Art and Design Commons^™

A Thesis By An Art Student Trying To Find Meaning In Simulation Games, Yichuan Wang

Masters Theses

This thesis explores a strange question: what happens if meaning is no longer written by an author, but emerges from the behavior of a system itself?

Beginning with observations of the Providence River and inspired by Conway’s Game of Life, information theory, and artificial life research, the project investigates simulation as a space where language, memory, and collective meaning can evolve without central control. Rather than treating video games as vehicles for storytelling, this research approaches them as dynamic systems capable of generating unpredictable forms of organization and perception.

The thesis proposes a closed spherical computational world populated by simple …

Body In Process: Assembly, Control And The Medical Gaze, Fangzhou Lu

Masters Theses

This project begins with the doll as a way to think through assemblage. It has a human form, but it is not born as a whole; it is assembled from parts. Its joints, holes, and modular structure make it more like a puzzle toy. I use it to examine the act of “assembly” itself, and to understand the body as something that can be taken apart, adjusted, and replaced.

This logic of assembly also runs through real-life practices surrounding living bodies. Medical repair and treatment, through suturing, fixation, replacement, and transplantation, maintain and extend the body’s reconfigurability. In the plant …

In Transit, Ziqi Xu

Masters Theses

The train moves continuously, yet it never seems to arrive. Inside, light shifts, sound repeats, and space unfolds from one carriage to the next. There is a persistent sense of forward motion, but no clear destination. The experience is familiar, yet difficult to locate within a fixed point in time. We often understand time as something that flows—a linear progression from past to present to future. However, what we perceive may not be time itself, but changes in our environment. A light turns off. A door opens. A sound fades. These events create the sensation of movement, allowing us to …

Music As An Environment, Yuval Gur

Masters Theses

Music.

For me, music has always been a constant. In my happiest moments it lifted my joy into other realms; in my darkest, it consoled me and offered refuge.

Over time, however, this constancy has grown predictable. Recorded music, once capable of transforming a day, has faded into background sound - familiar but dulled. This project begins with my loss of wonder: how might the act of listening regain its power to move me?

I ask: how does the experience of listening transforms when music is encountered as an environment that can be entered and navigated rather than as a …

Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

Masters Theses

Digitization is not a modern invention. Derived from the concept of fingers, this mindset of packing information into quantifiable, interchangeable units sounds mechanical, yet eerily physical. Try to imagine: a ghostly hand with millions of fingers with the same length, likeness, and function. Under the worldview of Digital Narrative, we live in a digital simulation: everything is representable with quantifiable units, fluid across media. Yet under this spectacle of convenient abundance, something is missing. The Unknowables are replaced with arbitrary symbols, while the Uncategorizables are omitted. This is a framework that cannot accommodate human subtleties and complexities. One needs to …

Digital As Material, Ruoxi Li

Masters Theses

My project explores the material side of digital objects by breaking and rewriting 3D model files. I draw on media geology and digital materiality theories and use glitch to explore how digital forms are built from layers of code, signals, and physical infrastructures. I work with a discarded hard drive and move between its physical parts, its digital model, and the distorted versions that appear when the code is disrupted.

Through 3D modeling, physical disassembly, magnetic imaging, and animation, the project looks at how glitch can act as a method of excavation. It reveals the hidden structures that support digital …

Until The Ground Breaks, Annie Hu

Masters Theses

Until the Ground Breaks explores the complex relationship between personal memory, embodied experience, and internalized "archival logic." By examining long-term cross-cultural diasporic experiences and the shifting dynamics of family narratives—including the sensory experiences and fading memory of a grandmother, a father's correspondence that acts as a textual record of emotional logic, and the continuous revision of family history—this thesis dissects the psychological tremors that occur when the illusion of a singular, stable memory archive collapses. This research rejects the view of memory as a static container of truth, revealing it instead as a dynamic, unstable, and constantly rewritten living system. …

