Art and Design Commons^™

Downtown Detroit, Kelsey P. Cochran

The Mercury

No abstract provided.

Everlasting Wilderness, Erica M. Schaumberg

The Mercury

No abstract provided.

The Duomo, Taylor L. Andrews

The Mercury

No abstract provided.

Bartering In Lake Titicaca, Megan E. Zagorski

The Mercury

No abstract provided.

Misty Morning In The Amazon, Megan E. Zagorski

The Mercury

No abstract provided.

Passion Flower, Colleen M. Kolb

The Mercury

No abstract provided.

Ireland, Taylor L. Andrews

The Mercury

No abstract provided.

Donkey Of Santorini, Colleen M. Kolb

The Mercury

No abstract provided.

An Evening In Greece, Colleen M. Kolb

The Mercury

No abstract provided.

Magnolia Bridge, Zoe C. Yeoh

The Mercury

No abstract provided.

Morning Commute, Megan E. Zagorski

The Mercury

No abstract provided.

The Mercury 2015

The Mercury

No abstract provided.

Friends Of Musselman Library Newsletter Spring 2015, Musselman Library

Friends of Musselman Library Newsletter

From the Director: Open Access (Robin Wagner)

Global Perspective: Library Participation in College’s Internationalization Efforts (Lucy Marinova ’12, Munya Choga ’12)

Remembering Gale Baker

Library wins 2014 Best in Show

Summer Reads 2015 Launches

Eisenhower Exhibit

Birds of a Feather: Photography Exhibit (Sandra Blair)

Heads Will Turn: Student Exhibit (Mark Warwick)

Edible Books

Audubon Print - Carolina Parrot (Geoffrey Jackson ’91)

Life in Photos: William H. Tipton exhibit

50^th reunion Gift of First Editions (John E. Rogers, Jr. ’65)

Sharing the Past: Alumni Memorabilia (Jessica Casale ’18, Julia Hendon, Clara A. Baker ’30, Gary T. Hawbaker ’66)

19^{th …}

Ejecta, Anthony Cervino, Shannon Egan

Gettysburg College Faculty Books

Co-authored with artist Anthony Cervino, this book was produced on the occasion of the exhibition of the same name at CulturalDC's Flashpoint Gallery in Washington, DC. The book is comprised of several curatorial essays as well as fictional and personal reflections, and an in-depth interview to examine issues of parenthood, professional successes, personal tragedies, and larger art-historical contexts.

Method And Meaning: Selections From The Gettysburg College Collection, Yan Sun, Shannon Callahan, Ashlie M. Cantele, Maura E. D'Amico, Xiyang Duan, Devin N. Garnick, Allison J. Gross, Emily A. Zbehlik

Schmucker Art Catalogs

What is art historical study and how it should be carried out are fundamental questions the exhibition Method and Meaning: Selections from the Gettysburg College Collection intends to answer. This student-curated exhibition is an exciting academic endeavor of seven students of art history majors and minors in the Art History Methods course. The seven student curators are Shannon Callahan, Ashlie Cantele, Maura D’Amico, Xiyang Duan, Devin Garnick, Allison Gross and Emily Zbehlik. As part of the class assignment, this exhibition allows the students to explore various art history methods on individual case studies. The selection of the works in the …

The Artist And The Rebel: The Art Of Graffiti And Its Impact On Memory Architecture, Stephen A. Setman

Celebration

The lasting presence of graffiti in major cities like Berlin raises the question, what kind of perspective does such an art form have on memory? Given that graffiti are written or painted on structures and buildings, which are already their own kind of monument, and that the content of graffiti tends towards the politically and socially critical, how are we to understand the relationship of these works to places of memory creation? Why, for example, do we sometimes give monumental protection (Denkmanlschutz) to works of graffiti, and why so often not? My research investigates the roll of graffiti in cultural …

Dream In Color, Rachel L. Martinelli

The Mercury

No abstract provided.

Polly, Megan E. Zagorski

The Mercury

No abstract provided.

