Art and Design Commons^™

Mixed Media January 27, 1998, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The January 27, 1998 issue includes articles on a columnist's quest for cheap beer, the RISD party scene, how RISD funds its operations, Spring courses related to art and nature, scholarship opportunities, Kristen Mahon and the show "Swans Crossing," renovation of the ISB, and political apathy at RISD, along with the comic "Buckshot Bill" by Ron Janson and "A Real American Hero," event notices, and other announcements.

The Dirt On Muds, Monica Vasilescu

SWITCH

This issue covers that MUDs are a real time synchronous text-based environment used by multiple users on the internet. MUDs were originally used for Role-Playing based games such as Dungeons & Dragons. MUDs have evolved since its origin and other versions have branched off from the original MUDs. They have been developed not only to be used in the gaming community, but further into online communication. It lets users remain anonymous while taking onto an online persona.

Metamorphoses Digital Photography In The Electronic Age And Perfectm Digital Photography In The Bay Area, Jan Ekenberg

SWITCH

Two exhibitions at the San Jose Museum of Modern Art, “Metamorphoses: Digital Photography in the Electronic Age” and “Pixel Perfect: Digital Photography in the Bay Area,” both debate whether digital photography is a kind of art based on how people interpret photography. With the advent of powerful computer software such as Adobe’s Photoshop, artists can easily manage their work regardless of whether they want to create collages, adjust the color, add additional layers of images or text, experiment with scale, or transform dreamlike ideas into surreal artworks for public display. The two shows challenge the principles of photography - to …

Calendar Of Events, Loretta L. Lange

SWITCH

This page showcases a timeline of events and exhibitions that took place at San José State University that were hosted by CADRE from May 96’ May 97’. The reason for the events was to explore technologies within art at colleges and to expand on the topic of interactive, electronic performance concerts, and digital media. Furthermore, these installations were meant to introduce newer digital media forms into the program. The artist wanted viewers to experience a new advanced interactive experience. During the concert what was showcased was electroacoustic music as well as other live performers and “autonomous agents” which are robots …

Editor's Notes: Sound, Loretta L. Lange

SWITCH

This switch article goes over the use of sound and how some people consider it to be a language, an art, or a form of technology. Lange refers to Agostino Di Scipio’s arguments on how technology was created by humans and therefore should be an art. More specifically, how sound can be an electronic art, especially since it can change or be manipulated just as musical artists create music. Next, she refers to Larry Wendt’s article and how sound composition or poetry is structured. He goes on to explain that sound-text doesn’t have a solid order and is flexible enough …

Mixed Media January 13, 1998, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The January 13, 1998 issue includes articles on an upcoming lecture by Mary Oliver, another student trip to Wright's Farm, and film reviews, along with the comic "Zoot the Flute," event notices, and other announcements.

Words & Images 1998, University Of Southern Maine

Words and Images

Words and Images is an annual arts and literature publication distributed by the University of Southern Maine

Editor: Narayan Nayar

Art Editor: Lisa Solomon

Literary Editor: Megan Marshall

African-American Folk Art In Kentucky, Amalia K. Amaki, Maude Southwell Wahlman, O'Leary Bacon, Joan Dance, Helen Lafrance, Mark Anthony Mulligan, Marvin Finn, Willie Massey, Willie Rascoe, Charles Williams, Lavon Van Williams, Zephra May-Miller

Kentucky Folk Art Center Exhibition Catalogs

1998 Kentucky Folk Art Center exhibition catalog of African-American folk art from Kentucky.

1998 Stanley A. Bauman Photograph Collection Index, Stonehill College Archives

Bauman Indexes

Chronological Listing of all negatives taken by Stanley A. Bauman during 1998. The numbers to the left of each entry indicates the envelope those of negatives are found in. Please use this number when requesting contact sheets for images.

Nexus, Winter 1998, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Parnassus 1998

Parnassus

The 1998 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Photography: Chris Carlson, Chris Carlson

Inscape

No abstract provided.

Photography, Alyssa Dick

Inscape

No abstract provided.

