Art and Design Commons^™

Where Forms Dream, Siran Liu

Masters Theses

What does it mean to dream?

There is a passages from Daoist classic ‘Zhuangzi’, attributed to the philosopher Zhuang Zhou: The “Butterfly Dream”:

Once Zhuang Zhou dreamt he was a butterfly, a butterfly flitting and fluttering around, happy with himself and doing as he pleased. He didn't know he was Zhuang Zhou. Suddenly, he woke up and there he was, solid and unmistakable Zhuang Zhou. But he didn't know if he was Zhuang Zhou who had dreamt he was a butterfly, or a butterfly dreaming he was Zhuang Zhou

In this story, the dream becomes a state that destabilizes certainty. …

Open Forms, Barbara Cutlak

Masters Theses

Open Forms

Architecture always exists in relation to the context in which it stands. There is no way, however, to anticipate how the constructed space will be inhabited, or transformed by the surroundings — and so, it remains open to discovery and change. Graphic design form can operate in a similar way: opening itself to a context by offering multiple ways of seeing, interacting and being performed.

Drawing from the contexts that have informed my practice — my training in architecture and the artistic movements of Brazil, my home country — Open Forms experiments with how to translate these spatial …

Just Between Us (And Everyone We Tell...), Deborah Khodanovich

Masters Theses

Graphic designers are often obsessed with a broader public. The desire to be seen, to be heard, to have our work reach the broadest audience possible—these are goals deeply ingrained in our discipline. But why? Just Between Us (and everyone we tell…) challenges us to abandon this fixation, proposing instead that graphic design should concern itself with the private—the intimate, the local, the unseen.

This is where gossip comes in. Gossip is the language of the invisible, a form of sharing, and a means of knowledge-production and preservation that has historically been dismissed as frivolous, immoral, and—most egregious of all—associated …

Between Seeing And Knowing, Pavol Roskovensky

Masters Theses

Abstract

For me, painting often begins with an experience of the world that cannot immediately be explained. As a child in Slovakia during the Velvet Revolution, I saw a flag disappear from the town square and a new one take its place. What changed was color and proportion; but the feeling of the space and my relation to it changed completely. That moment has stayed with me because it revealed something I continue to believe: before language, before explanation, visual form has the power to move us.

In my practice, I approach painting as a site of perception, discovery, and …

The Maroon Cycle, Lloyd-Princeton Cangé

Masters Theses

The key element that ties most of the major franchises together, whether the IP is a YA series or a videogame is the epic story or epic poem. From The Iliad and the Odyssey to Dragonball and Demon Slayer, the epic is a wellspring of endless iteration. Here, language does not merely buttress and support the work, as is often the case in contemporary art, but language is the narrative, the direct source material. The epic poem that is The Maroon Cycle will consist of both prose stanzas and images in the form of paintings, drawings, collages, prints, and photographs. …

If The Sun Were As Big As My Heart, What Would Be The Distance Between The Sun And The Earth? Or How To Domesticate The Sun, Catalina Martinez, Catalina Martinez Rojas

Masters Theses

If the Sun were as big as my heart, what would be the distance between the Sun and the Earth? Or how to domesticate the Sun is a multidisciplinary installation project that explores how emotional, spiritual, and perceptual experiences can be translated into material form. Beginning from a speculative mathematical proposition that reduces the scale of the Sun to the size of the artist’s heart, the project investigates distance not only as a physical condition, but also as an emotional and domestic one.

Drawing from Colombian vallenato traditions, everyday observations of sunlight, and references ranging from Agnes Martin and Wayne …

Voices | Risd Mfa Illustration Anthology 2026, Illustration Department, Illustration Mfa, Jaleen Grove, Minglu Du, Manuela Guzman, Rhea Hu, Faith Huang, Burcu Koleli, Airien Ludin, Ranran Ma, Mervin Miao, Nayyab Naveed, Rhea Pradeep, Pingfan Que, Mot Tuman, Skye Wang

Illustration MFA Anthologies

Illustration has often been dismissed as just a mechanical art, concerned with technique more than intellect. In fact, illustration is a theory of something’s essence, expressed and communicated visually. Craftsmanship – or a playful, mindful lack of it – is always in service to a concept and a purpose. The Masters theses summarized in this book are the result of struggles to give form to more than the tangible world. As writers and visualizers our students picture new meanings and refreshed experiences for the familiar; they define things previously unnamed.

