Art and Design Commons^™

Models For Interpreting Consumption And Identity: The Case Of House X From Minoan Kommos, Rachel Hungerford

Honors Capstones

No abstract provided.

Design Tool Development For Cellular Structure Synthesis To Achieve Desired Properties, Luke Berglind

All Theses

The effective properties of cellular materials are dependent both on the fixed material properties of the constituent material and the geometry of the cellular structure. As a result, the effective properties can be altered through geometric modifications without changes to the constituent material. Cellular materials present new opportunities in mechanical design due to the ability to produce new materials with customized properties which can improve the performance of existing designs. However, the task of designing the geometry to achieve desired properties presents additional challenges to the design process.
To increase the viability of customizable cellular materials in new product design, …

Short Americano, Matt Drissell

Pro Rege

No abstract provided.

Original Sin, Jake Van Wyk

Pro Rege

No abstract provided.

Odd Man Out: Two Self-Portraits Of Henri De Toulouse-Lautrec, Ava Pandiani

Art & Art History Student Scholarship

No abstract provided.

Human Nature, Rachel Goble

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Taft, Anne Celine (Fa 15), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 15. Interviews conducted by Anne Celine Taft with Zeleme (Brashear) Cottrell, about her weaving. Cottrell discusses the weaving process in depth and how it has affected her life.

Olympia, Reinventing The Nude, Holly Mcguire

Student Scholarship

Manet’s modernist depiction of the female nude as seen in Olympia sent shockwaves throughout the art world and forever changed the way we view nudes. Camille Lemonnier described the nude as such in 1870 “ The nude was modesty only if it is not a transitory state. It hides nothing because there is nothing to hide. The moment it hides something it becomes prurient, for in reality it shows it all the better. In order to stay virgin the nude in art must be impersonal and must not particularize; art has no need of a beauty spot upon the neck …

Time With The Sky = 與天度日, Carol Archer, Kit Kelen

Research Expression through Art : Visual Studies Faculty

ABOUT THE PROJECT

Time with the Sky | 與天度日 is an art and poetry collaboration by Carol Archer and Christopher (Kit) Kelen, a creative team who have been active in the visual arts and poetry communities of Hong Kong and Macao since 1998.

Time with the Sky | 與天度日 comprises a series of charcoal and mixed media drawings on paper and a poem in twelve parts. Art and text are presented together as both exhibition and publication. The collaboration originates from time spent in art practice in Australia. In July 2009, Archer and Kelen each had artist’s residencies at Bundanon, …

Glorious Constructions: The Struggle To Preserve Salvation-Themed Visionary Art Environments, Molly Elaine Sheehan

Master's Theses

Salvation-themed art environments are a roadside rarity, built out of a strong visionary dedication to God, but the sites are disappearing simply because the work is misunderstood. The historiography on the subject is sparse, trending more toward coffee table books with big glossy pictures than real scholarly endeavors, but the consensus among all has been clear. The sites are a valuable part of the recent American cultural landscape, crossing several scholarly fields - art, architecture, and history - and uniting them into a cohesive preservation movement. On a series of trips to visit, see, and experience five of these sites, …

Remember Me When I Am Gone - Exhibition (Fa 530), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 530. Materials related to the quilt exhibition, "Remember Me When I Gone," held at the Kentucky Museum, Western Kentucky University in 1995. Includes interviews with quiltmakers about their friendship and memory quilts.

Henri Mattise's "The Red Studio": Art As Real/The World As Illusion, Alyssa Johnson

Art & Art History Student Scholarship

No abstract provided.

The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre

Center for LGBTQ Studies (CLAGS)

This spring, the Robert Giard Foundation's partnership with CLAGS completed the first of what is anticipated to be an annual event in both organizations' calendars.

Fall 2010, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.

Did You Make That? : Wood Carving, Apprenticeships, And Collective Art In Senegal, Christina Schueler

Independent Study Project (ISP) Collection

Defining the term “artist” in one’s own culture is challenging and can be even more difficult in a foreign culture. In Senegal, the practice of wood sculpture can be both artistic and practical. Because of this, Senegalese artists who work with wood sculpture end up asserting their identity as artists through their collective actions. In this study, I follow the life and craft of a Senegalese wood sculptor, Serigne Mor Gueye, by making my own sculptures and listening to his anecdotes about life as an artist in hopes of discovering how the Senegalese define such ambiguous terms, “art” and “artist”.

The Cypress Trees In "The Starry Night": A Symbolic Self-Portrait Of Vincent Van Gogh, Jessica Caldarone

Art & Art History Student Scholarship

No abstract provided.

“Where Do We Come From? What Are We? Where Are We Going?”: Freud And The Unconscious Of Paul Gauguin, Lauren Cavalli

Art & Art History Student Scholarship

No abstract provided.

Design For Dementia, Gregor Timlin

Books/Book chapters

This book describes a two-year collaborative research project between the Helen Hamlyn Centre at the Royal College of Art and Bupa. It explores how better product and environment design can improve quality of life for care home residents with dementia. The design ideas developed are a practical response to the challenge of congnitive decline and can be retrofitted to existing care homes as well as applied to new developments.

