Art and Design Commons^™

The Drive For Disability, Aliyah Walker

Capstones

After recent inclusivity movements, the fashion industry had a reckoning that they need to do better when it comes to diversity. Size, age, and gender have started to have better representation in recent years; however, disability representation is still lagging. If the fashion industry wants to become truly inclusive, it needs to start representing disabled individuals positively and regularly both on the runway and in campaigns.

Link to Capstone Project: https://medium.com/@aliyah.walker83/the-drive-for-diversity-b29288adc482

Relationships Between Dress And Gender Identity: Lgbtqia+, Alyssa Dana Adomaitis, Diana Saiki, Kim K. P. Johnson, Rafi Sahanoor, Arsha Attique

Publications and Research

No abstract provided.

The Clothing Left Behind: A Collection Of Stories, Grace Coleman

Dissertations, Theses, and Capstone Projects

Beyond its material use, clothing can have powerful emotional effects such as easing grief from personal loss or serving as a memory recall aid for individuals with dementia. It was during my graduate program that I became interested in exploring the idea that clothing can be powerful beyond its aesthetic. Peter Stallybrass’s essay Worn Worlds: Clothes, Mourning and the Life of Things highlighting clothing’s ability to evoke memories and emotions was influential in setting me on my path to research clothing’s connection to memories. Whether it was embodied identity, grief, dementia, mourning rituals, or collective mourning, I was looking at …

Sartorial Semiotics: Constructs Of Gender And Female Sexuality In Post Wwii American And European Cinema, Patricia Cabral

Dissertations, Theses, and Capstone Projects

Cinematic costume design functions as a system of visually-perceived, material and indexical signifiers, an effective and compelling language further informed by styling and embodiment. Sartorial semiotics support and inflect role characterization, while equally underpinning or subverting tropes generated by ideological paradigms. The following methodological approaches were adopted in scrutinizing this topic: Roland Barthes’ application of semiotic theories to the domain of fashion in The Language of Fashion, and Laura Marks’ discussion of the dialectics of optical and haptic visualities in apprehending film images in The Skin of Film: Intercultural Cinema, Embodiment, and the Senses.

By examining the costume …

Own Your Politics: The Entanglement Of Resistance And The Luxury Fashion Industry, Brent A. Van Horne

Dissertations, Theses, and Capstone Projects

This thesis takes as its subject the increasing instrumentalization of social and political content by the fashion industry in recent years. Such content raises questions about the relationship between notions of political resistance and market capitalism. Marxist theorists such as Frederic Jameson and David Harvey would perhaps view this phenomenon as a confirmation of the ways in which late capitalism incapacitates forms of political descent by absorbing it within its machinations. Within this line of thinking, the way in which various designers use the fashion runway as a forum for protest would suggest late capitalism’s seemingly boundless ability to absorb …

Girl In Action: Junior Bazaar, 1945-1948, Rose D. Bishop

Theses and Dissertations

This thesis provides an overview of Junior Bazaar, a short-lived magazine for teenage girls published by Hearst between 1945-1948. Under the supervision of art director Lillian Bassman the magazine featured a variety of aesthetic devices — such as photomontage, asymmetrical layouts, the selective use of color, and playful placement of graphic forms — in efforts to distinguish itself from other publications on the market and construct a visual space specific to its teenage readers. Bassman’s unconventional stewardship of Junior Bazaar made room for an up-and-coming set of photographers, including Richard Avedon, Robert Frank, Diane Arbus, Louis Faurer, and other …