Art and Design Commons^™

Surface Tension, Berett Wilber

Masters Theses

Land is the premise upon which all questions of identity, belonging, and consciousness are set.

Our relationship to land is simple and complex. On one hand, in our daily experience there is no daylight between body and land. On the other hand, our relationship to land is intensely mediated through design in the form of tools, ritual, technology, tradition, and law. Language and design are primary mediums through which land is transformed into a material resource and commodity.

Understanding how designed systems craft our understanding of land can help us recognize their limits — and open our eyes to the …

Asili, Husna Abubakar

Masters Theses

ASILI is a Swahili word meaning ORIGIN, SOURCE, and ESSENCE. It can also mean the fundamental principal of a culture. It is not cognitive, it is metaphysical.

The work that I do explores the preconceptual, prespatial and pretemporal organization of culture, specifically African culture and even more specifically, Swahili culture.

I use multiple techniques to interpolate a visual voice to an othered people both continental and abroad. I explore the mythoform that connects the mystical and dive into what of it that becomes a practice within Swahili culture. I take experience from my life as a Swahili woman, from the …

Variations On Noise, Clinton Van Arnam

Masters Theses

Variations on Noise is a three-part collection: an index, a set of interviews, and a perspective on a working practice in graphic design and sound.

If noise is ubiquitous in our everyday lives, how do we define it and use it as a catalyst for dissonance and change? As a designer, I use noise algorithms to generate pseudo randomness and break up repetitive textures. As a musician, I use noise to create scores and performances that challenge our perception of what is comfortable and uncomfortable.

Seven interviews with designers, artists, musicians, and a Tibetan monk offer ways to approach the …

Entre Manos Y Barro: Innovando Con Tradición, Jose Mata

Masters Theses

"Entre Manos y Barro: Innovando con Tradicion'' (Between Hands and Clay: Traditional Innovation) dives into sustainable and ethical innovations of traditional Zapotec ceramics. It discusses how introducing thoughtfully designed tools, like a specialized caja humeda (wet box), can enhance artisans' workspaces while preserving the cultural essence of their craft. This initiative emphasizes innovations that honor traditional methods and focus on community involvement.

The thesis is grounded in the principles of ethical innovation, which emphasize respect for traditional techniques, community participation in the innovation process, and the sustainability of both the craft and the environment. These principles shape the development of …

Sircling The Cquare, Latika Balachander

Masters Theses

As we journey into an increasingly virtual and intangible reality, is there an opportunity for our tactile fabrics to journey with, and even reorient us? Can they exist in our future worlds to remind us of the value of current traditional, low-tech practices that we may soon forget?

Referencing the fundamental fabric languages of knitted and woven structures, this collection of garments, that I term “Earthsuits,” embody the stages of metamorphosis as we adjust to a new phase of our perceptive reality. With an emphasis on circling, we loop through virtual squares like screens and pixels, to the circles of …

A Thesis, Or Digressions On Sculptural Practice: In Which, Concepts & Influences Thereof Are Explained, Set Forth, Catalogued, Or Divulged By Way Of Commentaries To A Poem, First Conceived By The Artist, Fed Through Chatg.P.T., And Re-Edited By The Artist, To Which Are Added, Annotated References, Impressions And Ruminations Thereof, Also Including Private Thoughts & Personal Accounts Of The Artist, Jaimie An

Masters Theses

This thesis is an exercise in, perhaps a futile, attempt to trace just some of the ideas, stories, and musings I might meander through in my process. It’s not quite a map, nor is it a neat catalogue; it is a haphazard collection of tickets and receipts from a travel abroad, carelessly tossed in a carry-on, only to be stashed upon returning home. These ideas are derived from much greater thinkers and authors than myself; I am a mere collector or a translator, if that, and not a very good one, for much is lost. I do not claim comprehensive …

Going To The Sea, Lingyi Kong

Masters Theses

“Good-bye Icarus” is a work that aims to blend art, history, and environmental exploration through illustration, an interactive graphic novel, visual documentation, and programming language narratives.

