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Articles 1 - 30 of 296
Full-Text Articles in Art and Design
Donatello’S David: The Putti Speak, Sally A. Struthers
Donatello’S David: The Putti Speak, Sally A. Struthers
Art and Art History Faculty Publications
As the first approaching life-sized, freestanding, sensuous, bronze nude since Antiquity, Donatello’s bronze David is a critical monument of the Italian Renaissance. It is also one of the most enigmatic. David is nude, but not completely unclothed, wearing a feminine-looking hat and knee-high boots. David holds a rock and a sword, while standing suggestively, on the head of Goliath. He stands in a relaxed contrapposto stance. His left hand, held to his hip, holds a stone. His right hand is resting on an oversized sword, which points downward to the helmet of Goliath, between the feet of David. As Zuraw …
The Iceland Suite: Monotypes, Joan Hausrath
View From The Gallery, Geetha Mehra
View From The Gallery, Geetha Mehra
IIMB Management Review
To develop a successful business in art, one has to rely a lot on intuition. Unlike other businesses, there is no data available, no rules to go by, and the product itself is, in a sense, intangible. Each work of art is unique, with a unique value. Stepping into this arena in the mid 80s, intrepid artrepreneur Geetha Mehra set up the Sakshi Gallery in Chennai to provide a space for Indian artists to exhibit their work to the public, and to further the cause of contemporary art in India. Learning and growing in the business, Ms Mehra went from …
Calliope : Across The Disciplines (Fall 2002), Calliope
Calliope : Across The Disciplines (Fall 2002), Calliope
Calliope
Poetry, Short Fiction, Essays, Visual Arts
View Of Manhattan From Ellis Island - A Self Portrait, David Versluis
View Of Manhattan From Ellis Island - A Self Portrait, David Versluis
Pro Rege
No abstract provided.
Et In Terra Pax Ii, Susan Van Geest
Cityscape Table, Susan Van Geest
Altar, Susan Van Geest
Dancing Trees, Jake Van Wyk
Angel In Waiting, Jake Van Wyk
Pitch And Roll, Jake Van Wyk
Cascading Visions, Noel Palmenez
Cascading Visions, Noel Palmenez
Theses and Dissertations - UTB/UTPA
I view my work as a look into dreams, thoughts, ideas. My themes are universal, but their source derives from my specific surroundings, the Rio Grande Valley. They come out from the rows in the fields where we grow our foods, in the skies, and from the sun that warms our blood. Themes come from what I see as well as what I imagine, living and not. I consider myself a farmer, but now I harvest ideas and concepts, and have my paintings and drawings to show for my labor. I believe one must contribute to the land before one …
Mixed Media November 24, 2002, Students Of Risd, Risd Archives
Mixed Media November 24, 2002, Students Of Risd, Risd Archives
All Student Newspapers
Mixed Media began as the student publication Your Name Here. The November 24, 2002 issue includes articles on a student's experience creating digital art, interviews with RISD and Brown students, a volunteering experience at a preschool in Brooklyn, community service opportunities, the lack of scary villains in contemporary children's films, film and music reviews, along with the comic "Juan Two Three" by Juan Diaz, "Speed Limit 666" by Paolo Rivera, "Idle/" by R. Kikuo Johnson, "Atlas and the Beast from Time Forgotten," "Cottontail" by Jen Rolfsema, "Bass Turds" by Adam Sacks, "Stuff of Dreams" by Andrew Kaiko, advice columns, event …
M.S. Island Venture, Italian Dinner Menu, Thursday, November 2, 1972, Flagship Cruises Inc.
M.S. Island Venture, Italian Dinner Menu, Thursday, November 2, 1972, Flagship Cruises Inc.
The Brown University Alumnus Travel Menu Collection
Flagship Cruises, M.S. Island Venture. Italian Dinner menu, Thursday, November 2, 1972.
Crisis Response: An Exhibition Of Art Created In Times Of Conflict And Catastrophe From The Assassination Of Jfk To 9/11, Karl Schoonover
Crisis Response: An Exhibition Of Art Created In Times Of Conflict And Catastrophe From The Assassination Of Jfk To 9/11, Karl Schoonover
Journals
Exhibtion Notes, Fall 2002. A group of works in this exhibition emphasizes the differing investments of individuals and groups in the icons of patriotism. Some artists borrow and transform recognizable icons and symbols to invite a dialogue with their viewers about the role of patriotism in troubled times.
Cypriot Land Mines, Hershel Shanks, Sky Bergman
Mixed Media October 27, 2002, Students Of Risd, Risd Archives
Mixed Media October 27, 2002, Students Of Risd, Risd Archives
All Student Newspapers
Mixed Media began as the student publication Your Name Here. The October 27, 2002 issue includes articles on Carr House updates, various student organizations, the Balls, the Ottawa International Animation Festival, digital design trio FREECELL, a Student Alliance meeting, and film and music reviews, along with the comics "Juan Two Three" by Juan Diaz, [Untitled] by Ryan Browne, "The Stuff of Dreams" by Andrew Kaiko, "Ingres St" by Reid Johnson, [Untitled] by Adam Sacks, "Rottweller" by A. Landery, and "Scent of a Flower" by Kimberly B., poems, event notices, and other announcements.
