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Articles 31 - 36 of 36
Full-Text Articles in Art and Design
Business Plan Project, Hejun Xu
Business Plan Project, Hejun Xu
MA Projects
The business plan is to build an online trade platform dedicated only to selling ceramic art and design in China, our mission is to provide high quality and modern design of ceramic art to middle - and upper - middle class of the country, and is to also reinvigorate the country’s tradition and culture of aesthetic object appreciating
French Wallpaper Decors: Papiers Peints In Homes Of The American South, Christine Speare
French Wallpaper Decors: Papiers Peints In Homes Of The American South, Christine Speare
MA Theses
French wood-block printed wallpaper is a very unique mural art form, yet often neglected. With this historical lack of attention, few academics have devoted themselves to the study of the topic, especially in the United States; and yet, wallpaper can reveal so much about past styles, settings, and collectors. Due to the historical changes in fashion, natural aging, weather, war, and neglect, a considerably limited number of collections continue to hang in situ in the American South in relation to the abundant examples found in the Northeast that have been better documented. Yet, the South’s historic affinity for all that …
The Rococo Revival In Contemporary Porcelain, Ariel Senackerib
The Rococo Revival In Contemporary Porcelain, Ariel Senackerib
MA Theses
The contemporary design market has seen a resurgence of the rococo style. Porcelain has become a popular medium, and artists and designers have been revisiting the possibilities of it by returning to the motifs and symbols of the mid eighteenthcentury. While there is a wealth of existing literature on porcelain manufactories, including Meissen, Sèvres and others, the rococo style is often overlooked in literature for its cultural and theoretical value. The rococo has been given little consideration by art historians, because of its excessive luxury and cultural appropriation. However, many contemporary artists and designers have found new inspiration in the …
The "Whys" Of The Grand Cameo: A Holistic Approach To Understanding The Piece, Its Origins And Its Context, Constantine Prince Sidamon-Eristoff
The "Whys" Of The Grand Cameo: A Holistic Approach To Understanding The Piece, Its Origins And Its Context, Constantine Prince Sidamon-Eristoff
MA Theses
The Grand Cameo for France is the largest cameo surviving from antiquity. Scholars have debated who is portrayed on the stone and what its scene means for centuries, often, although not always, limiting their interpretations to this narrow area and typically only discussing other causes in passing. This pattern can and should be broken, allowing the stone to be what all objects truly are: windows to the lives that that objects have lived, just as all physical things are; evidence of an experience part of the world went though, whose meanings have and continue to be part of a wider …
Current Issues In The Conservation Of Contemporary Art And Its Non-Traditional Materials, Sandra Hong
Current Issues In The Conservation Of Contemporary Art And Its Non-Traditional Materials, Sandra Hong
MA Theses
The history of art has shown that artists of the present will always find a way to push boundaries and create unprecedented work, whether through the use of foreign materials, new technical processes, or in concept. However exciting this may be, this innovation in the twenty-first century has brought with it an entire world of new challenges for today’s conservators—the specialists tasked with the seemingly impossible duty of preserving art that, by its very nature, refuses to endure. This thesis is an examination of the unique conservation challenges in contemporary art that have been introduced as a result of an …
Love Rings: From Ancient Egypt To The 19th Century, Solah Hwang
Love Rings: From Ancient Egypt To The 19th Century, Solah Hwang
MA Projects
This curatorial proposal accounts for an exhibition on the history of love rings from the ancient Egyptian period to the 19th century. It began with the belief that the void space in circlet objects carries more than what it seems; despite the small size, its symbolic power is evidently weighty. This proposal was compiled with hope to interest people in antique rings for not only their exterior value but also for their historical significance that the rings survived to carry through the course of histories.