries, and their employment must continue to combat systems of oppression. Our history has been one of division, but mutual respect and cooperation are needed for our communities to stand against …

Storytelling For A Changing World: Comics As Agitprop, Kruttika Susarla

MFA in Illustration & Visual Culture

This essay imagines fictional storytelling and urban practices of maintenance, repair, and care as interrelated to one another. They are both practices engaged in building a better world. Urban scholars like Gautam Bhan, Shannon Mattern, and David Harvey propose the city as a space for envisioning the kind of community we want to be—a space for working towards our collective future. By engaging in fictional storytelling, I argue, we are doing the same thing: the dual work of taking from fact and representing it to an audience while also engaging in imagining and world-building. This is also a practice of …

The Wizard's Alphabet Book: Illustration As Counter-Environment To The Digital World, Stephen Barany

MFA in Illustration & Visual Culture

This thesis essay accompanies a built installation of twenty-six densely drawn illustrations, each consisting of numerous creatures and objects whose names all begin with the same letter. Thus, each illustration represents a different letter of the alphabet. Printed on cloud-shaped substrates and suspended as a group in a 10”x10” ring, the array of illustrations form a small space where viewers can immerse themselves in the act of free and careful looking. This essay elaborates on the ideas that propelled the design and construction of this illustrated installation.

This essay explores the potential for illustration to create a space for looking …

A Perfect Escape: Fantasy, Place And Narrative In Adolescence, Cydney Cherepak

MFA in Illustration & Visual Culture

This essay explores the realms of special places, the literary genre of fantasy, narrative, and comics. These topics are traversed alongside subjects of adolescence and the creation of stories for middle-grade readers. Framed with personal stories, as well as peaks into my process, I investigate these subjects through the lens of my own life and work, specifically my thesis project, a comic for middle-grade readers titled Beyond the Castle Walls. Beginning with adolescence in association with special places, I consider the work of developmental psychologists David Sobel and Edith Cobb as they pin-point the role of secret forts, nature, …

Home Suite Home: An Analysis Of Comfort In Americana And Motel Culture, Jodi Kolpakov

MFA in Illustration & Visual Culture

This essay provides a critical look at the motel, investigating it as a souvenir, exploring its nostalgic phenomenon, and questioning its complexity of comfort. We begin by looking at the evolution of the motel and how its strange stereo- type came to be. I dissect the terms “shady” and “sketchy” as both a psychological and illustrated representation of the motel while closely reading how these terms appear in other forms of media, such as Bates Motel and Bad Times at the El Royale. Through exploring nostalgic Americana, I investigate how motels connect us from the past to the pres- …

The Precarity Of Images: Sci-Fi Worldbuilding And Its Uses In Agitprop, Noah Jodice

MFA in Illustration & Visual Culture

“The Precarity of Images” examines how theories of worldbuilding common to the science fiction genre are applied to the making of agitational propaganda for liberation movements. In doing so, it questions how both explicit and implicit political images—posters, games, comics, illustrations, social media posts—either light a pathway for making a more just world or limit our ability to imagine alternate futures.

Following the ethos of Steven Jackson’s essay “Rethinking Repair,” the paper takes the “breakdown, erosion, and decay” of images as a starting point. Images change meaning over time as our cultural connections to them shift. Strategies of decoding and …

Fictitious Ecology, Paulina Zuckerman

MFA in Illustration & Visual Culture

My thesis project, The Mountain Fog, is a children’s picture book pitch that tells a light-hearted story of two dogs who must face an environmental disaster. In this accompanying critical essay, I break down the process of crafting a fictional relationship between author-illustrator, animal characters, and the environment. It begins through the context of J.R.R. Tolkien’s essay “On Fairy Stories,” which identifies seeing the world through two lenses - the Primary world and the Secondary world. From these terms, I navigate the idea of a fictitious ecology, an encapsulated anthropomorphic world governed by the creator’s personal experience with nature. This …

Superficial: An Exploration Of Decoration, Fashion, Taste, Camp, And Trends, Jillian Ohl

MFA in Illustration & Visual Culture

Since the rise of consumer culture in the late 19th century, Americans have had a complicated relationship with decorative objects, the idea of taste, and the cycle of trends within our classist society. This essay examines some of the decorative objects in my childhood home such as patterned wallpaper and an antique chair as well as a contemporary brand name mascara. While these objects do not have major functional properties, their decoration and superficiality bring me joy. To better understand my appreciation of decoration and aesthetics, I assess how an object or fashion is considered in good or bad taste. …

Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene

MFA in Illustration & Visual Culture

This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …

Because Potato, Candice Evers

MFA in Illustration & Visual Culture

This thesis project explores the phenomenological qualities of the internet; asking, since the internet is difficult to grasp, what other modes of investigation might we have available? Using an investigative framework set forth by Jack Halberstam, this thesis declines to come to knowledge solely through understanding the formal, the structural, the highly visible and mainstream. The literature that I have gathered provides a range of modes for interrogating the simultaneously central and inconsequential subject of my thesis itself: the potato. Juxtaposing the physical, political and material conditions of the potato the internet’s least academic mode of knowing: the meme. Analyzing …

The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith

MFA in Visual Art

Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …

Un Guisado: Allí, Allá And The Space In Between, Quinn A. Briceño

MFA in Visual Art

I am a Guisado: a savory stew. A blend of two worlds: one of Nicaragua, and the other of the United States. I am both Nicaragaüense y Estadounidense. As an artist, I work with painting and collage as a form of image making that carefully takes inspiration from those traditions to create a new narrative. In my work, I examine both my struggle with identity and how I came to be the person I am today. As I am both Nicaragüense and Estadounidense it is important that my paintings reflect those two worlds.

The ingredients making up my …

Source Of All Hair, Wearer Of All Socks, Samantha Modder

MFA in Visual Art

I work figuratively in pen, collage, and digital media to portray larger-than-life Black, female characters taking up space in real and imagined worlds. In a series of mural installations, I present a subjective Black woman’s fairytale to process interlocking structures of oppression. Centered in the speculative practice of the Black imaginary that creates spaces of both comfort and confrontation, I tell the story of a Black woman who escapes into an alternate reality made up of only herself, her hair, and the clothes she wears. This text is centered on a chapter of this ongoing narrative, Source of All Hair, …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Echoed Sites And The Unknowable Object, Joseph Canizales

MFA in Visual Art

This thesis will discuss the expanded field of sculpture, simulacra, digital technology, and two terms I’ve devised: the unknowable object, and echoed sites. Within these two terms, I’m concerned with the complicated relationship between humans and geology and how we extract material from the ground without reflecting on the geologic history of the site. In echoed sites I create sculptures with and without a geologic site or object, by way of digital technology. These forms display two states paradoxically in balance, where what’s presented leaves more questions than answers. Thus, as part of echoed sites, exists the unknowable object. …

Constants, Martin Lammert

MFA in Visual Art

A constant is something that I consider to be present in everything I make. Each overarching constant is a clue which may help the reader come to a conclusion about why I make sculpture. I will address repetitive motion in regard to failure and how this parallels the ongoing endeavors of the alchemist. I will discuss the idea of meaning as it exists in the conflict between cleanliness and the mess. I will explain how Hollywood movie tropes can be used to create sculpture. Lastly, I will frame the theatrical vessel as a vehicle to make a story more significant …