Photography: Christina Dominguez, Christina Dominguez

Inscape

No abstract provided.

Full Issue

Inscape

No abstract provided.

Fall 1998, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

The New Plastic In Sculpture, Timothy M. Gallant

Honors Theses, 1963-2015

In his "new plastic" paintings, Piet Mondrian (1872-1944) created an aesthetic of universal dimensions through the unification of simplified visual elements. Through an intuitive process of trial and error, Mondrian achieved the unity required for his universal aesthetic by creating a delicate tension between simplified elements in simulated three dimensional space. Mondrian's "new plastic" (neoplastic) aesthetic in painting, however, is physically bound to the two dimensional surface of his canvas and allowed only the appearance of three dimensions. In my thesis, I outline the translation of Mondrian's aesthetic into a physically three dimensional context, creating a universal aesthetic in sculpture …

The Utopian Mayeux: Henri De Saint-Simon Meets The Bossu A La Mode, Elizabeth Mix

Scholarship and Professional Work – Arts

MonsieurMayeux was a fictional hunchback dwarf found in visual and literary media during and after the period of the July Monarchy (1830-1848) in France. Many artists, among them Honoré Daumier, and writers, including Victor Hugo and Alfred de Musset, popularized the hunchback. Mayeux was a unique "type " capable ofaddressing a diverse public on several simultaneous levels. The ambiguities inherent in his physical and psychological characteristics aided individuals who "used" him to sell a product or advocate a political position. With Saint-Simonism we can witness Mayeux being used to address both sides of the same argument. Although he was an …

Jill Knight - Future Perfect (Cd Cover), Sky Bergman, Alicia Buelow

Art and Design

Back cover photo and inside photo by Sky Bergman

Package design and cover art by Alicia Buelow

Views In Review: Politics And Culture In The State Of The Jews, Abby Kagan, Sky Bergman

Art and Design

Jacket design: Copyright © 1998 Abby Kagan. Jacket photograph: Copyright © 1998 Sky Bergman.

Tea Bowl: Imperfect Harmony, Gretchen A. Mehring, Greater Lafayette Museum Of Art

Exhibit Catalogues

These tea bowls, with their intimate scale and individual personalities, simultaneeously offer an apprectiation of the past and the contemporary. The subtle beauty of traditional-style bowls contrasts with the more exuberant contemporary idiom, raising an awareness of the role that art has, and can play, in everyday life.

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen

Faculty Publications

No abstract provided.

Grandpa's Tools, Cheryl Hanba, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

Weaving, Molly Schoenhoff, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

Rangoli, Jeannine Colaco, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class.

Yellow, Orange, Red, Green, Blue, Purple, Sara Osten, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

Things Exist For A Reason, Andrew Kuo, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class.

Which One Are You?, Marylee Bytheriver, Special Collections, Fleet Library

Artists' Books

A yellow ribbon holds the book together, 26 pages, chiefly illustrations. Edition limited to 100 copies, signed by the artist. Consists of a Jacob's ladder structure in which photographs are attached on both sides. Photographs of the artist's family are scanned and manipulated onto Rives Lightweight and glued to foam core. Printed paper strips hold book sections together. Texts on paper strips use three different type faces: one reflecting the artist's recollections of her childhood; one quoting from The birth order book : why you are the way you are, by Dr. Kevin Leman; and the last quoting from the …

Snake, Maria G. Pisano, Special Collections, Fleet Library

Artists' Books

tunnel book variation with parallel concertina sides, enclosed in a printed wrapper; cover; accordion, folded out; colophon. A long, narrow tunnel book unfolds like a slithering snake.

Ivy Leaves, 1997-1998, Ivy Leaves Editorial Staff

Ivy Leaves

The 1998 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jennifer Brown, Shane Bruce, Sharon Felder, Kellie Bates, Clay Bolt, Tiffany Clark, Jon Martin, Ben McDonald, Amber Schiltz, Jeremy Shirley, Chase Stone, Susan Wooten, and Wayne Cox. Cover photography by Ben McDonald and design by Clay Bolt and Jeremy Shirley.