Without Traditional Craftsmanship, Modern Design Is Nothing, Muhammad Asif

Masters Theses

This project explores the fusion of traditional wood carving techniques with modern design principles, resulting in a unique Ocean of Design that showcases the beauty of cultural heritage. Inspired by the intricate carvings of my ancestors, who contributed to iconic landmarks like the Omer Hayat palace, I have created a pieces that not only highlights the craftsmanship of my artisans but also reflects my own journey as a designer. The Ocean of Design is influenced by the shapes of leaves and the clean lines of modern aesthetics, blending functionality with artistic expression. Through this project, I aim to promote my …

Numb., Anna Rapson

Masters Theses

Social media platforms, from their conception, posed a break in the lived experience of the average human being’s day to day routines. Although access to information has always been shaped by portals into other lived realities—through photojournalism, print legacy media, news broadcasts both on radio and television—social media has posited a novel phenomenological architecture where borders between embodied reality and perception of lived experience are simultaneously blurred and reinforced. This morphed duality of consciousness positions the body and mind in tension, deconstructing pre-social media conceptions of the ontology of lived experience. In a digital world shaped by limitless input by …

For Now, Eriq Wities

Masters Theses

…For Now follows a body of furniture made as the culmination of four years of intense transition. Through personal narratives, I reflect back on my work, investigating and recognizing the value of impermanence in relation to hand handcrafted heirloom furniture, using beautiful, functional, livable pieces as tools able to register time rather than resist it.

This thesis considers what it means to make heirloom objects for lives that are never fixed. The pieces are meant to be touched, used, altered, and continued. They are finished only for now.

Foveate, Dahlia Aggarwal

Masters Theses

This thesis investigates how textiles can unsettle visual assumptions, encouraging a perceptual shift. Through weaving, upholstery, and spatial installation, the work stages a tension between what a surface appears to be and how it is encountered by the body. Through woven pattern, tactile texture, and trompe l’oeil textile surfaces, perception is something negotiated rather than fixed: the eye anticipates one reality while the hand discovers another.

Drawing on a range of sensations gathered from observing landscape formations and textures, it translates enduring scale and material qualities into an interior landscape of woven surfaces and textile-based furniture. Rather than serving as …

Strata: Portraits Of The Alvarado & The Southwest, Kayla R. Duncan

Masters Theses

History isn't the past; it is a continuing unfolding of the moment, yet we cannot feel time. We see traces of age through patina on copper, the wrinkles on a face from decades of laughter, or the holes in your favorite shirt. Similarly within architecture, what remains: ruins and fragments serve as layers that indicate the passage of time. In what ways are these layers exposed? Hidden? Erased? How do we determine what layers are worthy to be erased, maintained, or glorified as use of a structure or place continues to evolve through time?

The history of Albuquerque spans the …

Held In Sediment, Kati Lowe

Masters Theses

This thesis examines time as a durational, non-linear condition shaped through emotion and perception rather than a sequence of forward-moving events. Through painting and related material strategies, the work focuses on aftermath, residue, interruption, and return. Throughout this thesis, terms such as misalignment, double vision, fragmentation, interruption, and recurrence function as a conceptual vocabulary for describing instability within memory, embodiment, and lived experience. Blurred edges, doubled forms, and punctures in the surface register a lag between experience and comprehension, especially in relation to grief, trauma, depression, memory, and embodied perception. Neon color functions as a counterpoint to delay, signaling persistence, …

Deep Cuts: Bearing Witness To The Erosion Of Evidence, Maya Lakshmi Srinivasan Md

Masters Theses

In my Master of Fine Arts thesis in Printmaking at the Rhode Island School of Design, I examine the intersection of my dual practices as a general surgery resident and artist. Both disciplines require precision, incision, and tactility to navigate the human condition. My art practice is a method of processing the emotional toll of surgical training and the simultaneous societal erosion of scientific authority. My thesis work focuses on challenging the rise of medical pseudoscience and anti-intellectualism. The focal piece in this installation, In Tallow We Trust, consists of three woodblock relief prints at the scale of an …

Circling, Eun Yong Lee

Masters Theses

This thesis explores Korean aesthetic sensibilities from the perspective of material logic, placing at its core the process of reinterpreting and materializing them. Here, ※material logic§ refers to the relationships among materials that emerge from a particular group＊s accumulated understanding of materials, as well as from the ways in which they combine and use them.

