Art and Design Commons^™

Scripting Allographs, June Shin

Masters Theses

Scripting Allographs* examines typographic principles and their pervasive impact on ways of seeing and making through design. This body of work demonstrates the many faces of typography and type design and the way they inform allographic thinking. It employs type as the primary tool and medium for scripting possibilities, embracing their differences, idiosyncrasies, and imperfections. Beginning with a focus on close observation of small details and ending with an approach that invites and celebrates variability, this thesis offers a glimpse into a design practice from the lens of a typographer, type designer, and educator.

Design Syncopations, Mary Yang

Masters Theses

Design Syncopations is an inquiry into space and intervention. Central to this work, is the orchestration of scenarios to prompt visual, auditory, and physical engagement. My background as a musician strongly informs this practice as I borrow from and disassemble musical structures—time, rhythm, composition, and counterpoint. Through designed prompts and invitations, I incorporate musical themes of chance and improvisation, setting up programs, altering spaces, and interrupting existing conditions. Working at the intersection of sound and design allows me to conduct audience-led musical performances, reprogram gallery spaces, and collaborate with artists and musicians. The ensemble of works adds up to a …

Bodypart + Object, Creama Wong

Masters Theses

This thesis is about exploring the possibilities of combining objects with physically realistic body parts. This book is just the beginning of a whole new fantasy.

Content-Aware : Investigating Tools, Character & User Behavior, Llewellyn Hensley

Masters Theses

Content—Aware serves as a platform for investigating structure, corruption, and visual interference in the context of present-day technologies. I use fragmentation, movement, repetition, and abstraction to interrogate current methods and tools for engaging with the built environment, here broadly conceived as the material, spatial, and cultural products of human labor.

Physical and graphic spaces become grounds for testing visual hypotheses. By testing images and usurping image-making technologies, I challenge the fidelity of vision and representation. Rooted in active curiosity and a willingness to fully engage, I collaborate with digital tools, play with their edges, and build perceptual portholes. Through documentation …

Identity Production, Boyang Xia

Masters Theses

What are we talking about when we talk about identity? People are likely to define themselves in terms of what is relevant to their time and place, in other words, context. This indicates that identity is not a fixed definition, but more of a malleable construction; it develops its attributes via context. I am constantly recalibrating the relationship between the two. Context is ubiquitous, unnoticed, coexistent and interchangeable. Identity is reflexive, fragmented, shapeable and fluid. Identity Production explores and unveils how identity is adapted and manifested in contemporary conditions, as well as its external validation which paradoxically defines this indefinable …

Otra Vez : Hierarchy As Designer, Jordyn Alvidrez

Masters Theses

Methods of hierarchy are often represented in graphic forms. They shape our world into subjective places/spaces of belonging or oppression. The need for order is a human condition. There is constant tension between the utility of ordered systems against the manipulative and ultimately subjective manner in which they are created. Where there is a system, there is a story. The narrative the hierarchy tells is just as crucial to me as the mechanics.

I position myself within various hierarchal systems as a way to understand the logistics of their becoming, but also, to manipulate (or justify) my cultural and ethnic …

Frame-Work, Drew Litowitz

Masters Theses

We view the world through a series of frames: contexts, mediators, constructs, oversimplifications. We place frames around things to isolate them and better understand them — to control them and define a context for our audience: magazines, book covers, wayfinding, signage, graphic overlays, subtitles, logos. These frames label, augment, enhance, and explain things for us. They also become habitual frames of mind, granting us fluid access to familiar subjects through consistency and reliability.

But how does the time we spend inside these controlled, reductive frames affect the way we interact with and interpret our realities? What is left out of …

Deceptive Fragility : Characteristics And Fabrication Methods Of Extra Thick Weft-Knitted Spacer Fabrics, Anastasia Onegina

Masters Theses

This thesis investigates technical and performance capabilities of extra thick flat-knitted 3D spacer fabrics. Several combinations of knitted structures and fibers are suggested for thermal and impact protection, general insulation, architecture and construction. Methods of constructing three- to seven-layer spacer fabrics up to nine inches thick are explained.

The Untold Tale, Yan Zeng

Masters Theses

Inspired by Manchurian heirlooms and family traditions, I create intricate textiles as narratives that viewers can empathize with, vehicles for expressing my own memories and cultural background. I have told many stories through my textiles in the past, but my thesis tells a very special one: it is a story that I have been afraid to make known for nearly 20 years, a dark fairy tale based on my childhood traumas and experiences; it is the story of a girl who was lost in a deep forest and struggled to find a way out. My thesis collection is composed of …

How To Become Ocean?, Elaina Runge

Masters Theses

A shifting viewpoint transforms into multiple perspectives to explore surface and depth.

By compressing time into an instant, or expanding a moment out in infinite directions, patterns reveal and obscure themselves.

A process that is both rational and intuitive emerges through the use of different systems to approach the unknown.

The ocean operates as a metaphor. The beyond guides the search of one who is tethered to the shore.

Plastic, linen, silk, elastic, glass, cellulose, protein: fold, curve, bend, distort, resist to create forms that are neither unfamiliar nor named.

