Art and Design Commons^™

The Bridge, Volume 21, 2024, Bridgewater State University

the bridge

Designers:

Mollie Rose Burk

Liz Cowden

Zachary Lucius

Colm McDonough

Arlene Perez

Editor-in-Chief

Ashley LaVergne

Editors:

Jaina Hicks

Emma Voelker

Faculty Advisor:

Jessica Melendy

Design Advisor:

Professor Alain Blunt

The Bridge, Volume 20, 2023, Bridgewater State University

the bridge

Designers:

Marie Foscaldo

Carly C

Jack Hatfield

Nate Stephen

Alexandria Joyce

Editors-In-Chief:

Bethany Clemons

Joe Thorpe

Editors:

Brandon Gebhart

Abigail Murphy

Faculty Advisor:

Jessica Melendy

Design Advisor:

Professor Alain Blunt

Beauty Consumed, Erika Galvin

Honors Program Theses and Projects

No abstract provided.

Cruel To Be Unkind, Michelle Landry

Honors Program Theses and Projects

Overall, the goal of my campaign is to educate but I tried to put the focus on the facts rather than demanding anything from the viewers. Companies such as PETA often turn viewers away with their demanding and extreme media in hopes to guilt them into changing their ways. Rather than guilting people, I want to make people aware that this is still an issue in our country and educate them on the topic. With these intentions, I created my campaign known as Cruel to Be Unkind.

On The Cover: Artist’S Statement For Sin City Sucker Mask, Lisa Tucker

The Graduate Review

Lisa Tucker creates conceptual, mixed-media sculpture using found materials. She makes artwork that encourages people to think about the uncomfortable things about which we do not often talk. Her artwork uses visual/verbal puns that relate the concept of the work to the material used to create it.

The Bridge, Volume 19, 2022, Bridgewater State University

the bridge

Managing Editor:

Grace Guindon

Editors:

Dakota Lopes

Jonathon Gillis

Stephanie Pizella

Meghan Joyce

Design Lead:

Cay Berman

Designers:

Lucy Flaherty

Jessica Hayes

Bao Huynh

Michael Seguer

Faculty Advisor:

Dr. Carrie Oeding

Design Advisor:

Professor Alain Blunt

Everyday Trauma: Narrativizing The Self In Chris Ware’S Graphic Novels, Jacob Bibeault

Honors Program Theses and Projects

The term “graphic novel”—that is, a book-length narrative that employs the comics medium to tell its story—has entered into the vocabulary of comics enthusiasts and readers alike. But, despite the popularity of contemporary graphic novels, many graphic novelists began their careers writing underground comics that garnered little mainstream attention.

An Aesthetic Of Authenticity: The Use Of Turquoise In American (Counter)Culture, Madison Staples

Honors Program Theses and Projects

Turquoise is a distinctive part of the material culture of the Indigenous tribes of the American Southwest, including the Navajo, Hopi, Zuni, and Pueblo peoples. The stone, particularly its color, is situated within complex systems of culture and meaning for each tribe, but the physical nature of material culture makes such pieces accessible for outsiders to borrow, buy, or steal. The aesthetic of the southwestern Indigenous tribe, traced in this paper through the use of turquoise, has been drawn upon by non-Native Westerners pursuing authenticity in their American lives. My findings suggest that true authenticity is marked by authentic engagement, …

The Bridge, Volume 18, 2021, Bridgewater State University

the bridge

Managing Editor:

Adam Blowers

Social Media Manager:

Lauren Pray

Lead Designer:

Katie Sheehan

Designers:

Racquel de Barros

Michelle Landry

Editors:

Elinor Ault

Katherine Ault

Glen Beaulieu

Fletcher Donohoe

Jessica Sweeney

Maya Wyatt

Faculty Advisor:

Professor Evan Dardano

Design Consultant:

Professor Alain Blunt

Gaming Art History: A Study Of Game-Based Pedagogy And Its Applications In Art History, David Desouto

Honors Program Theses and Projects

Today, high school and college students are likely to be exposed to famous architecture through video games that feature historical settings before learning about it in an academic setting. Architecture plays a fundamental role in these games, and they often include sites that are relevant to art history. This paper investigates how video games can be used as pedagogical tools in art history. Accurately-replicated historical sites in video games are accessible to audiences who may not be interested otherwise, and scholars suggest that their use in the classroom can enhance students’ understanding and push more advanced material. Drawing from the …

Gaia Bioplastics: A Design Exploration Of Bioplastics Through A Brand Campaign, Kelsey Long

Honors Program Theses and Projects

The world is drowning in petroleum-based plastics. Plastics and their byproducts have created an environmental crisis by polluting our oceans and negatively affecting human health and diverse ecosystems around the world. Alternative bioplastics sourced from plants, especially hemp, seaweed, and lignin (organic polymers in wood and bark), offer promising solutions. Still, bioplastics currently make up only one percent of the global plastics market. My undergraduate scholarship in Graphic Design aims to build a consumer awareness campaign of bioplastics and promote their viability through branding, logos, and advertising designs. Based on research into hemp, seaweed, and lignin-sourced bioplastics, I have developed …

Editor's Notebook: Being Toddy, Sarah Wiggins

Bridgewater Review

No abstract provided.

