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2005

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Articles 211 - 231 of 231

Full-Text Articles in Art and Design

Surface Noise, Philip Samartzis Jan 2005

Surface Noise, Philip Samartzis

Sound Scripts

This paper seeks to trace the genealogy of surface noise as a tool of musical expression by surveying a range of artistic practices based around the record and turntable that privilege detritus, abrasion, repetition and decay as key compositional devices. The paper begins by examining the acoustic properties of the oldest playable recording (Frank Lambert's talking clock) in order to outline the numerous characteristics and flaws inherent in early models of mechanical reproduction and storage that vigorously conspired to interfere with the listening experience. This is followed by an examination of the way recording technology was converted from a tool …

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Radio Art : A Slovak Perspective, Michal Murin Jan 2005

Radio Art : A Slovak Perspective, Michal Murin

Sound Scripts

January 16, 2000, marked the history of Slovak New Media art and technologies with the first international internet radio art project. Entitled "LENGOW and HEyeRMEarS Meet Radio Artists", it was a live acoustic performance that utilized radio internet broadcast between ORF1 Kunstradio Vienna with its project Arts Birthday 1.000.037,1 Radio Free B92 Beograd, and Tilos Radim Budapest. The performance took place on 16 Jan 2000, from 11 p.m. to midnight in Nové Zámky, Slovakia (Klik Klub). An edited soundtrack of the event was captured on a CD titled "SOUND OFF 1999-2000". On the occasion of the staging of the performance, …

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I.B.R. Variation 1, Miha Ciglar Jan 2005

I.B.R. Variation 1, Miha Ciglar

Sound Scripts

In this paper I would like to introduce my recent composition: "I.B.R. Variation 1" (a composition for computer, electrified guitar, mixing board and human body), which is derived from three different projects, - Illusions, Body Mix, Resistance -, fusing three different and already unusual interfaces for musical expression into a powerful new musical instrument. The piece is implemented by employing computers and common sound synthesis/processing techniques in combination with a rather primitive manipulation and misuse of low tech analogue equipment. The main idea was to assign unusual tasks to usual pieces of musical equipment, transforming a mixing board into an …

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It Wasn't Little Rock, Clarissa Sligh, Special Collections, Fleet Library Jan 2005

It Wasn't Little Rock, Clarissa Sligh, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : illustrations (some color) . Commemorates the 50th anniversary of the U.S. Supreme Court's Brown vs. Board of Education (1954) decision. "This softcover edition of 150 books was printed on an Indigo Digital Press"--Colophon. Author describes her family's experience with racism and school integration. As a high school student, the author was named lead plaintiff in Clarissa Thompson et al. v. County School Board of Arlington County (June 1956), a school desegregation class action suit filed in U.S. District Court. Metal spiral binding. Signed by the author on the title-page. Curated title for Fleet Library Special Collections …

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Terminal Home, Marcia Ciro, Special Collections, Fleet Library Jan 2005

Terminal Home, Marcia Ciro, Special Collections, Fleet Library

Artists' Books

3 folded sheets : color illustrations. Title from box. In oval shaped cloth wrap box (18 x 13 x 5 cm) with metal clasp. Photographs and text printed with archival ink on Moab paper. Limited edition of 8 copies. Library has copy no. 6. Gift of the artist. RISD Alumna, BFA, GD, 1977. Fleet Library at RISD Alumni Collection.

