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Articles 181 - 210 of 445
Full-Text Articles in Art and Design
Police, Robley Wilson
Leaving, Jim Engelkes
Cover - Table Of Contents - Staff List
Black & White, Volume 1, Issue 1, Winter 1979 [Download Entire Issue]
Black & White, Volume 1, Issue 1, Winter 1979 [Download Entire Issue]
Black and White
No abstract provided.
Ice, Dave Hoing, Jan Spivey Johnson (Illustration By)
Ice, Dave Hoing, Jan Spivey Johnson (Illustration By)
Black and White
No abstract provided.
Watching The Huntress Leave, John R. Turner
The Hero, Judy Ireland
The Minstrel, Philip Marlow, Jim Engelkes (Illustration By)
The Minstrel, Philip Marlow, Jim Engelkes (Illustration By)
Black and White
No abstract provided.
Personifying Subliminal Patterns, Brian C. Gran
Personifying Subliminal Patterns, Brian C. Gran
Dissertations and Theses @ UNI
What comes next? 1. - 2. x 3. f 4. * The marks above reflect a certain pattern. The logical answer to the question is "x". In order for a person to solve the problems/he has to implement logical reasoning to formulate a conscious pattern. It is the purpose of this thesis to assert subconscious patterns or subliminal patterns. Entitling it to the effect of "personifying subliminal patterns" means just that -- to give an identity to those patterns that exist below the threshold of one's awareness.
A Thesis Concerned With The Construction Of Impromptu Sculptures Solving Problems Of Equilibrium, Weight, And Movement, Jim Blocker
Dissertations and Theses @ UNI
For me the attainment of awareness or understanding through sensory perception (or the act of possessing quick and immediate insight into the dynamics of form and space) is fundamental for spontanous [sic] ideas. To achieve and/or express these feelings and ideas in sculpture requires an automatic and intuitive response. My sculpture is constructed directly and simply using found stock piled materials (wood, rope, glass, steel and sticks). No preplaning or sketching is used. In selecting materials, I have responded to them instinctively, relating shapes, colors, sizes and other personal interests on an intrinsic basis. My intuition exhibits itself spontaneously as …
On Visual Art And Camouflage, Roy R. Behrens
On Visual Art And Camouflage, Roy R. Behrens
Faculty Work
In a number of books on visual fine art and design [1, 2], there is mention of the kinship between camouflage and painting, but no one has, to my knowledge, pursued it. I have intermittently researched this relationship for several years, and my initial observations have recently been published [3]. Now I have been awarded a faculty research grant from the Graduate School of the University of Wisconsin-Milwaukee to pursue this subject in depth. I am, therefore, collecting documents and personal accounts pertaining to historical and theoretical connections of the kind that are listed below.
Perceptual Aspects Of Color, Douglas Brown Gillespie
Perceptual Aspects Of Color, Douglas Brown Gillespie
Dissertations and Theses @ UNI
The work in the thesis show, a series of colored grids on a gray ground began in the fall of 1977. An exploration of color and perception is of primary importance to the series. The grid is of secondary importance and was chosen to eliminate any design elements which might hinder the intended perceptual experience.
Combination Of Stained Field And Hard-Edge In Painting, Manjula Haksar
Combination Of Stained Field And Hard-Edge In Painting, Manjula Haksar
Dissertations and Theses @ UNI
All the experiences and impressions of artists affect their work. Experiences gained by experimentation with media, environmental changes and intelligent visual growth often dictate the mode of communication. Part of my experiences have been the influence of the color, structure, and rythmic [sic] line in Indian cave frescoes. These frescoes, depicting scenes from the Jatak Tales, create an emotional and psychological impact; their sensuous movements breathe something of the warmth found in the Indian air. Their color, that of the earth, and their great linear emphasis have profoundly influenced me and are apparent in my paintings in the curves of …
2 Poems, Mary O'Brien Apple
Signature, Volume 1, Issue 1, Winter 1976 [Download Entire Issue]
Signature, Volume 1, Issue 1, Winter 1976 [Download Entire Issue]
Signature
No abstract provided.
3 Untitled Poems, Bill C. Roberts
Blackbird Blind, Kent Lammert
Moments, Roger Herrick
Fire City: A Chidlren's Play In Three Acts, Helen Aanensen
Fire City: A Chidlren's Play In Three Acts, Helen Aanensen
Signature
No abstract provided.
One, Sharla Haines
Things Mothers Say During Christmas Vacation, Sheryl Eash
Things Mothers Say During Christmas Vacation, Sheryl Eash
Signature
No abstract provided.
Friendship, Sheryl Eash
Together, Linda J. Ireland
Through The Fog, Meta Gaertnier
A Love Story, Greg Yackle
Breakthrough, Helen Aanensen
Untitled [Genesis, Drawing], Sue Bliss