Art and Design Commons^™

Fall/Winter 2000, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Fall/Winter 2000

Includes notes from Program Director, information on shows and events, and schedule.

Textuaries, Patricia Millar Boas

Dissertations and Theses

The paintings, sculpture and digital prints presented for this thesis explore language as a field where sense and non-sense coexist With my focus on the activity of deciphering, both literally and metaphorically, I have examined the play between word as image and image as word. What poetry lies embedded in the strange physicality of familiar graphic marks? What is the pleasure we find, as the poet Robert Pinsky suggests, in language only partly understood?

Following the lead of the Surrealists, who used the camera to investigate the paradoxical notion of reality as a sign, I amassed a collection of newspaper …

Parnassus 2000

Parnassus

The 2000 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Choices And Constraints: Pattern Formation In Oriental Carpets, Carol Bier

Textile Research Works

Patterns in nature result from dynamic relationships of forces and constraints. What is analogous for patterns in art? Art is created by human hands motivated by inspiration and thought. It is the product of creativity and skill. Creativity is constrained by cognitive processes and skill by the limits of technology. Based upon the author’s studies of Oriental carpets, this paper suggests that patterns in art result from dynamic relationships of choices and constraints. Typically, traditional Oriental carpets from historical rug-weaving regions of the world exhibit a multiplicity of patterns—field patterns and border patterns that express a vast array of designs …

Reflections 2000, Kelly Harrison, Brooke Buchanon, Jennifer Carlile

Reflections

The 2000 issue of Reflections was edited by Kelly Harrison with Brooke Buchanon and Jennifer Carlile serving as artistic director and faculty adviser, respectively. Award winners of the student poetry contest include: Jason Whisnant, Kelly Harrison, and Sarah Donaldson. Award winners of the student art contest include: Mary Jones, Meryl Scott, and Ashlie Pence. Award winners of the student photography contest include: Joy Marinelli and Meryl Scott.

Ray Jonas: Sam Erenberg, Ray Jonas, Sam Erenberg, Frank Mcentire

Exhibit Catalogues

Catalog of works by Ray Jonas and Sam Erenberg from the exhibition shown at the Nora Eccles Harrison Museum of Art. Essay by curator of exhibition, Frank McEntire.

Ray Jonas And Sam Erenberg, Frank Mcentire

Exhibit Catalogues

Brief biographies of scupltor Ray Jones and painter Sam Erenberg written by curator Frank McEntire.

Conversazioni Con Don Eddy - Conversations With Don Eddy, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

Ua11/1 Outdoor Sculpture Campus Tour, Wku University Relations

WKU Administration Documents

Brochure highlighting numerous sculptures located on the Western Kentucky University campus.

Portrait Of William R. Seaton, Unknown

Morehead State University Art Collection

An unsigned and undated portrait of William R. Seaton.

Eagle Lake Homecoming, John L. Ward

Morehead State University Art Collection

A 2000 color print titled "Eagle Lake Homecoming" by John L. Ward.

Eagle Lake Homecoming, John Ward

Morehead State University Art Collection

A John Ward original painting of an eagle perched upon a branch overlooking a lake, created in 2000.

Blanket Statements, Issue 63, Winter 2001

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 63, Winter 2001

The Theater Of Nature, Or, Curiosity Filled The Cabinet, Angela Lorenz, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : ill.. "Magic Lantern Edition" "'The Theater of nature...' is a variation on the original format, in which the water-colors are replaced by nine transparencies, alluding to the rise of photography and cinematography in 16th century magic lanterns. Most of the images are based on manuscript illustrations commissioned by Ulisse Aldrovandi (1522-1605), the first professor of natural history appointed in Italy and creator of an extensive museum of natural artifacts."--Colophon. Two mounted accordion fold illustrated texts. Each are printed on both sides and include color transparencies. Limited edition of 10 copies, numbered and signed by the artist. …

The Cherries, Kate Decarvalho, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Volumes (Of Vulnerability), Katharine Meynell, Special Collections, Fleet Library

Artists' Books

pamphlet, saddle stitch, spiral bound, accordion, portfolio, all enclosed in a metal box; front of box; covers of assorted books. Twenty artists create small bookworks focusing on the vulnerability of our current society as the clock ticks toward the year 2000. This box recreates the touring exhibition, curated by Susan Johanknecht and Katherine Meynell.