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Aggregate Memory, Macy Chadwick, Lisa Onstad, Special Collections, Fleet Library Jan 2005

Aggregate Memory, Macy Chadwick, Lisa Onstad, Special Collections, Fleet Library

Artists' Books

cloth covered box exterior; accordion, dos a dos, housed in a clamshell box; cloth covered box interior; page spread; "Returning again, past and present converge"; page spread; "Days steeped..."; page spread; inside front cover. number 34 in an edition of 65, a collaborative work signed by both artists

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Nightfall Faces, Carolyn Leigh, Special Collections, Fleet Library Jan 2005

Nightfall Faces, Carolyn Leigh, Special Collections, Fleet Library

Artists' Books

drum leaf binding with hidden built up compartment holding BB's. Enclosed in a collaged and painted wrapping envelope, held with woven ribbon. Book closed with wrapper; book closed with wrapper open; interior spreads; back cover; cover. Visions of a primitive ritual dance performed around a fire are evoked through these images of tribal masks. Rhythmic sounds can be made by shaking the book like a maraca.

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2005 Yearbook, Risd Archives, Center For Student Involvement (Csi) Jan 2005

2005 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

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San Francisco. Exhibit: Irreducible: Contemporary Short Form Video: California College Of The Arts/Wattis Institute Of Contemporary Art, Logan Galleries, Dore Bowen Jan 2005

San Francisco. Exhibit: Irreducible: Contemporary Short Form Video: California College Of The Arts/Wattis Institute Of Contemporary Art, Logan Galleries, Dore Bowen

Faculty Publications

No abstract provided.

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Overcoming Speech And Library Anxiety, Rozanne Leppington, Rebecca Feind Jan 2005

Overcoming Speech And Library Anxiety, Rozanne Leppington, Rebecca Feind

Faculty and Staff Publications

Students at higher education institutions need to learn how to use the library and to give public speaking presentations, and most will experience Speech and or Library Anxiety. We review Library and Speech Anxiety, and a collaboration between librarians and faculty that produced a freshman course Library Demonstration Assignment. We describe its generation, implementation, and refinement and its effectiveness in preparing students to use the library and to practice public speaking with confidence.

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Communication, Culture, And Curiosity: Using Target-Culture And Student-Generated Art In The Second Language Classroom, Deborah Berho, Victoria Defferding Jan 2005

Communication, Culture, And Curiosity: Using Target-Culture And Student-Generated Art In The Second Language Classroom, Deborah Berho, Victoria Defferding

Faculty Publications - Department of Sociology

Studying art from the target culture and student creation of original artwork in the second language (L2) classroom have many benefits. Both provide a springboard for discussion of the culture(s) under study as well as one's own. These activities also positively change the classroom atmosphere, generating student curiosity and lowering the affective filter to language learning. Surprising as it may seem, little has been published about the visual arts and second language acquisition (SLA). This article surveys this limited research, briefly describes how brain research and language learning theories interact with art, ans presents the authors' observations of student response …

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Codes Of Interaction, Timothy Michael Martin Jan 2005

Codes Of Interaction, Timothy Michael Martin

Theses and Dissertations

The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my observations of day-to-day experiences. Isolated events provide found compositions which I then manipulate: a seemingly …

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Experimental Navigation And The Creative Process, Teresa A. Engle Jan 2005

Experimental Navigation And The Creative Process, Teresa A. Engle

Theses and Dissertations

For this creative project, I am exploring alternate methods of navigating urban environments, and ways in which this activity can inspire creativity. This process is intended to create a new awareness of the urban landscape, break out of the prescribed, and to inspire innovation. The range of possibilities for this way of navigating is vast, and part of the challenge of my experience has been defining boundaries, assigning variables, and using strategies for exploration – making my process inherently morphological. I hope that my work here will encourage others to step out of their comfort zone and experience their environment …

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Posthumous, Michael K. Lease Jan 2005

Posthumous, Michael K. Lease

Theses and Dissertations

This thesis reviews the background, influences, and evolution of three works that form Posthumous, an exhibit by the thesis candidate. The thesis begins with a series of vignettes that relate a number of personal experiences involving death, and photography, which have influenced the conceptual development of the work. Chapters devoted to each piece follow the vignettes. These chapters refer to the various influences that have led to the development of the following works: Obit to Self: April 10, 2005, Posthumous, and Jay. These influences range from the movie Hotel Rwanda, to handbills for punk-rock shows. The thesis ends with a …