A year of coastal life in Rhode Island has provided me with endless inspiration in terms of design language. I’ve ventured into blending dynamic visuals from TouchDesigner with illustration, a pioneering approach as far as I’m aware.

My narrative is based on seaside scenery and mythology metaphorical elements, making image programming to capture the essence of waves a focal point and central experiment of my work. Furthermore, after crafting a dynamic design visual language, …

Moving Studio, Emilia Miekisz

Masters Theses

This collection of essays chronicles my journey through the MFA program at the Rhode Island School of Design (RISD), exploring the concept of a “moving studio” and its influence on my creative process. From the fluidity of morning routines to the comfort found in Sunday pancake traditions, the essays delve into the intersections of personal experiences, artistic inspiration, and technological innovation. Through reflections on animation projects like “Wakey Wakey” and “Mr. Fragile,” I examine the transformative power of storytelling and the emotional connections fostered through my work. The essays also explore the evolution of perspectives, from initial resistance to embracing …

I Am Becoming., Dai Asano

Masters Theses

This is a collection of essays documenting my grappling with the idea that time is always in motion. When you say now, it is not now anymore, but we are still in now, a new now. How can I stay in the now without being swept away by the current of time? Describing a film by Ozu Yasujiro, Deleuze writes, “The vase in Late Spring is interposed between the daughter’s half smile and the beginning of her tears. There is becoming, change, passage. But the form of what changes does not itself change does not pass on. This is time, …

Folding (And Unfolding): A Site-Responsive Strategy For Reusing Construction And Demolition Waste, Jennifer Ansley

Masters Theses

Discarding—in its most reductive formulation— is a sorting operation that makes distinctions between materials (as well as objects, people, communities, and landscapes) based on perceived value. In her book Waste of the World, Nicky Gregson, therefore, argues for a more careful collection-curation strategy that revalues and re-signifies “waste” to make it available for repair and reuse. Gregson, however, points to limited space and infrastructural capacity as a potential barrier to the development of new material handling strategies. My design responds by proposing a network of walls and paths that operate in each of the sites I’ve identified as an …

New Craft: Craft Practices In The Digital Era, Paulina Bereza

Masters Theses

Advancements in technology point to a thriving future through the allure of new tools and the promise of enhanced performance. With the current environmental crisis, military invasions and broader global conflicts, how can we utilize new digital media in a way that dismantles oppressive positions of power? Looking towards the future, I explore the potential of materiality and new methods of making, to reshape our relationship with the environment and each other. I collaborate with newly adopted forms of intelligence, artificial and automated, to express and reconcile the accelerated cultural shift. From ancient fibres to digital circuits, what will the …

Absence Leaves A Mark: Illustrating Filipino Migrant Stories, Nina Martinez

Masters Theses

From July to October 2023, I volunteered at Damayan Migrant Workers Association, a New York City-based grassroots organization run by Filipino im/migrant workers dedicated to combatting labor trafficking. Every meeting opened with the same reminder: stories shared in this room do not leave it. Illustration became a tool for respecting the privacy of the members, many of whom were undocumented. Avoiding faces, I copied down objects, places, maps, and handwriting.

Absence Leaves a Mark explores the idea of illustration as field note when working with migrant populations. Beyond depicting visual witness, illustrated field notes can contain findings from research and …

Remade Radical: Design Artifacts Of A Third World Future, Yasmine Hassan

Masters Theses

Remade Radical draws inspiration from the existing practices of informal making and reuse prevalent in Black and brown immigrant and working-class communities in order to reimagine maker culture and the field of industrial design as a whole. These improvisational practices–known by a number of different names across the globe, including jua kali (Kenya), gambiarra (Brazil), jugaad (India), and even hood engineering (United States)–are oftentimes viewed as inevitable byproducts of waste and artifacts of besiegement from the world’s wealthiest nations. Yet within these practices lies a tangible counterpoint to the material excess and rampant consumption made possible through the continued exploitation …

Designed Impermanence, An Alchemical Inquiry, Dani Epstein

Masters Theses

Designed Impermanence: Transformative Shapeshifting, A Decoded Alchemical Inquiry is a methodological deconstruction of our relationship to the built environment.

