Art and Design Commons^™

2013 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Annual Report Of The Risd Fleet Library 2012-2013, Fleet Library, Carol Terry

Annual Reports

No abstract provided.

Welcome To The Doll House, Francie Latour, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

From the Barbie dresses he made as a boy to his first splash in the New York art world, Martín Gutierrez 12 PR is working to perfect what he has always done naturally.

Rediscovering The Wheel, Brooke Hodge, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

What does architecture have to do with pottery? For Adam Silverman BArch 88, these two seemingly disparate creative practices are inextricably intertwined.

Brooke Hodge, director of exhibitions and publications at the Hammer Museum in Los Angeles, writes frequently about architecture and design for major publications. This text is excerpted from a longer essay in the new book Adam Silverman Ceramics, published this fall by Skira/Rizzoli.

Risd Xyz Fall/Winter 2013/14: Out Of Bounds | Full Issue, Liisa Silander

RISD XYZ Fall/Winter 2013: Out of Bounds

ARTISTS AND DESIGNERS TEND TO QUESTION, PUSH, CHALLENGE, take risks—as part of the pure pleasure of making. These are things you’re expected to do, just as you’re expected to think outside the box, color outside the lines, question the rules, defy expectations. The freedom of thought art and design offer may be what has inspired people to make objects of beauty and wonder since well before we began writing and recording our own history. Yet, as liberating as it sounds, that freedom is also a challenge. As alums you know how to probe and ponder, and deliberately work with materials …

Pin (Fibula), Risd Museum, Boris Bally, Jonathan Migliori

Channel

This fibula (pin), used for closing or securing garments, is a masterpiece of ancient gold-working. Tiny animals and figures, mythical and real, cover the pin. They were formed using tiny beads of gold (a process called granulation) fashioned in a fluid, curving style reminiscent of pottery of the seventh century BCE, when the Etruscans reached the height of their technical virtuosity in granulation. In the center of the decoration is a figure common in Etruscan art: the ‘master of the beasts,’ a winged man with two faces. The figure originated in the Near East and became especially prominent in Etruscan …

The Festive City, Evelyn Lincoln, Emily J. Peters

Books

In early modern Europe (1500-1800), festivals enlivened civic spaces with a frequency, scale, and magnificence unrecognizable to us today. Festivals marked ritual moments, praised political agendas, and provided public entertainment. Europe’s papal court, sovereign powers, civic governments, and high aristocracy sponsored festivals for all sorts of occasions, staging joyous entry processions when foreign dignitaries entered a city, celebrating coronations, marriages, royal births, and funerals, and honoring saint’s days and Carnival season. Festivals shaped the public spaces of European cities. Buildings, plazas, stairways, and roadways were constructed specifically with festivals in mind. Likewise, festivals put the social structure of the city …

Risd Business: Sassy Signs & Sculptures, Alejandro Diaz, Judith Tannenbaum

Journals

Exhibition Notes, Number 42, Fall 2012. Ranging from quaint stereotypes of Mexican identity to current socio-economic and art-world commentary, Alejandro Diaz’s text-based works and installations use language as a form of cultural critique and resistance. Conceptual and campy, his humor infused politics and choice of everyday materials are emblematic of his ongoing involvement with art as a form of entertainment, activism, public intervention, and free enterprise. His projects take place outdoors on city streets as well as inside galleries and museums.

Portrait Of Antoine-Georges-Francois De Chabaud-Latour And His Family, Risd Museum, Robert Babigian

Channel

This handsome portrait was subtitled “filial piety” when it was exhibited at the 1806 Paris Salon. Set in the gentle landscape of the département of Gard, in the south of France, it depicts Antoine-Georges-François de Chabaud-La Tour who is seated on a marble bench with his daughter Rosina perched on one knee and his son James-Hippolyte posed on the other. His wife, Juliette Verdier de la Coste, stands at their side holding her infant son François-Ernest-Henri to her breast. Their attention is directed to a herm bearing a bust of the children’s grandfather, Antoine Chabaud, a distinguished military man who …

Portrait Of Agrippina The Younger, Risd Museum, Natalie Kampen, Lisa Anderson

Channel

Agrippina (15–59 CE), the subject of this portrait, was related to four different Roman emperors: she was granddaughter to Augustus, sister to Caligula, mother to Nero, and niece and later wife to Claudius. It is therefore not surprising that many portraits of her survive. They invariably depict her with a broad forehead, a square jaw, large eyes, thin lips, and a sharp chin, all features shared by many members of the imperial family. Ancient pieces were sometimes combined with other sculptural elements to create “new” composite sculptures. This ancient portrait head was inserted into a bust composed of different-colored marble …

Respondent Amicus Curiae - Asu, Rhode Island School Of Design

Advocacy | Amicus Briefs + Comments

No abstract provided.

