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2008

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Full-Text Articles in Art and Design

Textile Society Of America Newsletter 20:3 — Fall 2008, Textile Society Of America Oct 2008

Textile Society Of America Newsletter 20:3 — Fall 2008, Textile Society Of America

Textile Society of America: Newsletters

TSA 2008 Symposium: "TSA Membership Provides Rich Program in Hawaii"
President's Letter
TSA News
TSA Member News
Collections News
Conference Reviews
Book Reviews
Exhibition Reviews
Calendar: Exhibitions, Lectures, Workshops, and Tours
Calendar: Conferences and Symposia
Positions


Design Research Quarterly Volume 3 Issue 4, Peter Storkerson Oct 2008

Design Research Quarterly Volume 3 Issue 4, Peter Storkerson

Design Research Quarterly (2006 - 2009)

Design Research Quarterly (2006-9) was a hybrid journal-newsletter of the Design Research Society. It contained news of the society, its members and regions and its sister societies, as well as peer-reviewed articles about issues of importance to design research, theory and knowledge.


Commonthought, Vol 19 (Fall 2008), Commonthought Staff Oct 2008

Commonthought, Vol 19 (Fall 2008), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.


After You're Gone: An Installation By Beth Lipman, Judith Tannenbaum, Beth Lipman Oct 2008

After You're Gone: An Installation By Beth Lipman, Judith Tannenbaum, Beth Lipman

Journals

Exhibition Notes, Number 33, Fall 2008. In July 2006, RISD Museum director Hope Alswang and curator Judith Tannenbaum encountered Beth Lipman’s 2o-foot-long glass tableau entitled Bancketje (Banquet), then on exhibit at the Museum of Glass in Tacoma, Washington. This tour de force, created in 2003 (now in the permanent collection of the Renwick Gallery, Smithsonian American Art Museum, Washington, D.C.), inspired The RISD Museum to invite the artist to visit its galleries, as well as collections in storage, in order to create an exhibition here. In October 2007, Lipman visited the Museum and was particularly excited by its American period …


Black Silk, Brown Silk: China And Beyond—Traditional Practice Meets Fashion, Abby Lillethun Sep 2008

Black Silk, Brown Silk: China And Beyond—Traditional Practice Meets Fashion, Abby Lillethun

Department of Art and Design Scholarship and Creative Works

This one-hour discussion panel will examine bi-colored black and brown silk textiles called chiao-chou and shiang-yin-sa, (a.k.a. black gummed silk, Canton silk, cloud perfumed silk, gambiered silk, and by other names). Little known in the West, these textiles express cultural identities associated with a specific geographic locals where the required mud treatment can take place. Thus, the textiles have primarily been made in southern China in Guangdong province and in Southeast Asia in Thailand and Vietnam where Chinese immigration occurred. Since their heyday during the Qing Dynasty (1644–1911), they faded from use. The panel first contextualizes the textiles and the …


Soft Or Modern? Delineating Curtains In Domestic Interiors Of Modern Architecture, Açalya Allmer Sep 2008

Soft Or Modern? Delineating Curtains In Domestic Interiors Of Modern Architecture, Açalya Allmer

Textile Society of America: Symposium Proceedings

These are the words of the Bourgeois, the fictive character in Le Corbusier’s seminal book, The Decorative Art of Today. Le Corbusier’s witty attack on curtains was common in the dominant rhetoric of modern architecture in which drapes and curtains were regarded as superficial, fleeting, and effeminate. In spite of this, curtains were never a legitimate discussion among modern architects. Conceivably this explains the lack of scholarship on the use of drapery and curtains in modern architecture. In this paper I will deal with domestic interiors; exploring the correlation that exists between the re-presentation and function of curtains in …


Industrial Production And The Hand Process: Making A Bridge, Catharine Ellis Sep 2008

Industrial Production And The Hand Process: Making A Bridge, Catharine Ellis

Textile Society of America: Symposium Proceedings

I am a weaver, a dyer, an artist, and an educator. I speak to you today from the perspective of a maker because it is from the process of making that I have researched and learned what I know about taiten shibori.


My own work has been defined for the last number of years by an original process that I call woven shibori. The genesis of that process was the introduction to stitched or nui shibori. As I made hand stitches into a piece of cloth in preparation for making a resist for dyeing, I realized that a …


Doodle, Aiden Badinger Sep 2008

Doodle, Aiden Badinger

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.


