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Articles 271 - 281 of 281
Full-Text Articles in Art and Design
Illumination And Geometry In Islamic Art, Salma Marani
Illumination And Geometry In Islamic Art, Salma Marani
Humanistic Mathematics Network Journal
No abstract provided.
See-Duction: How Scientists And Artists Are Creating A Third Way Of Knowing, Howard Levine
See-Duction: How Scientists And Artists Are Creating A Third Way Of Knowing, Howard Levine
Humanistic Mathematics Network Journal
No abstract provided.
A View Of The Intersection Of Art And Technology, Nancy Macko
A View Of The Intersection Of Art And Technology, Nancy Macko
Scripps Faculty Publications and Research
Using technology to teach art and design.
The Mathematical Quest For The Perfect Letter, Frank J. Swetz
The Mathematical Quest For The Perfect Letter, Frank J. Swetz
Humanistic Mathematics Network Journal
No abstract provided.
Tilings In Art And Science, James E, Hall
Tilings In Art And Science, James E, Hall
Humanistic Mathematics Network Journal
No abstract provided.
Review Of: Australian Rock Art: A New Synthesis, Paul Faulstich
Review Of: Australian Rock Art: A New Synthesis, Paul Faulstich
Pitzer Faculty Publications and Research
Rock-art studies have now come of age, and are among the most fertile explorations of expressive culture. Through an interdisciplinary approach to its study, we have expanded our knowledge into the realms of aesthetics, belief systems, and social structures. Australian rock an is particularly significant, since it is a visual expression that has been practiced by contemporary as well as prehistoric Aboriginals. Robert Layton's most recent book -his "new synthesis" of Australian rock art- is an ambitious and successful analysis of Aboriginal rock art from across the continent.
X-Ray Rock Art Of Australia And Southeast Asia, Paul Faulstich
X-Ray Rock Art Of Australia And Southeast Asia, Paul Faulstich
Pitzer Faculty Publications and Research
Throughout the world, cultures have expressed social, economic, and religious concerns through art. As the oldest surviving artistic form, rock art illustrates mankind's continuing effort to understand his place in the material and immaterial worlds. The study of rock art can lend an important insight into prehistory, as it provides the earliest illustration of beliefs, technologies, and activities.
Shaman--Ritual--Place: Sacred Sites And Spiritual Transformation, Paul Faulstich
Shaman--Ritual--Place: Sacred Sites And Spiritual Transformation, Paul Faulstich
Pitzer Faculty Publications and Research
Throughout the world, tribal societies have held in sacred esteem certain locales within the physical environment. These have been utilized for the purposes of shamanism, ritual, magic, and mythologizing.
"Sacred" And "Secular" In Australian Rock Art, Paul Faulstich
"Sacred" And "Secular" In Australian Rock Art, Paul Faulstich
Pitzer Faculty Publications and Research
Recently I have been questioned by several scholars about the terms "sacred" and "secular" in my research on Aboriginal rock art in Australia. It seems clear that many people are uncomfortable with distinguishing between sacred and secular within a tribal context. I would like to express my viewpoint briefly, and hopefully to clear up some of the misconceptions that are held about Aboriginal concepts of spirituality.
Dangerous 'Preservation' In Malaysia, Paul Faulstich
Dangerous 'Preservation' In Malaysia, Paul Faulstich
Pitzer Faculty Publications and Research
A recent article appeared in a daily newspaper of Kuala Lumpur reports on alarming preservation measure that the Muzium Negara intends to implement at the Gua Tambun rock art site. They must be halted immediately if the rock paintings are to remain in a pristine state.
Rock Art In Malaysia, Paul Faulstich
Rock Art In Malaysia, Paul Faulstich
Pitzer Faculty Publications and Research
Very little is known to the scientific world on the rock art of Malaysia. It might therefore be worthwhile on a site in the state of Perak, just outside of the town of Ipoh. The rock is limestone, and there is a quarry about 1/8 of a mile down the hill from the paintings. Flaking of the cliff wall and the limestone excretions have badly damaged the paintings; rain also falls directly on the paintings. As far as we know, the site has never been adequately documented.