The Dorothy And Herbert Vogel Collection: Fifty Works For Rhode Island, Alison W. Chang

Journals

Exhibition Notes, Number 41, Summer 2012. RISD Museum was the recipient of fifty contemporary works from the celebrated collectors Dorothy and Herb Vogel. Both worked as civil servants throughout their lives so they never had extraordinary means with which to build a collection, but acquired more than 4000 works since their marriage in 1962. Their commitment to minimal and conceptual art is well-known, but their taste was much broader and included work rooted in Abstract Expressionism as well as figurative compositions. Most of the collection was given to the National Gallery of Art. The gift to Rhode Island is part …

Dan Walsh | Uncommon Ground, Judith Tannenbaum

Journals

Exhibition Notes, Number 40, 2012. Dan Walsh has been devoted to abstract painting since he arrived in New York in the early 1980s. Naturally his work has evolved over the past three decades, but he has remained consistently attached to Minimalism’s basic language of geometry and grids.

Model Of A Funerary Boat, Risd Museum, Peter Dean, Peter Johnson

Channel

During the funeral, the deceased took a last earthly journey, traveling by boat to the cemetaries on the west bank of the Nile. The next voyage then began: a spiritual pilgrimmage to Abydos, the religious center and burial place of the god Osiris. For this reason, wooden model boats were often placed within tombs as substitutes for large-scale vessels in the afterlife. This model boat mimicked papyrus funerary barks. The wedjat-eyes painted on the hull were meant to guide the vessel safely through the perilous journey to the afterlife. 2100-1900 BCE

Office Of Multicultural Affairs (Oma) / Office Of Intercultural Student Engagement (Ise) Annual Report 2011-2012, Intercultural Student Engagement Office, Anthony Johnson

Intercultural Student Engagement (ISE) Annual Reports

This Annual Report 2011-2012 marks the transition and renaming of the Office of Multicultural Affairs (OMA) to the expanded Office of Intercultural Student Engagement (ISE). This expansion brought to ISE the Office of International Student Services (OISS) and a diversity coordinator- a new position focusing on underserved student communities including LGBTQ, religious/spiritual, and first generation to college. These important shifts and incredible staff members have poised the office and RISD to respond more broadly and deeply to the needs, hopes, and development of our collective student body. The ISE 2011-2012 Annual Report is a year in review containing a message …

Grand Arabesque, Second Time, Risd Museum, Julie Strandberg, Jeff Hesser

Channel

Transitional poses such as this one were constant themes of Edgar Degas’s numerous sculptural studies made in wax, wire, and plastilene. Collected from his studio following his death, these models became the sources of small editions cast in bronze, including this one of a dancer posed in a grand arabesque. In the classic ballet position, the dancer bends forward while standing on one straight leg, with the opposite arm extended forward and the other arm and leg extended backward. In the 1890s the British artist Walter Sickert visited Degas in his studio and was shown the wax model for this …

2012 Program Booklet, Rhode Island School Of Design

Collection (annual runway show) 2007-2017

Official Collection 2012 Program distributed at the event.

Pilgrims Of Beauty: Art And Inspiration In 19th Century Italy, Crawford Alexander Mann Iii

Journals

Exhibition Notes, Number 38, Spring 2012. In the 19th century Italy was the most desirable destination for travelers from every corner of Europe and beyond. Thousands crossed mountains, even oceans, to go there, leaving their "barbarous” homelands to study and admire Italy’s unsurpassed aesthetic and cultural riches. A poem in the New England Magazine in 1831 described the goals and ideals of visiting Italy on a European Grand Tour, calling those who did so "pilgrims of beauty.” Like religious pilgrims of centuries past, these lovers of art participated in a ritual journey, a powerful shared experience of Italy’s magnificent landscape, …

Painting Air: Spencer Finch, Spencer Finch, Judith Tannenbaum

Journals

Exhibition Notes, Number 39, Winter 2012. Spencer Finch, an artist known internationally for artwork that captures fleeting or intangible natural phenomena and sensory experiences, received his MFA in Sculpture from RISD in 1989. In the two decades since, Finch has created drawings, watercolors, photography, and video as well as sculpture and installations—selecting mediums and methods that seem best suited to conveying his fascination with light, color, and atmosphere. His focus of attention ranges from a speck of dust seen in a shaft of light in his studio to grand glaciers in New Zealand.

