Art and Design Commons^™

Sanctuary, Harsha Kejriwal

Masters Theses

When I first arrived in New England, I was accustomed to thinking of winters as short but pleasant periods. For me, winter was a break from the strong and relentless sunlight of summer in Central India. But the contrast between my childhood winters and the same months in the Northeastern United States was dramatic. Statistically, Providence has an average of five hours of sunlight a day whereas Central India enjoys 9.5 hours during its coldest months. This pronounced change in light piqued my interest. I was struck by the various phenomena created by natural light during these cold months. Sunlight, …

Overlooked Modi Vivendi, Natalia Silva

Masters Theses

Traditional gender roles, performance of heterosexuality, marriage, parenthood, and a large variety of other societal expectations manifest themselves in the domestic realm, both intangibly and spatially. The design of domestic spaces has historically catered towards heteronormative living stereotypes, marginalizing people whose way of living challenges the norm. Even in the present day, designers with non-user clients — developers, investors, real estate firms, etc. — will design with heteronormative households in mind. The rise in feminist and LGBTQ+ rights movements has allowed for non-heteronormative modi vivendi (ways of living) to be more vocally and visibly present in the sociopolitical and cultural …

Manifesto Of Poor Images: Re-Imagine Guggenheim In The Post-Digital Age, Mengning He

Masters Theses

What is the role and value of low-resolution digital images, or "poor images," in a culture dominated by high-resolution and hyper-realistic digital media? This thesis investigates poor images from several perspectives: their technical characteristics, viewer’s experience, creative process, and artistic content.

With low-resolution as the defining characteristic of poor images, these pictures challenge the unceasing longing for ever-higher image resolution. While they seem unstable and untrustworthy, they challenge the obsession with higher resolution, offer an ambiguous visual experience, and provoke nostalgia. Poor images are open to appropriation, allowing users to become editors and co-authors. In the process of image-making, poor …

Bridging Empathy, Qianwen Lu

Masters Theses

As a jeweler, ally, and sympathetic witness to the traumatic stories of survivors, my work aims to support the process of reconstruction and reintegration for victims and the greater community. To move beyond isolation, resentment, and debilitating helplessness requires care and support. I want my jewelry to act as catalysts in the healing process by straddling both sides of the trauma-induced situation, to create greater awareness and empathy. National Coalition Against Domestic Violence shows that women are more likely to become victims of domestic violence, sexual assault, or other forms of physical and psychological abuse in unhealthy emotional relationships. These …

Particular Proceedings, Ingrid Schmaedecke

Masters Theses

Particular Proceedings is the outcome of an ongoing quest to understand the origins and motivations of my creative process as a designer.

By continuously pairing early influences and experiences — such as architecture and woodworking — with recurring interests, I gather a view of my methods and, with that, a reframing of my affinity for designing: an intimate relation between material, maker, and content, with meaning often arising out of that process.

In this thesis, I demonstrate, through projects, conversations, and essays, how this relation operates in different scenarios and through different lenses of inquiry. I alternate perspectives, repurpose ordinary …

Cultivar, Scott Vander Veen

Masters Theses

A memory palace is a mnemonic device that facilitates recollection by putting memory, that slippery substance, into a strictly structured mental geography. It is advisable to use a real place with which you are intimately familiar (perhaps your childhood home) as the scaffolding for the compartmentalization of whatever mental objects require organizing. Other objects, sensations, or atmospheric conditions are used to heighten the efficacy of the system—memory #1 may be found in the junk drawer in the kitchen, at dusk, nestled between a box of safety pins and a bundle of rubber bands. I am interested in the way this …

Means And Meaning, Chloe Kaylor

Masters Theses

This thesis explores the impact of class identity on American culture - and the many political and sociological issues that intersect therein - in an effort to magnify the ironic mundanity of the many falsities/failures/shortcomings of the American Dream. Comprised of various short essays, personal adages, and collected cultural detritus, this accumulation of writing is complemented with photographic documentation of an art practice that seeks to do the same.