Our present existence is governed by craft and material hierarchies, conformed perceptions, and socioeconomic contextual drivers. Recognizing these tendencies, formats, and desires are critical in order to construct proposed introductions to re-envision alternative methods of building future realities. Redesigning new parameters through shifting physical configurations serve as indexes for visual propositions to redefine our existence through perceptions of time, adaptation, and materiality.

This research is centered around four themes: material craft ecology, adaptive alchemical constructions, reactionary behavioral assemblies, and evolving responsive …

From One Nature To Another, Sarah Mann

Masters Theses

Lichen‭, ‬fungi‭, ‬and soil each represent a microcosm of nature‭. ‬They are all quintessential examples of complex symbiosis‭, ‬yet they are often treated as lifeless materials‭. ‬But what if we took a moment to connect with each one on a daily basis‭ - ‬would that impact the way we envision the future‭? ‬

For most of us‭, ‬our homes won’t be radically changing any time soon‭; ‬therefore‭, ‬From One Nature to‭ ‬Another‭ ‬invites us to bring these entities inside and‭ ‬reflect on their possibilities as collaborators‭. ‬Each piece was carefully researched and designed to‭ ‬provide the correct atmospheric …

Endless Form, Kaela Kennedy

Masters Theses

Endless Form is a gentle argument for a practice rooted in embodied seeing and communicating. It invites the reader through multiple actions of visual and linguistic perception – observation, seeing, and attention – and examines how these methods operate to widen our fields of understanding to more empathetically engage with the world as an ecological whole. It claims that graphic design, as a practice built on the relationship between visual form and language, has a unique ability to translate the unending feedback loop between the eye, the seen, and the language we use to define it. It argues for ways …

From Here To The Ground, Courtney Mccracken

Masters Theses

Art, for me, is a thinking process. It is also a process of connection to body and place. It directs my fractured attention toward the things I care about. As I labor through process, I am gifted with a moment of attentiveness. In a time where everything feels urgent, and our perspective can be warped by the endless flood of information, making art is a chance to stop, to think, and to feel.

It is a space for holding, and a space for being held.

Recently, I have been working primarily in animation and sound design, experimenting widely across media …

Embodied Abstractions: Identity And Representation In The Digital Era, Srikar Hari

Masters Theses

The digital image is a copy in motion. As it accelerates, it deteriorates.

It is a ghost of an image, a preview, a thumbnail, squeezed through

digital connections, resized, uploaded, downloaded, reformatted

and re-edited.

- Adapted from “In defense of the Poor Image” by Hito Steryel

With today’s digital technology, the image is no longer a stable

representation of the world, but a programmable database that

is updated in real time. It is not only part of a program, but it

contains its own operating code: the image is a program in itself.

Consequently, the image’s rhetoric has taken on …

Soft Procedures, Alec Figuracion

Masters Theses

Looking through the soft lens — from the vantage point of a place one calls home, and steered by an interiority that feels a little too much sometimes — I am interested in the hazy, undefined subjects and instances that occur around the peripheries of our lenses: fuzzy imprints of memories, shifting notions of home, and shapeless narratives. Working primarily with the moving image, I investigate the multiple threads that might exist between them, and persistently shift and adjust the focus ring on the camera lens so as to embrace and celebrate multiplicities, and our collective definitions of softness.