Techno File: Pyrometric Cones, Tina M. Gebhart

Art and Art History Faculty Publications

A pyrometer measures temperature, but pyrometric cones measure heatwork. What is a cone, how does it work, and what does any of this have to do with synchronized swimmers? [excerpt]

For Those At Home: The Romantic Nature Of Civil War Lithography, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Lithography, the art of drawing on stone, was an important part of American Victorian culture during the Civil War. Not only did lithography provide news in pictorial form, but it also was widely displayed in the home. With the economic move from home to factory during the early 19th century, the home became more of a “sanctuary” in which women could decorate and display. [excerpt]

Glenn Ligon: Narratives, Shannon Egan, Kimberly Rae Connor

Schmucker Art Catalogs

The exhibition on display at Schmucker Art Gallery, a suite of nine prints entitled Narratives by prominent contemporary artist Glenn Ligon, has been made possible by a generous gift to Gettysburg College by Dr. Kimberly Rae Connor ’79. Ligon’s works have been exhibited widely at major museums, and Gettysburg College is fortunate to have the opportunity to engage with work that examines issues of race, sexuality, history and representation. The artist is well known for his use of quotations and texts from a variety of literary writers and cultural critics such as James Baldwin, Frantz Fanon, bell hooks and Ralph …

The Mercury 2014

The Mercury

No abstract provided.

Andy Warhol: Polaroids & Portraits, Emily A. Francisco

Schmucker Art Catalogs

Enigmatic Andy Warhol claimed he had “no real point to make” in producing art. Yet, his silkscreens, sculptures, paintings, and photographs reveal the artist’s profound interest in the way art intersected with fields like advertising, fashion, film, mass culture, and underground music. In his experimentations with photography and portraiture, Warhol was fascinated with representations of both the individual and the masses and used the Polaroid portrait to illustrate the fine lines between art and popular culture, celebrity and anonymity. [excerpt]

Melissa Ichiuji: In The Flesh, Shannon Egan

Schmucker Art Catalogs

When she dances, acts, sculpts, sews or films, artist Melissa Ichiuji presents the human figure in political and personal terms, examining its various states of desire or distortion. This exhibition In the Flesh presents three discrete recent bodies of Ichiuji’s work: a series of busts of political figures from the 2012 election season entitled Fair Game, a trio of life-sized sculptures of female bodies, and lastly, Everything to Lose, a film and corresponding photographs of the artist donning an elaborately sculpted costume. Despite seeming differences in medium and subject in this exhibition, Ichiuji works with similar materials and …

Judy Chicago: The Birth Project, Francesca S. Debiaso

Schmucker Art Catalogs

When I was a first year student sitting in the art history classroom of Professor Carol Small’s introductory survey course in the fall of 2008, Creation of the World #7 was on display in a large Plexiglas case along with the work’s documentation panels. At first, Creation of the World #7 seemed unimpressive and bland. The dim room, the text-heavy panels and the dusty case did not inspire close examination of the work. When I eventually approached it, I realized that it was a birthing scene and the result of a national art-making endeavor advanced by feminist art pioneer Judy …

Kara Walker: Harper's Pictorial History Of The Civil War (Annotated), Shannon Egan

Schmucker Art Catalogs

The preface to the original edition of Harper’s Pictorial History of the Civil War, published in 1866 by Alfred H. Guernsey and Henry M. Alden asserts, “We proposed at the outset to narrate events just as they occurred; … to praise no man unduly because he strove for the right, to malign no man because he strove for the wrong." The suite of lithographs on display at Schmucker Art Gallery by prominent contemporary African-American artist Kara Walker entitled Harper’s Pictorial History of the Civil War (Annotated), on loan from the Middlebury College Museum of Art, challenges the truth Guernsey and …

Hazard Tsunami, Lisa R. Del Padre

The Mercury

No abstract provided.

Empty Room, Madeline A. Price

The Mercury

No abstract provided.

Curiosity, Nathaniel H. Fitch

The Mercury

No abstract provided.

Emily, Chelsea A. Anspach

The Mercury

No abstract provided.