Visioning Towards Abolition: Building An Asian American Movement, Kathy Wu, Angela Chang, Graphic Design Department, Fleet Library, Special Collections

Faculty & Librarian Work

24 unnumbered pages : illustrations ; 22 cm. Title from cover. Cover included in pagination. At head of cover: "Building an Asian American movement". "Second edition printed in 2026 by Many Folds Press on a RISO SF9450. Edition of 150."--back cover.

Includes bibliographical references. Special zines copy has a library book pocket and card with information on the publisher, Many Folds Press. RISD Faculty, kathy wu, RISD Graphic Design faculty.

Visioning Towards Abolition is a zine about the history of policing in the United States, and ways that carceral frameworks have impacted — and organized — Asian Americans.

Included …

Transversal Storytelling | Wintersession 2026 Syllabus, Patrick Buhr, Movement Lab

Course Materials

What does "story" mean? How can stories help us understand what appears profoundly different from us? How might seemingly unrelated elements converge in poetic resonance?

A “transversal line” cuts across worlds — moving through unexpected spaces, ideas, people, and moments. In this course, we explore how such crossings can inspire new forms of expanded storytelling and technique, looking at vivid examples from animation, film, coding, and performance. The students will choose contrasting elements (stories / characters / places) from their personal experience and together explore artistic ways of creating meaningful transitions and intersections.

The class will culminate in the development …

Transversal Movement Framework, Patrick Buhr, Movement Lab

Personal Work

"Every type of art can be understood as performance, and every performance involves movement. Every movement has a mover, and every mover relies on something through which to move…." – Patrick Buhr

2026 Yearbook, Risd Archives, Center For Student Involvement (Csi), Risd Design Guild

RISD Yearbooks

No abstract provided.

12th Baker & Whitehill Student Artists' Book Contest 2026 Poster, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

The Transforming Image | Wintersession 2026 Syllabus, Hunter Whitaker-Morrow, Movement Lab

Course Materials

This studio course engages the contemporary digital moving (and sounding) image as a medium undergoing rapid development. Advancing the exploratory ethos of early video art, participants will probe new possibilities for experimentation against the contemporary backdrop of ubiquitous access to smartphones and production capabilities as well as the proliferation of tools for digital signal manipulation, media recycling, and image sequencing.

Coursework will center on a variety of hands-on creative exercises that challenge predominant conceptions of the moving image and engage with medium-specific approaches including video installation, desktop performance, generative cinematics, recycling media, realtime audio-visual performance, and notions of digital materiality. …

The Transforming Image | Class 1.1, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Class 1.2, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Class 1.3, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Class 3.2, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

Transversal Storytelling Course Work, Patrick Buhr, Movement Lab

Course Materials

No abstract provided.

Recall, Sadie Almand, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

LAURIE WHITEHILL PURCHASE PRIZE | $375 Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

21st Cent., Archival, (East) Asian, Authentic-(Chinese)-American, Calligraphic Scroll, 074326827-Chdkjl, Karen Hu, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Portunus Pelagicus, Jason Louie, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

I, Object, Mahrukh Khizar, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

The Big Book Of Little Joys, Nina Uy, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Our Future Is Bright, Ellie Wolgemuth, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Whale Falls, Cora Zeng, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

For Emily Whenever I May Find Her, Dinah Biga, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Helen Marie Besch… Sure Is A Student At Risd, Helen Besch, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

One Unending Thing, Keira Callahan, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Unearthed Material, Hannah Chosid, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Chokor, Tauseeq Gulzar, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.