Art and Design Commons^™

Forming Process : Design Through Layered Visual Systems And Multiple Collection Methods : A Thesis, Jen Magathan

Masters Theses

"Do not hide the structure, celebrate it in the form" ; "Approach design from multiple points of view."

These adages, so important in my architectural training, reverberate with intricate practicality in my work as a graphic designer, both as a way of building my design and as a means of developing a design process which explores multiple ways of organizing content through visual systems. Forming Process is defined by three conditions: celebrating the visual systems which organize the design, archiving content from multiple ways of collecting, and creating work by which the process of design is implicit in the design …

2009 Program Booklet, David H. Coulter

Collection (annual runway show) 2007-2017

Official Collection 2009 Program distributed at the event.

I Read My Mind Through You: Designing Personal Communication In The Public Realm, Or, I Made This Thesis For You, Mary Banas

Masters Theses

As graphic designers, we're trained to be rational, systematic, and concise. In contrast, human emotion is irrational, passionate, and complex. By projecting personal experience into the public sphere, this study explores the tension between these two mindsets. I Read My Mind Through You elevates the voice of the banal to a call for empathy and renewed sentimentality.

I Read My Mind Through You elevated the voice of the banal to a call for empathy and renewed sentimentality.

This body of work originates from a love affair with turns of phrase, an affinity for the absurd, and the current cultural obsession …

Annual Report Of The Risd Fleet Library 2008-2009, Fleet Library, Carol Terry

Annual Reports

No abstract provided.

Hangul: The Korean Alphabet Book, Gloria Chung, Fleet Library, Special Collections, Jan Baker

Letters

This book was completed for Jan Baker's artists' book class.

Walk On Red:Soundscapes On Broadway, Hoon Kim, Special Collections, Fleet Library

Artists' Books

sewn signatures with soft cover; cover; interior spreads and pages. Visual and graphic representations of sounds in various areas of Manhattan, using diagrams, satelite maps, and photographs. Incorporates factual information with quotations about cities and spaces. RISD alumnus.

Good Eats: Sit Down, Relax & Enjoy: It's The Cook's Choice: Selections From An Appetizing Array Of Well-Seasoned Moments And Finely Diced Tales, Gretchen Hooker, Special Collections, Fleet Library

Artists' Books

portfolio with 4 flaps, enclosing loose plates; box cover; open box with loose prints; loose prints, 4. The portfolio cover looks like a neon diner sign and unfolds to create a placemat. Recipe cards include anecdotes about friends and special foods shared.

The Brilliant Line, Emily Peters, Evelyn Lincoln, Andrew S. Raftery

Books

Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the …

Strawberry Hill, Horace Walpole, Special Collections, Fleet Library

Printmaking

xv, 368 p. : col. ill., plans. "In association with the Lewis Walpole Library, Yale University Yale Center for British Art, and the Victoria and Albert Museum. ""This publication accompanies the exhibition Horace Walpole's Strawberry Hill organized by the Lewis Walpole Library, the Yale Center for British Art and the Victoria and Albert Museum""--T.p. verso. Includes bibliographical references and index." Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.

2009-2010 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

2009 Risd Wintersession Schedule Of Courses, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

Voyages And Travels -- Collected Works, Jessica Greenfield, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class.

Cut Calligraphy, Jen Wong, Fleet Library, Special Collections, Jan Baker

Letters

This book was completed for Jan Baker's artists' book class.

Secret Recipes For The Modern Wife: All The Dishes You'll Need To Make From The Day You Say "I Do" Until Death (Or Divorce) Do You Part., Nava Atlas, Special Collections, Fleet Library

Artists' Books

smythe sewn, paperback; cover; page spreads: "What a Turkey Noodle Soup"; pg 46-47 "Whoosh" . signed by the artist

I Want To Return To Esfehan, Afsoon Talai, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class.

My Fears Find Me, Livia Veneziano, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Cry Uncle, Frances Jetter, Special Collections, Fleet Library

Artists' Books

[23] pages (accordion fold) : color ill. (lino cuts). Cover title. Edition of 15. Accordion fold book. Linoleum cuts (18 x 24") printed on translucent Japanese paper. Text pages letterpress printed. Large typeface in old wood letters. In paper-covered portfolio with tie. Housed in a zippered canvas bag. Front side of bag has color printed illustrations which resemble a mask. "Largely based on what went on at Guantanomo and Abu Ghraib ..."-- artist in an interview with Zina Saunders. Library has copy no. 6. Signed by the artist.

The Topography Of Home, Macy Chadwick, Special Collections, Fleet Library

Artists' Books

[20] pages : color ill.. Edition of 50 copies, numbered and signed by the artist. [Letterpress] ... printed by Macy Chadwick ... with pressure prints and polymer plates on Mohawk Superfine and French's Extra Blue Butcher paper ... Window images hand-stenciled on Silk Tissue." -- Colophon. Pages attached to a concertina with most pages having a circular silk tissue window so that the preceding and following pages show through. Gift Fund. Library has copy no. 35.