Ambient Furniture, Andrew T. Goulet

Masters Theses

The designed object communicates an idea. Might that idea be an insight? This thesis seeks an ambient furniture of durable insight: objects that reward attention without demanding it, cultivating the conditions for a contemplative practice of everyday life.

Design is the materialization of mind. Through the conception and creation of things, thoughts are given form. Of all forms of thought, insight is the most precious. Insight contains within it the seed of transformation: to see into what was previously opaque.

Insight is empirical. It cannot be directly transmitted. It must be observed first-hand, rediscovered by each successive generation and translated …

Useful Useless Object, Jisu Han Jung

Masters Theses

If spicy ramyun is spicy for others but not for me, is it still spicy

ramyun? This question begins Useful Useless Object, my investigation

into furniture as a site where function, perception, and value are

constantly negotiated rather than fixed. From this question, I

explore how meaning is shaped by the unstable relationship between

object and user. In furniture, usefulness is often treated as an

objective standard, measured by comfort, efficiency, or practicality.

However, this project argues that usefulness is never universal;

it is subjective, relational, and dependent on individual experience,

expectation, and desire.

Through making objects that sit between …

Boring Objects Bureau, Eric Fan

Masters Theses

The Boring Objects Bureau is an anti-sustainability design studio. Through its work, the Bureau is interested in developing new strategies that can challenge the stereotypes of what sustainability looks like for the products that underpin our modern lives.

The Bureau’s first investigation focused on the smartphone, a product where breakage and decay through obsolescence is inevitable. As a result, people are faced with either the expected sustainable approach of repair, which can be expensive and inconvenient, or replacement, which costs more and restarts the cycle. The Bureau therefore wanted to ask: could this breakage and decay instead be embraced as …

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …

Lace Memory Lab, Xinyu Han

Masters Theses

Lace, originally developed from European religious garments, has long been treated as a decorative and secondary textile craft. With its delicate hand-weaving, intricate patterns, and lightweight quality, lace has been widely used in clothing and furniture, it has always remained at the edge of spatial design. This thesis focuses on lace as a material memory, exploring how its characteristics can be translated into architectural language and integrated into the spatial practice of adaptive reuse of old buildings. When I think of lace, I notice the similar nature of its craftsmanship and spatial concepts.

What happens when lace is no longer …

Fallen Leaves:The Unseen, Forgotten, Presences That Live In Us, Juhee Cho

Masters Theses

The fallen leaf is a material figure of the unseen, forgotten moments that have made us and holds us still while remaining outside our sight. In urban environments, fallen leaves are managed as seasonal waste, collected and quickly separated from everyday encounter. Yet within ecological systems, they continue to participate in cycles of regeneration, becoming the soil that sustains new life. This quiet continuation is unavailable to the eye, yet known by the body. As a proof of this, the leaf’s transformation reveals itself not to the mind, but to the hand. The curling fiber wears out, the deepening brown, …

Within The Archive: Jewelry And The Poetics Of Historical Trace, Fusheng Zhong

Masters Theses

Jewelry is a poetic translator, through which my intense and complex engagement with history is materialized. By reinterpreting the classical Chinese poem Bring the Wine(Li Bai,752) through paper-based materials, I translate poetry infused with personal traces and a distinct stance into wearable objects that embody the weight of history.

Through jewelry, an art form carried in close proximity to the body, I engage with history by staging acts of document visualization, transforming poems and archival fragments into visual and tactile records.  I suggest that in conditions of informational overload, individuals may gravitate toward reductive positions in order to avoid being …

The Marathon Without Running: Experiencing A Runner's Sensorial Journey, Harin Kim

Masters Theses

The marathon is defined not by motion alone, but by the changing conditions a body moves through—and remains within—over time. Breath, cadence, heat, sound, crowd compression and attention fluctuate, producing phases that structure the race from within. These interior states are difficult to access by spectators from the sidelines, yet they are precisely what shape the runner’s experience.