Living In Nature & Design With Nature, Yuya Zhou

Masters Theses

“Each material has its own personality. What we need to do, as a co-worker, is to understand the material characteristics, negotiate with these materials and find a common space to create a beautiful design along with the materials.”------ Yuya Zhou

From the flexible use of biodegradable materials by the Yanomami people, to the brief introduction of the concept of biodesign, and to the organic combination of biodesign and furniture design, it is clear to see that furniture not only undertakes the functionalities as a product, but also plays an important role in constructing a harmonious environment and improving people’s mental …

Otherworldly Gestures, Sadia Quddus

Masters Theses

OtherWorldly Gestures seeks to give form to the intangible. I work primarily with light as material substance to shape a speculative emotive space in which I make metaphysical phenomena experiential. I collaborate with ecological and technological elements to express a spiritual understanding of Self and World. Most recently, the work translates material objects and architectural elements from my cultural heritage, and gives visual and haptic form to the sacred relationship between body, soul, and natural world.

Through these explorations, I begin to propose a speculative OtherWorld. I delve into the precolonial, ancestral teachings of a mystical spiritual path, referencing Sufi …

Thingle Things: An Exploration Of The Imperfect, Jesse G. Groom

Masters Theses

I am fascinated by the “imperfect” and ask: What are these so-called flaws? Might they just be misalignments with the plane of expectations which coat our visual processing? The relationship between object and human has grown ever more assuming since the advent of industrial production methods. I posit that the efficiency and profit driven decisions which underly this scale and mode of making have subsequently forced matter into the molds of our whims with little allowance for evidence of disobedience. During the opportunity of my own fabrication practice, however, I can discover new possibilities for the typologies of the things …

Destination Unknown, Dongheng Yang

Masters Theses

Since the end of my undergrad years, I’ve been noticing my increasing tendency to not want to talk much about my work. What is it that lingers inside of me behind such silence? What story could one possibly talk about his studio practice, when he has little to say? Well, this thesis documents the thoughts behind this silence, which, I have to admit, have fueled my works in the past two years. I investigate postmodern phenomena and literary analysis on pop culture in East Asia, including hikikomori and decisionism, to better understand myself and the world around me. Constantly faced …

A Part Apart, Spenser Atlas

Masters Theses

I am fascinated by connections. Things that click, snap, slide, and hold. I care about the ways in which objects meet, looking for answers in the space between. What binds one thing to another?

I believe the world is presented to us in pieces. It’s hard to say how it all comes together. It's easy to believe things are shapeless and detached from each other. Connection is a bridge, a way of linking one thing to another that reveals interdependence, and eventually moves outwards to express a correlation between pieces, once assumed to be discrete and isolated.

This work is …

Garden Etiquette, Kai Wasikowski

Masters Theses

Garden Etiquette is an ongoing project concerned with landscape photography, environmental conservation, and the way they have both served the settler colonialist agenda. I focus specifically on the conservation ideologies shaped in New South Wales (NSW) Australia and New England, United States of America (USA) in the late nineteenth century and the settler visualities that underwrote them. Both countries’ histories were marked by photography and conservation’s common function of mythologising land as empty space—to be invaded, extracted and occupied, and wilderness—to be territorialized and protected, albeit, in distinct ways.

With British, German and Polish settler ancestry, born and raised on …

Reintroducing Hemp (Rongony) In The Material Palette Of Madagascar: A Study On The Potential Of Hemp Clay Components And Its Impact On Social And Ecological Communities., Henintsoa Thierry Andrianambinina

Masters Theses

When mentioning the word hemp, especially in the local language of Madagascar, the literal translation does not set it apart from marijuana, as they are both called “rongony” - creating the stigma around hemp as the negative stereotype of marijuana. However, the material has been used by the ancestors of Madagascar, as well as across cultures, in its fibrous form to produce fabrication like textile goods and packaging. During colonization, the prohibition of hemp intensified, and since then, any activity related to either of these plants is prohibited and will end in severe punitive measures. This thesis explores the strengths …

A.R. Futuristic Scenario In Seun, Yookyung Lee

Masters Theses

Due to social distancing policies during the coronavirus pandemic, people have increasingly turned to digital platforms to fulfill what they previously enjoyed in face-to-face interactions. The high demand for virtual world services, called “metaverses,” has sparked discussions about the possibility of completely replacing the real world, which has raised questions about the role of architects in dealing with physical spaces. However, it is widely believed that digital elements will merge into the real world instead of completely replacing it, which makes augmented reality (AR) a key technology to study in the context of architecture.