As a graduate student Finch worked in …

Diptych With Scenes Of The Nativity, The Crucifixion, And The Last Judgement, Risd Museum, Robert Brinkerhoff

Channel

This diptych was intended for private devotional viewing by privileged members of the French court and the Roman Catholic Church. Composed of four arcaded compartments once embellished with gold leaf and colored pigments, it narrates Mary’s role as mother and intercessor. The Annunciation and the Nativity of Christ at lower left face the presentation of the Infant Jesus to gift-bearing Magi. Above, Mary swoons at the Crucifixion, then reappears enthroned to be crowned by Christ. In the final panel at the upper right she kneels beside Christ on Judgment Day as souls arise from tiny sepulchers below. 1275-1325

This Is An Emergency! : A Reproductive Rights + Gender Justice Portfolio, Meredith Stern, Judy Kashoff, Special Collections, Fleet Library

Printmaking

1 portfolio : illustrations (chiefly color) ; 47 cm. Colophon page title. This portfolio contains a hand sewn 'zine' with text by Meredith Stern and Judy Kashoff, a colophon page, and a collection of 17 prints. Horizonal and vertical red bands surround the colophon, text, and 17 prints. "Seventeen artists created a print for this project. Third Termite Press in Pittsburgh printed the colophon and Ladyfingers Letterpress printed the covers. The participants are: several members of the Justseeds Cooperative including: Melanie Cervantes, Thea Gahr, Bec Young, Favianna Rodriguez, Mary Tremonte, Molly Fair, and myself (Meredith Stern). Also participating are: Ian …

Annual Report Of The Risd Fleet Library 2011-2012, Fleet Library, Carol Terry

Annual Reports

No abstract provided.

Risd Fact Book 2012, Institutional Research

RISD Fact Books

The Office of Institutional Research is pleased to present the Rhode Island School of Design Fact Book, 2012; a paperless, accessible, consistent source of information about the RISD community, its resources, and its operations. It is a summary of institutional data gathered from many areas of the College, compiled to capture the 2012 Fiscal and Academic Year. Where appropriate, multiple years of data are provided for historical perspective. While not all-encompassing, the Fact Book does provide pertinent facts and figures and is made available as reference to administrators, faculty, staff, and students.

A Second History, Zhang Dali, Special Collections, Fleet Library

Artists' Books

1 volume, 136 pages. "In his book A Second History, Beijing-based artist, Zhang Dali, examines the widespread use of photographic manipulation carried out by the Chinese government during the regime of Mao Tse-tung (1949-76). Using a compare and contrast format this artist book presents a chronological sequence of original, unmodified images together with their doctored doppelgängers which were manipulated in party-run, photo labs in the 50s, 60s and 70s for the Chinese propaganda market." -- From www.bywaterbros.com.

2012 Risd Wintersession Schedule Of Courses, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

2012-2013 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

The Collective Alphabet, Angela Lorenz, Special Collections, Fleet Library

Artists' Books

The Collective Alphabet was created by a class at the Scuola Internazionale di Grafica Venezia in 2012 and donated to Special Collections, Fleet Library, Rhode Island School of Design. Read more about the workshop.

Bread+Butter, Minali Chatani, Fleet Library, Special Collections, Jan Baker

Food

This book was completed for Jan Baker's artists' book class, Printed Books.

Travel Photographie 2006-2012, Franziska Stetter, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Theme And Permutation, Marlene Maccallum, Special Collections, Fleet Library

Artists' Books

24 unnumbered pages : illustrations. Limited edition of 100 copies, signed and numbered by the artist. Cover title. "The images were printed on the Heidelberg GTO offset lithographic press at Columbia College Chicago Center for Book and Paper Art by Clifton Meador with the assistance of Marlene MacCallum, Hannah King and Kate Morgan. The text was printed by Marlene on a Canon digital inkjet printer at the sillis lab in Corner Brook, NL. The book was bound by Marlene with assistance from Megan Musseau ... research team consists of Marlene MacCallum, Clifton Meador, Pierre LeBlanc and David Morrish"--Colophon. "[O]ne of …