Art and Design Commons^™

An Invitation, Ashley Harris

Masters Theses

I am currently navigating between the concepts of body, material, space, and surface. I’m exploring ways to document and understand the full extent of my physical body in relation to the boundary and extent of my personal space. Each of my works displays strategies to understand my body and personal space. My intention is to confidently advocate for myself, particularly when my presence is questioned. At a time in which my body and presence are inherently political, I’m finding an urgency in how I articulate what my body is, the spaces my body navigates, and the surfaces to which my …

Sometimes Like Butterflies, Edward Steffanni

Masters Theses

Perhaps the most radical thing to do is to embrace the tension, being between the heavens and earth. Maybe regardless of identity, sometimes the earth is not enough but there are moments I’ve experienced where the distance between heaven and earth blurs. These are instants where my troubles do melt like lemon drop: the smell of freshly cut hay in a field nearby, seeing a baby goat’s tail wiggle while he nurses his mother, or making love behind the barn. These are moments on earth when something else comes into focus.

The Reenactment : "Object" As Performance, Yue Jiang

Masters Theses

Throughout history, women have endured many obstacles placed upon them in both the private and public spheres. Women are pressured to achieve an ideal beauty standard and the expectation to fulfill the obligation of traditional domestic roles. As a 23-year old Chinese woman who daily faces these pressures, I intentionally critique them using my body as the site and the pressure as subject. Through acts of performance, using handmade and mass-produced objects consumed daily by women, I highlight the insidious pressures and expectations placed upon women’s bodies. By utilizing the format of photography to document the discomfort of “wearing” or …

Futuristic Communication, Haotian Yang

Masters Theses

In today's world we can no longer separate our lives from technology. It is that fluidity between the human world and the technological world that my work explores. Technological development has brought us great convenience in communication. The existence of programs like Zoom allows people to work and socialize remotely. Instagram, Twitter and other social networks allow people to share their lives anytime and anywhere with a simple snap of a picture and push of a button. The emergence of mobile phones allows people to communicate at any time. Science and technology continue to develop and these developments provide many …

Security Blanket, Danni Xu

Masters Theses

I draw upon the stories of people who have experienced nostalgia to identify a sense of belonging to home. I create familiar objects specific to the stories of diasporic peoples to establish a connection between myself and the viewer or wearer, even when I am not present. As a former hotelier adept at initiating conversation, the goal of this work is to serve as a communication mediator, a way to find mutual interests among people in a proactive way.

This thesis addresses the following questions: Can jewelry build networks of connection across time and space? How does the format of …

Prepositions, Alexis Hill

Masters Theses

My work is a conscious engagement with traditions of process art that emphasize making over outcome and the desire to create art that cannot be predetermined. The art objects are primarily a by-product of engagement with my material reality. This is hard to pin down and harder to talk about. Historian Kim Grant’s introduction to the circular and sometimes impenetrable creative process is a good summation of one of the essential problems of my art [school] experience: “The artist’s hard work often takes place without a clearly denied goal, thereby rendering the artist’s labors endless, and any results resistant to …

Is It Real?, Hana Al-Saadi

Masters Theses

The architecture of Doha, Qatar is defined by skins of glass. When the sun shines upon the layers of glass, it creates a shimmery reflective grid across the surface of the city. These reflections, while visually intriguing, conceal many private realities behind the surface.

As a multidisciplinary artist, I attempt to maneuver in the space between the opacity of the facade and stories that lie behind. Specifically, I use this space to directly expose the contradictions that I encounter here.

Phefumula Nami, Ndivhuho Rasengani

Masters Theses

Cosmos: Building a cosmology (mid 17th century: from French cosmologie or modern Latin cosmologia, from Greek kosmos ‘order or world’ + -logia ‘discourse’,) which mirrors and exhumes hidden narratives from our current reality. It is in this tracing that I teeter between visual codes in the form of memories impressed upon my mind from generations of old and Aesthetic symphonies from the present.

The Body Extended, Yi Yang

Masters Theses

The book isn’t meant to have a center. The book is not meant to be read in order.

A book is made up of different dates and different speeds.

The chapters of the book delve nonlinearly into a range of philosophic, scientific, and political subjects connected by threads of ideas that go off in different directions at different speeds and different intensities.

Accompanying my research, memories, and project documentation, I record personal anecdotes that reflect my passion and my obsessions, as well as lay the foundation for the included work.

The book is a map book, a roots book, an …

El Suelo En Duelo, Mariana Ramos Ortiz

Masters Theses

This is a thesis about colonialism.