Blue, blue-grey, blue-green, blue violet, azure, cobalt, sapphire, lapis lazuli, …

Talistones : A Handful Of Help For Homecoming Soldiers, Atulya Changanty

Masters Theses

We are creatures of habit influenced by our environments. We function on a 24-hour clock known as our circadian rhythm that is dictated by the solar cycle, seasonal shifts, and our daily schedules to determine our understanding of time to que our behaviors. The circadian rhythm can be disrupted by trauma to the brain, shift in lifestyle and habits, or inability to determine the passage of time and can lead to profound effects on mental health. Soldiers who are transitioning out of military service into civilian life, particularly those who have experienced combat, are an archetypal population who encounter damage …

Floop : Improving Eating Habits, Namrata Phirke

Masters Theses

All of us strive to eat breakfast daily, and a lot of us fail. 10% of all Americans skip breakfast daily, and the number increases sharply to 23% for the people in 18-34 age group. Something changes distinctly when people turn 18. This age group includes students who transitioned from their home to college. This shift severely affects eating habits. At home, our parents look after us and make sure that we get the optimum nutrition as we grow. But life isn’t so smooth in college. We realize the importance of our parents who used to worry about our health …

Impractical Community, Zixin Xiong

Masters Theses

Zixin lost her phone and she went on a journey with a girl to find it. During the journey, they collected cellphones to let these machines get a good rest; they explored a sandwich city and took a risk to follow an insect who ate people’s profiles. They were trapped in a forest of lies and heard about lots of silly questions, etc. After experiencing these weird adventures, Zixin found a new friend underground and dove into a magic river to live with her.

The Impractical Community is a magic realist fiction that reveals the disadvantages of our technology in …

Retooling : Experiments In Digital Apprenticeship, Ryan Ferguson

Masters Theses

Over the past decade, rapid advancement in the fields of artificial intelligence and machine learning has led to an abrupt shift in the skills we designate as “human” and the skills we delegate to machines. This shift can be characterized, to some degree, by the transformation of tacit knowledge–knowledge that is difficult to transfer or quantify, into explicit knowledge–a language that machines can both understand and act on. An adjacent surge in democratized education platforms has made it possible for anyone to begin learning a new skill. Mastering a skill however, especially hands-on skills, often requires a level of tacit …

Thesis, Robert Joseph Anspach

Masters Theses

This is a seemingly didactic account of the nature of the mind, art, and the end of the world. It is probably not very good and the author does not stand by what is stated within it, but has to turn something in in order to graduate. Maybe do not read it.

Dermis, Julia Betts

Masters Theses

I create situations that hold onto spaces or things. That psychic energy can be transferred to a viewer. I’m curious about this transference and The Aesthetics of Disengagement and the empathetic nature of making work.

I often engage the viewer through overwhelm (such as: texturally, amount of objects, length of performance, mark making…) to create anxiety/tension around a body or around how a body relates to space. To create this overwhelm, I use ritual, repetitive labor that is between obsessive and meditative. In this boundary, I wonder about whether art is healing or can be. I’m interested in creating spaces …

I Am Come Back To You, Eleanor Tomlinson

Masters Theses

Through various forays into psychological science and affect theory, this work attempts to understand how quick and simple commodities might coalesce into a complex portrait of individual and collective memory.

How Long Can You Hold Your Breath?, Felicia Leroy

Masters Theses

I began freediving, a sport in which one dives as deep as possible on single breath hold, as a way to approach the inaccessible space of the deep, to expand my understanding of the unobtainable.

This space (the deep) seemed to me to be representative of something that is totally unknown, its power existing in its inaccessibility, in its un-know-ability.

Through training/experiential data collection and using human physiology at depth as a framework, this thesis work book explores a single breath hold to the other side.

Work made in support of this exploration touches on darkness, depth, the edge, the …

Art Loser, Laura Jasek

Masters Theses

In my work, I aim to historicize the mechanics of misogyny. Through appropriation and re- authorship, the work interrogates and exposes the discreet erasure of contemporary gender inequalities and the societal attempt to obscure the historical origins of these inequalities.

My thesis work has been focused on Frederick W. Macmonnies, a predominant beaux-arts sculptor responsible for many early-twentieth-century American fountains and monuments. Many of his sculptures were embroiled in controversy, on grounds ranging from their aesthetic competence to their alleged misogyny. Macmonnies’ staunch academicism ran parallel to the birth of modernism, effectively expelling his name from the contemporary canon of …

Surface, Object, Space, Susan Doe

Masters Theses

Considered primarily a form of painting, my practice adopts the languages of sculpture and installation to explore abstract constructions of personal and societal hierarchies. In this current body of work, I am crocheting architectural forms that blur the distinctions between surface, object, and space. Whether occupying pictorial space or actual space, simple patterned units coalesce into emergent forms through repetition and accumulation. I am drawn to malleable materials that allow for an indexical registration of the force of my hands and body. Working in a wide range of materials including paper, mylar, fabric, foam, plastic, sheet metal, wire, monofilament, and …

A Theatrical Life : Negotiating Biracial Identity, Timothy Lai

Masters Theses

My paintings and drawings use autobiography, fiction, and theatricality to examine biracial-identity formation and the negotiation of different cultural ideologies. The personification of these ideologies in narrative accounts pose questions to which the characters must answer and respond. This leads to humorous, sad, problematic, empowering, and chaotic compositions that become an intimate chronicle of my own endeavor to find those “perfect” answers.

