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Articles 1891 - 1920 of 6197
Full-Text Articles in Art and Design
15 Photographs 15 Curators, Matty Cunningham, Ryan Dee, Shane Farritor, Charlie Foster, Derrick Goss, Richard Graham, Pablo Morales, Carrie Morgan, Walker Pickering, Judith Sasso-Mason, David J. Sellmyer, Jamie Swartz, Sriyani Tidball, Elizabeth Vanwormer, Michelle Waite
15 Photographs 15 Curators, Matty Cunningham, Ryan Dee, Shane Farritor, Charlie Foster, Derrick Goss, Richard Graham, Pablo Morales, Carrie Morgan, Walker Pickering, Judith Sasso-Mason, David J. Sellmyer, Jamie Swartz, Sriyani Tidball, Elizabeth Vanwormer, Michelle Waite
Sheldon Museum of Art: Catalogs and Publications
The museum invited fifteen individuals from the university community—faculty, students, staff, administrators—to each choose a photograph from Sheldon’s permanent collection and write a brief reflection on or response to the work. The selected images span history, genres, and styles, just as the participants represent diverse intellectual and creative interests on campus. Equally varied are the reflections themselves. Some participants describe qualities that have drawn them to particular images; others consider the ways art provides a fresh lens for their specialized work in other disciplines.
Photographs:
Monte Gerlach Rising Form
Sarah Charlesworth Candle
Stanley Truman Joinery, Coloma, California
Carrie Mae Weems …
Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard
Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard
Graduate Student Theses, Dissertations, & Professional Papers
This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.
The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …
The Laureate, 16th Edition (2017)
The Laureate, 16th Edition (2017)
The Laureate
Table of Contents
Dangle, Megan Murphy
Redamancy , Danielle Favorite
A Lesson, Mark Majcher
Sink in the Morning, Andrew Heuermann
Lie, Kaylie Hanson
Suffragette Colors, Tenley Sablatzkey
The Big Community, Jackson Freeman
Small Thing, Jared Sebastian
Untitled, Casey Grooten
The Diary of a Young Girl and Jeff Mangum, Andrew Heuermann
Prescribed Meaning, Ali Orlandi
An Open Letter to the Father Who was There, Amber Slack
Genesis and Chance, Austin Wines
The Morning Pachamama was Born, Megan Murphy
Her Black Braids Broke Down, Casey Grooten
Toes and Paint, Nick Alti
Rest, Maura Sands
Money is a Crime; Rape is a Personal …
Taking In: A Juried Selection Of Undergraduate Photography 2017, Lucad Students
Taking In: A Juried Selection Of Undergraduate Photography 2017, Lucad Students
Taking In
Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.
Calliope, Armstrong State University
Calliope, Armstrong State University
Calliope Magazine
Volume 34
(Volume 33 was left out of the volume number sequence and does not exist.)
Descendants, Katie J. Sheffield
Descendants, Katie J. Sheffield
Electronic Theses and Dissertations
The photographer discusses the photographs in Descendants, her Master of Fine Arts thesis exhibition which was held at Tipton Gallery, Johnson City, Tennessee from October 31, 2016 through November 23, 2016. The exhibit consisted of 19 large format color photographs. This body of work visually represents the artistʼs interest in those who participate in Civil War re-enactments.
The historical and contemporary influences discussed are in accordance to Sheffieldʼs photographs. Historical influences include Matthew Brady, James Abbott McNeill Whistler, Walker Evans, and Helen Levitt, as well as those of contemporary artists; Martin Parr, Stacy Kranitz, and Anderson Scott.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
The Art And Science Of Light Painting, Reid Godshaw
The Art And Science Of Light Painting, Reid Godshaw
The Transdisciplinary STEAM+ Journal
A short overview of the making of light painting portraits explained by the artist.
The Year-Long Adventures Of The Blue Shoes & Their Friends, Michael R. Hill
The Year-Long Adventures Of The Blue Shoes & Their Friends, Michael R. Hill
Zea E-Books Collection
While participating in a Teacher Workshop organized by Georgina Valverde at the Art Institute of Chicago in 2013, Michael Hill began a one-year artistic and pedagogical odyssey making original images (always featuring some aspect of one or more athletic shoes) and posting them daily to a visual blog he created to help kick-start writing projects among the many student athletes he tutored at the University of Nebraska-Lincoln. He started the year self-identifying as “scholar/teacher,” but at year’s end Michael looked in the mirror and said, OK, still “scholar/ teacher,” but also “artist.” Here are the workshop organizer’s foreword, the scholar’s …
Images Of Public Places: Extending The Copyright Exemption For Pictorial Representations Of Architectural Works To Other Copyrighted Works, Andrew Inesi
Journal of Intellectual Property Law
No abstract provided.
Dotphotozine Issue 6, September 2016, Students Of The Csusb Art Department, Thomas Mcgovern
Dotphotozine Issue 6, September 2016, Students Of The Csusb Art Department, Thomas Mcgovern
Dotphotozine
No abstract provided.
Untitled, Veronica Gonzalez
Untitled, Rebecca Jacobs
Surrealistic Self Portrait, Toyé Durrah
Untitled, Nadia Blackmon
Pike Place, Aubrie Salzman
Ocracats, Sarah Stokes
Outside - In Iv, Lauren Copley
The Forgotten Wanderer, Dale Bridges
Self Portrait, Philip Perry
Graylyn, Daniel Padgett
Concealed Compulsions, Julie Hydrick
Farah .2, Kelsey Boatwright
Untitled, Kaitlyn Walters
Untitled, English Grant
Running Out Of Steam, Zach Nesmith
Stand Still, Molly Boucher
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2013 Winthrop Anthology issue.
Untitled, Rebecca Jacobs
Dēvadāra, Joanna Henry