Ivy Leaves, 1999-2000, Ivy Leaves Editorial Staff

Ivy Leaves

The 2000 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Chris Fyock, Aliya George, Kisha Thompson, Jason long, Nichole Chestnut, Matt Clark, Manny Diaz, B.J. Prince, Katie Blake, Heather Burges, Beth Dotson, Demarcus Kilgore, Kim Langston, Heather Vaughn, Susan Wooten, and Wayne Cox. Cover art by Nichole Chestnut.

The Mockingbird - 2000, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University

The Mockingbird [magazine]

Tamara Baxter [July Sun; Doomsday Monday at Pee Wee's Hamburger Emporium]; Emily Carmichael [View (Frost-on- Windowpanes); Boys of Summer]; Isaac Denton [Grandfather as Cheshire Cat]; John Hilton [Actual Size May Vary; I Once Was Lost]; Natasha Jones [Don't Tell Me I'm Still Young]; Miwako Kato [Untitled Photograph]; April Massey [Blind Date]; Sylvia Musgrove [Like Trees Walking]; Laurie Relleva [Wysteria; Fortune Kookie]; Jon Sells [Rocky Cliff]; Melissa K. Stallard [Two Untitled Photographs]; Pam Tabor [memory of shiloh trees; The Proving Ground]; Allan Trently [Spirits in the Spruces]; Susan Woody [Breast; Memphis]

Japanese Kimono Fashion Of The Early Twentieth Century, Annie Van Asche

Textile Society of America: Symposium Proceedings

This paper examines the development of popular kimono fashion from the late 19th century through the mid-20th century. I focus on kimono worn by modem-thinking young women whose wardrobes, by the 1920's, included both new Western and recreated Japanese garments and accessories. The meisen kasuri kimono, the most popular new style of kimono among women living in the growing urban metropolitan centers, is highlighted. It covers an unprecedented historical period of rapid modernization and Westernization of Japan, which brought about societal changes that dramatically--and positively--transformed the lives of Japanese women. I begin with a historical sketch of the industrialization of …

Textiles, Scholarship, And Art Education: An Art College Perspective, Wendy Landry

Textile Society of America: Symposium Proceedings

In many communities the art college is the last formal refuge of active textile-making knowledge and heritage. This location appears to value playful, risky, or challenging material explorations which might result in creative design or meaningful visual expression. This should be the best environment for cultivating adventurous students able to integrate a wide range of experience and resources towards generating new ideas for interesting contemporary textiles. It could be a good place in which to discover how textiles contribute to human experience and history, and how they are meaningful. However, I submit that this art environment is still detrimental to …

Textile Society Of America Newsletter 12:1 – Winter 2000, Textile Society Of America

Textile Society of America: Newsletters

Santa Fe to Host TSA 2000 Symposium
TSA Calendar
TSA News
Letter from the President
Collections News
Member News
Exhibition/Conference Reviews
Conferences and Symposia
Exhibits
Lectures and Workshops
Publication Opportunities
Tours and Courses
Info Exchange

Black Image And Identity African-American Art From The Permanent Collection, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

T he presentation of Robert Colescott's groundbreaking solo exhibition, which represented the American Pavilion at the 1997 Venice Biennale, offers a unique opportunity for the Sheldon Memorial Art Gallery and Sculpture Garden to display a selection of African-American art from its permanent collection. This exhibition, entitled Black Image and Identity, serves several important purposes. First, it locates Robert Colescott, one of the most important and influential African-American artists of the twentieth century, within the broader historical context of a dynamic and diverse African-American visual arts tradition. Second, it focuses attention on the important influence that Colescott has exerted on younger …

Conrad Bakker: Art And Objecthood, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Conrad Bakker: Art and Objecthood, an installation that engages many of the most important aesthetic and cultural issues in the contemporary artworld. This exhibition is part of a semesterlong focus at the Sheldon Art Gallery on the significance and influence of Marcel Duchamp, one of the most influential artists of the twentieth century. In addition to this exhibition, the permanent collection galleries of the Sheldon Art Gallery include Duchamp's famous Boite-en-Valise, an etching of his infamous Fountain, and the work of other artists, both historical and contemporary, who …