In my practice, painting and drawing are ways to explore a broad range of topics that stem from personal and familial stories. Using allegorical personifications, symbols, and metaphors derived from my family, I see the home as a …

Anthro/Post/Cene, Sofia Ortiz

Masters Theses

My project proposes a ‘deep-time’ lens, both in geological as well as cellular terms, as a strategy for dealing with an anxious contemporary world. By practicing the contextualizing of self within a multiplicity of worlds, one is able to be humbled, empathetic and (hopefully) conscientious. My work develops across multiple mediums, and seeks out different paths for creating immersive experiences that both highlight and promote interconnectivity. I endeavor to find dynamic systems that can accommodate multiple subjectivities, ideally fostering consensual indeterminacy between the work and its participants. With this in mind, my work unfolds as series of reconfigurable fragments, where …

Na'aseh : Ritual In Practice, Anna Henrick Karpatkin Benjamin

Masters Theses

This body of work is an exploration of Jewish identity through pattern and ritual. Pattern is used as a tool to question and reinterpret these actions. Drawings, prints and papercuts are created through repetitive and evolutionary actions performed over time.

Every Change, Ruhan Feng

Masters Theses

After being away from home for six years, distance and time make me reconsider: “Who am I?”

This thesis is an honest memoir, which records my reflections about life through my struggles, confusion with cultural identities, and conflicts with my mother in a one-child family. In a two-year graduate program, I continue to explore my identities as Chinese, an international student, an expatriate, and a daughter.

The text, accompanied by illustrations, interprets personal artistic changes. Printmaking in my work is not just a tool to make multiples. The ideas of layering and repeating are also applied to my three-dimensional installations …

Space As A Practiced Place, Elizabeth Leeper

Masters Theses

This thesis examines and retraces ways in which graphic design is fundamentally concerned with relational space, and tests spatialized theories, methods, and potential for praxis.

My practice investigates the relational qualities and dimensions of graphic design at three distinct scales.

1. Spatial logic (format) within a design object [Design space, book space, format, structure, sequence, counterforms, etc. (authority structure vs agency of user) within the design].

2. Spatial relations (sequence) between participants across a network. [Space to hear & see each other; to relate and connect].

3. Space within the world (circulation) [Space as composition, product, relational; not container, not …

Our Measured World : A Poetic Translation, Minryung Son

Masters Theses

Twenty-seven years alive. Sixty-one inches tall. One hundred forty-nine days abroad. How many more units would it take to describe me? What value is derived from this quantification? What quality of understanding does it offer? As human beings, we are constantly measuring our lives and implementing systems of standardization. Throughout history, measuring systems have served as frameworks for our comprehension and navigation of an increasingly complex world. This thesis approaches measurement as a means of revealing and processing this complexity of human experience rather than one that merely simplifies and distills. Through the lens of graphic design, my translation of …

Playgrounds, Cem Eskinazi

Masters Theses

Playgrounds defies the idea of singularity and control through a practice of design aiming to offer generous universes3 for one to explore freely. Building blocks of cognition such as modular thinking, hyper-linking, recursion, repetition, self-referencing and self-representation are utilized for designing honest and slightly uncomfortable experiences in order to keep the reader awake and aware.

Double Takes : Secular Magic & Empathic Vision, Lake Buckley

Masters Theses

This thesis examines the ways that a history of secular magic has shaped contemporary culture and design lexicons. It reviews modes of secular magic as design principles as well as the terms by which the meaning and value of these modes changed over time.

I carry on the legacy of magician filmmakers who thoughtfully questioned the material nature of their surroundings and tools in order to unearth new modes of visual experience. With film, delight drives invention which in turn strains vision and perception, requiring a certain collusion with the audience. My work celebrates the notion of the double take …

I Trace The Fold : Fluidity And Flux In The Terrain Vague, Alicia Oas

Masters Theses

The terrain vague is the interstitial fabric of city life. It is the space between and around the inhabited city – abandoned urban space that constantly shifts in form and function. The terrain vague is found in empty buildings, former factories, parking lots, along the train tracks, and in unclaimed alleyways. In these still and quiet places, a fragmented narrative emerges from the pattern of urban color, texture, and light.

I record these patterns in the structure of the textile. Warp and weft interweave in layers of experience. The curtain captures both the substance of our collective memory and the …

I Was There : Irreversible View, Asma Belhamar

Masters Theses

Living in a “time lapse” is what I could say about my experience of belonging to a place like the United Arab Emirates. The compression of time and expansion of space is intensely surreal. This idea leads my process to a series of investigations about the geological and cultural tectonics of the space, where I explore the conflicts between natural landscape and architecture. The urban surroundings are precarious: even monumental and unrelenting structures can change in a matter of days. This urban phenomena is commonly known as “mega structures” where nothing is impossible to build; buildings can be finished in …