Virtue And Violence: Portrayal Of Lucretia And Achilles By Giuseppe Cades (Toledo: Toledo Museum Of Art), Giancarlo Fiorenza
Virtue And Violence: Portrayal Of Lucretia And Achilles By Giuseppe Cades (Toledo: Toledo Museum Of Art), Giancarlo Fiorenza
Art and Design
No abstract provided.
Inscape Fall 2002, Morehead State University
Inscape Fall 2002, Morehead State University
Inscape: Art & Literary Magazine Archive
The Fall 2002 edition of the Inscape: Literary and Art Magazine.
Susan Philipsz, Profile, Niamh Ann Kelly
Fall 2002, Valparaiso University
The Written Word, Susan Ward, Margot Mcilwain Nishimura
The Written Word, Susan Ward, Margot Mcilwain Nishimura
Journals
Exhibition Notes, Number 20, Fall 2002. The Written Word brings together pages from medieval manuscripts and early printed works, giving a sample of the various types of books created between 1100 and 1550. Individual pages were a popular way, especially in the earlier part of the 20th century, for museums and libraries to acquire representative collections, and many of The RISD Museum’s manuscript leaves were acquired as such a group in 1943.
Risd Views | Fall 2002, 125 Years Of Looking…, Elizabeth O'Neil Publishing Director, Liisa Silander Editor, Fleet Library, Risd Archives
Risd Views | Fall 2002, 125 Years Of Looking…, Elizabeth O'Neil Publishing Director, Liisa Silander Editor, Fleet Library, Risd Archives
RISD Views
This issue complements other initiatives planned and/or sponsored by RISD’s 125th Anniversary Committee, including a historic timeline outlining the evolution of the college and special events planned throughout the year.
The photograph on the cover of the Fall 2002 issue is the Carr House turret, shot by David O’Connor. Guest designers for the feature section of this issue are Marion Delhees ’92 GD and Achim Wieland MFA ’95 GD of lookinglately, New York/Zürich, a visual communication and design office founded in 1998.
Textile Society Of America Newsletter 14:3 – Fall 2002, Textile Society Of America
Textile Society Of America Newsletter 14:3 – Fall 2002, Textile Society Of America
Textile Society of America: Newsletters
TSA Study Tours
TSA Board, TSA News
TSA Member News, Directory Supplement
Textile Programs at Nova Scotia College of Art and Design
Collections, Publications News
Conference Reviews
Exhibit Reviews
Calendar – Conferences, Symposia
Calendar - Exhibitions
Calendar – Lectures, Workshops, Tours, Opportunities
Calls for Papers, Fellowships
The Lantern Vol. 70, No. 1, Fall 2002, Alison Shaffer, Katy Diana, Christopher Tereshko, Susannah Fisher, Drew Petersen, Klaus Yoder, John Ramsey, Sarah Kauffman, Rachel Jessica Daniel, Keith Truman, Jen Brink, Kate Chapman, Laura Phillips, Dennis Kearney, Cara Nageli, Sarah Napolitan
The Lantern Vol. 70, No. 1, Fall 2002, Alison Shaffer, Katy Diana, Christopher Tereshko, Susannah Fisher, Drew Petersen, Klaus Yoder, John Ramsey, Sarah Kauffman, Rachel Jessica Daniel, Keith Truman, Jen Brink, Kate Chapman, Laura Phillips, Dennis Kearney, Cara Nageli, Sarah Napolitan
The Lantern Literary Magazines, 1933 to Present
• (For Z)
• Little Sister
• Eulogy to Her Son, Dead at 22
• Tuesday
• 7 Couplets for Drawing Genevieve
• Diner Reflection
• We Swam. We Made Sand Castles.
• His Lips Were Figure Fitting
• Public Transportation
• Pop Culture
• Running the Ridge
• Like a Sunflower
• Snooze
• Match
• Behavioral Correctional Facility of Santa Fe...
• The Cellar
Art Context: In Providence: Wendy Ewald, David Henry
Art Context: In Providence: Wendy Ewald, David Henry
Journals
Exhibition Notes, Number 19, Summer 2002. Beginning in late February and continuing throughout the remainder of the semester, Wendy Ewald visited Michelle Silvia’s classroom of special–education students at the Carl G. Lauro Memorial Elementary School in Providence. The photographs and videos of the children learning to read and the patterns used in classroom lessons are the result of a three-way collaboration— teacher, students, and artist. The following questions were posed to Wendy Ewald and Michelle Silvia by David Henry, Head of Education at The RISD Museum.
Blanket Statements, Issue 70, Fall 2002
Blanket Statements, Issue 70, Fall 2002
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 70, Fall 2002
2002, College Of Visual And Performing Arts
The Power Of The Urban Canvas: Paint, Politics, And Mural Art Policy, Maura E. Greaney
The Power Of The Urban Canvas: Paint, Politics, And Mural Art Policy, Maura E. Greaney
New England Journal of Public Policy
In cities across America, outdoor mural paintings have brought public art to the urban landscape. Paint and politics have been splashed upon city walls for decades, replacing bleak, often graffitied, exteriors with vibrant color. But this transformation runs deeper than the artistry of the murals; the real works of art are the changes these collaborative projects inspire within communities. Mural projects mobilize communities to articulate dreams, express frustrations, and most importantly, consider strategies for change. Thus, they are a worthy consideration for public policymakers. This case study traces the contemporary mural movement in three cities: Boston, Philadelphia, and Los Angeles. …