A Stitch In Time: New Embroidery, Old Fabric, Changing Values, Annin Barrett Sep 2008

A Stitch In Time: New Embroidery, Old Fabric, Changing Values, Annin Barrett

Textile Society of America: Symposium Proceedings

Using recent embroidered artwork by Ghada Amer, Orly Cogan, and Louise Bourgeois as a bellwether for changing social relationships, this paper will discuss how values regarding time, family and gender roles have evolved in the past couple of generations. Rozsika Parker’s pivotal 1984 book, The Subversive Stitch, recognized the significant relationship between women’s social history and their embroidery styles, passed down through generations in Europe and America. We can extend that analytical approach to embroidered artwork being made today. Parker’s book ends with 1970s feminist art, such as Judy Chicago’s Dinner Party. This work achieved a kind of equal but …


Perfumed Textiles, Katia Johansen Sep 2008

Perfumed Textiles, Katia Johansen

Textile Society of America: Symposium Proceedings

As a museum professional, I work with memories. And nothing is more evocative than scent, which is at the same time both fragile and powerful. Perfumed textiles and costume are a standard part of every culture, yet few objects have been identified, and virtually none have been preserved. Perfuming was traditionally used to mask bad odors from use or from production processes like tanning and dyeing, for ceremonial reasons, or simply to create a favorable impression of the wearer. Perfuming methods included using incense, laundry aids, sweet bags, fragrant oils and fuming pans. Unintentional perfuming also occurred, of which we …


Growth, Lukas Schooler Sep 2008

Growth, Lukas Schooler

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.


Donning The Cloak: Safavid Figural Silks And The Display Of Identity, Nazanin Hedayat Munroe Sep 2008

Donning The Cloak: Safavid Figural Silks And The Display Of Identity, Nazanin Hedayat Munroe

Publications and Research

Introduction

In a red world bathed in shimmering gold light, a man sits with his head in his hand as wild beasts encircle him. He is emaciated, has unkempt hair, and wears only a waistcloth—but he has a dreamy smile on his face. Nearby, a camel bears a palanquin carrying a stately woman, her head tipped to one side, arm outstretched from the window of her traveling abode toward her lover. Beneath her, the signature “Work of Ghiyath” is woven in Kufic script inside an eightpointed star on the palanquin (Fig. 1).

This depiction of the literary characters Layla and …


Everything All At Once, Julie Rooney Sep 2008

Everything All At Once, Julie Rooney

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.


Human Behavior Centered Museum Guided Tour System, Yenmin Chen Sep 2008

Human Behavior Centered Museum Guided Tour System, Yenmin Chen

Theses

As new technologies appear, many devices or tools become more and more powerful. New technology also gives us more options to choose from in our daily lives, not only in ways used for school, but also with the devices used to surf the Internet. Certainly, we have more variety available in the various aspects of our lives, such as entertainment, education, work etc.--but new technology brings with it more problems, too. If new technology doesn't come with new thinking, life may not be better than before.

Some designers focus on human factors too much; they forget to consider how people …


Self-Reference Through White Space In Graphic Design, Can Birand Aug 2008

Self-Reference Through White Space In Graphic Design, Can Birand

Theses and Dissertations

In the graphic design, successful use of white space provides the designed object with a strong reference to its material quality and internal structure. Showing the paper breaks the wall between the design and the viewer, and gives the audience a better understanding of the construction of graphic design. White space is devoid representation, which leads the work to become completely honest about its materiality. This project explores different methods and processes for creating aesthetic/conceptual integrity in graphic design by using white space as a primary device.


Callis, Susan (Fa 293), Manuscripts & Folklife Archives Aug 2008

Callis, Susan (Fa 293), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 293. Paper: "An Index to Quilt Patterns in Western Kentucky University Archives" written by Susan Callis for a Western Kentucky University English class.


Blanket Statements, Issue 92, Summer 2008 Jul 2008

Blanket Statements, Issue 92, Summer 2008

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 92, Summer 2008


From Dürer To Van Gogh: Gifts From Eliza Greene Radeke And Helen Metcalf Danforth, Emily J. Peters Jul 2008

From Dürer To Van Gogh: Gifts From Eliza Greene Radeke And Helen Metcalf Danforth, Emily J. Peters

Journals

Exhibition Notes, Number 30, Summer 2008.The Museum of Art was founded simultaneously with the Rhode Island School of Design in 1877 by a group of women led by Eliza Radeke's mother, Helen Adelia Rowe (Mrs. Jesse) Metcalf. RISD’s stated purpose was to educate artists in drawing, painting, modeling, and design for the benefit of industry and art, and to educate the public so that they could appreciate and support art and design. The creation of a museum collection was inseparable from these objectives. Both Eliza Radeke and Helen Danforth, as heirs to those aspirations, made extraordinary individual gifts to …


Design Research Quarterly Volume 3 Issue 3, Peter Storkerson Jul 2008

Design Research Quarterly Volume 3 Issue 3, Peter Storkerson

Design Research Quarterly (2006 - 2009)

Design Research Quarterly (2006-9) was a hybrid journal-newsletter of the Design Research Society. It contained news of the society, its members and regions and its sister societies, as well as peer-reviewed articles about issues of importance to design research, theory and knowledge.


Designing Traditions: Student Explorations In The Asian Textile Collection, Kate Irvin, Laurie Anne Brewer, Anais Missakian Jul 2008

Designing Traditions: Student Explorations In The Asian Textile Collection, Kate Irvin, Laurie Anne Brewer, Anais Missakian

Journals

Exhibition Notes, Number 32,Summer 2008. RISD’s newest generation of textile designers source the RISD Museum’s vast Asian textile collection in this popular collaborative project and biennial exhibition. Traditional craftsmanship sparks contemporary creativity as objects inspire innovative new textiles and garments.