This thesis begins with a simple but unconventional question: How can an exhibition translate the runner’s physical sensations and emotions into a multidimensional experience for spectators who do not run? Through a sequence of pop-up exhibitions placed along the New York City …

Draw To Breathe, Ranran Ma

Masters Theses

This thesis explores visual expression in drawing as an intuitive mode of thinking suited to everyday life—a form of expression that runs parallel to language and surpasses it.

The project begins with a daily Post-it note drawing practice. These drawings often emerge before conscious understanding, subsequently accompanied by brief text, allowing image and word to resonate through emotion and intuition. Through the use of small-scale, portable, low-pressure materials, and with immediacy and intuitive freedom as the foundation of making, a visual language system grounded in the self develops. Through this sustained practice, I developed an instruction-based card system titled Draw …

All The Hours Of Light, Isabel Horgan

Masters Theses

My wisdom teeth were extracted in November 2025. I put it off for 5 years. In 2019, my first wisdom tooth emerged as a blood blister. It grew through a vein. I attempted to pop the blister, but instead pulled on the vein, which was so viscerally disturbing that I almost fainted. Every night that followed, I stood at the mirror over the bathroom sink and poked at it. Eventually, enough of the tooth showed that I needed to scrape stuff out of the crevices. It resulted in about a year of having a hole in my mouth that I …

The Root Over My Eyes, Shiyeon Monk

Masters Theses

What does it mean to have a body? To touch, to breathe, to taste, and perceive all the things that make up a person, how does it feel to recognize the physical bounds your mind is enclosed in? To me—a woman, a bisexual woman, a biracial bisexual woman, an immigrant biracial bisexual woman, a Black and East Asian immigrant biracial bisexual woman—each of these markers feels heavy with its own context of history, location, and interpretation. Too many times have I wondered what it is like to be within a body accepted as a midpoint.

I make work out of …

چھپن چھپائی (Chupan Chupai), Muhammad Talha Mr

Masters Theses

Baji, how do you breathe in a burqa? Doesn’t it suffocate you? Don't ask too many questions, walk straight, and don’t let go of my hand. Men were standing in the street, and she was trying to avoid them, walking as fast as she could, almost dragging me. I saw a big wedding tent. It was a multi-colored, red, yellow, blue, and green pattern. I asked baji, Is that where we are going? She nodded in affirmation. The tent was beautiful. I saw kids peeking inside the tent, and it reminded me of a time when I was doing the …

Huh? Wow!, Lieyah Dagan

Masters Theses

I view design as a series of gestures: actions through which ideas are processed, refined, and communicated. Barbara Tversky, an American psychologist, describes gesture as a way of thinking through action, where movement becomes part of how understanding is formed (Tversky). In this sense, gesture is not only a means of communication between people, but a way of understanding and responding to the world through action.

My process begins with noticing—observing things in the world and returning to moments that hold a particular quality or possibility. Many of the things that draw my attention carry traces of movement or manipulation: …

Sous-Bois, Spencer G. Peterson

Masters Theses

This thesis explores furniture as a dynamic site of belief production.  Compressed theatrical ecosystems where image, object, and body collapse into one another.  These objects will not offer clarity and they will not restore order.

But they also mask nothing.

Compress, layer, stage, repeat.

Oscillate between seen, felt, and believed.

Companionship, Certainty, Integrity, Chandler C. Curtis

Masters Theses

being around people who surprise me, realizing how different we all are, broadening my conception of the world and my corner of it; being kind and considerate, giving others grace; being given responsibilities; being honest with and for myself; braiding my hair collecting free things; critique discussions and any setting to diligently read objects; Culton; dancing; doing sudoku or other ‘hackable’ puzzle; doing things that seem impossible, especially for someone else; drying off with a towel that absorbs well, particularly after a cold shower; eating cantaloupe; encouraging others to trust themselves, using my experiences to support someone else's journey; exchanging …