Ridged Pots: A Studio Investigation, R. Preston Saunders

Bridgewater Review

No abstract provided.

On The Cover: Artist’S Statement For A Glimpse Of Motherhood

The Graduate Review

No abstract provided.

The Bridge, Volume 17, 2020, Bridgewater State University

the bridge

Managing Editor:

Sam Cave, Literature

Kiana Govoni, Web

Mary Redman, Art and Design

Editors:

Jennifer Bérard

Gabi D’Amelio

Rilee Granger

Kelsey Long, Cover Artist

Ian Mello

Syllina Ramalho

Erin Ryan

Faculty Advisor: Professor Sarah Fawn Montgomery

Consultant: Professor Alain Blunt, Design

Re/Vision: An Artistic Exploration Of The Fallacy Of Memory, Emma Johansen-Hewitt

Honors Program Theses and Projects

What does life look like? If you had to condense your life into a series of words, what would they say? What about objects; what would they be? What do we keep with us, and why do we keep it? What do we document and catalog throughout our lives? What does memory look like? How are our memories connected to this documentation, and what happens when we leave a space in which so many of our memories lived? Re/Vision is a body of work created over the span 10 months that explores the idea of memory, and the fallacy of …

Bauhausian Rhapsody 4.0: Mein Erbe, (My Heritage And Legacy) Design Thinking And Creativity In The Spirit Of The Bauhaus, Jill Lengel

Honors Program Theses and Projects

This honors thesis is a continued exploration of my Adrian Tinsley Program Summer Grant titled “Bauhausian Rhapsody, Uncle Chester went to Cambridge: An Adventure with Walter Gropius and The Architects Collaborative”. The Bauhaus was a school in Germany created in 1919, which for the first-time combined art education with applied arts and new technology. Today’s maker movement, and makerspaces, follow through with that idea and encourage creative problem solving, design thinking, craftsmanship, and technology. My ATP summer research focused on my great-uncle Chester Nagel, an architect who studied under Walter Gropius at Harvard from 1939-1940, and later became a professor …

“Global” On The Rose Kennedy Greenway, Margaret Bellafiore

Bridgewater Review

No abstract provided.

The Bridge, Volume 16, 2019, Bridgewater State University

the bridge

Editor-in-Chief: Mialise Carney and Alex Everette

Design:
John Davey, Cover Artist
Seth Jefferson
Lindsey MacMurdo, Photography Editor
Hailey Mulvey

Editors:
Sydney Cabral
John Cahill
Jake Camara
Kellie Delaney
Erica Devonish
Gabriel Hazeldine
Katie McPherson
Ian Mello
Erin Ryan
Becca Todd
Hannah White
John Wilson

Faculty Advisor: Evan Dardano

Graduate Assistant: Jill Boger

Consultant: Cady Parker, Design

Horse And Carriage, Ryan Mehigan

The Graduate Review

No abstract provided.

On The Cover: Artist’S Statement For Bury The Past, Rob Us Blind, Ryan Mehigan

The Graduate Review

No abstract provided.

High Resolution Graphics, Ryan Mehigan

The Graduate Review

No abstract provided.

Installation Of This Light Is Not My Own, Ryan Mehigan

The Graduate Review

No abstract provided.

You’Re Killing Me, Smalls, Ryan Mehigan

The Graduate Review

No abstract provided.

Cultural Combinations In Japanese Art: The False Dichotomy Of Buddhism And Shintō, Danae Reaves-Bey Browne

Honors Program Theses and Projects

In the latter half of the nineteenth century, the Meiji regime (1868-1912) of Japan declared a mandatory separation of indigenous deities from Buddhist figures. The Meiji government sought to use indigenous rituals, instead of Buddhist rituals, to legitimize its power. It thus codified these beliefs as a national religion, today referred to as Shintō (神道), to emphasize their autonomy. Yet, in spite of its efforts to isolate these beliefs from all others, Japanese spirituality still bears traces of “extra-cultural” religious ideas. This is the result of a long history of religious syncretism (hybridity) in the region. An understanding of the …

Art Created By Women In Response To Social Change: A Study Of Women’S Identity From The Twentieth Century To The Present, Kathleen Carroll

Honors Program Theses and Projects

No abstract provided.

Ceramic Vessel: Blue Binary 1, Brenda Roveda

The Graduate Review

No abstract provided.

Ceramic Vessel: Connected Ii, Brenda Roveda

The Graduate Review

No abstract provided.

On The Cover: Artist’S Statement For B-Phone, Brenda Roveda

The Graduate Review

No abstract provided.

Ceramic Vessel: All Blue Binary, Brenda Roveda

The Graduate Review

No abstract provided.