In “Learning from Las Vegas,” Robert …

Moving In, Moving Up, Moving On : The Adaptation And Preservation Of Chinese Diasporas Through Food, Jieqi Yao

Masters Theses

Moving In, Moving Up, Moving On explores the processes of Chinese culture and space in America of adaptation, assimilation, and preservation that underlie food changes. As Chinatowns across the US have evolved and residents have relocated, former centers of Chinese cultural identity have progressively transformed into restaurant districts with increasingly diverse populations and space gentrification.

The thesis argues that food is central to preserving cultural memory and reducing the generation divide. In the context of the Chinese diaspora transformation, culture has changed food in different spaces, and it gives people more choices to acquire and exchange information and values through …

Tracing As Process, Lesley Su

Masters Theses

Tracing is a way to observe, document and translate, to be anchored in the physical working, to find personal occupancy in the built environment.

By establishing one-to-one relationships with the physical context, tracing enables us to comprehend objects in multiple dimensions. Through tracing, we can explore how two-dimensional drawings can be transformed into three-dimensional objects, and vice versa, objects can be documented through drawing to capture the essence of reality.

Based on materials and motion, research on tracing techniques guides me into how tracing could act as a process of art and architecture practice.

Press Play, Karan Kumar

Masters Theses

"Press Play" arises from a conviction that a predilection to play is not an infantile diversion; instead, it extends our human ability to magnify, augment and shape reality. This thesis moves through different sites —all metaphorical playgrounds— where cultural repertoires are altered, negotiated, and invented through play. Each playground is a laboratory for innovation and a catalyst for developing a mental aptitude for reimagining ways to occupy familiar structures: the slide, swing, carousel, jungle gym, and bench as navigational spaces. The thesis becomes an experiential landscape through situations, processes, methods, and stylistic movements.

Translational Placemaking: The Diasporic Archive, Alia Varawalla

Masters Theses

Globalization and mass migration has propelled a hybrid existence, as individuals that occupy multiple geographies we live in a constant state of translation. Our museums and cultural institutions are in opposition to this; static, preserved and de-contextualized. At the intersection of printmaking and architecture, this thesis proposes a living archive to document the collective migratory journey across sites, materials, and hybrid identities. A network of centers for knowledge sharing and production centered on India and its diaspora. As art practices and people migrate, cultural production evolves with its context, gaining new meaning as it changes hands generationally and globally.

Moving At The Speed Of Trust, Sun Ho Lee

Masters Theses

Moving at the Speed of Trust is a workbook of strategies — practices, definitions, and techniques — to nurture community-building in support of inbetweeners who live between power structures and cultures and are often left out. Inbetweeners are those individuals whose lives are in transition through recent immigration or forced translocation from Asia to America.

These strategies revolve around threads of trust: kin, giggles, vulnerability, and shared experience. With these threads, we can question power. We can preserve stories, expand the ways we connect, shift perspectives on what is “standard,” and cultivate a community rooted in understanding. To understand each …

Surfacing: A (Loose) Manual On Unlayering / Stuff-Making And Hypervisibility, Zoë Pulley

Masters Theses

This is a (loose) manual on a method I like to refer to as surfacing.

A method that synthesizes narrative through the use of surfaces such as textiles, paper, web & video to reveal the spectacularly ordinary parts of Black life within a growing design practice.

A method I (currently) practice in three (evolving) steps:

Unlayering and piecing together stuff (rememory)

Acknowledgment of ancestry through stuff-making (kin)

Consciousness of oneself and the place / time / space in which the work is being disseminated (hypervisibility)

This is a manual that profiles a (current) design practice of a Black female maker …

Connective Movements, Ian Keliher

Masters Theses

Connective Movements describes the winding, associative thoughts gathered from long conversations with colleagues and internal dialogue with writers, philosophers, and filmmakers. Using the visual essay, I follow points of interest through labyrinthine and idiosyncratic logics. Collage and montage results in an assemblage of visual ideas both analytic and personal. Although the outputs vary, my body of work has been informed by a sustained inquiry into moving image with a focus on small moments and subjectivity: cloudwatching can spin into thoughts on communication, or simple, everyday words burrow into experience and memory. With this aim, I use the constituent parts of …

Form Follows Feeling Follows Form, Harshal Duddalwar

Masters Theses

In this thesis, I explore ways of expression at the intersection of form, feeling, and storytelling; through my lived experiences. I emphasize the act of documentation, encouraging introspection and reflection as a means of creating a body of personal work. I also talk about developing my visual vocabulary and language to express these narratives, along with strategies and plans for making personal work outwardly visible.

