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Brigham Young University

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Articles 181 - 210 of 305

Full-Text Articles in Art and Design

Ap Studio Art As An Enabling Constraint For Secondary Art Education, Mark Graham Jan 2009

Ap Studio Art As An Enabling Constraint For Secondary Art Education, Mark Graham

Faculty Publications

No abstract provided.


Graphic Novels As Contemporary Art? The Perplexing Question Of Content In The High School Art Classroom, Mark Graham Jan 2008

Graphic Novels As Contemporary Art? The Perplexing Question Of Content In The High School Art Classroom, Mark Graham

Faculty Publications

The postmodern condition of contemporary art is characterized by appropriation, layering of styles, recontextualization, interaction between text and image, and a willingness to embrace multiple meanings (Fehr, 1997; Gude, 2004). As the high school teacher contemplates the world of contemporary art and the expanse of visual culture, an insistent question comes to mind: What work of art or artifact of visual culture will provide the richest educational experiences for adolescent students? One viable answer is the graphic novel. Graphic novels have a postmodern flavor in that they are often ironic, playful, self-referential, and contain multiple narratives (Congdon & Blandy, 2003; …


Exploring Special Places: Connecting Secondary Art Students To Their Island Community, Mark Graham Jan 2007

Exploring Special Places: Connecting Secondary Art Students To Their Island Community, Mark Graham

Faculty Publications

No abstract provided.


This Is The Right Place: Community-Based Art Education At Utah's Springville Museum Of Art, Mark Graham, Sharon R. Gray Jan 2007

This Is The Right Place: Community-Based Art Education At Utah's Springville Museum Of Art, Mark Graham, Sharon R. Gray

Faculty Publications

The human condition in the post-modern world is increasingly nomadic. A sense of displacement and alienation is pervasive. Schools emphasize abstracted knowledge removed from the experience of students. Many people feel detached from the places where they live and have no particular sense of belonging or responsibility toward their communities. Museums can counter this pervasive restlessness and be a powerful source of community renewal. This article draws connections between place-based education theory and the educational mission of the art museum, as illustrated by the Springville Museum of Art. The small town of Springville, Utah enjoys an unparalleled connection with its …


An Interview With Fred Wilson, Mark Graham Jan 2007

An Interview With Fred Wilson, Mark Graham

Faculty Publications

Abstract The medium of artist Fred Wilson is the museum. He delves deep into museum collections to expose unexamined assumptions about power, place, privilege, and history. His installations include wall labels, educational materials, lighting, and non-traditional pairings of objects.His work is not only about the objects on display, but about how the whole museum environment can generate meaningful questions about art, history, and the role of the museum in its community. In this interview, Fred Wilson discusses how he works with the objects, places, and people that are part of the museum environment.


Art, Ecology And Art Education: Locating Art Education In A Critical Place-Based Pedagogy, Mark Graham Jan 2007

Art, Ecology And Art Education: Locating Art Education In A Critical Place-Based Pedagogy, Mark Graham

Faculty Publications

In contemporary life and education, the local is marginalized in favor of large-scale economies of consumption that are indifferent to ecological concerns. The consequences of neglecting local human and natural communities include a degraded habitat, loss of wilderness, alienation, rootlessness, and lack of connection to communities. Critical place-based pedagogy provides a robust framework for the theory and practice of art education that is concerned with ecological issues. This article locates art education within a critical pedagogy of place as a prelude to describing contemporary art and art education that is engaged with ecological Issues.


Contemporary Art, Science, Ecology, And A Critical Pedagogy Of Place, Mark Graham Jan 2007

Contemporary Art, Science, Ecology, And A Critical Pedagogy Of Place, Mark Graham

Faculty Publications

In contemporary life and education, the local is marginalized in favor of large-scale economies of consumption that are indifferent to ecological concerns. The consequences of neglecting local human and natural communities include a degraded habitat, loss of wilderness, alienation, rootlessness, and lack of connection to communities. Place-based education responds to this indifference to local ecological concerns by grounding student learning in the experiences of their own lives, communities, and regions. Critical place-based pedagogy broadens the scope of place-based learning by incorporating critical theory into the curriculum of the local. This article describes a critical pedagogy of place as a prelude …


John B. Fairbanks: The Man Behind The Canvas, Rachel Cope Aug 2003

John B. Fairbanks: The Man Behind The Canvas, Rachel Cope

Theses and Dissertations

A biographical sketch of artist John B. Fairbanks, this thesis primarily probes Fairbanks' evolution as an artist. From amateur, to art missionary, to professional artist, Fairbanks influenced his cultural surroundings in Utah and in The Church of Jesus Christ of Latter-day Saints. His commitment to his career and his impact on others significantly affected Utah and Mormon art. Thus it is important to understand and recognize the full portrait of John B. Fairbanks.

