Art and Design Commons^™

Indigo Dying With Amy Deveau's Chemistry Class, Kim Bernard

Artist in Residence: Kim Bernard

Description and images from one of Kim Bernard's class "drop-ins" during her fall semester 2016 time as the University of New England Artist in Residence. Kim met with Professor Amy Deveau's chemistry class to integrate the process of dying with indigo into their subjects.

Fall 2016, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.

Making It Work: Supporting Contemporary Artists In Ulaanbaatar, Mongolia, Michael Curran

Independent Study Project (ISP) Collection

Following the country’s political transition to democracy in the 1990s, a generation of Mongolian artists constructed an art movement rooted in the issues of the new society: transitional national identity, corrupt political and economic systems, and a growingly complex relationship with nature. The liberalization of the economy, however, hasn’t nurtured sustainable creative resources or helped artists reach domestic or international markets, pressuring them to find alternative ways to create livelihoods out of their craft. This study considers how emerging multidisciplinary artists sustain themselves through both formal and informal means, and the motivations behind their creative lifestyles.

Central to the study …

Una Mueca Irónica: !El Travestismo Como Recurso Artístico De Las Yeguas Del Apocalipsis / An Ironic Grin: ! Cross-Dressing As An Artistic Resource Of The Apocalypseof The Yeguas, Sophia Cantizano

Independent Study Project (ISP) Collection

The Yeguas del Apocalipsis (Mares of the Apocalypse), were an art collective consisting of two men, Pedro Lemebel and Francisco Casas, who revolutionized the way transvestism was used in performance art. Active between 1988 and 1997, the Yeguas lit the way out of the dictatorship and into the post-regime transition period. For this reason, the context in which Lemebel and Casas made their art was more conducive to their own open criticism and explicit commentary of the political and social landscape, than that of the performance artists who functioned during the authoritarian dictatorship itself. This gave the Yeguas’ performances a …

Infographic, Grace Pavlic

Graphic Design

No abstract provided.

Logos, Grace Pavlic

Graphic Design

No abstract provided.

Packaging For Touch Organic Green Tea, Grace Pavlic

Graphic Design

No abstract provided.

Art Licensing Collection, Natalie Miles

Graphic Design

Students explored creating art and patterns for licensing- art printed on products for clients such as Anthropologie, Target, and Hallmark. This student decided to do a floral collection, a heavily demanded subject matter in the market. Collections consisted of one main piece of art, 2-3 coordinating pieces of art that were simpler, and an exploration of digital mockups to show what their art would look like on products.

Senior Process Book, Chris Hughes

Graphic Design

Senior Process Book, Book Design, Illustration

Senior Process Book, Annabelle Arnold

Graphic Design

Senior Process Book, Book Design, Illustration

Senior Process Book, Angelique Camacho

Graphic Design

Senior Process Book, Book Design, Illustration

Realizing Urban Water Pollution Impact In Melbourne, Australia Through Painting, Gregory Suplinskas

Independent Study Project (ISP) Collection

Throughout the month of November 2016, I undertook a creative environmental art project in Melbourne, Australia. I chose to create a water-soluble oil painting (dimensions 3 ft. x 4 ft.) that represents water pollution problems in the city of Melbourne, particularly in Port Phillip Bay. These problems include toxic stormwater runoff, plastics pollution and plastic nurdles, as well as nutrient buildup and algal overgrowth. The painting includes messages regarding sustainability; sustainable action limits the use of our natural resources so that humans can preserve the environment for future generations rather than degrade it. In the painting, I combine conceptual and …

Welcome To The Streets: Tracing The Development Of Street Art In Nepal Since 2010, Malik Earle

Independent Study Project (ISP) Collection

Graffiti is a process. There really is no beginning or ending to a piece. Graffiti art is practicing a design, bringing it to a wall, letting it take shape, and allowing it to interact with the environment. What makes graffiti unique, among other things, is its interaction with the environment. When international graffiti influences and local conditions drove inspired artists to bring their art to the streets, a new art form emerged in Nepal. “Local conditions” labels the forces ranging from personal drive to the history of public art in Nepal, which fuel the movement. The present study aims at …

Methods Of Nature: Landscapes From The Gettysburg College Collection, Molly A. Chason, Leah R. Falk, Shannon N. Gross, Bailey R. Harper, Laura G. Waters, Yan Sun

Schmucker Art Catalogs

Methods of Nature: Landscapes from the Gettysburg College Collection is the third annual exhibition curated by students enrolled in the Art History Methods course. The exhibition is an exciting academic endeavor and incredible opportunity for engaged learning, research, and curatorial experience. The five student curators are Molly Chason ’17, Leah Falk ’18, Shannon Gross ’17, Bailey Harper ’19 and Laura Waters ’19. The selection of artworks in this exhibition includes the depiction of landscape in the nineteenth- and twentieth-century French, American and East Asian cultural traditions in various art forms from traditional media of paintings and prints to utilitarian artifacts …

Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin

Schmucker Art Catalogs

The exhibition Bodies in Conflict: From Gettysburg to Iraq not only conveys an ambitious geographic and historical range, but also reflects the sensitivity, ambition, and thoughtfulness of its curator, Laura Bergin ’17. In examining how the human figure is represented in prints and photographs of modern war and political conflict, Laura considers how journalistic photographs, artistic interpretations, and other visual documentation of conflict and its aftermath compare between wars and across historical periods. Specific objects include a print and photographs from the Civil War, propaganda posters from World Wars I and II, photographs and a protest poster from the Vietnam …

William Clutz: Crossings, Shannon Egan

Schmucker Art Catalogs

This exhibition by renowned American artist William Clutz celebrates his recent gift of artworks to Gettysburg College and is organized in partnership with the Washington County Museum of Fine Arts (WCMFA) in Hagerstown, Maryland.