When I was seven years old I interrogated my mom about the consequences of Puerto Rico achieving its independence from the United States. I remember asking her “If Puerto Rico gains its independence, would that mean that we would no longer be able to purchase apples at the store?” The warm climate prohibits apples from growing in Puerto Rico. I never liked apples, and would much rather have had oranges, but I guess that concerned me at that time. She looked at me with a funny look. With that funny look that any parent …

All Bodies Wander, Haley Mackeil

Masters Theses

This thesis describes how aspects of the environment can evoke the presence of a living organism. It discusses several projects by Haley MacKeil that are based on research within the natural world that includes documentation of sites, processes, installations, and artifacts made through video, glass, and papermaking. MacKeil’s practice forms a threshold between two worlds, two bodies, two different understandings—it creates sites for connections with something, someone, or a place that cannot be directly accessed.

Sapping, Smudging, Staining: A Feminized Body, Breslin Shea Bell

Masters Theses

This book—of poetry, prose, and lists—muses on the effects of liquidity and leakiness of a feminized body. By bringing echo narrative, illegibility, de-telling, and that which is continuously wet to the viewer’s body and space, this book and accompanying multimedia installation provides a lens to consider reproductive rights, body autonomy, and gender-based aggression and violence. Work of matter and color investigates interiority, both bodily and spatial, as it relates to surface, access, and space-making.

Hybrid Garment, Diya Wang

Masters Theses

What is in the overlap between jewelry and clothing? Does the combination of jewelry and apparel create a new, significant,way of seeing art?

Hybrid Garment is a series of work that explores the overlap between fashion and Jewelry. As an artist and designer, my background and training prepared me to dissect and rebuild the relationship between and potential of jewelry and garments. The potential of hybridity serves as a methodology to combine and conflate the two disciplines.The essence of this work carries the idea of inclusivity, it encourages people at all levels to wear them. In addition, anyone wearing it …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

A Journey To The Deep Self, Fengkun Yu

Masters Theses

Filling the empty corners and walls with my favorite stuff in my house is essential for me to feel secure. Thus, I make pieces that I imagine being surrounded by the best collection by placing and organizing them in a touchable distance, such as wall shelves or bookshelves in my own space. I feel both physically and mentally comfortable with the atmosphere that these objects create and convey to me as a relatively sensitive and introverted person.

The state of being free from agitation and disturbance to me is the prerequisite to conduct studio practice. Being able to focus on …

Mars Is For Fags, Justin Quaid Grubb

Masters Theses

The overarching theme dealt with in my work relates to the Space Age - specifically the predictive futuristic approach to product design and the pop culture that came out of the movement. During this time, technological advancements permeated American culture. Manufactures made the future accessible to everyone and futuristic living became symbolic of innovation, progress, and prosperity. A blueprint for a futurist suburban utopia was forged and the American people were ready to embody the new “American Dream.” Residential Mid-Century Modern architecture emerged as the new site for this dream and along with it came a new way of life. …

Beauty Still Lives Here: Narratives Of Radical Self-Love, Deshun Peoples

Masters Theses

This exhibition is primarily concerned with the act of taking up physical and socio-political space. Through the use of form, design, color, and installation this work places various histories and traditions of both ceramics and resistance in communication with one another. The red, black, and green of Marcus Garvey’s 1920 Pan-African/Black American flag are proudly displayed against a warm, calm, pale green backdrop to highlight the importance of mental health in all endeavors, especially in the emotionally taxing labor of social, political, and economic protest in the battle for humanity, life, civil rights, equity, access, and decision-making power.

Fableware From The Garden Of The Grotesque, Matt Becker

Masters Theses

In biology, a chimaera is created when two zygotes collide at an early stage of development, resulting in a unique creature containing two distinct sets of genes. The name is borrowed from Greek mythology where chimaeras are fire-breathing monsters born with the mixed attributes of lions, snakes, and goats. As creatures of myth, chimaera represent a narrative union of disparate parts; a collision of the fantastic and the mundane.

Clay can be used to explore this dichotomy, utilizing its ability as a mutable canvas to embody a vast range of visual vocabularies while referencing its rich history and placing new …

Control Theory, Colin Yoon

Masters Theses

When people feel that everything is out of control, their natural response would be to turn to a designated space to manipulate anything within it, whether a physical environment or a digital platform. This book expresses the comforts of order and predictability in response to the chaos and confusion that emerged from the train wreck known as 2020. After everything that has happened, it’s understandable that people want to have some semblance of control over something in their lives, as predictability makes them feel safe, intelligent, and powerful.

Loose Threads / Hilos Sueltos, Estefanía De Ros

Masters Theses

In this body of work, I’ve collaborated with four artisans from my home country, Guatemala: Apolonio Vicente, Vinicio Vicente, Mario Poz and Manuel Otsojay. They all use traditional craft methods with natural materials: wicker, wool, and cotton. I interweave, overlap, and knot mementos from my childhood with current ideas and dialogues that contain loose threads to the work. All of the layers merge in fluid forms with texture and movement. The curtains let light in, the rug sets warmth, and the “cayuco” invites you to slow down.

