Art and Design Commons^™

Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish

Art & Art History ETDs

Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …

Aztlán Del Sol, Marcus Zúñiga

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.

Ethereal Axiom Paintings, Ophelia Cornet

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

Ophelia Cornet is a painter, illustrator, and installation artist. She was born in Belgium to a family of musicians and designers. After a life-threatening car accident in her early 20’s, Ophelia moved to New Mexico for the dry climate which would assist her recovery. Equipped with knowledge in photography and painting from Rutgers University, she continued her artwork. Today, Ophelia pairs photographed images and oil paint to fête female protagonists in an intimate otherworldliness, creating dreamlike snapshots of the human experience.

Ophelia has been Lead Art Instructor at the Albuquerque Museum for the past 20 years. She has facilitated many …

Cosmic Desert Art, Mike Graham De La Rosa

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

The Cosmic Desert are the designs inspired by chile hallucinations, desert creatures, and the long weird neon nights in the Borderworld. Made with love on the banks of the Rio Grande.

My family is originally from Northern Mexico but I grew up in Northern New Mexico down river of both where Al Hurricane and Nuclear Annihilation were originally created. Amongst chollas, rattle snakes, and river willow, the imagining of New Mexico permeates the landscapes. The Cosmic Desert is inhabited lowriders, taco trucks, neon adobe bars, cholas, native peoples, immigrants, punk rockers and cowboys. Just beyond the darkness, our imagination takes …

Paintings By Anita O. Rodríguez, Anita O. Rodriguez Ms

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

No abstract provided.

Those Streets That I Dare To Call My Barrio, Maria Jose Ramos Villagra

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

No abstract provided.

Missing, Murdered, Indigenous, Matthew Bollinger

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.

Añiles De Mi Tierra, Francisco Lefebre

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

This image painted in 1990 is an homage to my hometown, the village known as Wagon Mound. Wagon Mound is located in northern New Mexico in the County of Mora off of Interstate I25.

(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Table Of Contents

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Front Matter

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Severing Union: The Queer Performance Of Steven Paul Judd’S “Stop The Dapl”, Matthew Irwin

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Artist Spotlight, Ben Schoenburg

Hemisphere: Visual Cultures of the Americas

No abstract provided.

(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Disciplinary Frontier(S) Between The “Americas”, Helen B. K. Marodin

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Introduction To Volume Xiii, Laura Golobish, Andrea Quijada, Amy C. Hulshoff, Eleanor Kane, Breanna Reiss, Jeannette Martinez

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Counter-Mapping As Display: Unfolding, Revealing, And Concealing Intermediary Spaces, Larson Ellen

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Fifteenth International Photovideoanthology On Paradoxism, Florentin Smarandache

Branch Mathematics and Statistics Faculty and Staff Publications

Paradoxism is an international movement in science and culture, founded by Florentin Smarandache in 1980s, based on excessive use of antitheses, oxymoron, contradictions, and paradoxes. During three decades (1980-2020) hundreds of authors from tenth of countries around the globe contributed papers to 15 international paradoxist anthologies.

In 1995, the author extended the paradoxism to a new branch of philosophy called neutrosophy, that gave birth to many scientific branches, such as: neutrosophic logic, neutrosophic set, neutrosophic probability and statistics, neutrosophic algebraic structures and so on with multiple applications in engineering, computer science, administrative work, medical research etc.

“May your imagination blossom …

“Where Are You From?”: Using Critical Race Theory To Analyze Graphic Novel Counter-Stories Of The Racial Microaggressions Experienced By Two Angry Asian Girls, Talitha Angelica Acaylar Trazo, Woohee Kim

Intersections: Critical Issues in Education

This article uses critical race theory (CRT) to analyze two stories about racial microaggressions from Where Are You From?: Short stories about being Asian in America, the graphic novel written and illustrated by Talitha Angelica Acaylar Trazo in fulfillment of her undergraduate honors thesis. Where Are You From? visually historicizes the counter-stories of 48 Asian and Asian American students at a predominantly-white undergraduate institution. In this article, we examine these microaggressions in relation to institutional and structural racism and the intersections of race, gender, and power dynamics between white faculty and Asian female students. Furthermore, we propose …