John B. Fairbanks, born on 27 December 1855, developed an interest in art while still young. Until reaching the age of thirty-four, he often worked as an …


Responding To The Demise Of Adolescent Artmaking: Charting The Course Of Adolescent Development In An Exceptional Art Classroom, Mark Graham Jan 2003

Responding To The Demise Of Adolescent Artmaking: Charting The Course Of Adolescent Development In An Exceptional Art Classroom, Mark Graham

Faculty Publications

Adolescent artistic developmental potential is often underestimated, ignored, or dismissed as irrelevant. This article argues that the deliberate cultivation of artistry is neglected and the task of developing mastery in any visual language is rarely attempted. By adolescence, most children give up the visual arts as a means of understanding or expression. Although drawing is accepted as a fundamental skill in most secondary art programs, there are different opinions on how to teach drawing, and to whom drawing should be taught. Endpoints of development and the role of cultural influences are two areas that invite different points of view. This …


Jed Wells Photo 1 Oct 2002

Jed Wells Photo 1

Inscape

No abstract provided.


The Historical Ceramics Of Camp Floyd, Jennifer L. Elsken Jan 2002

The Historical Ceramics Of Camp Floyd, Jennifer L. Elsken

Theses and Dissertations

This thesis is an historical archaeological project involving the classification and analysis of the ceramics found at Camp Floyd, a 19th century military site 40 miles southwest of Salt Lake City, Utah. United States military troops were dispatched to the Utah Territory to establish a Pony Express Station and an Overland Stage Trail, to assert federal authority in the Territories, and to end the ongoing conflict between the federal government and the Church of Jesus Christ of Latter Day Saints. The primary research question concerned the ceramic usage patterns at Camp Floyd as compared to other military sites and non-residential …


Dorothea Lange In Utah, 1936-1938: A Portrait Of Utah's Great Depression, James R. Swensen Jan 2000

Dorothea Lange In Utah, 1936-1938: A Portrait Of Utah's Great Depression, James R. Swensen

Theses and Dissertations

In his 1978 biography of Dorothea Lange, Milton Meltzer appraised Lange's 1936 photography in Utah as nothing more than mundane work done for the benefit of the Farm Security Administration (FSA) and not for her own benefit as a photographer. Yet, her work in Utah encapsulates the aspirations, goals, and styles of Lange, and gives insight into her vision as a photographer and representative of the New Deal. Through carefully composed photographs, Lange shows the hardships and hope of life in Utah during the Great Depression.

This thesis investigates Lange's photographs in order to gain a greater understanding of the …


Photography, Candice Borup Stringham Apr 1999

Photography, Candice Borup Stringham

Inscape

No abstract provided.


Full Issue Apr 1999

Full Issue

Inscape

No abstract provided.


Contributors Apr 1999

Contributors

Inscape

No abstract provided.


Front Matter Apr 1999

Front Matter

Inscape

No abstract provided.


Ken Bishop, Ken Bishop Jan 1999

Ken Bishop, Ken Bishop

Inscape

No abstract provided.


Ken Bishop 6, Ken Bishop Jan 1999

Ken Bishop 6, Ken Bishop

Inscape

No abstract provided.


Ken Bishop 7, Ken Bishop Jan 1999

Ken Bishop 7, Ken Bishop

Inscape

No abstract provided.


Ken Bishop 10, Ken Bishop Jan 1999

Ken Bishop 10, Ken Bishop

Inscape

No abstract provided.


Front Matter Jan 1999

Front Matter

Inscape

No abstract provided.


Ken Bishop 3, Ken Bishop Jan 1999

Ken Bishop 3, Ken Bishop

Inscape

No abstract provided.


Full Issue Jan 1999

Full Issue

Inscape

No abstract provided.


Contributors Jan 1999

Contributors

Inscape

No abstract provided.


Ken Bishop 4, Ken Bishop Jan 1999

Ken Bishop 4, Ken Bishop

Inscape

No abstract provided.


Ken Bishop 9, Ken Bishop Jan 1999

Ken Bishop 9, Ken Bishop

Inscape

No abstract provided.


Ken Bishop 5, Ken Bishop Jan 1999

Ken Bishop 5, Ken Bishop

Inscape

No abstract provided.


Ken Bishop 2, Ken Bishop Jan 1999

Ken Bishop 2, Ken Bishop

Inscape

No abstract provided.


Ken Bishop 8, Ken Bishop Jan 1999

Ken Bishop 8, Ken Bishop

Inscape

No abstract provided.


Photography: Chris Carlson, Chris Carlson Jan 1998

Photography: Chris Carlson, Chris Carlson

Inscape

No abstract provided.