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The Marinhieros Project: Roseneath Rd & Patterson Ave, Jacqueline H. Crowley Jan 2005

The Marinhieros Project: Roseneath Rd & Patterson Ave, Jacqueline H. Crowley

Theses and Dissertations

In questioning the very nature of a thing, at its most basic level, a new assessment can be made of what the thing in question truly is. When we ask ourselves, what is a weed, we begin to pull the word apart - to decrypt the word from the cultural baggage that has collected around it over the course of the history of language.The cultural connotations of 'weed' cling to it like barnacles, removing the word from its true value. We reevaluate meaning, chronicling all the possible constructions of a word, all the possible varieties, where it came from, what …

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We Believe In Nothing, Sarah Bednarek Jan 2005

We Believe In Nothing, Sarah Bednarek

Theses and Dissertations

A discussion of the important aspects informing my work, including, ideology, and feminism among other issues.

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Memories We Forget, Michael Dax Iacovone Jan 2005

Memories We Forget, Michael Dax Iacovone

Theses and Dissertations

I have always preferred the journey to the destination. When I was growing up, my family drove back and forth between Florida and New York every summer. My father did the driving, my mother sat next to him, and my older brother and sister sat in the back seat. This left the cavernous back of the family station wagon for me and the luggage. There was no radio, very little conversation, and I didn't sleep. I spent these summer trips staring for endless hours, out of the back window of the car, transfixed on the expanse of open road behind …

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Defending Defense: Circular Arguments About Artmaking, Ryan Mulligan Jan 2005

Defending Defense: Circular Arguments About Artmaking, Ryan Mulligan

Theses and Dissertations

This paper is a critical look at video and performance arts intrinsic relationship to culture. Investigations of storytelling, personal mythology, fear, and image saturation. Think-pieces on the nature of art in an entertainment society. Juggling a brief overview of various works and their relation to over arching themes of game theory, dark humor, and fascination with media. An in depth look at the process of the thesis show, "Defense is the Best Defense." Multiple takes on the thesis exhibit counterbalance the need for contemporary art to include description. This paper is a detailed look at the process of Ryan Mulligan's …

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The Unwantables: An Exploration Of Visual Narrative, Marius I. Valdes Jan 2005

The Unwantables: An Exploration Of Visual Narrative, Marius I. Valdes

Theses and Dissertations

The Unwantables is a creative project that has evolved from my lifelong interest in and relationship with visual stories. To me the most compelling aspect of visual storytelling is "imagination". The author possesses the ability to create new worlds, interesting characters, and situations that can have the potential to communicate about any topic. My project explores visual narrative as a communication tool to explain the role of imagination in my life.

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Long Walk In Flight School, William H. May Iv Jan 2005

Long Walk In Flight School, William H. May Iv

Theses and Dissertations

Long Walk in Flight School is a document intended to complement a body of artwork that includes photographs, giclee prints, animation, and a twenty two page book of images. The main focus of the text is to discuss two types of exchange; my energy with tools in exchange for an object or event, which is then exchanged in the imagination of the audience for something else, a hybrid thing. These exchanges are part of the performance or presentation of the work. Beginning with a brief description of intent at the start of graduate school, it traces my development as an …

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Working Space, Timothy D. Devoe Jan 2005

Working Space, Timothy D. Devoe

Theses and Dissertations

By altering the outward appearance of the gallery walls, I address the hidden inner temperaments and characteristics of these seemingly benign facades. Architectural rubble impacts with the gallery space in imagined collisions, exposing and distorting its hidden inner workings and structures. Sometimes my walls grow so fat that they need immediate and temporary structural solutions. They may even slump over in a pathetic heap under their own perceived mass.Using everyday wall building materials like 2x4s and drywall, or even harvesting the material directly from the gallery, I anthropomorphize the surface of the space. Rather than the architecture receding into the …

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