Spaces Archive, Jo Farb Hernandez Jul 2008

Spaces Archive, Jo Farb Hernandez

Faculty Publications

No abstract provided.


Expertise For The Visually-Oriented From The Visually-Oriented: Arlis/Na Contributions To The Library Profession, Jeanne M. Brown Jun 2008

Expertise For The Visually-Oriented From The Visually-Oriented: Arlis/Na Contributions To The Library Profession, Jeanne M. Brown

Library Faculty Research

ARLIS/NA stands for “The Art Libraries Society of North America.” How many of you have heard of ARLIS before? The name of the society is a bit misleading since the Society is composed of individuals not libraries. ARLIS has members whose responsibilities are in art, architecture, and design, and who work in museums, public libraries, academic libraries and visual resources collections. The Society holds an annual conference, has an active publications program, maintains a complex web site, and addresses the continuing education needs of its members.

My focus today will be on the publications program, since that is readily accessible …


Three-Dimensional Arm Movements At Constant Equi-Affine Speed, Frank E. Pollick, Uri Maoz, Amir A. Handzel, Peter J. Giblin, Guillermo Sapiro, Tamar Flash Jun 2008

Three-Dimensional Arm Movements At Constant Equi-Affine Speed, Frank E. Pollick, Uri Maoz, Amir A. Handzel, Peter J. Giblin, Guillermo Sapiro, Tamar Flash

Psychology Faculty Articles and Research

It has long been acknowledged that planar hand drawing movements conform to a relationship between movement speed and shape, such that movement speed is inversely proportional to the curvature to the power of one-third. Previous literature has detailed potential explanations for the power-law’s existence as well as systematic deviations from it. However, the case of speed-shape relations for three-dimensional (3D) drawing movements has remained largely unstudied. In this paper we first derive a generalization of the planar power law to 3D movements, which is based on the principle that this power law implies motion at constant equi-affine speed. This generalization …


Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies Jun 2008

Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies

WKU Administration Documents

Booklet reviewing events at Women & Kids Learning Together Summer Camp.


Office Of Multicultural Affairs (Oma) Annual Report 2007-2008, Intercultural Student Engagement Office, Anthony Johnson Jun 2008

Office Of Multicultural Affairs (Oma) Annual Report 2007-2008, Intercultural Student Engagement Office, Anthony Johnson

Intercultural Student Engagement (ISE) Annual Reports

The Office of Multicultural Affairs (OMA) Annual Report 2007-2008 is a year in review containing a message from the director, staff updates, community programs, statistics and general report of the work of this office. Our Mission: People from all backgrounds bring value to the art and human conversations held at RISD. The Office of Multicultural Affairs (OMA) assists the RISD community-at-large in shaping a culturally inclusive and supportive environment that enables all its members the opportunity to fully contribute to and benefit from the total RISD experience. OMA coordinates enriching opportunities for cultural awareness, dialogue, and interaction. The office services …


Portfolio, Donald Tarallo Jun 2008

Portfolio, Donald Tarallo

Bridgewater Review

No abstract provided.


Institute Brief: Effective Career Development Strategies For Young Artists With Disabilities, Heike Boeltzig, Rooshey Hasnain, Jennifer Sullivan Sulewski Jun 2008

Institute Brief: Effective Career Development Strategies For Young Artists With Disabilities, Heike Boeltzig, Rooshey Hasnain, Jennifer Sullivan Sulewski

The Institute Brief Series, Institute for Community Inclusion

One potential arena of employment for young people with disabilities is the arts. This brief reports on effective strategies that 47 young artists with disabilities used to gain access to arts-related experiences in order to further their educational and career pathways. Across program years 2002–2005, these young artists, all aged 16 to 25, were finalists in the VSA arts/ Volkswagen of America, Inc. Program, an arts competition that was intended to showcase their talents and accomplishments. As part of the overall evaluation, we were able to identify career development strategies based on a review of finalists’ program applications. This brief …


Mamluk Carpets ( Cairene And Ottoman), Hala Mohamed Sayed Jun 2008

Mamluk Carpets ( Cairene And Ottoman), Hala Mohamed Sayed

Archived Theses and Dissertations

No abstract provided.


After August: Museums As Mirrors, William Pinholster May 2008

After August: Museums As Mirrors, William Pinholster

Theses and Dissertations

The After August Museum collects and exhibits an open, user-generated body of content. Its primary objective is to help heal the post-Katrina Lower Ninth Ward community. It is respectful and considerate of the area's established traditions, present concerns, and future goals. The museum assumes multiple shapes and plays multiple roles as it acts as the center of the transitioning community.


Oral History Transcript | Interview With Barbara (Bunny) Harvey, May 16, 2008, Barbara (Bunny) Harvey, Andrew Martinez, Risd Archives May 2008

Oral History Transcript | Interview With Barbara (Bunny) Harvey, May 16, 2008, Barbara (Bunny) Harvey, Andrew Martinez, Risd Archives

RISD Oral History Project Transcripts

No abstract provided.