Nidus Idearum. Scilogs, Vi: Annotations On Neutrosophy, Florentin Smarandache

Branch Mathematics and Statistics Faculty and Staff Publications

My lab[oratory] is a virtual facility with non-controlled conditions in which I mostly perform scientific meditation and chats: a nest of ideas (nidus idearum, in Latin). I called the jottings herein scilogs (truncations of the words scientific, and gr. Λόγος – appealing rather to its original meanings "ground", "opinion", "expectation"), combining the welly of both science and informal (via internet) talks (in English, French, and Romanian). * In this sixth book of scilogs collected from my nest of ideas, one may find new and old questions and solutions, referring to topics on NEUTROSOPHY – email messages to research colleagues, or …

The Last Oil: Students Respond, Unm Department Of Art

Art and Art History Faculty Publications

In February 2018, the University of New Mexico (UNM) convened the last oil: a multispecies justice symposium on Arctic Alaska and beyond.Twenty-nine artists, activists, attorneys, scientists, conservationists, curators, scholars, and writers from across the United States and Canada, gave talks and/or did creative performances—and ten colleagues from UNM and beyond chaired various sessions. the last oil was the first national convening to apprehend the reckless U.S. federal Arctic policy, and also brought impacts of climate change and Indigenous rights concerns in Alaska into conversation with similar impacts and struggles in New Mexico and the west.

Published on Indigenous …

Artworks From "Desert Divinity" Exhibit, Kevin J. Comerford

University Libraries & Learning Sciences Faculty and Staff Publications

This 360-degree video tours the "Desert Divinity" art exhibit, held at the South Broadway Cultural Center in Albuquerque, New Mexico, from April 12 to May 31, 2018.

The exhibit was curated by Augustine Romero and featured works by Kevin Comerford, Associate Professor and Director of Digital Initiatives at University Libraries, University of New Mexico. Other artists included in the show are Julie Reichert, Gabriel Luis Powers, and Richard Hazel. "Each artist brings in a sense of transcendentalist ideals of self-reliance and idealism as they explore nonobjective art," Romero said. "The studio becomes an environment of independence. The collective sense …

Naming The Nameless: An Exploration Of Queer Poetry And Empowerment, Jesse Yelvington

2018 Award Winners

No abstract provided.

Table Of Contents

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Full Issue

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Cultural Imprint: A History Of Northwest Coast Native And First Nations Prints, India Rael Young

Art & Art History ETDs

Cultural imPRINT provides the first substantive art historical investigation into Northwest Coast Indigenous prints. Since the 1960s, Northwest Coast artists have employed the print medium to share their histories, heritage, and culture amongst each other and with the larger world. Because print artists number in the hundreds, and print editions in the thousands, this dissertation takes a socio-cultural approach to understanding the purposes for the medium’s production and circulation. First, it analyzes the deep histories of reproduction in the North American art world and in Northwest Coast Indigenous communities, asserting that reproduction within coastal communities serves to perpetuate history from …

Testimonies Of Violence: Images Of Franciscan Martyrs In The Provinces Of New Spain, Emmanuel Ortega

Art & Art History ETDs

In the middle of the eighteenth century, Franciscan martyr portraits became popular in monastic spaces of the Spanish viceroyalties of central Mexico. To visually construct the meritorious life of these martyrs, artists drew inspiration from hagiographic chronicles that described various Native rebellions, which featured the graphic depiction of the gruesome deaths of friars. The prospect of martyrdom enticed novices to follow in their footsteps in service to God, but also to the Crown, whose presence in the northern territories of New Spain intensified during the period of the Bourbon reforms. In my dissertation I explore this propagandistic approach to martyr …

Table Of Contents

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Front Matter

Hemisphere: Visual Cultures of the Americas

No abstract provided.

"Better Than Seeing Fairy Tales": Contextualizing Curation In The Iberian Atlantic, Timothy A. Betz M.A.

Hemisphere: Visual Cultures of the Americas

No abstract provided.