The exhibition features twenty-four pastels, drawings and large-scale paintings from the collections at the WCMFA, Mercersburg Academy, and Gettysburg College. Clutz arrived in New York in the 1950s as a peripatetic flâneur, walking through the streets of his Lower East Side neighborhood, astutely observing his fellow passers-by, and depicting them with a concerted awareness of the concentrated colors and painterly directness of the contemporary Abstract Expressionists.

Blanket Statements, Issue 125, Fall 2016

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 125, Fall 2016

Medley Cd Cover, Carolina De Alba

Graphic Design

No abstract provided.

Symposium Program Outline For Crosscurrents: Land, Labor, And The Port. Textile Society Of America’S 15th Biennial Symposium. Savannah, Ga, October 19-23, 2016.

Textile Society of America: Symposium Proceedings

Conference program: times, locations, speakers, events.

Wednesday, October 19th 2016, through Sunday, October 23rd 2016.

10 pages

[Tsa Web Pages For] Symposium 2016 -- Crosscurrents: Land, Labor, And The Port Textile Society Of America’S 15th Biennial Symposium

Textile Society of America: Symposium Proceedings

The web pages for the 2016 Savannah Symposium (archived in pdf).

The 2016 Textile Society of America Symposium will take place in Savannah, Georgia on the campus of the Savannah College of Art and Design (SCAD) and at the Hyatt Regency Hotel. To maximize scholarly interchange, the Symposium will consist of multiple, concurrent sessions, plenary and keynote speakers, a poster session and curated exhibitions that will intersect with the scholarly program. In addition to the symposium sessions and exhibitions, there will be a series of dynamic pre- and post-conference workshops and study tours to local and regional art institutions and …

The Intercontinental Reflections Of An Eighteenth-Century Mexican Rebozo, Eleanor A. Laughlin

Textile Society of America: Symposium Proceedings

The eighteenth-century Mexican rebozo (scarf) is an excellent example of a garment type that crossed not only ocean currents, but also boundaries of race and class. Initially, the rebozo was associated with indigenous culture in Mexico. Evidence suggests that the rebozo existed during the pre-Columbian period,1 but it has been most commonly remembered as an article of clothing used by the Spaniards to cover the exposed bodies of indigenous women in the church setting. Aspects of the scarf’s decorative elements, such as fringe and dying methods, are thought to have been inspired by Asian styles that arrived in Mexico via …

Textile Society Of America Newsletter 28:2 — Fall 2016, Textile Society Of America

Textile Society of America: Newsletters

Letter from the Editor

Letter from the President

Letter from the Outgoing Executive Director

Volunteer Opportunities

Welcome New TSA Board Members

R. L. Shep Ethnic Textiles Book Award

Joanne Arnett Honored with Brandford Elliott Award

Opinion Page – After Savannah: Some Questions

Letter from the TSA Executive Board

TSA's 15th Biennial Symposium: Reports & Reviews

Letter from the Symposium Planning Chairs

Reports from Student & New Professional Awardees
TSA: Trading in the Unexpected

Trade in Cotton & Manufactured Cloth from Europe, to Africa, to North America: SNPA Symposium Session Review

SNPA Report: Analyzing Objects, Building History

Jean L. Kares Honored …

Community Market: Short And Long Term Benefits Of The Community Market Environment, Laurie Pearson

Interior Design

This Community Market Project is designed to alleviate the economic stresses of the lower middle class by providing free to low cost work spaces, free to low cost child care, community employment opportunities, as a well as free foods and services in a zero overhead nonprofit building. 

James Family: Sustainable, Hypoallergenic Home, Jasmin Franklin

Interior Design

Modern residential design must combine sustainable design and the use of hypoallergenic materials to support the needs of families with medical needs.

The Laurel: A Study In Repurpose And Fitness, Elizabeth Mclemore

Interior Design

In a historic building in downtown Nashville, a luxury boutique health club and restaurant capitalize on using cutting edge equipment and knowledge coupled with personalized service to cater to its local and elite traveling clientele.

A Sustainably-Focused Butcher Shop And Pop-Up Restaurant: A Symbiotic Relationship, Anna Caro

Interior Design

The addition of a sustainably-focused butcher shop and pop-up restaurant in close proximity to other allied businesses will provide a symbiotic relationship in the 12th South area.

Talking Walls: Freeing Art In Bali, Indonesia, Lila Chu

Independent Study Project (ISP) Collection

In some ways Bali’s street art manifests everywhere, in the form of abundant banten, decorations for Galungan and Kuningan, shrines, temples, ornaments, and the black and white checkered cloth draped over scared statues, rocks, and banyan trees. This aesthetic pleasure moves beyond the sacred, and into the street—peering out among Bali’s intricate ornaments and decorations. Declarations of Bali Tolak Reklamasi, and images of a Balinese woman sporting a gas mask circulate Bali’s cityscapes, along with other marks, writings, and murals finding homes on grey walls.

Fable: Visualizing The Moral Tales Of Aesop, Emma Lawrence, Grace Pavlic, Xavier Bond, Zie Campbell

Graphic Design

No abstract provided.

The Dark Trail, Natalie Miles

Graphic Design

No abstract provided.

Process Book Cover, Jessi Knight

Graphic Design

cover for Senior Process Book, Book Design, Illustration