I aim to push back against the devaluing of craft traditions, especially in …

This Trash Is Someone Else's Problem, Lauren Goodman

Masters Theses

This Trash is Someone Else’s Problem reimagines object design practices through a decolonial lens that embraces responsive approaches to the local environment and the communities that steward it. It advocates for design justice and social equality. The physical work was developed from discarded scraps of industrial waste harvested from the Providence area, such as wire fencing, oil drums, rebar and steel tubing. It was created without the use of expensive tools, machinery and materials in favour of a less extractive approach to design. In conjunction with the studio work is a series of community gatherings focused on low-fi ceramic pit …

Psychological Well-Being Through Music Listening, Majed Boughanem

Masters Theses

Design has gotten good at delighting and stimulating us in the short term. Could we design products that are good for us in the long run?

In this project, I looked at positive psychology for concepts to develop into features of products and use music listening as a vehicle for integrating them. I propose three music-listening features that help exercise and cultivate emotional regulation strategies:

1_The Reaction Tile

2_The Monofilter

3_The Vibelist

Each feature represents one or multiple strategies from the Process Model of Emotional Regulation.

Beacon Public Library: Expanding Radical Civic Care For An Uncertain Future, Katrina Machado

Masters Theses

Stressors like climate change will put strain on our communities, making them more vulnerable. I am asserting and expanding the role of the public library as a civic space for radical care and community resilience. This work explores the ways in which the public library, as an existing institution, could adapt to the needs of its changing environment and community. Interventions are visualized by a librarian’s jumpsuit and library apron, an adapted library book cart, public signage, and a re-imagined library card.

I imagine a public library that pushes the bounds of its physical building and actively and compassionately serves …

Polyrhythms, Kevin Costante

Masters Theses

This work strives to integrate seemingly ‘distant’ practices into a concept by emphasizing their differences. A syncopation between a maker and designer, a planner and improviser. A search for commonalities in the middle of what otherwise creates conflict. I cultivate a space to play alongside my inherent formalities by incorporating color and movement. I find rhythm persists uninterrupted through the discrepancies of my process and inspirations. I want to see it in the outcomes of my work.

How can I be compatible with this world of rudiments and structure and also comply with my reliance on ‘chance’?

Ars Technica, Bayan Mashrequi

Masters Theses

It’s easy to forget that we are living in an age of wonders, where the ability to perform feats that would have seemed divine miracles to our ancestors, has become mundane and routine to us. Even for people who are practitioners of this Modern Magic, the artificers and the sorcerers, the wonderfulness of the endeavor becomes difficult to appreciate most times.

Ars Technica serves a two-fold purpose here: for the uninitiated and the novice, this book aims to inspire and enable students, engineers and tech aficionados by highlighting the connection between mythology, literature, history and folklore with the wonders of …

The Art Of Microbe Maintenance: Value And Applications In Design, Yujin Hwang

Masters Theses

My thesis centers around designing microbial systems and objects for a sustainable future. I propose ideas to bring microbes into the home in order to make people understand them as a part of the environment. Through deep consideration of how my microbe based material could change across national and social contexts, I create accessible, attractive and friendly-looking design objects with microbes that address people’s fear of microbial life. I strive to facilitate the intersection and interaction between people and technologies in ways that are ultimately harmonious for the well being of both.

My ultimate goal for my thesis is not …

Distilling The Narragansett Bay, Parker Ives

Masters Theses

My thesis is an investigation of material vernacular and a celebration of process and material. I am manipulating locally sourced materials to pull out unexpected qualities in order to distill a unique identity associated with a place and the things that give that place its character.

The resulting work focuses on distilling the Narragansett Bay through the lens of three categories. Reminiscence, Impression, Composition. These works fall into the categories of being reminiscent of a place, impressed upon by a place and composed of a place.

This thesis is not a conclusion of this area of inquiry, rather it seeks …

An Evolving Process: Patterns And Objects, Shreya Tuli

Masters Theses

This thesis investigates my life experiences,inspired by the surroundings in New England and India.

My process is characterized by a multidisciplinary approach. I integrate diverse media moving fluidly between two dimensional and three dimensional work, creating multiple layers of pattern and objects.

Ctrl Shift, Kit Son Lee

Masters Theses

CTRL SHIFT makes a case for design under contemporary computation. The abstractions of reading, writing, metaphors, mythology, code, cryptography, interfaces, and other such symbolic languages are leveraged as tools for understanding. Alternative modes of knowledge become access points through which users can subvert the control structures of software. By challenging the singular expertise of programmers, the work presented within advocates for the examination of internalized beliefs, the redistribution of networked power, and the collective sabotage of computational authority.

Taking Care, John Dixon

Masters Theses

We’ve come to live our lives on a quest for what we deem as efficiency, but has our view on the matter been focused on the wrong measures? Taking Care investigates efficiency utilizing a variety of different comparative measures through the creation of 8 chairs. When our emphasis on certain variables is shifted, is mass production the most efficient means of making? What about one-off production utilizing local materials? Does industry’s approach to ergonomics focus on efficiencies benefitting the employer while sacrificing those of the employee? Working from a Wendell Berry quote contrasting care to efficiency as a point of …