Food For Thought, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Food for Thought, the thirteenth annual Sheldon Statewide exhibition. Sheldon Statewide is a unique collaboration between the Sheldon Gallery, the Nebraska Art Association (a nonprofit volunteer membership organization dedicated to the advancement of the visual arts in Nebraska) and the efforts and cooperation of the many Nebraska communities that serve as exhibition venues. The mission of the Sheldon Gallery is the acquisition, exhibition, and interpretation of 19th-20th-century American art. Sheldon Gallery has achieved a national reputation for this collection. Each year twenty works from this collection are …

Judith Burton: Visual Nuances, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The history and development of the pictorial tradition in the West is punctuated by many formal and conceptual tensions, among them the tension between representation and abstraction, between mimesis and personal expression, between objectivity and subjectivity, between the artist and the viewer. The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Judith Burton: Visual Nuances, a solo exhibition featuring twenty-four paintings and two monotypes by an important Nebraska artist whose aesthetic expression succeeds in celebrating these many tensions and formal subtleties that are such an important part of our visual arts tradition.

However, much attention-perhaps too …

Trains That Passed In The Night, Thomas A. Garver

Sheldon Museum of Art: Catalogs and Publications

Winston Link was a young practitioner of an old photographic tradition, one still much used, but which now commands little public notice. He developed a strong personal style within the technique of using cameras that were usually fixed in place, mounted on heavy tripods and using large negatives, typically 4 x 5 inches in size. The dynamic qualities of photographs made this way came through their careful planning: the precise placement of the camera, and equally careful placement of the lighting sources, with people and objects also being arranged with an eye for the final effect. Photographs using this technique …

Embodying Embroidery: Researching Women's Folk Art In Western India, Michele Hardy

Textile Society of America: Symposium Proceedings

South Asia is home to an incredibly rich variety of embroideries that include folk, courtly, ritual, and commercial traditions. The scholarly literature on South Asian embroidery has been meagre however and historically emphasized professional embroideries at the expense of the folk^l. With few recent exceptions² folk embroidery in the Sub-Continent has most often been described and classified without reference to the women who make it or the specific cultural traditions that support and give meaning to it³. These 'characterising' accounts of folk embroidery are likely the result of historic circumstance and ancient bias⁴ but …

Visionaire 33: Touch, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley

Visionaire

[21] leaves of plates : all color illus. (some mounted). This issue consists of 21 illustrations, all related to the topic "touch"; unbound illustrations wrapped in fur skin with tie; housed in a brushed-gold metal box (45 x 24 x 6 cm.) Some plates have mounted fabrics, papers, fur, etc. Created by Visionaire in collaboration with Fendi. "To celebrate Fendi's 75th anniversary" -- Title sheet. "The Fall/Winter 2000-2001 collections by Berthoud, François" -- Colophon. Library has no. 2608 in a limited edition of 4400 numbered copies. Gift of the publisher. "In 33 TOUCH, artist and longtime Visionaire contributor François Berthoud …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 21 (2000), Virginia Gunn, Laurel Horton, Xenia E. Cord, Phyllis S. Herda, Ethel Ewert Abrahams, Rachel K. Pannabecker, Susan Price Miller, Lisa Gabbert, Marsha Macdowell

Uncoverings Journal

Preface by Virginia Gunn

Research Papers

An "Old-Fashioned Quilting" in 1910 by Laurel Horton

Textiles and Cooperative Commerce in Colonial America: The Example of William McCormick by Xenia E. Cord

Creating a New Tradition: Quilting in Tonga by Phyllis S. Herda

"Better Choose Me": Addictions to Tobacco, Collecting, and Quilting, 1880-1920 by Ethel Ewert Abrahams and Rachel K. Pannabecker

Hubert Ver Mehren and Home Art Studios by Susan Price Miller

"Petting the Fabric": Medium and the Creative Process by Lisa Gabbert

Quilts and Their Stories: Revealing a Hidden History by Marsha MacDowell

Authors and editor

In memoriam: Bill Charles Garoutte …

Review Of 1900: Art At The Crossroads, Antoni Pizà

Publications and Research

There is probably little doubt that the fissure between "high" and "low" culture is more conspicuous nowadays than it ever was. Clement Greenberg, that dashing arbiter of contemporary art, had already sensed it in 1939 when he wrote the seminal essay quoted above, as Adorno also perceived it decades before him. Their foreboding premonitions, however, could not hinder the relentless success of popular culture and the retreat of so-called high art into the safe harbors of the university campus, the museum, and the private sphere.