Blanket Statements, Issue 101, Fall 2010

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 101, Fall 2010

With Lovers As Her Muse: How Men Influenced The Designs Of Coco Chanel, Sara Spirito

Art & Art History Student Scholarship

No abstract provided.

Paradigmatic Portraits From Weimar Germany: Martha Dix, Sylvia Von Harden, And Anita Berber According To Otto Dix, Althea Ruoppo

Art & Art History Student Scholarship

No abstract provided.

Textile Society Of America Newsletter 22:3 — Fall 2010, Textile Society Of America

Textile Society of America: Newsletters

Reflections of a Symposium Co-Chair [Textiles and Settlement: From Plains Space to Cyber Space, 12th Biennial Symposium, Lincoln, Nebraska, October 6–9, 2010]
From the President
TSA News
TSA Member News
In Memoriam: Elayne Zorn, 1952–2010
Symposium Exhibition: Binary Fiction: Digital Weaving 2010
Conference Reviews
Exhibition Reviews
Book Reviews
Featured Collection [Bowes Museum, Barnard Castle, Durham, England]
Collection News
Textile Community News
Publication News
Calendar-Conferences & Symposia, Exhibitions, Lectures
Call for Papers

Where Book Art And Technology Mingle, Peter D. Verheyen, Richard Minsky

Librarian Publications

Interview of Peter D. Verheyen by Richard Minsky. Peter Verheyen, conservator, bookbinder, and creator of the Books Arts Web, discusses the current state of book arts. Although he creates impeccable fine bindings that have won international awards, Peter Verheyen's huge contribution to the field of book art has little to do with making or conserving physical books. His magum opus is the Book Arts Web (philobiblon.com), the main location on the Internet for book art information and resources, from online exhibitions to tutorials, opportunities, blogs, and reference materials.

Collision, Judith Tannenbaum

Journals

Exhibition Notes, Number 37, 2010. Collision is an experiment in exhibition-making. It began when painter Jackie Saccoccio invited a group of artists (seventeen, including herself) to contribute works of their own choosing to a show in which paintings, sculptures, photographs, drawings, prints, videos, and various hybrid forms would literally collide: butting up against each other, overlapping, and even altering one another in an improvisatory fashion. Depending on their placement in the gallery as determined by the individual artists, the works could become entirely subsumed in the larger communal cacophony.

Most often group exhibitions in museums are conceived and organized by …

Painting With A Purpose, Keri Suarez, Brian Manley

Lake Union Herald

No abstract provided.

Terence Hannum: New Rites, Terrence Hannum

Galleries at Peeler Exhibition & Program Publications

Terence Hannum: New Rites at The Galleries at The Peeler at DePauw University. September 22 - December 10, 2010

Heresy And Error, Eric Marshall White Phd, Rebecca Howdeshell

Bridwell Library Publications

From its inception the early Christian Church sought to suppress books believed to contain heretical or erroneous teachings. With the development of the printing press during the latter half of the fifteenth century, Christian authorities in Europe became increasingly aware of the need to control the mass production of unfamiliar and potentially unacceptable texts. Initially, censorship of the press was enforced locally. However, with the spread of the Protestant Reformation, the Catholic Church required a more centralized and organized approach. Thus, the Council of Trent (1545–1563) ratified the Index librorum prohibitorum(“Index of Prohibited Books”), which listed individual banned titles …

Virtual Teaching, John O'Connor

Academic Articles

The potential of online virtual environments, such as Second Life for delivering remote learning continues to be debated by academics. It would appear to offer particular opportunities to support remote learning in art & design, where there is a particular requirement for live visual interaction. The School of Art, Design & Printing at the Technological University Dublin (DIT) received funding to develop a module for undergraduate students to test this theory. A five-credit module (under the European Credit Transfer System) received formal approval from the Institute in 2008 and was delivered as a pilot to academic staff interested in exploring …

Tension And Critical Thinking In Art, Marnie A. Jain

Critical and Creative Thinking Capstones Collection

This paper is a discussion about the existence, purpose, and use of tension in works of art. It does not take the form of standard papers, but is written as an interview where I am both the interviewer and interviewee. As the interviewee I am an artist and researcher of this topic. As the interviewer, I challenge myself to support my assertions with examples, and I try and catch myself in contradictions, and ask for clarifications. Similar to conversations we have in the classrooms of the Critical and Creative Thinking Graduate Program, the discussion in this paper does not cease …

A Descriptive Study Of A Building-Based Team Problem-Solving Process, Alexander B. Brewer

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this study was to empirically evaluate Building-Based Teams for General Education Intervention or BBT for GEI. BBT for GEI is a team problem-solving process designed to assist schools in conducting research-based interventions in the general education setting. Problem-solving teams are part of general education and provide support to students with academic or behavioral concerns by creating individualized interventions that teachers can use in the classroom. Historically, problem-solving teams’ two primary goals were to reduce referrals to special education and improve student performance on academic or behavioral concerns. This study examined the effectiveness of BBT for GEI by …