I Buried The Fireworks Under The Tree, Sihan Zhu

Masters Theses

Unreachable memories always surround me. I've been trying to extract logical parts from my chaotic memories, hoping to find a connection with the world within the soundless, intangible black fireworks stored in my retina under the grand fireworks display. When I first encountered intaglio printmaking, I impulsively drew subconscious memories on the plate, arranging them along some chaotic storylines. Gradually, I realized that I needed to create my own logical structure. So I started using specific visual symbols and repeating them, using the repetition of the printmaking process to search for logical clues. Printmaking with its special rhythm allowed me …

Searching For New Landscapes, Halim Lee

Masters Theses

“Searching for New Landscapes” ventures beyond familiar environments to explore new territories in graphic design.

By changing our environment and patterns, looking at things anew with a fresh perspective, and transforming the tools we use, we can spark new insights and catalyze evolution for growth.

This study proposes getting away from known environments and breaking existing habits by responding instinctively and rapidly to unexpected prompts.

The collected works and writing underpin the importance of thinking flexibly with a lighthearted “why not?” attitude and looking at things beyond existing definitions.

These methodologies are further applied to the action of teaching, to …

Objects And Apparitions: A Portable Museum, Yesuk Seo

Masters Theses

My work transcends the boundaries between painterly printmaking and sculpture. Through hand-pulled silkscreen prints, I create abstract pixelated images depicting our constantly changing relationship with meaning and reality. Memories are often glamorized and distorted whether it is our childhood home, our neighborhood, or the city. My practice archives my family history and traces patterns in memory and space by using invisibility as a phenomena to render newer explorations of abstraction, in time and in urban landscapes. Objects & Apparitions: A Portable Museum, pairs moiré patterns of ghostly printmaking with wooden objects in specific arrangements. It captures my nomadic journey between …

One More Time, I Love You —— 我有所念人，隔在远远乡, Jingjing Yang

Masters Theses

"One More Time, I Love You ——我有所念人，隔在远远乡" is a thesis project that delves into the profound nature of "obsession," which surpasses the boundaries of life and death, as well as the mortal world and the underworld. The interpretation of this type of obsession varies among individuals, and my understanding of it originates from the traditional Chinese myth concerning the afterlife journey. According to this myth, upon departing from the mortal realm, the deceased traverse the Bridge of Helplessness, cross the Forgotten River, peruse their past, present, and future lives on a Three Lives Stone, and then partake in the Soup …

Rotten And Falling, Khwanchira Chindamanee

Masters Theses

Abstract

I am an artist printmaker fascinated by the theme of impermanence as manifested through the cycle of birth, aging and death. Death is not the end of the cycle, however. Death begets transformation, via decay, of one form into another or perhaps others.

During my time at RISD, I received a scholarship to study Japanese paper making in Iowa. The experience was transformative for both my printing and soft sculpture. Later, I learned about mycelium, and began incorporating this living element into my work.

This thesis reflects on my primary source of artistic inspiration, the hup taem murals of …

Superbland, Dougal Henken

Masters Theses

"A thin wafer is placed in the mouth of a kneeling woman and becomes flesh. A man masturbates quietly in a darkened room to a 3D model of a popular film actress. A car drives through an abandoned town and decelerates as it approaches a sign reading “Slow Children Playing.” A man fastidiously mows an artificial lawn while watching the sun dip low over a vast desert horizon. Superbland opens up new paths in understanding graphic design within the realm of the hyperreal. It begins with a study of simulation in graphic design contexts, building upon established forms of meaning-making …

A Room Full Of Pigeons And Three Spectators, Dina Khorchid, Dina Nazmi Khorchid

Masters Theses

My work explores themes of identity politics, domesticity, land and memory access - in relation to my own lived experiences as a Palestinian refugee, a daughter of a missing war casualty and an artist.

In this thesis book, I present a cumulation of thoughts, emotions and findings, along with a selection of works from the last two years.

During my time at the Rhode Island School of Design, messenger pigeons took over my studio, channeling physical and mental realms of grief and remembrance. By looking closely at the bird’s aesthetics and behaviorisms in my first semester, their resting deceased bodies …