Flight Textile Book Two, Christine Kermaire, Special Collections, Fleet Library

Artists' Books

1 textile panel, 4 laminated cards : illus. (1 color). Title from 6 x 15 cm. laminated card. Edition of 300 numbered copies. Consists of a textile panel (62 x 88 cm.) with 2 grommets at top for hanging and velcro strips at bottom. Includes three 22 x 29 cm. laminated cards (description of cemetery, layout of cemetery, picture of shadow of monument on grass in cemetery) with velcro tabs at top so that they may be hung from bottom of textile panel. Also includes one 6 x 15 cm. laminated card with legend: Flight textile book two. 3 sheets …

2009 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Muffin Fall 2008, Students Of Risd, Risd Archives

All Student Newspapers

Muffin was a newsletter produced in the early aughts by RISD’s Queer Student Union as a student guide to queer culture. The 2008 issue features creative writing, a book review of "The Gay Girl's Guide to Dating, Sex, and Romance," an "Ask Madame Muffin" column, a gay celebrity gossip column, screenshots of a thread on homosexuality from Yahoo! Answers, an article on sexual morality and autonomy, and a page of queer resources.

After You're Gone: An Installation By Beth Lipman, Judith Tannenbaum, Beth Lipman

Journals

Exhibition Notes, Number 33, Fall 2008. In July 2006, RISD Museum director Hope Alswang and curator Judith Tannenbaum encountered Beth Lipman’s 2o-foot-long glass tableau entitled Bancketje (Banquet), then on exhibit at the Museum of Glass in Tacoma, Washington. This tour de force, created in 2003 (now in the permanent collection of the Renwick Gallery, Smithsonian American Art Museum, Washington, D.C.), inspired The RISD Museum to invite the artist to visit its galleries, as well as collections in storage, in order to create an exhibition here. In October 2007, Lipman visited the Museum and was particularly excited by its American period …

From Dürer To Van Gogh: Gifts From Eliza Greene Radeke And Helen Metcalf Danforth, Emily J. Peters

Journals

Exhibition Notes, Number 30, Summer 2008.The Museum of Art was founded simultaneously with the Rhode Island School of Design in 1877 by a group of women led by Eliza Radeke's mother, Helen Adelia Rowe (Mrs. Jesse) Metcalf. RISD’s stated purpose was to educate artists in drawing, painting, modeling, and design for the benefit of industry and art, and to educate the public so that they could appreciate and support art and design. The creation of a museum collection was inseparable from these objectives. Both Eliza Radeke and Helen Danforth, as heirs to those aspirations, made extraordinary individual gifts to …

Designing Traditions: Student Explorations In The Asian Textile Collection, Kate Irvin, Laurie Anne Brewer, Anais Missakian

Journals

Exhibition Notes, Number 32,Summer 2008. RISD’s newest generation of textile designers source the RISD Museum’s vast Asian textile collection in this popular collaborative project and biennial exhibition. Traditional craftsmanship sparks contemporary creativity as objects inspire innovative new textiles and garments.

Office Of Multicultural Affairs (Oma) Annual Report 2007-2008, Intercultural Student Engagement Office, Anthony Johnson

Intercultural Student Engagement (ISE) Annual Reports

The Office of Multicultural Affairs (OMA) Annual Report 2007-2008 is a year in review containing a message from the director, staff updates, community programs, statistics and general report of the work of this office. Our Mission: People from all backgrounds bring value to the art and human conversations held at RISD. The Office of Multicultural Affairs (OMA) assists the RISD community-at-large in shaping a culturally inclusive and supportive environment that enables all its members the opportunity to fully contribute to and benefit from the total RISD experience. OMA coordinates enriching opportunities for cultural awareness, dialogue, and interaction. The office services …

Oral History Transcript | Interview With Barbara (Bunny) Harvey, May 16, 2008, Barbara (Bunny) Harvey, Andrew Martinez, Risd Archives

RISD Oral History Project Transcripts

No abstract provided.

Oral History Transcript | Interview With Thomas (Tom) Lyon Mills, May 5, 2008, Thomas (Tom) Lyon Mills, Andrew Martinez, Risd Archives, Peter O'Neill

RISD Oral History Project Transcripts

No abstract provided.

Oral History Transcript | Interview With Roger Mandle, April 1, 2008, Roger Mandle, Ann Hudner, Risd Archives, Andrew Martinez, Josh Backer

RISD Oral History Project Transcripts

No abstract provided.

Styrofoam: From Industrial Invention To Artistic Transformation, Judith Tannenbaum, Amy Pickworth, Editor

Journals

Exhibition Notes, Number 29, Spring 2008. Ubiquitous in our culture, styrofoam is used to insulate buildings, package computers and other consumer products, and produce picnic coolers and containers for fast food and take-out. For decades, artists have employed styrofoam in the making of models and molds for casting. Today, however, more and more artists are exploring it as a primary material or a subject in its own right, using it in new and ingenious ways to create sculpture, paintings, and installations.

Evolution/Revolution: The Arts And Crafts In Contemporary Fashion And Textiles, Joanne Dolan Ingersoll, Amy Pickworth, Editor

Journals

Exhibition Notes, Number 28, Spring 2008. Evolution/Revolution brings together the textile work of designers from the U.S., Britain, Europe, South and Central America, and Japan, and draws philosophical parallels between these contemporary artists and those of the Arts and Crafts Movement of 19th-century Britain.The exhibition is organized around the themes of Storytelling, Experimentation and Materials, Collaboration, and Art and Life—key ideas that spring from the Arts and Crafts spirit.

One of the most widely influential art and design movements of the 19th and 20th centuries, the Arts and Crafts Movement was an aesthetic and political response to a world stripped …