To The Dogs Or Whoever, Jacqueline Walker

Masters Theses

My creative process is inspired by the natural world and its inevitable conflict with humans. Through intricately layered screen prints, repurposed furniture, or reimagined animal hides, I craft narratives depicting the complex interactions between animals and humans, examining their conflict and the ensuing consequences. I weave layers of information and symbolism from natural history, behavioral ecology, music, and personal experience into each piece. This thesis explores my artistic practice, discussing its underlying values, and examining the influences and stories behind each piece. Focusing on the narrative of the animal, my body of work strives to cultivate empathy towards them and …

Dimensional Dialogues, Farida Abousteit

Masters Theses

What does it mean to be, hear, interpret and understand language? And does it truly matter if we don't? This work explores linguistic translation and mistranslation, through the exploration of three-dimensional and interactive spaces that to create an opportunity to interact with language as an visual and felt environment; rather than language on a page or the spoken word.

When we stand next to typography, next to language, scaled up to a human-sized presence, do we find an immediate kinship and warmth towards it? Do we find ourselves more captivated and intrigued?

I believe that when we encounter the unfamiliar …

While We Were At Dinner, Anna Glass

Masters Theses

Mealtime is globally recognized as a time to gather, as food catalyzes connection. This project delves into this human practice of commensality and both explores and emphasizes the significance of communal eating and its benefits through designed objects. Through a collection of six designed dining experiments, this study examines the role of novel tabletop objects and unusually curated meal environments. The way these experiments are designed highlights how communal mealtime experiences can be used as tools for social engagement and disruptors of cultural norms.

Furniture and tableware designs have the power to challenge the assumed arrangement of traditional mealtime rituals, …

Consideration For The Sun, Roxy Bridges, Special Collections, Fleet Library

11th Baker & Whitehill Student Artists' Book Contest 2025

LIBRARIAN'S CHOICE PURCHASE PRIZE | $250 Purchase prize winners receive a cash reward and the books are added to the Fleet Library at RISD Special Collections' Artists' Book collection. Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.

Fish Girl, Sadie Levine, Special Collections, Fleet Library

11th Baker & Whitehill Student Artists' Book Contest 2025

Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.

Orlando Darling, Willow Baker, Special Collections, Fleet Library

11th Baker & Whitehill Student Artists' Book Contest 2025

Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.

Notes On Iterating, Daniella Pozo, Special Collections, Fleet Library

11th Baker & Whitehill Student Artists' Book Contest 2025

Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.

Oral History Transcript | Interview With Michael Fink, April 21, 2024, Michael Fink, Margot Mcillwain Nishimura, Risd Archives, Peter O'Neill

RISD Oral History Project Transcripts

No abstract provided.

{Re}Considering Illustration | Risd Mfa Illustration Anthology 2024, Illustration Department, Illustration Mfa, Jenine Bressner, Emilia Miekisz, Simone Nemes, Simone Khanyi Hadebe, Ananya Parekh, Ariel Wills, Irene Chung, Nellie Geraghty, Nina Martinez, Reem Al-Ani, Lingyi Kong, Courtney Mckracken, Deanne Fernandes, Mara Menahan, Ji Zou

Illustration MFA Anthologies

The essays in this volume have been created by the candidates of the inaugural cohort of the Masters of Fine Arts in Illustration Practice at the Rhode Island School of Design. The writings provide an overview of some of the ideas, research methods and artistic concerns addressed by the candidates through their art over the two-year span of their graduate studies.

V.1 Spring 2024, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2024 issue contains articles on rewilding in Southern Africa, digital folklore, the RISD Musem exhibition on Nancy Elizabeth Prophet "I Will Not Bend an Inch," student musings on Indian identity, queering domesticity and gender in China and Taiwan, interviews of RISD students, the second Black Biennial, displaced ceremonial objects, the defunct student club RISD Quickies and interdisciplinarity at RISD, a student's queer identity, and flirting with GPTs, along with student creative writing.

How To Crochet, Koji Hellman, Special Collections, Fleet Library

11th Baker & Whitehill Student Artists' Book Contest 2025

LAURIE WHITEHILL PURCHASE PRIZE | $375 Purchase prize winners receive a cash reward and the books are added to the Fleet Library at RISD Special Collections' Artists' Book collection. Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.